PB Capitalis Rustica IVc is a font face designed for imitate latin writing style found in manuscripts from 1st to 9th century. All characters are handwritten by use ink and reed pen (calamus), scanned, digitized and optimized for best quality without lost its handwritten visual appearance. Character set support codepages: 1250 Central (Eastern) European, 1252 Western (ANSI), 1254 Turkish, 1257 Baltic. Include also additional characters for Cornish, Danish, Dutch and Welsh language, spaces (M/1, M/2, M/3, M/4, M/6, thin, hair, zero width space etc.) and historical characters (overlined Roman numerals, I-longa, historical ligatures for "nomina sacra" and "notae communes"). OpenType TrueType TTF (.ttf) font file include installed OpenType features: Access All Alternates, Localized Forms, Fractions, Ordinals, Superscript, Tabular Figures, Proportional Figures, Stylistic Alternates, Stylistic Set 1, Historical Forms, Historical Ligatures. Include also kerning as single 'kern' table for maximum possible backwards compatibility with older software. Historical ligatures for "nomina sacra" and "notae communes" are mapped to Private Use Area codepoints. Use of OpenType features to get historical characters: ïTo get "I-longa" use Stylistic Alternates for: "I"(U+0049), "i"(U+0069), "dotless i"(U+0131). ïTo get "nomina sacra" use Historical Ligatures and write uppercase letters: DS for: "Deus", DMS or DNS for: "Dominus" EPS for: "Episcopus", IHS for: "Iesus", PBR for: "Presbiter", SCS for: "Sanctus", SPS for: "Spiritus", XPS for: "Christus". ïTo get "notae communes" use Historical Ligatures and write: B(U+0042) + "middle dot"(U+00B7) for: "-BUS", Q(U+0051) + "middle dot"(U+00B7) for: "-QUE". ïTo get "scriptio continua" (writing without words separation) use Historical Forms (regular spaces are replaced by zero width spaces between words). ïTo get "middle dot" for separate words use Stylistic Set 1 (regular spaces are replaced by middle dot between words).

TextTile is a system of heavy sans titling faces which can be utilized to carry a repeating chromatic pattern across words and letters. It stands apart from other chromatic faces, where layered effects typically interact only within each letter and do not carry through from one letter to another. The pattern repetition across letters of varying widths is achieved through OpenType substitution, using conditional alternates for each successive letter to allow for a seamless appearance across words, regardless of letter combinations. Though the pattern exists on a strict grid and the letters' widths and spacing must be highly regular in order to preserve the pattern repeat, the letterforms themselves are not rigid; rather, they appear organic, lively. The initial release includes patterns inspired by a classic buffalo plaid, separated into its horizontal and vertical components to maximize the creative possibilities for layering one-, two-, three-, and even four-color plaid patterns. Kits are available to produce the plaid pattern in detail—with overlapping diagonal hatching fully visible—or as a simplified version in which transparency can be used to simulate plaid or to create a checkered or striped effect. The TextTile family of fonts is a flexible canvas for mixing and matching a broad array of patterns to create a unique look. Check back for more pattern releases and take a look at the online specimen to see what is possible with the current offerings. Usage Notes For best results use an OpenType aware program. Enabling Contextual Alternates will ensure pattern alignment. For patterns that are made up of vertical stripes or columns using the Stylistic Alternate/Stylistic Set 1 will shift the columns. Stylistic Set 2 will change 1-0 into blocks of patterns.

The courageous Russian author of the best seller Anastasia, Vladimir Megre, once said that this remarkable woman would inspire creative people around the world to produce their best work. Since I consider myself a creative person who has been deeply touched by her story, I sincerely hope that this will be true for me also. Anastasia talks a lot about God, the wonders of the natural world and how all things have been created so perfectly. This belief in universal perfection, however, is not confined to mystics alone. Many great mathematicians and scientists, including Albert Einstein, were of the same opinion. Having read Dan Brown’s The Da Vinci Code, I became quite fascinated with the so-called Fibonacci series; "a sequence of integers in which each integer (Fibonacci number) after the second is the sum of the two preceding integers; specif., the series 1, 1, 2, 3, 5, 8, 13, . . ." (Webster’s Dictionary). These mysterious numbers, which are said to give divine proportions, are found throughout nature in everything from a rose to a spiral galaxy. Many believe that this reinforces the argument that there is a divine intelligence back of creation. With that in mind, I thought it would be interesting to see if I could somehow create a font using these numbers in the design process. If I have succeeded - even partially - in attaining these mystical proportions, it will definitely have been worth all the hard work. And, I sincerely hope that many will enjoy using this font in producing their own best work.

Free form Art Nouveau hand lettering found on many early-1900s ads for various personal care items manufactured by the Colgate Company were the design inspiration for Stylish Nouveau JNL, which is available in both regular and oblique versions.

Taberna is a type system that provides a wide range of choices for any design project. The typeface comes in Sans and Serif layered versions plus a monolinear Script font. Taberna is the result of having explored design trends in bar signage, liquor packaging and street wear. Taberna is a funny display font with a Sans version—that provides a more clean and simple design—and a Serif one, which gives text a more distinctive and sombre personality. The Script version matches perfectly with the heavy Caps of the typeface. Taberna is a very versatile font well-suited for headlines, posters, logotypes, etc.

Introducing, Handstory, a simple handwritten script! Handstory is handwritten brush script that you can use both lowercase & uppercase separately and still looking great. You can use this font for any purposes such as a logotype, branding, and suitable for quotes. This font is so versatile, you can combine it wit your fonts collections. Handstory also contain ligature and underline. You can access the underline from opentype feature, just type underscore + number(1-3) for example: st_1ory. This font also support multilingual.

HU Blueocean is a headline typeface created by imagining waves in a square glass tube. It iis designed to be used in various environments by adding decorative elements, the swaying form of waves, to the Gothic style of a full square module. There is 1 weight of HU Blueocean : Black Features : Uppercase & lowercase Numbers and punctuation Multilanguage (Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Romanian, Pan African Latin, Dutch, Afrikaans, Basic Greek, Basic Cyrillic, Mathematical Operators) 882 Glyphs

Introducing, Daily Spark, handwritten font duo Daily Spark is a package of two fonts including Bold Sans and Script that will compliment each other. You can use this font for any occasions such as a branding, merchandise, etc. With handmade feels, this font is suitable for quote. For additional, this font also contains underline that you can access from ligature and type underscore + number (1-3) in the middle of the text, for example : Sp_2ark. This font also support multilingual.

Gothic is a stylized script style, with a wide selection of characters. A bold script font that looks cool. Gothic is perfect for branding projects. You can access swash by changing numbers 0-9 -Features of fonts Lowercase, Uppercase, Numbers & Punctuation, Lowercase alternatives, swash variant ligature Stylistic set 1 (for the end of the word) Stylistic set 2 (for the middle of the word) Stylistic set 3 (for the beginning of the word) Stylistic set 4 (for the end of the word) multilanguage

Herald Banner is the newest (as at January 2017) of Greater Albion’s ‘Banner’ or ‘Masthead' typeface. It tales the form of letters on a long heraldic banner twined about a central mace. It is offered in two forms- a conventional monochrome typeface and a set of eight interrelated typefaces designated ‘Colour’ 1 through to ‘Colour 8’. These (and indeed the monochrome face) have identical metrics and can be overlaid to produce multi-coloured lettering with the bare minimum of effort.

Sholaria designed to be a clean and luxurious display script font. Inspired by vintage copperplate style. Carefully made for the best 'flow' result. Came with seamless connection each others . Ton of 'necessary' swash alternates to playing with, around 400 glyphs total. This font will suitable for your any project. Branding, quotes, headlines, romantic letters and many more. Little note, you could access the end swash by check the number 1 and 2 alternate or just find it via glyph table.

🏆 Selected for Tipos Latinos 8. 🏆 Selected for the 12th Biennial of Brazilian Graphic Design. Malva was designed to perform as a branding element, providing a clean look for visual identities and publications. It brings a touch of friendliness to the communication without compromising the professional look every brand strives for. Legibility was one of the top concerns during the development of Malva, so we took special care to differentiate the naturally ambiguous characters I, i, l and 1.

Introducing Historya; A sweet handwritten font! Bold and cheerful fonts are guaranteed to beautify your designs and products. What's Included: Historya comes with a single font file that includes uppercase, lowercase, numbers, punctuation, and multilingual support. Historya also has alternative letters in each uppercase and lowercase and has a swash that you can access in alternative numbers 1-9. That's it! I hope you enjoy it. You can also say hello to me on Instagram: https://www.instagram.com/atharuah_ Thank You!

Saturday Lunchtime Font is a delightful combination of handwritten sans serif in uppercase and charming script in lowercase. Crafted with a cute and playful vibe, this font is perfect for creating logos for children's brands or adding a touch of whimsy to quotes. Its versatility allows you to use either the uppercase or lowercase alone, and you can activate swashes by typing underscore followed by numbers 1-3. Elevate your designs with the joyful and dynamic aesthetic of Saturday Lunchtime Font!

Thei is a calligraphy font that helps designers to create beautiful compositions. It looks stunning on wedding invitations, cards, quotes, greeting cards, logos, business cards and every other design which needs a customized touch. How quickly to create main decor element: 1.Type == (equal signs). Or type any Text========== Then move decor elements in the right position. ***Don’t change size of text during this process, because it may not create decor elements (ligatures). Or choose the décor element in Glyphs category.

Lovina Script is our first font in 2019 and has a handwritten script style with a touch of natural rough from the shape of the brush. For Scripts, Lovina fonts have 2 choices namely "Lovina 1" and "Lovina 2" and in this font script there are many alternative choices of characters from Swash Lowercase, SS01 to SS06. Lovina Script is very worthy of being the newest collection in 2019 as a project design creation, social media quote, badges, logotype, fashion design etc.

Introducing, Holybuck, classic signature family! Holybuck is signature script with three style that contain stylistic alternate, swash and underline to create your own costumized signature or logo design. This font is also support multi language. Available in OTF and TTF. Also Support PUA. It's available in three weigh style! For another questions, please send a mail to saridezra@gmail.com. Thank You! To add the line in under the text, type underscore + number (from 1 to 5). Or copy Some_5thing in preview bellow..

Nachel Victoria is a simple, yet aesthetically beautiful typeface. It has a modern script look which can be used for business cards, logos, packaging, branding, magazines, quotes, and much more! What's included: 1. Nachel Victoria (OTF) 2. Style in this font include: Regular, Bold, Italic, and Bold italic 3. Works on Mac & PC 4. Simple installations 5. Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, CorelDraw, even work on Microsoft Word. 6. Support multilingual; ä ö ü Ä Ö Ü ß ¿ ¡

Cally is a classic looking typeface with decorative vintage elements. It is perfectly suited for label design and for various lettering postcards and invitations. Cally includes the English alphabet, punctuation, numbers and Western European multilingual characters (check out the screenshots with all available characters). Also there are few ligatures and swashes. To access swash glyphs, just type underscore character and number 1-5, like this _1. Using "standard ligature" feature this symbols will be automatically replaced with one of the swash symbols.

Just Wood Heinz No.4 - the cool display font. Wood Heinz No.4 offering up to four "printed look" variations of all the Latin base letters and figures. An OpenType letter rotator is programmed into the fonts to emulate the randomness of wood type printing. You can switch manually to the alternate letters by using the Stylistic Sets 1 – 4. Stylistic Set 5 will activate the more common look of the capital letter R with a straight leg. PDF Specimen

Six Sided Monogram Font is a perfect shaped monogram font consisting of 78 letters and 1 basic frame. With just a single font file you will be able to create beautiful monograms in just a matter of minutes after the purchase! Six Sided Monogram Font comes with font file in OTF format. It features all the modern advanced font features such as Contextual Alternates, effectively eliminating the need to use multiple separate font files for left, center and right letters.

“Victoria Underwood” was found within the pages of the 1923 American Type Founders specimen book. It was one of many printing fonts faithfully replicating those used on various makes and models of actual typewriters. The purpose of such type was to allow mass production of letters or notices that could appear personalized rather than shop printed. Antique Typewriter JNL is the digital version of this design, and is available in both regular and oblique versions.

Reyhan is a low contrast typeface that looks legible and clean in small sizes. On large sizes, it wraps the space around. Finely drawn negative spaces, neat and minimal shapes define Reyhan. Simple and clean lines give the typeface a solid and finished look. Reyhan is pure and powerful with well designed proportions. Different alternatives such as square dots, alternate /a /l /y /R /1 /6 /9, coverage of 94 Latin languages, various Opentype features, and 18 styles expand the usage area of ​​Reyhan, making it a versatile workhorse. With high-quality spacing, Reyhan looks good on all sizes, making it not only a valuable tool for graphic designers but also a total typeface solution for every person who communicates with type. Reyhan is a typeface designed to adapt requirements of modern and traditional communication. For more information please visit www.plantype.co

The BESTVALL type family is a highly athletic and dynamic typeface capable of evoking the energy of sport in its literal and historical form. Building on traditional athletic typefaces, BESTVALL font implements new shapes inspired by historical trends and modern typography, giving it the ability to add personality to any set of words. Features include slab and display types, oblique styles, multiple ligatures, and style alternatives. This display typeface has been designed to stand out and grab the attention of a wide audience. What’s Included : - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Neutro is a neutral, multi-purpose font family. It is Aspira made more neutral, by removing angled terminals. Neutro’s subtle, fresh geometric personality, makes it ideal for any use where the content is more important than the font used to display this content. As neutral as it may be, its presence is always pleasant in an inconspicuous way. Neutro is well suited for both text and display use — for graphic design, corporate identity design, magazines, newspapers, books, reports, editorials, web, advertising, signage, etc. Neutro includes eight uprights and matching italics. Neutro includes nine numerical styles: lining and oldstyle figures (proportional and tabular), small cap figures, superiors, inferiors, numerators, and denominators. Neutro includes small caps, arbitrary fractions, and extensive language support. Free demo font available. Neutro in use: 1. For more information about Neutro, download the PDF Specimen Manual.

Mashok is a retro condensed font that exudes a vintage feel, perfect for adding a touch of nostalgia to your designs. This font features a tall and narrow letterform, making it ideal for creating eye-catching headlines and titles. With its unique stylistic alternates and ligatures, Mashok adds an extra level of charm and personality to your designs. Whether you’re creating posters, book covers, or other graphic design projects, Mashok is sure to make your text stand out. Give your designs a retro flair with Mashok today! What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Adolf Rusch von Ingweiler, was in the 19 th century known mysteriously as the “R'' printer. He was the first printer North of the Alps to introduce the new Roman style of type known now as Antiqua. He was active in the city of Strasbourg from around the early 1460's to 1489. One wonders if the unusual form of “R'' was a personal conceit. This font is, therefore, an Antiqua style font and has over a 1000 defined glyphs with wide support for medieval characters that have since fallen out of use. The baseline was slightly tidied up in order to give the printed text an even cleaner look than the original. The letters are very close approximations of the original type catalogued by the “Veröffentlichungen der Gesellschaft für Typenkunde des 15. Jahrhunderts” as Typ.1:103R GfT1197.