Bio Sans is a super neutral sans-serif family for text designed by Ryoichi Tsunekawa and the whole family consists of 6 weights from ExtraLight to ExtraBold and their matching Italics. The basic concept of this family is the same as Bebas Neue which is our most popular free font and used all over the world, that is to say, Neutral, Natural, Minimal, Harmless, Super-flat, Transparent and Legible. The basic skeleton of their letterform was designed geometrically and the sophisticated design gives them universality, neutrality and sense of unity for the use in all media, all purposes and their large x-heights makes this family legible and readable even on small size screen. Bio Sans supports almost all European languages: Western, Central, South Eastern Europeans and afrikaans. And proportional figures, superior figures, inferior figures, denominators, numerators, fractions, ordinals and case-sensitive-forms can be accessed by using OpenType features.

Introducing the cutting-edge Excelancer Extra font, a modern masterpiece born from the rich heritage of classic sci-fi typography. Our inspiration? The boundless allure of outer space. And bestseller — the Excelancer font! https://www.myfonts.com/collections/exelancer-font-popskraft Excelancer Extra font is a harmonious blend of sleek, contemporary design, drawing from the timeless elegance of its predecessor. What sets Excelancer Extra apart is its captivating fusion of bold, ornate uppercase characters with meticulously crafted lowercase letters that maintain exceptional readability, even in extensive text. With Excelancer, you possess an all-encompassing font toolkit, designed to tackle every facet of forward-looking design. But that's not all. This font isn't just for intergalactic tales; it's also a striking choice for anything related to technology, innovation, progress, and even the world of sports. In essence, Excelancer embodies the pure essence of the future—an infusion of dynamism that knows no bounds!

The year 2022 went and 2023 came. I can honestly say that last year was a horrible year and I am happy it ended a couple of days ago. The first week after New Year’s Eve always fills my head with the U2 song ‘New Year’s Day’ - so I named this font after a line from the lyrics. I also happened to watch a fantastic movie called ‘Im Westen Nights Neues’, directed by Edward Berger, but based on a book by Erich Maria Remarque, which, in English, was published as ‘All Quiet On The Western Front’. So there you have it: naming a font in 2 easy steps! ;-) All Is Quiet is a lovely brush font, which I created using my father in law’s Chinese pencil and ink. I can suggest some uses here, but I am convinced you can come up with that yourself.

Before the original sketches, I had imagined and dreamed this font was used for side characters of retro robot animations such as Gundam and Ideon. But the sketches were put in a PENDING folder. It was a few years ago. In the begining of 2011, I restarted working with the sketches to complete as a font file. Detail and some shape were improved retaining the original concept and they were completed, then named ‘Space Colony’. Just as the name implies, this wide and geometric font family consisting of six weights was designed targeting at use for futuristic product of game, movie, logo and so on. Not only that but the rounded shape makes a lovely, cute and soft impressions so this font is also suited for cartoons, animations and character merchandise too. We released 4 big Sci-Fi families in 2013. Check it out! Clonoid Controller Geom Graphic Space Colony

Terafile, a sans serif family designed by Raúl Plancarte who was inspired by hi-tech aesthetics. It is made up of eight weight variants with their respective italic versions. Ideally it works to capture in a graphic way the universe related to technology, sci-fi, industry and similar topics. It is a mixed family, because the construction of certain letters (as in "a", "f", "z", "B", "P", among others) is enriched with different finishes in structure to gain differentiation and plasticity. In other words, it moves away from an entirely academic design. Another important line in the creative concept of this typeface is the function of its ink traps, which, in addition to fulfilling their primary function, serve to gain gestuality in its use. This font is capable of covering complex design needs by enabling association with specific themes, which makes it highly competitive in its graphic line.

astie - Elegant Serif Font Unique, playful and versatile serif with 35+ ligatures and 50+ alternates can combine to get curves and beautiful shapes just in seconds. Type the words and Add the unique shapes from Bastie ornament to get a more stunning display. This font is suitable for many design forms, such as magazines, postcards, logos, DIY Projects, invitation cards, quotes, vintage look design, an old classic, the 60s, 70s, 80s, wedding projects and much more. We recommend using Adobe Illustrator or Photoshop. how to access alternate? Adobe Photoshop go to Window - glyphs Adobe Illustrator go to Type - glyphs Supported Languages What's you get? - Unique Alternates - Multilingual Support - Works on PC & Mac - Simple Installations - Accessible in the Adobe Illustrator, Adobe Photoshop, Microsoft Word even work on Canva! - PUA Encoded Characters - Fully accessible without additional design software. Let me know if you any question:) Have a wonderful Day Say Studio

Say hello to Meshitara an elegant and modern calligraphy font. Meshitara inspired by love poems and beautiful nature. I made it with a lots of fun. Especially developing the alternates and other features. I tried to make a beautiful form for each characters. But I keep it simple as I can. So it does not look busy with over swash or flourishing. So I hope you enjoy it, as I enjoyed making it. Meshitara have 487 glyphs, comes with upper and lowercase Standard Characters, Punctuation, Numerals. And other Glyphs variation of the OpenType features such as Standard Ligature, Stylistic Alternate and 7 Stylistic Set (ss01 - ss07). Meshitara is perfect for your up coming projects. Such as modern invitation design, branding, stationery design, blog design, modern advertising design, card invitation, art quote, home decor, book/cover title, special events ( wedding, birthday, etc ), and any modern calligraphy needs. Thank you.

Introducing Acting! A robust slab typeface that effortlessly combines nostalgia with contemporary boldness. What sets Acting apart is its distinctive circular elements within each letter, adding a unique touch while maintaining clean and balanced shapes. With alternative glyphs, it truly comes to life. Acting offers versatility with three widths: Condensed, Normal, and Expanded, along with an oblique version, resulting in a total of six styles. Whether you're working on branding, titles, or headlines, Acting is your perfect choice for your project! What's included? Acting Main File Unique Letterforms Works on PC & Mac Simple Installations Accessible in Adobe Illustrator, Adobe Photoshop, Microsoft Word even Canva! PUA Encoded Characters. Fully accessible without additional design software. Multilingual Supports: (Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Zulu) Come and say hello over on Instagram! https://www.instagram.com/dharmas.studio/

Stapel is a contemporary closed sans serif with sci-fi looking forms and eloquent, thin stroke joints. The superfamily consists of three subfamilies of different width: Normal, Narrow and Condensed. Each subfamily contains seven weights with corresponding true italics. Additionally, there are several extra wide bold styles. All these styles work perfectly in headings and short display texts. Another important subfamily is Stapel Text which includes upright and italic styles of lower contrast and more generous spacing. Text styles are great for body text in small and medium point sizes. Most styles include alternate characters, proportional and lining figures, math symbols, fractions, currency signs and case-dependent punctuation. A wide range of styles and typographic features makes Stapel ideal for use in brand identity, infographics and all kinds of designs related to technology, science, finance, politics or sports. Stapel was designed by Alexander Lubovenko and released by Paratype in 2020.

Since the 2006 launch of Rennie Mackintosh Glasgow, the world’s first lowercase Mackintosh-style typeface, designer George R. Grant has been pleased with its acceptance by Mackintosh lovers around the world. In fact, “Glasgow” has proved to be as popular as the original “founding” font, the classic Charles Rennie Mackintosh Font. By modifying many of these letterforms, and giving a more “freehand” shaping, George has developed this latest offering. The font has irregular “serifs” at the extremities of each stem - a suggestion of being handwritten. The name “Allan Glens” comes from the high school Mackintosh attended which, coincidentally, George did too. Says George, “As the school no longer exists, I wanted a way to perpetuate the Allan Glen’s name in type. I can think of no better way than associating it with the name of one of the school’s most famous sons. One of the glyphs even features the school logo”.

Say hello to new serif font, George! George is a classic serif typeface. Create bold, gorgeous headlines and elegant designs with a vintage flair. George's contrasting lines and curved terminals give a sleek, elegant look to logos, holiday cards, wedding invitations, quotes, advertisements, and more. George has full set of classic uppercase and lowercase letters, numerals, punctuation, also multilingual symbols. It includes opentype features like ligature, alternate and many others. Here's what you get: - All Multilingual symbol - Opentype features ( ligature, alternate ) - Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. - PUA Encoded Characters - Fully accessible without additional design software. Multilingual character supports : (Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Zulu) Follow my shop for upcoming updates, and for more of my work. Thank you!

Braga Huis typeface is a font family that is inspired by the famous street in Bandung that was made to embodies the atmosphere and the environment of Netherland-Indie city at its golden time, whereby all the elements were designed to give the impression of structural, artistic, and advance. Braga Huis typeface has a strong Art Deco character, where the impression is depicted from the strong lines, curvy passion so it is very appropriate to describing the future atmosphere from the perspective of the 19th century. Braga Huis typeface has 3 font styles consisting of uppercase, lowercase and various alternative options that can be customize to your taste, poster is one of the media form of presentation that we believe is very appropriate for this type of font. But whatever the medium is, honestly we say; using Braga Huis typeface will make your artwork will never be cracked by time.

About The Product Lemonade Fresh font is a Display Serif Typeface with a unique circular shape inspired by the alternate shapes in most serif fonts, but Lemonade Fresh makes it a regular shape, and Lemonade Fresh still has 50+ other alternate that you can combine to get curves and beautiful shapes easily just in seconds. It is a display font with moderate contrast that perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, and any projects, it makes with a high level of legibility. What's Included: - Fresh Lemonade Regular - Fresh Lemonade Italic - Accented Characters (West Europe) - Ligature & Huge Stylistic alternate - Works on PC & Mac - Recommended using Adobe Illustrator or Adobe Photoshop. Wish you enjoy our font and if you have any questions, don't hesitate to drop message & I'm happy to help :) Thanks, Have a wonderful Day, Say Studio

The name Norden means “the Nordic”, as in the geographical area or its countries. Inspired by the simplicity of Nordic and Scandinavian design, the Norden fonts give you clarity of expression, beyond the usual geometric look and feel of traditional sans-serifs. Open and spacious, the shapes of the glyphs play both with and against each other. Round and soft versus square and solid, a basic curve versus a straight line, creating a detached yet distinct style of expression, from the light-as-air Hairline to dark and Bold. The Display variant has diagonal as well as slightly rounded ends, similar to the Standard version but with and edge, so to say. As its name suggests, this font is intended for use in headlines and/or for small chunks of text at medium and large sizes. Norden comes in three variants: Standard, Round and Display.

When I released Halogen, I asked ‘Who doesn't want or need an expansive contemporary extended sans that has a sense of style and swagger… what if it had a lowercase, small caps and various numeral options… how could you say no?’ Go, click on the Halogen link and read on, if you're interested. Halogen was well-received, so I decided to take it further with Halogen Flare (the name kinda tips you off as to what kind of typeface it is, don't ya think?). As always, I prefer not to take short cuts and provide an anemic offering of glyphs — a modern typeface offered today must provide more than just the basics and this one does — lowercase, smallcaps, old style numerals, tabular forms, stylistic and titling alternates, fractions, case-sensitive features, and even an alternate uppercase ordinal set is included. Now, go make cool print and digital things with it.

Discover Blipzoid: a one-of-a-kind typeface that fuses the elegance of art deco with the futuristic allure of 1960s sci-fi. This compact display font offers a captivating blend of sleek geometric shapes, striking contrast, and magnetic ink-inspired characters, creating a truly unique visual experience. Step into a world where high-fashion meets pulp sci-fi, where the luxurious essence of art deco converges with the daring imagination of vintage science fiction. Blipzoid's distinct letterforms effortlessly adapt to your project's context, delivering an otherworldly ambiance or an air of sophistication reminiscent of haute-couture fashion. Embrace the dual nature of Blipzoid in your next project, and let it transport your message to a realm of opulence and enigmatic futurism. Elevate your designs with this extraordinary typeface that seamlessly melds Carnaby Street's 1960s mod aesthetic with the mysterious allure of uncharted galaxies. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Azerbaijani, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Igbo, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaingang, Kanuri, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Maori, Moldovan, Montenegrin, Nahuatl, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venda, Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xavante, Xhosa, Yapese, Zapotec, Zarma, Zazaki, Zulu and Zuni.

Attention all tech enthusiasts! Introducing Computechnodigitronic—the futuristic typeface you never knew you needed. This segmented LED/LCD display font is the epitome of 1980s sci-fi style, and it’s here to take your designs to the next level. With its sleek, modern design and perfectly spaced letters, Computechnodigitronic prioritizes legibility while still conveying the concept of a digital readout. And, for those of you who need to create vertical numeric columns, we’ve got you covered. Our monospaced numerals make it easy to create stunning displays that look straight out of a sci-fi movie. Imagine your designs, lit up like a spaceship dashboard, communicating important information to your audience with ease. Whether you’re working on a website, an app, or a print design, Computechnodigitronic will help you stand out from the crowd. So, what are you waiting for? Upgrade your designs today with Computechnodigitronic—the perfect blend of style and function. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Welcome to a world where the past and future collide, where vintage meets modern in a glorious display of Clockpunk. This industrial grotesque typeface is not your ordinary typeface. Inspired by early twentieth-century boxy railroad signage, Clockpunk is the perfect fusion of steampunk and sci-fi. Its sharp serifs and straight lines bring to mind memories of vintage ads painted on brick walls, adding an air of nostalgia and history to your designs. But don’t be fooled by its retro look, Clockpunk is a versatile font that can be used for both small print and headlines. Its Regular and Small Cap styles are perfect for bringing your vision to life, whether you’re designing a poster for a steampunk festival or creating a sci-fi book cover. With Clockpunk, the possibilities are endless. Get ready to take your designs to the next level with this unique and eye-catching typeface. Clockpunk is here to make a statement and leave a lasting impression. Most Latin-based European, Greek, and some Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greek, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Protest is inspired by protest posters and the power of the people! Each glyph is written by hand with a Sharpie® Magnum marker on big sheets of paper. It is designed to fit more into the poster and still be legible for the media from a block away. It's bold, slightly condensed, and neatly drawn with love and conviction, with the warm imperfection that comes from being hand drawn. Protest consists of over 1,430 glyphs. This includes 300 alphanumeric glyphs with 3 contextual alternates each, 20 stylistic alternate glyphs, and 20 protest themed dingbats. Contextual alternates will rotate through automatically when OpenType features are enabled, giving it more human irregularity. Protest supports 219 latin-based languages, using Underware’s Latin Plus glyph set.

The same procedure as every year? Again Christmas cards and greetings need to be designed... Sick of the usual Christmas imagery? Finally here is the ultimate typographical solution: 4 Christmas Pattern Fonts for display use. Playfull yet straight, Christmassy yet aesthetically pleasing. Pattern is the new sexy! Practical details: - Use in great display sizes only. The bigger – the better! - Fonts gain kind of "transparency" through the patterns – handy for use on top of images. - Characterset is caps only and supports Central, Eastern and Western European languages. - Entertaining 2 min movie explaining the basic concept and making of the Pattern Fonts. - Combine with "non-Christmassy" Pattern Fonts from the Pattern family. - Also available: a blank version in light, regular and bold.

Munchies is a reverse contrast slab-serif font family. Inspired by the volume and size of 19th century wood letterpress blocks and the Italian Caslon language. Munchies has 12 variants, from Heavy to Thin, with opentype options in a set consisting of uppercase, lowercase, small caps, ligatures, and alternate letters (A, M, N, V, W, &, Arrows, *). Munchies is divided into two subfamilies: Normal and Display. The Normal style has an appearance reminiscent of Western posters with a “measured” contrast. While the Display style takes the contrast to the extreme. Both styles are also available in Variable version. The inverted contrast makes it an interesting and striking looking typeface that stands out in any context. Perfect for headlines, bold branding, or animation like kinetic typeface.

Please welcome Palomino Clean - a carefully digitized brother (or sister?) of Palomino calligraphy font family created using amazing Palomino Blackwing 602 pencils. Palomino clean can be safely used on the web - no need to worry about file size! - as well as in all desktop applications. All features are identical to Palomino Original - the script font is loaded with initial, medial and terminal alternates and swashes. Along with a help of three other fonts - condensed sans, simple sans and design elements font - you’ll be able to create stunning designs with a click of a mouse. This versatile font family will work perfectly for fashion, e-commerce brands, wedding boutiques, photography, quotes design and a lot more. It has extensive language support and fully unicode mapped.

Eckhardt Signwork JNL was inspired by visual images collected by two great nostalgia sites: www.forgotten-ny.com and www.norelevance.com. The vintage signage photographed and saved for posterity on both sites reflect an age when hand-crafted work was the rule, rather than the exception [as is today]. Although somewhat limited in scope, this font can best be used for retro or nostalgic embellishments in ads or design work. There's also a generous amount of blank panels to insert your own copy for special projects. As with previous typefaces in this series, the font is named in honor of the late Al Eckhardt, owner of Allied Signs in Miami, Florida - a talented sign man and Jeff Levine's good friend for 18 years.

Metaverse Display Font Family The basic skeleton structure of this font family is based on block-shaped rectangles and arcs. Therefore, it contains the possibility of being simple, but free of transformation. Alternates are designed to give individual glyphs a special transforming effect, and can be used as a means to emphasize contextual characteristics. 94 Alternates are included, and it is designed to maximize the characteristics of glyphs through defiant and irregular free deformation, not just width deformation. These Alternates can be used in most apps that support Opentype. It is included in Stylistic Set 1 and 2 for uppercase and Stylistic Set 3 and 4 for lowercase. The function of the App to switch on Alternates, refer to the Opentype provided by each App.

Some time ago I stumbled upon a little book called 'De Sprookjeshoorn' ('Horn of Fairy Tales') by Anton Eijkens (1920 - 2012). It was published in 1946 and contains several authentic and unique fairy tales - unfortunately unreadable to modern children, as the language used is out of date. What caught my eye was the handwritten font on the cover of the booklet. Closet Skeleton is a fairytale font inspired by the one I found on the cover of De Sprookjeshoorn. It comes with several curly alternates and some end-ligatures as well. I added an 'old fashioned' ampersand and a modern one, so you can choose which one to use. Apart from that, Closet Skeleton comes with a closet choc-a-block full of diacritics.

AG Bambook- compressed geometric sans serif with the closed forms. Contains 4 fonts. 2 regular and 2 italic. The font is universal and can be used in different directions of graphic design. Internet, printed materials, clothing, logos, posters, labels, navigation and more. Thanks to character compression, you can place a large amount of information in a compressed space. It will read equally well in large and small sizes. A small difference in the width of the glyphs for different styles allows you to change the saturation while maintaining the size of the text block. OpenType: alternate numbers, old-style numbers, arrows, case sensitive forms, superscript and subscript, numerators and denominators. Support: Cyrillic, Cyrillic extended, Latin, Latin Extended (Western European, Central European, South-East), Kazakh.

Quilt Patterns Three was inspired by the patchwork designs used in quiltmaking in early America. There is an assortment of 94 patterns located under the character set and shift+character set keys. Quilt Patterns Three is based on the nine patch pattern, a block that is 3 squares by 3 squares, the most basic and most common. The nine patch pattern can be subdivided into 6 squares by 6 squares, 9 squares by 9 squares, etc. Characters of Quilt Patterns Three can be typed in a vector drawing program and then converted to paths/outlines, color may then be added to various parts of a given pattern. Patterns can be stacked horizontally and vertically creating an infinite number of quilt designs.

Quilt Patterns One was inspired by the patchwork designs used in quiltmaking in early America. There is an assortment of 94 patterns located under the character set and shift+character set keys. Quilt Patterns One is based on the nine patch pattern, a block that is 3 squares by 3 squares, the most basic and most common. The nine patch pattern can be subdivided into 6 squares by 6 squares, 9 squares by 9 squares, etc. Characters of Quilt Patterns One can be typed in a vector drawing program and then converted to paths/outlines, color may then be added to various parts of a given pattern. Patterns can be stacked horizontally and vertically creating an infinite number of quilt designs.

This dynamic athletic block has the need for speed. VT Gladius is a display typeface loaded with energy and ready to take off. Each letterform is built on a system of angles that generate a distinct rhythm, drawing the eye through the shape, making every word feel more dynamic. Further reinforcing this are the slightly thicker baseline-adjacent horizontal stems — alluding to the ink-pooling that lower strokes have in traditional penmanship — creating a “bounce” that gives each letter that much more personality. For further customization, the “Disable Speed Cuts” OpenType feature and discretionary ligatures serve as another fine-tuning tool. With five weights, a stencil version, and oblique styles for each, this 12-font family is ready to kick things in to another gear.

Introduction to Hicked – Slab Serif Font Hicked is a bold, slab serif font, ideal for impactful design work. Its masculine appearance gives it a strong presence. This font stands out in headings, logos, and posters. It’s perfect for anyone seeking a robust typeface. Design Features Hicked features thick, block-like serifs that command attention. Its balanced letterforms ensure readability at various sizes. The font has a uniform stroke width, offering a cohesive look. Each character is carefully crafted for visual harmony. Usability and Versatility Hicked excels in both print and digital media. Its clarity makes it readable even in smaller sizes. This font is versatile, suitable for branding, advertising, and editorial design. It can adapt to a wide range of design projects effortlessly.

Areno was our first ever font family, released in 2017. We’ve learned a lot since then and made the decision to redraw it from scratch with improved letterforms, better readability and added language support. Most adjustments are very subtle, but some glyphs have gotten a complete makeover. We've also added lowercase letters to the family. Areno is a strong and bold sports block font. These fonts are perfect for sports logos, branding, posters, apparel design, magazine headlines, labels and so much more. Areno now features a full Adobe Latin 1 Character Set with support for most Western European languages including Afrikaants, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili and Swedish.

Nexa Script is a clean version of the famous multifaceted font system Nexa Rust . All fonts from the family was successfully designed to match perfect to the other two members of this huge font system - Nexa and Nexa Slab . You can be sure that Nexa Script is equipped with the most advanced typographic Open Type features such as extended sets of ligatures, fractions, alternate characters, superscripts and subscripts, etc. The font family is most suitable for headlines of all sizes, as well as for text blocks that come in both maximum and minimum variations. Nexa Script font styles are applicable for any type of graphic design in web, print, motion graphics etc and perfect for t-shirts and other items like posters and logos.

Here is an extremely efficient and uncluttered typeface that you can use in a variety of situations. Memorandum’s orderly and methodical nature makes it a natural for long blocks of text, for captions, or for corporate slogans. Try using this typeface where space is limited and legibility is a big concern. And Memorandum is great for constructing tables and charts for business presentations, too. Memorandum is now available in the OpenType Std format. Expanded pre-built fractions, numerators, denominators, and stylistic alternates are now combined in each style. These advanced features work in current versions of Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Love Notes JNL is a total reworking of one of Jeff Levine's old freeware fonts. This revised version has an alphabet set jogged left and right in different upper and lower case variations. Playing around with the shift key will bring you the optimum results. On the left and right parenthesis keys are blank hearts logged left and right, and the corresponding fill fonts are on the bracket keys. (NOTE: You may have to do some manual adjustments, as the overlay placement can vary slightly in some programs.) There are numerals as well, and scattered around the keyboard are classic "message hearts" - just like in the boxes of candy. A backfill glyph for the numerals and message hearts is on the backslash key.

Introducing our new release: Ohanlon. Ohanlon is a bold display sans with a subtle hint of reverse-contrast personality which will gives dramatic feel to your design. Packed with lots of stylistic alternate characters to let you play with various letter combinations. Go wild and experimental by combining the sans with the block or script-ish alternate letters to elevate your design game, or you can even go formal with the standard letters. Oh and also, the slanted/faux-italic version is available too. Suits best for logotype/branding, packaging design, and many other designs that need a direct punch to the face. Ohanlon is a versatile font, whether you'll go vintage or modern, this font will got your needs properly covered.

Shinthink is a handwritten script font with a simple and natural style and is great for your next creative projects such as watermark on photography, quotes, album cover, logo, business card, and many other design project. Shinthink comes with uppercase letters, lowercase letters, lowercase alternative letters, numbers, punctuation, ligature and multi-lingual support. To use alternative end text is just block end letters and select alternative letters on glyphs option. It may be used in almost any program by using your Operating System’s utilities (CharacterMap for Windows and Font Book for Mac.), as well as Illustrator, Photoshop CC 2017 and several other applications. We hope you enjoy this font. If you have any questions please don't hesitate to drop me a message :) Thank you, Best regards alphArt

Futuristic, modular, blocked, squarish and modernist KayKhosrow font has got 12 versatile styles! The very first non-cursive Arabic/Persian font which also supports Latin characters as well! You're gonna love how all those different styles are gonna work with each other! For your cover designs, posters, logotypes and any typographic projects, you can count on KayKhosrow fonts! There are 12 of them! Shahab Siavash, the designer has done more than 30 fonts and got featured on Behance, Microsoft, McGill University research website, Hackernoon, Fontself, FontsInUse,... Astaneh text and headline font which is one of his latest designs, already got professional typographers, lay-out and book designers' attention as well as some of the most recognizable publications in Arabic/Persian communities.

Quilt Patterns Four was inspired by the patchwork designs used in quiltmaking in early America. There is an assortment of 94 patterns located under the character set and shift+character set keys. Quilt Patterns Four is based on the nine patch pattern, a block that is 3 squares by 3 squares, the most basic and most common. The nine patch pattern can be subdivided into 6 squares by 6 squares, 9 squares by 9 squares, etc. Characters of Quilt Patterns Four can be typed in a vector drawing program and then converted to paths/outlines, color may then be added to various parts of a given pattern. Patterns can be stacked horizontally and vertically creating an infinite number of quilt designs.

A 1916 book entitled “Lettering” by Thomas Woods Stevens features a number of hand lettered alphabets; some plain, others unique. One of the more novel examples was designed by Harry Lawrence Gage and featured letters and numbers with a crude, wavy style described in the book as “adapted to wood block and linoleum cutting”. To keep the design as close to the original as possible, the image from the book page was auto-traced, with each character given just enough of a clean-up as to retain its own quirkiness while smoothing out any jagged lines and fixing some curves. From there, other necessary characters were created for the digital font, and the end result is Tenement JNL, which is available in both regular and oblique versions.