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  1. With Lovely by Yoga Letter, $15.00
    "With Lovely" is a very pretty handwritten font. This font has beautiful decorations in the form of love, birds, and butterflies. This font features uppercase, lowercase, alternative, swashes, titling, binders, numbers, punctuation, and multilingual support as well. The font decoration is very easy to apply, and there are also instructions for use in the preview. Great for weddings, Valentine's Day, invitations, stickers, birthdays, Christmas, winter, Easter, and so on.
  2. Bornholm Tejn by Trine Rask, $25.00
    Bornholm Tejn is named after the Tejn village on the only rocky island in Denmark, Bornholm. It is the first face in a series of rough stone cut typefaces, that shares proportions, but differs in any other aspect like different pieces of rock. It is powerful face, but still very friendly. Good for very big sizes, but can be used for small texts, movie titles, cartoons and more.
  3. MM Cruella by MM Fonts, $39.00
    MM Cruella is a monolinear display typeface well suited for magazines headlines, posters, catalogs, branding and packaging. The round, large counters combined with the rounded terminals gives it a very fluid look and a warm character while the straight lines establishes a nice rhythm. It comes in 5 weighs and is loaded with discretionary ligatures and contextual alternates that will give your next project a very distinctive look.
  4. Maletha Collection Signature by Yoga Letter, $13.00
    "Maletha Collection" is a font duo that combines elegant serif fonts and beautiful signature fonts. This font is very nice and can be used for all kinds of your work. "Maletha Collection" is perfect for making banners, posters, prints, logos, stickers, social media, weddings, promotions, decorations, portraits, presentations, and others. This font is very complete, because it is equipped with basic characters, uppercase, lowercase, multilingual support, numeral and punctuation.
  5. Father Frost by Hanoded, $15.00
    Father Frost, or Grandfather Frost is the Santa Claus of Slavic countries. He used to wear a red coat, like his ho-ho-ho colleague, but when that was deemed too Bourgeois and Western by the Soviets, he changed into a blue coat. Father Frost is a very happy, very legible font, ideal for Christmas cards, posters and ads! Father Frost comes with a bagful of language support.
  6. Black Animal by sizimon, $15.00
    Black Animal is handmade brush style font. Very cool for logos, product packaging, merchandise, social media & branding. And very easy to use to design t-shirts and other products. It contains a full set of lower & uppercase letters, a large range of punctuation, numerals, and multilingual support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7.
  7. Fluidum by Monotype, $29.99
    Aldo Novarese designed the Fluidum typeface in 1951. As its name implies, the design is very fluid. This high contrast script face curls and twists across the line. It is sort of a cross between Giambattista Bodoni's cursive letters, and Aldo Novarese's later, heavier designs, like Microgramma, Eurostile, and Sprint. Fludium should be set in very large pint sizes. It is perfect for invitations, greeting cards, and fine logos.
  8. Angro by Linotype, $29.99
    The sans serif Angro was designed in the weights light and bold by Erwin Koch. The figures are based on the form of a rectangle which along with the high xheight and short ascenders and descenders gives the forms a static character. Lines of text in Angro are very compact and close set. Due to the reserved ascenders and descenders Angro can be set with very close line spacing.
  9. Tissot by Intellecta Design, $26.90
    Variations of a classic egiptian wood type font era
  10. Disco by SoftMaker, $9.99
    Disco is a disco-era typeface published by SoftMaker.
  11. Happy - Unknown license
  12. Alt Juk01 by ALT, $30.00
    Yet another experimental typeface. I love trying different things I’m very happy with the results here. See the whole presentation here: Behance,net
  13. Beatgh by Skiiller Studio, $20.00
    Beatgh is a modern, cool, beautiful, and very suitable display font to support your presentation and support in marketing your products and business
  14. eSpectrum by Jonahfonts, $29.00
    A text and display font suitable for various applications, many of which include, letterheads, packaging and logos. Excellent for very large typographic layouts
  15. Lonestar by FontMesa, $25.00
    Lonestar is a revival of the old classic slab serif font named Hellenic which was very popular in the middle to late 1800s.
  16. Maryhoid by TOMO Fonts, $15.00
    Maryhoid is a headline font with a retro vibe. Carefully hand made & designed by TOMO FONTS. It shapes very nice headlines! Enjoy! WWW.TOMOFONTS.COM
  17. Julio by Authentic, $39.50
    Julio is designed in the best tradition of English scripts. It comes in very handy if you want to have an elegant touch.
  18. Deco Pimp by Hanoded, $15.00
    Deco Pimp is a trashy, handwritten font with a deco-look to it. It has some unusual letters, but is very legible nonetheless.
  19. Pine Nuts by Jonahfonts, $42.00
    Pine Nuts is very suitable for a variety of designs, packaging and quick statements. For a connected version please visit Pine Nuts United.
  20. Federal Streamliner by Greater Albion Typefounders, $9.95
    Federal Streamliner was inspired by lettering seen on the side of a 1950s/60s era train. It speaks of the designs of the 'streamline' era and is ideal for retro projects invoking the 30s, 50s or 60s needing a simple distinctive display face.
  21. Sutton Place JNL by Jeff Levine, $29.00
    Named for a Manhattan neighborhood, Sutton Place JNL is based on a 1930s-era poster advertising training in the “Household Arts” that was produced by the Federal Art Project in Ohio; a segment of the larger Depression Era WPA (Works Progress Administration).
  22. Scrawl - Unknown license
  23. Albertina by Monotype, $29.99
    Albertina was a typeface ahead of its time. It was in the early 1960s when designer Chris Brand, an accomplished calligrapher, aspired to draw a typeface based on the principles of calligraphy. Unfortunately, typesetting machines of that era put many restrictions on designers. Characters had to be drawn within a very coarse grid, which also defined their spacing. Technological limitations meant that italic designs often had to share the same character widths as the romans. Designers were forced to draw italic faces much wider and with more open spacing than what would be typical in calligraphic lettering or hand-set type. Not surprisingly, production of the first Albertina fonts went very slowly. Brand would submit his character drawings, and the Monotype Drawing Office would modify them to be compatible with the company's typesetting equipment. The new drawings would then be sent back to Brand for approval or rework. Most were reworked. The process took so long, in fact, that by the time the face was completed it was once again out of phase with the times: instead of being released as metal type for the Monotype composing machines it had been tailored for, Albertina debuted as phototype fonts for the Monophoto typesetter. The design's first use was for a catalog of the work of Stanley Morison, exhibited at the Albertina Library in Brussels in 1966. Sales of the design were not remarkable. With the advent of digital type technology, Albertina's story took a far happier turn. Frank E. Blokland, of the Dutch Type Library, used Brand's original, uncompromised drawings as the foundation of a digital revival. The Monophoto version had taken a considerable battering from the limitations of Monotype's unit system," recalls Blokland, "but there was no need for me to incorporate these restrictions in the digital version." With the full backing of Monotype and original designer Brand looking over Blokland's shoulder, a new design for Albertina emerged, displaying all the grace and verve of Brand's original drawings. The basic family drawn by Brand also grew into three weights, each with an italic complement and a suite of small caps and old style figures."
  24. Exphany by Danil Reyman, $12.00
    The font is made in the direction of Tribal aesthetics. He is restrained, but at the same time very cityistic, has an aggressive mood.
  25. Antique Tuscan Condensed by Wooden Type Fonts, $20.00
    A revival of one of the popular wooden type fonts of the 19th century, condensed, bold, curved serifs, a very useful design for display.
  26. pencilPete by JOEBOB graphics, $19.00
    Just a straight and simple font with a character of its own: written with a HB pencil which is very recognizable in its appearance.
  27. Barokah Ramadhan by Gartype Studio, $17.00
    Barokah Ramadhan is script font inspired by arabic alphabet / calligraphy,come with alternate and multilingual features.This font very suitable for your arabic stylish design.
  28. Comicbasic by giftype, $16.00
    Comic basic font is ideal tó use in a comic book or for children , it is very appropiate becouse it is easy to read.
  29. Roskilde by Hanoded, $15.00
    Roskilde is a city in Denmark, famous for its Rock Festival and its Viking Ship museum. Roskilde font is a very legible headline font.
  30. FG Petra by YOFF, $12.95
    FG Petra looks like usual handwriting yet very pretty! It has a large 'K' in lowercase; I think that is what makes it special.
  31. Fau Fau by Daylight Fonts, $50.00
    This is a groovy, modern Bodoni with a strong body and very subtle, beautiful lines. It will make your typography fresher and more impactful!
  32. Zinekiss by Pedro Teixeira, $12.00
    Zinekiss - for the love of black ink and zine culture. Zinekiss, is a font with a very natural/organic handrawn script of black ink
  33. Traklin MF by Masterfont, $59.00
    Great sans text font family for all your needs, text, signage, logos etc. Very elegant and suitable for classic as well as formal design.
  34. Locutorio by Kickingbird, $24.00
    Very big on talk, Locutorio supports Latin, Cyrillic, Greek and over 100 additional languages. Also included is a bonus set of global communication icons.
  35. Janda Swirlygirl by Kimberly Geswein, $5.00
    The swooshy swirls of the uppercase paired with the simple lowercase creates a very useful title font. Romantic and girly but still perfectly legible.
  36. Ruman by Juraj Chrastina, $29.00
    Ruman is a display typeface suitable for logotypes and posters. It’s a very simple origami font and short words look almost like abstract pictures.
  37. ER9 by MADType, $21.00
    Based on a rounded square, ER9 is a very versatile futuristic feeling typeface. Its monoline design allows for easy customization for headlines and logos.
  38. DB Roman Philosophy by Illustration Ink, $3.00
    Ancient Rome boasted some of the most gifted Philosophers and Roman Philosophy puts those ideas to words in this fun and very wise DoodleBat!
  39. Stereo Gothic by Dharma Type, $14.99
    The concept of this font is very simple. Wide and Legible, No decorative, just simple. The variety of weights make your design more flexible.
  40. Nautica by Resistenza, $59.00
    Nautica is a new script typeface based on Copperplate’s ductus. High in contrast, it is a very original type with a strong character. With over 1000 glyphs and extensive language support, Nautica offers full professional typographic features. Ligatures and swashes are more inspired by brush pen strokes. Nautica provides three weights and one set of useful icons and knots to improve your graphics. Nautica works very well with Turquoise ; check it out.
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