Alpineo is a display type family, optical mono linear and a bit squarish in nature. It has a distinct stroke-joint style, which is a prominent feature of its design. It has been designed to be a little eye-catching yet legible. It has clear and distinguishable letterforms, which helps to elaborate and emphasis the message. It is graphically strong and command viewer’s attention. The overall appearance of type is suitable in setting it as logotype, punchline, title, headline, etc. The type family consists of six weights viz. Thin, ExLight, Light, Regular, Medium and Bold. Alpineo is designed by Aakash Soneri, founder Soneritype in the year 2017.

Hello Everyone, introduce our new product Font ALIEN TRIBES is Modern Display Typeface .This is a Textured Natural Style and classy style with a clear style and dramatic movement. This font ALIEN TRIBES is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Design this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, invitation,advertisements,product designs, stationery, wedding designs,label ,product packaging, special events or anything that need handwritting taste. That is has charming, authentic and relaxed characteristic more natural look to your text

Matryo is a narrow, sans serif typeface family of fourteen typefaces, ranging from Thin to Black with accompanying Italics. With a soft, rounded form stroke and open shapes, it aims to remain clear and legible at all point sizes and can be set either in longer passages or for headlines and logos. Conceived as a multilingual family, its large character set covers most latin, cyrillic and greek based languages with a particular attention given to covering the historical forms for added functionality. Through Opentype features, Matryo equally offers a choice of numeral styles and some ligatures or alternative letters to add further choices for end users.

Hello Everyone, introduce our new product font Harmless is a Rough Brush Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. This font Harmless is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Design this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, invitation,advertisements,product designs, stationery, wedding designs,label ,product packaging, special events or anything that need handwritting taste. That is has charming, authentic and relaxed characteristic more natural look to your text You can activate Ligatures OpenType panel.

The Flinscher family contains twenty display typefaces, in weights that vary from light to black, and widths that extend from condensed to expanded. The family’s design inspiration traces its roots to the early portion of the twentieth century. In essence, it is a calligraphic script typeface family with blackletter influences. The letter forms are decorative and distinctive, yet clear and easy to read, and in use set up a regular rhythm that leads the eye from character to character. The Flinscher typefaces are well suited to design work that needs to combine formality with fun. Just the thing for a certificate or a book cover!

Hello Everyone, introduce our new product font Bad Brush It's A Simple Brush Font.font is a Signature Style and classy style with a clear style and dramatic movement. This font Bad Brush is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Design this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, invitation,advertisements,product designs, stationery, wedding designs,label ,product packaging, special events or anything that need handwritting taste. That is why Bad Brush has charming, authentic and relaxed characteristic more natural look to your text.

CONCEPT/CHARACTERISTICS The typeface “Soul Lotion” is a sans serif font for display sizes. Con­struc­ted, clear and sim­ply with mono­line cha­rac­ter. The round and unador­ned look is modern & simple. APPLICATION AREA The modern, clear and simply sans serif font “Soul lotion” would be happy as a display typeface in headline size on the following areas and there simply feel good: Logos/Wordmarks, party flyer, album covers, CD covers, Poster design, video game design, and much more as display typeface for print and digital magazines, books and websites. TECHNICAL SPECIFICATIONS Head­line Font | Dis­play Font | Sans Serif Font “Soul Lotion” Open­Type Font (Mac + Win) with 6 styles (regu­lar, bold, light + 3x italic) & 354 glyphs. Incl. accents, alter­na­tive let­ters, liga­tures & €. Desk­top Font (.otf) + Web Font (.svg, .eot, .woff) KONZEPT/BESONDERHEITEN Die Schrift »Soul Lotion« ist ein serifenloser Font für Headlinegrößen. Kon­stru­iert, klar und einfach mit gleich­blei­ben­der Strich­stärke. Die run­den und schnör­kel­lo­sen For­men wir­ken modern & schlicht. EINSATZGEBIETE Die moderne, klare und einfache Sans Serif Schrift »Soul Lotion«, würde sich als Aus­zeich­nungs­schrift in Head­line­größe über fol­gende Ein­satz­ge­biete sehr freuen und sich dort schlicht wohl­füh­len: Logos/Wortmarken, Flyer für fast jede Party, Plat­ten­Co­ver, CD-Cover, Pla­kat­De­sign, Video­spiel Design, als Head­line­schrift für print und digi­tale Maga­zine, Bücher und Web­sei­ten u.v.m. TECHNISCHE INFORMATIONEN Head­line Font | Dis­play Font | Sans Serif Font »Soul Lotion« Open­Type Font (Mac + Win) mit 6 Schrift­schnit­ten (regular, bold, light + 3x italic) & 354 Gly­phen. Inkl. dia­kri­ti­sches Zei­chen, alter­na­tive Buch­sta­ben, Liga­tu­ren & €. Desk­top Font (.otf) + Web Font (.svg, .eot, .woff)

This set of decorated initial letters was inspired by those used in 1510 in Nancy (France, Lorraine) for printing of "Recueil ou croniques des hystoires des royaulmes d'Austrasie ou France orientale[...]" Author Symphorien Champion, unknown printer. There were three sorts of initials family, but only one complete and clear, except a very few characters. The printer used some letters to represent others, as V, turned over to make a A, D to make a Q, M for E, So, the reconstruction was a little less difficult. Thorn, Eth, L slash and O slash were also added. The original font's letters was only drawn in white on a black background only, but it was tempting to propose a negative version in black on white. A few letters have multiple appearance, but only the A was clear enough to be reproduced. It can be used as variously as web-site titles, posters and flyer design, publishing texts looking like ancient ones, or greeting cards, all various sorts of presentations, as a very decorative, elegant and luxurious additional font... This font supports strong enlargements revealing its fine details and remaining very smart. Its original medieval height is about one inch equivalent to about three to four lines of characters. This font may be used with all our blackletter fonts, but as well with "1543 Humane Jenson", "1557 Italic" and "1742 Civilite", without any fear about anachronism.

I was working on illustrations for children when the general shapes of GRUMPFH came to life. GRUMPFH is a cool, all-caps family which is really funny to play with. Suitable for children's cartoons, posters and so on.

A monogram font of classic capitals with a thin shadow embossed look, to create elegant stationery. Includes six border styles for monograms, each accessed by a single keystroke, as well as decorative rule characters to generate business letterheads.

A poster for Buster Keaton's 1925 classic film "The General" provided the inspiration for this bit of typographic falderal. Essentially a monocase font, the lowercase letters are alternates, so double-clutch the shift key to add visual interest.

Spooky Adventure is a cool-lettered and spooky decorative font. It is perfectly suitable for any Halloween-related project or crafty idea. Add it confidently to your favorite creations and let yourself be amazed by the outcome generated!

Based on a few examples of an Art Nouveau-inspired wood type, Nouveau Sans JNL has an interesting mix of angles, curves and general letter shapes that are reminiscent of the period preceding the Art Deco streamline movement.

Shipping Carton JNL was modeled from vintage bands of rubber type used on a special rotary marking stamp (similar to an office date stamp); generally used for identifying cartons and boxes of merchandise for shipment or product identification.

Our font of the original was only ten point, so we had to use our imagination to a great extent. As specialists in Victorian typography, we have found that many people do not like the "center alignment" idea, used on several old time faces, but we have been faithful to the original. So there!

The second in our Cool Japan series, Odaiba Soul echoes back to some of the futuristic amusement centers and entertainments found on Odaiba Island in Tokyo Bay. Tailored for sci-fi lettering, anime awesomeness or even just making flyers for a day trip across the Rainbow Bridge, this is one to keep in mind!

Letterforms from the 30s, inspired by Bauhaus Bold, combine with super 70s styling to create this disco-era delight. The bold characters, rendered by prismatic multilines, create striking headlines with a strong architectural feel. Both versions of this Pro Series font contain the complete Unicode Latin A character complement, along with extended ligatures and fractions.

Caesar Dressing is a 'Markers' take on a Greek alphabet. Open Window fonts gravitate towards more experimental or spontaneous renderings and this one doesn't look out of place next to the most experimental of those. It also maintains the geometric balance of a classic Greek-font quite effectively. Designed by Dathan Boardman of Open Window.

A 1930s WPA (Works Progress Administration) poster advertising an exhibit of New Jersey area posters had its main lettering rendered in a very condensed hand lettered interpretation of the ever-popular Futura Black Art Deco style. This has now been re-drawn and digitized as Art Event JNL, in both regular and oblique versions.

Caterina, was selected personally by Francis Ford Coppola for the film he produced called The Legend of Suriyothai. It's not the credits, but text placed in the center of the screen to introduce information about the setting, the characters, and so on. Something like chapter headings in a book, or the text in silent movies.

A fun and fresh font that encapsulates both summer and winter with its tall, hand rendered style. A versatile style,the family works well for all kinds or projects from window displays to music albums The Sun and Rain family consists of three weights, light, regular and bold. The weights cover diacritic, Greek and Cyrillic.

Unleash the Power of Motion and Speed with the ApexPro font – a dynamic, sporty font designed for those who crave action, speed, and innovation. This typeface is meticulously crafted to embody the essence of the automotive world, fitness, and cutting-edge technology. Key Features: Style: The ApexPro boasts a rounded and soft appearance with bold, italic, and slashed elements, giving it a sporty and energetic vibe. The letters are carefully crafted, providing a clean and sharp visual for maximum impact. Design Elements: Inspired by the sleek lines of high-speed vehicles, the font carries a rounded, beveled, and cutout aesthetic, adding a touch of modernity and innovation. The use of military and stencil elements infuses a sense of power and dynamism. Versatility: The ApexPro is not just a font; it's a statement. Perfect for automotive enthusiasts, gym-goers, and tech aficionados, it seamlessly blends into various contexts such as sports events, gaming interfaces, and futuristic designs. Target Audience: The ApexPro is tailored for individuals who appreciate the fusion of technology, speed, and style. The target audience includes: Age: 18-35, seeking dynamic and trendy design elements. Gender: Unisex, appealing to both males and females. Needs: Graphic designers, gamers, fitness brands, and automotive enthusiasts looking for a font that embodies speed and action. Why the ApexPro font? For Speed Enthusiasts: The ApexPro brings the thrill of high-speed action to your designs. For Fitness Brands: Reflect the energy and dynamism of your fitness brand with the ApexPro. For Gaming Interfaces: Elevate your gaming experience with a font that resonates with movement and power. File Inclusions: Languages Covered: Multilingual support for a global audience. Numbers, Symbols, and Punctuation: A comprehensive set for versatile use. Lowercase Letters: Lowercase letters for a balanced and cohesive look. Fuel your creativity with the ApexPro – the font that doesn't just communicate, but accelerates your message. Download now for an experience that goes beyond the ordinary.

“Safety first!” claimed the sign. The janitor huffed, and continued mopping up the nuclear sludge from the floorboards. Just another day in the wasteland. Industrial Spill is available in three destructive styles: - Regular (great for those warning signs that everyone ignores when rummaging for salvage) - Ooze (reminds you to always clean up after contaminated muck covers the floor) - Wasteland (gives that wonderful feel of wandering around a desolate landscape) Please note that Industrial Spill Wasteland is highly detailed, realistic texturing. It may render slowly in older applications. Each font includes: - A complete set of uppercase and lowercase letters, basic punctuation, numerals and currency figures, and diacritics - Stylistic Opentype Alternates to avoid letter crashing - Punctuation shifts in All-Caps scenarios for better placement - Western Europe language support Need an extended license? Simply email us at hello@sajatypeworks.com and we’ll be happy to help! A collaboration between Dave Savage of Savage Monsters and Aaron Bell of Saja Typeworks. Get in touch: We’re here to help! If you have any questions or need assistance, please DM or contact us via hello@sajatypeworks.com Languages supported: Abneki, Afaan Oromo, Afar, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Arrernte, Arvanitic (Latin), Asturian, Aymara, Basque, Bikol, Bislama, Breton, Cape Verdean Creole, Cebuano, Chamorro, Chavacano, Chickasaw, Cofán, Corsican, Dawan, Delaware, Dholuo, Drehu, English, Faroese, Fijian, Filipino, Folkspraak, French, Frisian, Friulian, Galician, Genoese, German, Gooniyandi, Guadeloupean Creole, Haitian Creole, Hän, Hiligaynon, Hopi, Ido, Ilocano, Indonesian, Interglossa, Interlingua, Irish, Italian, Jamaican, Javanese (Latin), Jèrriais, Kala Kagaw Ya, Kapampangan (Latin), Kaqchikel, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Latin, Lojban, Lombard, Makhuwa, Malay, Manx, Marquesan, Meriam Mir, Mohawk, Montagnais, Murrinh-Patha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Norweigan, Novial, Occidental, Occitan, Oshiwambo, Palauan, Papiamento, Piedmontese, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romansh, Rotokas, Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Slovio (Latin), Somali, Sotho, Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tetum, Tok Pisin, Tokelauan, Tshiluba, Tsonga, Tswana, Tumbuka, Tzotzil, Uzbek (Latin), Volapük, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu.

A vast array of 39 expertly-drawn decorative vector panels in the form of a single font. Each letter generates a different panel so you can simply insert your own text for a quick design your clients will love.

Way back in the 1990s, the fatter the fast food generation got, the more condensed letters became. I figured when the taste in fonts started to mirror the contemporary bodily norm, Hunky Chunk should be there. Here it is.

Colmena (means Beehive in Spanish) features soft viscous shapes and high contrast that resemble bees and honey. The font was entered into TypeArt Contest in 2005 under the name "FD_Harvey". Suitable for display purposes especially in books for children.

Carnero™ is a feisty hybrid of precise geometry and calligraphic flair; a design that walks that fine line between being sensible and a standout. In an increasingly monotone typographic landscape – Carnero has a unique pulse that moves the reader along with a new energy. Carnero gives life to simple utility with kinetic letter shapes, open apertures, and generous counters Drawn by Steve Matteson for the Monotype Studio, Carnero’s versatility is its strength. From digital ads and applications to packaging and branding, Carnero is comfortable and contemporary. The lightest and boldest weights create inviting headlines, while the middle weights read well for body copy. Used together, they build a lively brand and a clear hierarchy. Matteson infused Carnero with a modernist exterior resting on a 10th century calligraphic foundation. Delightful flourishes on the capital R and K, and lowercase a, k and l, give the design a distinctive demeanor; while the alternate italic swash caps are a saucy nod to the scribes. The result is a design that is warm, approachable – and a bit lighthearted. Matteson describes Carnero as, “transcending the static posture of the geometric sans genre.” The Carnero family is a compact collection of six distinct weights, ranging from an engaging light to an authoritative black, each with an italic counterpart. Its extended Latin character set ensures worry-free localization for eastern/western European languages. This is a design that will prove its value many times over. Matteson has drawn over 80 distinctive typeface families for major corporations, branding firms and retail sales. His passions for the outdoors and performing music balances an intense focus on work – and subtly finds its way into typefaces like Carnero. Matteson has designed custom fonts for three generations of the Microsoft Xbox® game console, the original core fonts for the Android® mobile-phone platform, in addition to branding typefaces for Toyota®, Rocket Mortgage®, and Google®. He also drew the Kootenay™ family, Monotype’s proprietary branding typeface. Matteson’s retail designs range from the elegant and utilitarian Open Serif™ (a companion to Google’s Open Sans), to a growing series of Frederic Goudy revivals. Carnero Variables are font files which are featuring one axis and have a preset instance from Light to Black.

Carnero™ is a feisty hybrid of precise geometry and calligraphic flair; a design that walks that fine line between being sensible and a standout. In an increasingly monotone typographic landscape – Carnero has a unique pulse that moves the reader along with a new energy. Carnero gives life to simple utility with kinetic letter shapes, open apertures, and generous counters. Drawn by Steve Matteson for the Monotype Studio, Carnero’s versatility is its strength. From digital ads and applications to packaging and branding, Carnero is comfortable and contemporary. The lightest and boldest weights create inviting headlines, while the middle weights read well for body copy. Used together, they build a lively brand and a clear hierarchy. Matteson infused Carnero with a modernist exterior resting on a 10th century calligraphic foundation. Delightful flourishes on the capital R and K, and lowercase a, k and l, give the design a distinctive demeanor; while the alternate italic swash caps are a saucy nod to the scribes. The result is a design that is warm, approachable – and a bit lighthearted. Matteson describes Carnero as, “transcending the static posture of the geometric sans genre.” The Carnero family is a compact collection of six distinct weights, ranging from an engaging light to an authoritative black, each with an italic counterpart. Its extended Latin character set ensures worry-free localization for eastern/western European languages. This is a design that will prove its value many times over. Matteson has drawn over 80 distinctive typeface families for major corporations, branding firms and retail sales. His passions for the outdoors and performing music balances an intense focus on work – and subtly finds its way into typefaces like Carnero. Matteson has designed custom fonts for three generations of the Microsoft Xbox® game console, the original core fonts for the Android® mobile-phone platform, in addition to branding typefaces for Toyota®, Rocket Mortgage®, and Google®. He also drew the Kootenay™ family, Monotype’s proprietary branding typeface. Matteson’s retail designs range from the elegant and utilitarian Open Serif™ (a companion to Google’s Open Sans), to a growing series of Frederic Goudy revivals. Carnero Variables are font files which are featuring one axis and have a preset instance from Light to Black.

Autumn Ceria is a simple and adaptable handlettered font. This font is PUA encoded which means you can access all glyphs and swashes with ease! Add it confidently to your favorite creations and let yourself be amazed by the outcome generated.

Introducing Moka by Alive Fonts. Moka bounces with playfulness with just the right amount of unique character to brighten any design. Break out of the confines of sterile generic gothic fonts and bring life to your project with Moka today!

PM Eckmann Initials is our chromatic (layered) version of Otto Eckmann's Eckmannschrift Initial Cap typeface designed to work with his typeface Eckmannschrift. Our version can be used for general Art Nouveau initial caps or combined with our PM Eckmannschrift typeface.

Liquida is a decorative script font with slanted inclination. All characters were designed with brush and walnut ink on paper using real ink drops to generate a trickling effect. A display typeface perfect to set a refreshing liquified lettering in seconds!

Darkside is a cool and brushed display font. It is PUA encoded which means you can access all of the glyphs and swashes with ease! Add it confidently to your favorite creations and let yourself be amazed by the outcome generated.

Ditch the generic, embrace the expressive. In a world saturated with pixels and noise, your brand deserves to stand out. Our meticulously crafted digital tech fonts are more than just letters – they're the secret weapon to unlocking your brand's full potential