Introducing Boomerank! It's a cool Dry Marker handwriting with 23 ligatures and some swashes to make your notes type look authentic! This font is perfect for some projects like logotypes, comics, headlines, invitations, quotes, menu design, branding, clothing, prints ads and some designs that need natural handwriting with dry marker effects. Please Note: To access all the features of this font you will need software with a glyphs panel - such as Adobe Photoshop CC, Adobe Illustrator, and Adobe Indesign. We hope you will get so much fun and get inspired when you play with this font. Hope will get some amazing experiences with Boomerank! Just download it now!

Drustic Dialy - Four Combinations Rustic Fonts With a lot exploring the typographic design, content, and style. Most of them are created with the combinations of the typeface. Referring to the outdoor, vintage and old style design there so many great artwork with the textured typeface. So, I in collaborations with my friend choose the styling like this, without needed to add any rough filter effect. The Four Combinations, helps you to create the made a pair of your typography artwork. Comes with the Serif Style, Sans Style, Condensed (also in italic), Script (Original and Halftoned texture) and the last is Catchword for complete the small pieces of artwork.

Pitcher is a bold brush with roots in 1940s and 1950s Americana. Pitcher is great for sports team or bar logos, beer labels or anything where you need a strong sturdy script with lots of character. Pitcher is equipped with several OpenType features - keep on Standard Ligatures and Contextual Alternates for smooth connections between letters. Try Swash or Titling Alternates when you need more customised headlines or when designing a logo and look for Glyph Palette for even more alternates. Pitcher Printed is the same font with a worn-out texture and a bit softer corners. Combine Pitcher Ornaments with the script to complete your designs!

Introducing "Feeling Chill" - a captivating modern brush sans serif font designed to breathe life into your creative projects. With smooth brush strokes and a contemporary flair, this font exudes elegance and versatility, making it perfect for logos, branding, headlines, and more. The inclusion of ligatures and swashes adds an artistic touch, creating visually appealing compositions that leave a lasting impact on your audience. Unlock the potential of your designs with "Feeling Chill" - a font that seamlessly blends modern aesthetics with timeless charm, empowering you to craft stunning, stand-out creations. Embrace the chill vibe and infuse your work with creativity and sophistication. Get ready to impress with "Feeling Chill"!

Gerard Unger’s new typeface Alverata is a twenty-first-century type-face inspired by the shapes of Romanesque capitals in inscriptions of the eleventh and twelfth centuries, without being a close imitation of them. It is additionally based on the early twentieth-century model, but tweaked so as to prevent blandness and monotony. Alverata performs beautifully in both screen and on paper, delivering excellent legibility. Its letters are open and friendly in small sizes and lively and attractive in large sizes. They are robust, and show refinement in their detail. Unger’s Alverata is an extensive type family, with versions for both formal and informal applications, and with Greek and Cyrillic relatives. Alverata consists of three different fonts: Alverata, Alverata Irregular and Alverata Informal, that vary in form and width, but maintain the same spirit. The Irregular version is particularly inspired by the Insular letterforms, the uncials, and their constantly changing positioning. Alverata strikes a balance among Europe’s diversity of languages, combining contemporary typographical practices with features of medieval letterforms, from the time when Europe came into being. Visually, some written languages, such as Czech and Maltese, differ quite strongly from languages like English and German, notably because of their many accented characters. While other typefaces will show this difference, Alverata removes it. As a result, Alverata enables harmonious convergence of languages.  For the development of the Greek letterforms, Unger collaborated with Gerry Leonidas (University of Reading) and Irene Vlachou (Athens), and with Tom Grace on the Cyrillic letterforms.

A font perfect for not just one, but many projects! Introducing Oceanwide Pro, a sans that loves to be used in just about any situation! Designed with ultra clean lines and versatility in mind, Oceanwide wants to be your new favorite sans! Oceanwide’s ultra clean letters work anywhere you want to communicate orderliness and competence, and designed to build trust and rapport with your audience. Its wide proportions make it ideal for display and logo use. Oceanwide especially shines for white/bright letters on black/dark backgrounds! That’s because the inside shapes are nearly perfect circles in many weights. Here's a quick video tour of Oceanwide Pro by Dave Lawrence, including all the great things Oceanwide can be used for! We've tested Oceanwide for these industries, with stunning results!: Tech Arts Fashion & Style Business & Branding Corporations Logistics Architecture Food and many more... Oceanwide can be used for: Headers Subheadlines Logos Even body text, if tracked. Print & Screen The styles it can take are also many. It's great for: Modern/minimalist design Flat design Cut out design User Interface (UI) Technical designs In combination with text effects, even for grunge and other situations. And many others... DESIGN FEATURES Simplicity Tall x-height Hand-sloped obliques (italics) Narrow spacing Semi-wide proportions Expert kerning Well proportioned, usable lights & extra lights Large caps Great ALL CAPS MODE Uppercase punctuation Uppercase spacing with California Type Foundry’s Smart Tracking™ Advanced fraction support Proportional lining figures Thick joins Smooth curves Sturdy—great for textures and effects Variable font available Latin Pro character set for Central European languages. That's the writing for over 782 languages and transliterations worldwide! DESIGN STORY—THE FORGOTTEN SANS by Dave Lawrence, Lead Designer, California Type Foundry Adrian Frutiger was the 20th century master of sans, but I didn't realize he had made—not one—but TWO geometric sans! It wasn't until I had purchased the book “Adrian Frutiger: Typefaces”. I had hoped to someday meet Adrian Frutiger, but he passed away that very same year. Here is the story of Frutiger's forgotten sans. Back in 1968, Frutiger was approached by Pentagram to make a design for British Petroleum. They wanted a "new version of Futura". However, they wanted him to make a couple adjustments. First, they felt that Futura was "too fiddly." By this, they meant that it narrowed too much at the joins. (Joins are for example where the round and straight parts of the 'd' meet.) This is something that is necessary for small print text (to prevent ink clogging), but is not necessary at large sizes. Second, they wanted it to be entirely geometric, using the circular shape with minimal optical corrections. Unfortunately this font was not even used very consistently in the BP brand. A haphazard mix of Futura and Frutiger's BP font ensued. It was then replaced by another font design very soon after. My design is different in several ways. First, the commas and quotes are a more modern style. I tried his original commas, but these just didn’t work to 21st century eyes. Second, in his drawings, Frutiger went for a more standard u with a downstroke on the right. However, Oceanwide has a simpler u. Third, I made more optical adjustments. At the direction of his employer, Frutiger reluctantly put no font optical corrections into the letters. So I think my optical adjustments are similar to what Frutiger would have wanted. Fourth, I extended the weight into the light and extra light ranges. Fifth, the rest of the font I created according to the principles of Adrian Frutiger, but with no sources for inspiration. Here is Frutiger’s design philosophy, in his own words: “If you remember the shape of your spoon at lunch, it has to be the wrong shape. The spoon and the letter are tools; one to take food from the bowl, the other to take information off the page... When it is a good design, the reader has to feel comfortable because the letter is both banal and beautiful.” The words about the spoon were the ones I kept in my mind as I tried to make the curves ultra smooth, and the shapes ultra simple. Hopefully this font is a worthy successor to the font that inspired it. Released on the 93rd birthday of Adrian Frutiger, to celebrate the life and achievements of this amazing designer. ——————— Simplicity. Versatility. Oceanwide.

Downtempo is a 4-weight font family with some uniques characters including the ch ligature and some other Spanish language characters together with a really special italic style.

Slankie is modern handwritten with signature style. Recommended to use this font for signature, farmhouse, wedding party, invitation, memorable moment, love story and many more with special moment.

A funny childish handwritten font, with a spirit. This typeface can tell fairy tales. Trango is a sans serif that goes well with the slab serif Besley Hand.

Mirielle is curvy yet angular at the same time. Whimsical yet orderly. As with all Typadelic fonts, this script typeface is unique and original, with a playful twist.

PlatformOne is a 10 font family consisting of 5 weights with italics. A clean geometric font with precise corners inspired by commuter travel on Britain's public transport networks.

A fantastic font that I came up with after 3 weeks of work. It was a nice and attractive version of the Latin alphabet. Use it with pleasure.

Generous is painted with a somewhat dry brush. That's why it looks so authentic! Comes with contextual alternates (7 different versions of each letter!) and multiple language support!

Ruby Red is a playful font, made with ink and a brush. Ruby Red would look great in ads and packaging. Comes with a treasure trove of diacritics.

BD Westwork is a very condensed, bold and distinctive display typeface – great in combination and in contrast with delicate illustrations, photos and body text with and without serifes.

Need some Pig Scratch to go with your chicken scratch? This is a full fat font with a side of delicious glyphs. Perfect for merch, school lessons, invitations.

A funny childish handwritten font, with a spirit. This typeface can tell fairy tales. Besley Hand is a slab serif that goes well with the sans serif Trango.

Attractive chess and checkerpieces, as well as board components, in a font. Generate boards with light, bold or no border, or a border with rank and file identifiers.

A handcrafted font with extremely narrow letters, suitable for headings, logos, brands, menus, invitations, but can also be used with lowercase letters. Designed 2022 by Joachim Frank Germany.

MONZO is Contemporary Fat Font comes with 2 styles ( Regular & Outline ) with corresponding italics. Perfect for Logotype, Head text, Displayed text, and many more). Support for 75+ Language.

A lively, friendly, rounded display face with a country flavour, very suited for comedies or children's books, as well as products with earthy, rustic, organic and rural connotations.

An oval-brush-script with some opentype discretionary ligatures along with other ligatures and fractions. Palazzo Solo is the same as Palazzo Regular but is an unconnected version.

Milan-based Leftloft studio has produced a third leg to its hit Etica font family: LFT Etica Mono. Meant to be a coder’s go-to font for everyday use as much as a designer’s way to invoke a certain genre, it is part of a broader and more versatile family that already contains almost 80 sans and serif fonts. LFT Etica Mono’s ten weights carry the same modern, recognisable DNA of the Etica family while hewing to the defined requirements of a coding typeface: space, density, distinct forms, and clarity. It uses the same instroke on the ‘c’ and open form of the ‘a’ for which the Etica family is famous, but adds something new in the form of an additional italic style. Monospaced fonts usually incorporate slanted letters as italics, as does LFT Etica Mono, but its default italics have warmer, cursive shapes while the alternate italics are simply slanted. The default ‘a’ is a simplified bowl and stem instead of a two storey shape; the ‘d, f, i, l, t, y’ and others gain an outstroke tail; the ‘e’ is one smooth stroke; and the default ‘k’ is looped. These characters have basic, slanted alternates if the cursive look isn’t desired, and includes a set of arrows and geometric shapes. The monospaced design, by nature, makes the typeface useful in coding and in low readability situations. And how does LFT Etica Mono work from the designer’s perspective? The starting point was the need for a monospaced Etica companion intended for technical applications: captions in graphic layouts, small text, confined or predefined space, and overall tone. Flat terminals and counters maintain the colour and versatility of the original typeface, but choosing between the organic cursive or blunt slanted alphabet will give every layout its own character. Of particular aesthetic interest may be the & and % symbols. Designed to be applied to the common visual environment, the new LFT Etica Mono font family completes a more complex system. One benefit is to give an expressive tone — less serious and more friendly — to something inherently technical, to bytes and bots, to encode the beautiful life.

Presenting Mango Lover - a whimsical and organically handwritten sans serif font that dances with a playful charm. But that's not all; Mango Lover comes with its own Shadow version to add depth and character to your text. With a delightful array of ligatures and alternate characters, this font becomes a creative playground for your projects .

A carefully drawn geometric typeface. Exacting angles are combined with smooth corner details to form a clean, legible font with a modern appearance. The compact nature of the letterforms allows for great use of space across text layouts. Details include 6 weights with italics, extended European & Cyrillic character set, manually edited kerning and Euro symbol.

Roxelane is a friendly display font with a unique style. Get creative with this font and use it to brighten up any of your projects. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! It features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates.

Unleash your design potential with Quasar Soft, a remarkable typeface that seamlessly blends modern aesthetics with a touch of playfulness. With a collection of 11 fonts at your fingertips, including 5 versatile weights and captivating pattern font inspired by mosaic tiles, Quasar Soft offers an endless array of possibilities to breathe life into your project

Berryspickers is allcaps font with handwritten style very suitable when combined with watercolor and it can makes your work more stylish. this font features with Stylistic Alternates that allows you to mix and match pairs of letters to fit your design. Perfect for branding projects, Logo design, Clothing Branding, product packaging, magazine headers, etc.

Free Font Iamblock is a super heavy display font that makes a statement. In the family, you get a monospace and a naturally spaced version of Iamblock. Iamblock was developed with the rave and party scene in mind, with lots of bright, bold colors mixed with blacks and whites... it's about the heavy contrast.

Street Air is a unique display font with a graffiti-like appearance, with three style font, Regular, outline, and Shadow style. Use this font for any crafting project, apparel design, logotype, advertising, wall decoration, and pretty much anything that requires a personalized look. Take your designs to the next level with this stunning font!

Berose is a luxurious typeface with high contrast. Comes in two styles regular and oblique with some alternative characters. With its elegant and dynamic character, Berose is perfect for romantic nuances such as wedding invitations, Covers, Movie title, Logotype, Poster, Quotes, Signage or something else. To Access Alternate Characters, Software that Supports Opentype is required.

Sometimes you just need a little bit of that old-fashioned charm. That's why we created Malibu Waves. With a beautiful, handwritten style, this font is perfect for those who love the classic look with a modern twist. It’s timeless, perfect for adding some natural flair to your designs, and works great with any project.

LABYRINTHUS PRO is a multiline decorative font, works very well as a type of identity logo, poster and 3d works. It continues the tradition of precedent LABYRINTHUS but with a hard linear impact. Its interesting to note that with it its possible to play with the multiline concept to create endless overlapping geometric creations.

Betula is the scientific name for Birch - I probably don’t have to explain that birches are my favourite trees! They always look like the ghosts of the forest with their papery white bark and dark blotches. Betula is a rough, crayon-like font. Very legible with a childlike appearance. Comes with a forest of diacritics.

Take a look at my new font Willful with its light and airy outlines, which will add something cute and soft to your designs. The font is amazing in itself and will be perfectly combined with thin handwritten typefaces. Willful comes with uppercase, lowercase, standard punctuation, numerals, special letters for most of the European languages.

Letterforms from the 30s, inspired by Bauhaus Bold, combine with super 70s styling to create this disco-era delight. The bold characters, rendered by prismatic multilines, create striking headlines with a strong architectural feel. Both versions of this Pro Series font contain the complete Unicode Latin A character complement, along with extended ligatures and fractions.

Botanique - a hand-drawn humanist sans with rough, cute, organic features. This font is specially designed for organic, humanist, elegant projects. Botanique is perfectly suitable for creating a clean design with a touch of rough and rustic. You can use it for logos, packaging, and social media... The possibilities are endless with this font.

Pancetta Serif Pro is a squarish serif typeface – a natural companion to Pancetta Pro. Its skeleton is a blend of modern serif and slab faces, featuring prominent obtuse pillow-shaped serifs. Pancetta Serif Pro comes in 8 weights with real italics, with extensive language support and Cyrillic script, and enriched with many OpenType features.

Marchellia is modern serif font with luxurious style. Come with 4 variant to choose, Regular, Italic, Outline and Rounded. It’s perfect for headlines, logos, quotes, packaging, magazine covers, editorial design, and many project with suitable purpose to making art/design project look pretty and trendy. Features : Alternates, Ligatures and Multilingual Support. Elegant and Luxurious Style.