Potent, clean and classy. Meguro serif has a modern-styled boxy shape with small glyphic serifs emphasizing the edge of its vertical and horizontal strokes. Inspired by iconic fonts of the 1900s, Meguro serif incorporates the sophistication of the digital age to strike its own unique character. Its mono-line oriented, pointy serifs and very high X-height ensure that it is extremely legible and creates a strong impression. The Meguro serif font family is comprised of 10 styles with 5 different weights from light to black, along with matching italics offering possibilities for use in web, print, package and sign design, all with the goal of building an established look for brands in wide range of industries.

Cover art for the 1933 sheet music of Harold Arlen and Ted Koehler's "Stormy Weather" (from the musical production "Cotton Club Parade") listed the cast of the show in a condensed hand lettered sans that typified the 1930s and the Art Deco era. This served as the inspiration for Uptown Review JNL; available in both regular and oblique versions. The Cotton Club was a whites-only night club which showcased black acts, and was originally located on 145th Street in Harlem from 1923 to 1935, then existed for a short time in the New York theater district from 1936 to 1940. After the Broadway incarnation of the club closed, its space was taken over by the Latin Quarter.

Fantablock is a bold, high impact text. The edges are beveled to create the illusion of 3D raised text. The bevel effect makes it easy to create an embossed or engraved look. Punchy outlines make Fantablock perfect for headlines, or any project you want to be really eye catching. It is intended for larger sizes, but with care can be set small too. To make it extra fun, a handful of the largely useless alternates, (like that dumb “currency” symbol) were replaced with big blocky hearts, stars, arrows, and even a crown. Check it out! Fantablock is extended, containing the full West European diacritics & a full set of ligatures, making it suitable for multilingual environments & publications.

Maleo is a contemporary display sans with grotesque roots, taking cues from typefaces such as Benton’s Franklin Gothic & Alternate Gothic and contemporaries such as Obviously & Mars Condensed. Designed by Aditya Wiraatmaja as his debut retail typeface, Maleo is primarily designed with large-size usage in mind. Its tiny flare and angled cut terminal lends itself a friendly and approachable presence. With a family of 14 styles that range from thin to black with matching italics, it is a versatile display type that stands out in headlines, yet one that emits a charming personality. Maleo support various languages and is equipped with many Opentype features including; Old Style Figures, Ligature, Fractions, Numerators and Denominators, and Stylistic Alternates.

Blacklist is a high-contrast typography inspired by transitional and contemporary typography. Fonts extend their use by giving weights ranging from thin to black. The natural curve, a swollen and sloping stem, grows in character as the font gains weight. While the thinner weight has lowered contrast and optical correction to create a warm and soft look. Featuring beautiful italics, excellent weight and extensive language support. Blacklist excels in display settings such as headlines, titles, branding projects, Logo design, packaging, magazine headings, advertising, short or long text. Blacklist also comes with two versions of Variable Regular and Italic to make it easier for designers to explore and perfect beautiful designs, unearthing lots of visual tones and hidden secrets.

Kondes is our "101 Dalmatians" – it's 101th release in our catalog! And it is the 1st one that belongs to variable typefaces. Kondes (which is made up word as mixture of "condensed" and "kondezovan" on Serbian) is simple, compact, straight-in-your-face sans serif family with 9 weights and 9 Italics. It was designed with purpose to serve and to be use in any project, from editorial to website. For example, Black weight could be used effectively as poster type, in big sizes while Regular fits perfectly as main webfont. Stem joining is done with generous ink trap that divides and opens letter contours, so letter breaths in smaller sizes. Contains extended Latin character set. Enjoy!

American type designer Michael Abbink created this sans FontFont between 2006 and 2008. The family has 9 weights, ranging from Thin to Black (including italics) and is ideally suited for advertising, packaging, book text, editorial, publishing, logo, branding, small text as well as wayfinding and signage. FF Milo provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters.It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. In 2011, FF Milo received the Letter.2 award. This FontFont is a member of the FF Milo super family, which also includes FF Milo Serif.

Danish type designer Ole Søndergaard created this serif FontFont in 2005. The family has 10 weights, ranging from Light to Black (including italics) and is ideally suited for advertising and packaging, film and tv, editorial and publishing as well as logo, branding and creative industries. FF Signa Serif provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Signa super family, which also includes FF Signa, FF Signa Correspondence, FF Signa Serif Stencil, and FF Signa Stencil.

"Chubs," a typeface specifically designed for large display sizes, perfect for making a bold statement. Each letter in Chubs has been meticulously crafted to possess a thick and prominent appearance, ensuring that your designs leave a lasting impact on viewers. Chubs's distinctive weight and blackness make it an ideal choice for a wide range of applications, including posters, packaging, and logos. Whether you want to create eye-catching promotional materials or design a powerful brand identity, Chubs has got you covered. Within the Chubs typeface family, you'll find two distinct styles, each with its own personality and visual appeal. The first style, "Chubs Black," features letters with a captivating slit, reminiscent of a belly that overlaps. This distinctive groove adds an extra layer of visual interest and uniqueness to your designs. On the other hand, "Chubs Filled" offers a solid and plump appearance, without the characteristic slit. This style amplifies the chubby nature of the letters, resulting in a bold and impactful display. To further enhance your creative options, both styles within the Chubs family include an alternate character set featuring a wink shadow in every letter. These additional characters provide a touch of fanciness and playfulness, allowing you to experiment and add unique elements to your designs. Choose "Chubs" for your next big project, and witness the boldness and charm that sets your designs apart from the rest. Let Chubs bring your ideas to life and make a powerful visual statement that captures attention and leaves a lasting impression.

Burford Rustic is the weathered and textured alternative to the Burford Family. It works the same way as Burford as a layer-based font family, but with some style variations and new layering options. It includes 20 font files, starting with four texture variations from Black, Bold, Light to Ultralight. It also includes and Outline and two Inline Weights. Additionally it offers three line weights (light, medium and bold) for top layering options. There are two extruded fonts and two drop shadow fonts, all either in a solo version and set with Burford Rustic Black for users not using Opentype programs. For users that have Opentype programs, such as Adobe Illustrator, Photoshop, InDesign, Microsoft Publisher and Quark, each font also comes with a set of Stylistic Alternatives for letters A C E F G H P Q R. There are two versions of each letter, and by using contextual alternatives, no two letters next to each other will be the same. Burford Rustic Basic package is created for users who don’t have access to programs with Opentype capabilities and are unable to use the layering effect. Burford Rustic can still be a powerful tool as each font can also be used on it’s own. It includes every font file not needed for the layering effect. The Burford Rustic Ornaments uses all basic keyboard characters - around 100 total elements per set. They are designed to go specifically with Burford Rustic and use the same textured edge. The set includes: banners, borders, corners, arrows, line breaks, catchwords, anchors and many more!

This typeface has been beloved throughout history. Bodoni used it to print his first masterwork, but it has never before been publicly available. Now available for the first time, CAL Bodoni Casale has been painstakingly crafted from hi-res scans of 4 original Bodoni printings. Unlike many Bodonis drawn from computerized straight lines, this Bodoni follows the original contours of the master himself. With small caps, old style numbers, special options for $, %, £, €, Bodoni Casale allows you to make elegant pricing, sales signs, or logos. Besides it's authentic origins, Casale's 21st century debut includes Features & Alternates never seen before, including Frankenfont (giving the font 6 fun alternative uses with 1 click!). Other alternates, such as the $ and €, give the user options when styling their work. Various word and letter spacing options are also automatically included so the user can choose to preserve Bodoni's original spacings or go with a more modern look. The Bodoni for White on Black Most Bodoni fonts will start to disappear on black. Bodoni Casale’s robust strokes don’t disappear, even when set to smaller sizes. The robust strokes of this Bodoni font also lend visibility and legibility at large sizes with dark background, such as on signage. What You Get ✓Bodoni's original font, Roman + Italic and small caps ✓Style Sets for quick and beautiful formatting ✓5 Unicase Options ✓An army of percentage signs, dollar signs, and money symbols. ✓Punctuation Options for any reading situation ✓A Realistic and Inky look ✓Designed by Bodoni Himself For a Full Tour of Bodoni Casale, here's a video!

Rian Hughes’ 15th collection of fonts, “112 Hours”, is entirely dedicated to numbers. Culled from a myriad of sources – clock faces, tickets, watches house numbers – it is an eclectic and wide-ranging set. Each font contains only numerals and related punctuation – no letters. A new book has been designed by Hughes to show the collection, and includes sample settings, complete character sets, source material and an introduction. This is available print-to-order on Blurb in paperback and hardback: http://www.blurb.com/b/5539073-112-hours-hardback http://www.blurb.com/b/5539045-112-hours-paperback From the introduction: The idea for this, the fifteenth Device Fonts collection, began when I came across an online auction site dedicated to antique clocks. I was mesmerized by the inventive and bizarre numerals on their faces. Shorn of the need to extend the internal logic of a typeface through the entire alphabet, the designers of these treasures were free to explore interesting forms and shapes that would otherwise be denied them. Given this horological starting point, I decided to produce 12 fonts, each featuring just the numbers from 1 to 12 and, where appropriate, a small set of supporting characters — in most cases, the international currency symbols, a colon, full stop, hyphen, slash and the number sign. 10, 11 and 12 I opted to place in the capital A, B and C slots. Each font is shown in its entirety here. I soon passed 12, so the next logical finish line was 24. Like a typographic Jack Bauer, I soon passed that too -— the more I researched, the more I came across interesting and unique examples that insisted on digitization, or that inspired me to explore some new design direction. The sources broadened to include tickets, numbering machines, ecclesiastical brass plates and more. Though not derived from clock faces, I opted to keep the 1-12 conceit for consistency, which allowed me to design what are effectively numerical ligatures. I finally concluded one hundred fonts over my original estimate at 112. Even though it’s not strictly divisible by 12, the number has a certain symmetry, I reasoned, and was as good a place as any to round off the project. An overview reveals a broad range that nonetheless fall into several loose categories. There are fairly faithful revivals, only diverging from their source material to even out inconsistencies and regularize weighting or shape to make them more functional in a modern context; designs taken directly from the source material, preserving all the inky grit and character of the original; designs that are loosely based on a couple of numbers from the source material but diverge dramatically for reasons of improved aesthetics or mere whim; and entirely new designs with no historical precedent. As projects like this evolve (and, to be frank, get out of hand), they can take you in directions and to places you didn’t envisage when you first set out. Along the way, I corresponded with experts in railway livery, and now know about the history of cab side and smokebox plates; I travelled to the Musée de l’imprimerie in Nantes, France, to examine their numbering machines; I photographed house numbers in Paris, Florence, Venice, Amsterdam and here in the UK; I delved into my collection of tickets, passes and printed ephemera; I visited the Science Museum in London, the Royal Signals Museum in Dorset, and the Museum of London to source early adding machines, war-time telegraphs and post-war ration books. I photographed watches at Worthing Museum, weighing scales large enough to stand on in a Brick Lane pub, and digital station clocks at Baker Street tube station. I went to the London Under-ground archive at Acton Depot, where you can see all manner of vintage enamel signs and woodblock type; I photographed grocer’s stalls in East End street markets; I dug out old clocks I recalled from childhood at my parents’ place, examined old manual typewriters and cash tills, and crouched down with a torch to look at my electricity meter. I found out that Jane Fonda kicked a policeman, and unusually for someone with a lifelong aversion to sport, picked up some horse-racing jargon. I share some of that research here. In many cases I have not been slavish about staying close to the source material if I didn’t think it warranted it, so a close comparison will reveal differences. These changes could be made for aesthetic reasons, functional reasons (the originals didn’t need to be set in any combination, for example), or just reasons of personal taste. Where reference for the additional characters were not available — which was always the case with fonts derived from clock faces — I have endeavored to design them in a sympathetic style. I may even extend some of these to the full alphabet in the future. If I do, these number-only fonts could be considered as experimental design exercises: forays into form to probe interesting new graphic possibilities.

Morven is a modern serif font with a classic and elegant typeface. This versatile font is perfect for a variety of design projects, from branding and advertising to editorial layouts and more. An Original typeface that suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc This font support for some multilingual. Modern Sweet Retro that contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

Introducing The Cleopatras, created by ikiiko. The Cleopatras is a clean serif font with unique characters, having a variety of alternative style sets to choose. You can use various techniques to form different characters. This typeface is perfect for an elegant logo, branding, travel promotion, layout magazine, beauty product, packaging product, quotes, or simply as a stylish text overlay to any background image. What's included? Uppercase & Lowercase Number & Punctuation Ligatures & Swashses Alternates Set Multilingual Support Get also a good offer & FREEBIE at our site : www.ikiiko.com Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

Introducing, Regione Typeface. A modern typeface that embodies timeless elegance and aesthetic appeal. Regione Typeface accentuates uniqueness with a variety of stylish alternatives. Enhance your creative projects with the font's extensive collection of standard and discretionary ligatures, allowing you to add a touch of finesse to your text. Lunette Typeface is perfectly suitable for a layout design for quotes or body copy, best used as a display for headings, logos, branding, magazines, product packaging, invitations: logotypes, and much more. Features : All Uppercase and Lowercase Number & Symbol Supported Languages Ligatures PUA Encoded Hope you enjoy our font!

Lota Grotesque was designed by Daniel Hernández with the collaboration of Rodrigo Fuenzalida and Latinotype Team in digital editing. The family comes in 7 weights with matching italics and includes alternative versions that provide high versatility and functionality. The whole font family is composed of 4 subfamilies that share exactly the same number of characters and styles but with differences in programming and default characters. Lota Grotesque contains a 760-character set that supports 219 languages and includes alternative characters, discretionary ligatures, small caps, and a variety of figures and fractions—a wide range of typographic tools to meet different design needs.

Alegros is a stylish and elegant serif font. It is suitable for a wide variety of designs due to its neat and clean style. Incredibly versatile, this font fits a vast pool of designs, elevating them to the highest levels. Comes with some alternates and ligatures, so you can combine them to make a perfect typography design. It is ideal for your upcoming projects. Such as luxury logo and branding, classy editorial design, magazines, Packaging, poster, movie, cosmetic brand, fashion promotions, art gallery branding, and more. This font is PUA encoded which means you can access all of the glyphs.

Say hello Broisther, a handwritten script font inspired by handwriting with an aesthetic touch. Broisther is versatile enough for both web and print and can be used in a variety of projects such as stationery, packaging, apparel, wedding stationery, prints, quotes, social media graphics, planners, greeting cards, logos, branding, and much much more. The script includes a set of uppercase characters, numerals, symbols, two lowercase letter sets, and a total of 28 ligature. Full Set of standard alphabet and punctuation Extra set of ending swashed lowercase Handwritten ligatures Thanks so much for checking out my shop! Happy creating! Cheers!

Stigsa Display is a high-contrast typeface inspired by transitional and contemporary typefaces. A vertical stress with sharp serifs, delicate and legible. Stigsa Display family consist of 35 fonts: 7 weigths and 5 widths. With 1143 glyphs each. Stigsa Display family with various styles will be an handy tool for a wide variety of designs. The typeface high contrast designed for use in big text sizes and medium sizes. Via the OpenType features allow for the implementation of typographic niceties such as small caps, tabular figures and oldstyle figures, ligatures, case-sensitive, fractions and extended language support.

Circulaire is a set of initial caps designed by Sjoerd Hendrik de Roos in 1926, and digitized in 2009 by Hans van Maanen. Unusual serifs, spurs and swashes make for interesting continuity points in the familiarly angled shapes, while adding a unique calligrapher's touch to the beheld forms. As far as initials go, this set contains the extra touch of personality needed to lead into a paragraph, which is preferable to the usual swashed italics that are widely used. Circulaire is available in all popular font formats and includes extended support for a wide variety of Latin-based languages.

Introducing Steve Gallagher modern script font. This font has some uniques script ligature font, it is perfect for combining to make look likes a signature. This font is perfect for your various design projects, elegant and luxurious branding, wedding invitation, book cover designs, classy packaging, album covers, handwritten quotes, greeting cards, unique social media posts, and so much more. This script font looks more modern and elegant signature script font containing upper and lowercase characters, and a variety of 47 ligatures options and also contains 10 swashes to help text look more natural as the original signature.

Hardly is a delicate and elegant script font with a modern and sophisticated appearance. Its thin letterforms feature fluid strokes and subtle curves, creating a graceful and refined feel. The font is perfect for designs that require a sense of elegance and sophistication, such as wedding invitations, branding, or editorial design. Hardly is a versatile script font that can be used for both body text and headlines, and its delicate yet readable style makes it perfect for a variety of design projects. This font is PUA encoded which means you can access all the glyphs and ligatures with ease!

Dezen is a contemporary, mechanical grotesque typeface. Its letters were first constructed from individual modules and then optically refined to enhance its rhythm. Its tight letter spacing and narrow proportions make the typeface particularly well suited for display sizes and headlines. 
When you add spacing, font can be used for shorter amount of text, 
bigger than 12 points. The Dezen type family consists of a wide variety of styles – solid and stencil. The Dezen Pro subfamily combines all 4 styles (Solid, Stencil 01, 
Stencil 02, Stencil 03) in a specific sequence, which originates a “pattern” for the alphabet (or dezen, in Slovak).

Dezen is a contemporary, mechanical grotesque typeface. Its letters were first constructed from individual modules and then optically refined to enhance its rhythm. Its tight letter spacing and narrow proportions make the typeface particularly well suited for display sizes and headlines. When you add spacing, font can be used for shorter amount of text, bigger than 12 points. Dezen type family consists of a wide variety of styles – solid and stencils. Dezen Pro subfamily combines all 4 styles (Solid, Stencil 01, Stencil 02, Stencil 03) in a specific sequence, which originates a “pattern” for the alphabet (or dezen, in Slovak).

Goodwin Geraldine - Lovely Calligraphy Fonts - A beautiful and charming impression is attached to this font. With a variety of strong combinations to support your design projects such as logos, wedding invitations, business cards, t-shirt designs, posters / quotes, crafts, social media posts etc. See some of the previews above for reference. Features: -Uppercase -Lowercase -Numeral -Punctuation -Multilingual -PUA Encoded -Opentype Features Note: Use a program that supports the Opentype features and the glyph panel is available, so you can see the various alternative characters available. Examples of programs such as Adobe Illustrator, Corel Draw or Inkscape. Thanks.

Introducing Ollieva - Handwritten Script Font This Font can be used for any variety of purposes, such as: Photography, Wedding Invitation, Packaging Product, Logo Type, Brand, and also can be used for personal purpose. This Font Template contains Modern, Elegant, creative, Professional and Unique Concept. FEATURES Uppercase & Lowercase letters Numbering and Punctuations Ligatures Multilingual Support Works on PC or Mac Simple Installation Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word. All images on the demo is just for preview purpose only and not actually included on the files Hope you Like it. Thanks.

Introducing Kajju, a premium font family designed to help you create visually stunning projects of any kind. Kajju San Serif comes in 18 different styles and has everything you need for your design projects. This is an all-in-one font pack with a wide variety of font styles to choose from. So whatever your needs, Kajju can do the job! of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Who says design has to be boring? The Quwen King font is the secret key to bringing power, glitz, and gaming style to any of your projects. Quwen King is the perfect solution for projects that require a unique touch. From powerful movie displays to exciting games and stunning streaming events, this font captivates and dominates in a variety of languages. With Quwen King, you don't just get a font, you get the tools to bring creativity, charm, and fun to your designs. Enhance your projects with Quwen King Font now, and enjoy amazing results that will make your designs stand out!

Gene Gable is known to many graphic artists from his on-line column 'Scanning Around with Gene', which was on the Creative Pro website for a number of years, covering a variety of topics ranging from printing techniques to paper ephemera; water applied decals to lettering stencils. Gene has also been a great help in providing vintage source material to Jeff Levine, which resulted in many additional font designs. It seems only fitting that he should be bestowed with his own-named font as well. Gene Condensed JNL is offered in both regular and oblique versions.

Introducing Rockin Pistons, a font that exudes strength, energy, modernity, and speed. Its unique design with sharp edges gives it a powerful and fantastic impression. Rockin Pistons can be used for futuristic, sci-fi, sports, and automotive designs., this font is perfect for any project that needs a strong and dynamic look such as display, headline, football poster, basketball, race poster, sticker, t-shirt design, merchandise, or jersey. Rockin Pistons comes with special characters, multilingual support, and swashes, making it a versatile option for a variety of uses. What you’ll get : Uppercase Lowercase Numbers & punctuation Symbols. Accented characters Stylistic alternates Swashes

DT Serifia Sans is a modern grotesque with a playful character. The font family contains seven widths and one Variable Font. From extra thin to ultra bold, you will surely appreciate this font. Typography will take on its own mood with it. The vertical terminals give it a sense of sophistication even with all its playfulness. A wide range of weights allows using this typeface in a variety of projects, and a plethora of OpenType features will make your project look outstanding. A wonderful addition to your collection, it is perfect for branding, magazines, web, broadcasting, packaging, apparel prints, prints etc.

Steliva is an elegant and luxurious font that exudes sophistication and class. Its fine strokes and sharp edges create a beautiful balance of elegance and modernity. Perfect for a variety of design projects such as branding, logos, invitations, and more, Steliva adds a touch of glamour and refinement to any design. Featured: Standard, Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw, so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Aliya Script, a handwritten script font inspired by handwriting with an aesthetic touch. Aliya Script is flexible enough for web and print and can be used in a variety of projects such as stationery, packaging, apparel, wedding stationery, prints, quotes, social media graphics, planners, greeting cards, logos, branding and much more. The script includes a set of uppercase characters, numbers, symbols, two sets of lowercase letters, and ligatures. Complete Set of standard alphabet and punctuation marks Additional set of brushed lowercase endings Handwritten ligature. Thank you so much for checking out my shop! Happy creative! Cheers!

Mia is a 1 year old. She likes animals. But not just any old barnyard variety animals, she likes cute and fun, pseudo-animals that nobody else knows about. Now she is willing to share her favorite “pets” with the world in this exclusive symbol font designed by 10four. Originally conceived as wall graphics for Mia's bedroom, Mia Pets has been expanded to include 62 distinct icons. A collection of friendly creatures, now set free from Mia's bedroom and ready for whatever mischief you can find for them... great for wall vinyl, web graphics, or T-shirt graphics!

“Valentia Nit” is a copperplate typeface enriched with swashes and extensions in alternate characters. Its main feature is the intense contrast between thick and thin strokes that gives you clarity of reading while providing a delicate and subtle texture in the text. Another feature is the spontaneity of its stems, the agile and casual ties, which in fact, these combinations can offer the designer a variety of possibilities to structure a logo or headline in sophisticated lettering style. “Valentia Nit” was designed to combine with our previous font “Valentia” in order to obtain the necessary hierarchy of texts using changing thicknesses.