John Speed is an ornate, decorative calligraphic titling font based on the hand lettering of 17th century English mapmaker John Speed. It features extraordinary decorated letters, variant character forms and other unique features.

Avarita is an italic font variant. The font design is a fusion between serif and handwriting. Avarita match to many kind of typing, such as comical conversation text, caption, handwritten typing, and othes.

Introducing Retrochips Fonts with a vintage touch reminiscent of past designs, making your design look unique and classic. Retrochips has 2 variants, Regular and Line, as a perfect blend in your graphic design.

Triunfo is a modern slab serif font family with sports flavor. It comes in 21 variants of weight and wide that allows you to choose the best option to use in your work.

Aviano slab is an extended slab serif and the newest member of the popular insigne series Aviano. The same classically proportioned letterforms are now available in a slab serif variant for powerful impact.

Ripster, is a typeface family of 6 variants (Regular, Inline, Shadow, Soft, Soft Inline, Soft Shadow.) especially for titles, with very dynamic and strange shapes, it also contains Cyrillic alphabet such as Greek.

Teen Years JNL was inspired by the hand lettered name for the Joyce Records label (circa 1956) which first recorded the New York doo-wop group The Crests (of “16 Candles” fame). The type design is a block sans serif, and is available in both regular and oblique versions.

The 1935 sheet music for Shirley Temple's "That's What I Want for Christmas" [from her 20th Century Fox film "Stowaway"] provided the hand lettered sans which became the model for Artistry JNL. A condensed block design with rounded corners, the typeface is available in both regular and oblique versions.

The Red Star has risen. Capitalism is on the decline. Under the supervision of Kommisar Christian Gossett and his Red Star cabinet, Comrade Craft has completed the revolutionary new Soviet Block Letters; RedStar, RedSquare and DropCase. The Proletariat is instructed to rejoice. Today is truly a Red Letter Day!

Conqueror Text consists of 12 faces and is a part of a super family Conqueror. It is intended for big text blocks. Someone considers that the Conqueror Text — not so text font, because it too bright and unusual. But others, more courageous, use ConText and are quite happy.

Introducing Holdem - Display Block Font Holdem combines attractive curves with a fresh urban edge; delivering a stylish script which is guaranteed to add an eye-catching appeal to your logo designs, brand imagery, quotes, product packaging, merchandise & social media posts. Simple installation Work for PC and MAC Multilingual Support.

A vintage Canadian-published music book circa the 1940s had the title "Strauss Waltzes" hand lettered in a bold Art Deco sans serif that featured block style letters with rounded corners. This was the working model for Formal Dance JNL, which is available in both regular and oblique versions.

Old Dreadful No. 7 is truly a unique typeface design. Bitstream’s designers and other employees all contributed individual letterforms to the character set. This typeface is definitely not recommended for long blocks of texts! David Robbins expanded his contribution of the capital I into a complete typeface, Eyeballs.

Another beautiful script design by German type designer Ralph M. Unger. Atramant is casual and easy, ideal for any setting in larger sizes. Still, due to its excellent legibility, it can also be used for short text blocks in smaller sizes. Atrament was originally designed for the URW++ FontForum.

The multi award winning ESTA is back, renewed and improved in OpenType format. Now named Esta Pro, is available in Regular, Italic, Bold, Bold Italic, Display and Swashes. Includes plenty of features, like SmallCaps, Alternates, Ligatures and CE characters.

Aryana is young, fresh, and has arrived just in time for the back-to-school season! The perfect typeface for labeling notebooks and putting together poster projects. This handcrafted font is a casual and fun addition to your library.

"Malikasthi" is an elegant and beautiful brushed handwriting font. This font is equipped with uppercase, lowercase, numerals, punctuation, and multilingual support. It is suitable for weddings, engagements, business branding, stickers, banners, branding, posters, valentines, back to school, and others.

Fonts without curved lines were quite popular in Victorian times. We drew this one back in the days of T-squares and triangles, and based it on a type that we felt could stand to be improved. (Arrogant, eh?)

"Butter Christmas" is a very pretty handwritten font. This font is equipped with uppercase, lowercase, numerals, punctuation, ligatures, and multilingual support. It is very suitable for Christmas, Valentine, back to school, winter, autumn, birthday, wedding, engagement, and so on.

A classic blackletter Which looks best at 16pt and above. Due to the modular nature of this design there may be a slight lack of smoothness to the curves at very large point sizes (around 100 pt and above).

Way back in the 1990s, the fatter the fast food generation got, the more condensed letters became. I figured when the taste in fonts started to mirror the contemporary bodily norm, Hunky Chunk should be there. Here it is.

A Modern Classy Beauty Elegant Font that we created special for Luxury and Fashion branding needs, And specially for this font, We prepared any alternate characters to help you create unlimited variations for your creative needs. Guaine - Modern Beauty Elegant Font ready with: Any options to get creative variations (combination of Any Alternates) Preview as a inspirations that you can do with Guaine font Ready with Lowercase and Uppercase characters Wish you enjoy our font. :)

FunCity is a family of typefaces designed for multi-layered use. There are six levels of letter thickness from thin to extremely bold and all styles of the family represent basically a different variations of the same letterforms. As the same letters in every typeface in this family use the same amount of space, it creates a possibility of overlaying and using more than one style simultaneously, which lead to almost endless variations.

A Unique Display Logo Font that we created special for Beauty and Modern branding needs that will give you more elegant look.We prepared any alternate characters to help you create unlimited variations for your creative needs. Maniola Display Logo font ready with: Any options to get creative variations (combination of Alternates) Preview as a inspirations that you can do with Maniola font Ready with Lowercase and Uppercase characters Wish you enjoy our font. :)

The British Telegraph font family was inspired by classic headers of Britain newspapers from the middle of XX century. Classic look with three width – Light, Regular and Bold. Great for headers, signs or logos. Also, working well for text blocks. - The British Telegraph Light: Use it for text blocks, or for gently light header typographic. Try to make more wide tracking with capitals, it looks good. - The British Telegraph Regular: Great for simple message, quotes, subheaders (If the header is Bold) or advert slogans. - The British Telegraph Bold: Is a killing title buddy. Massive, strong, bold and in the same time – very gentle. Perfectly for main words, headers, signs or logo's. The British Telegraph has full glyph set with standard and discretionary ligatures (Open Type Features).

My youngest son Boris has his birthday in a week. He turns 8, and he loves to play with those Danish building blocks - you know what I’m talking about. Last year he developed an interest in Star Wars n(no idea how that came to be), so we bought him some Star Wars-themed blocks for his birthday. I am now watching the movies with him and it is fun to witness his enthusiasm. The only drawback is the fact that we now seem to have a Chewbacca in our home… Meowtant Kittens is a font I drew with a fineliner and then digitised. Of course the name was influenced by the movies I am watching with Boris, even though they don’t feature any Meowtant Kittens.

P22 Nudgewink is a funky font family with humorous retro 1960s attitude and crazy bouncy baseline now in four weights (That is one louder!) Each character in the Pro fonts has four different variations accessible with any OpenType friendly application. The "P22 Randomizer" feature makes sure that variations of each letter keep the look of hand lettering with slight variations of up to four versions of the same letter appearing automatically. Along with stylistic alternates, Pro versions include automatic fractions, ligatures, superiors, inferiors, ordinals and a whole bunch of groovy graphic dingbats. With all these options at your disposal, dynamic handcrafted effects can be achieved with just a little bit of goofing around. So check it out, load it up and turn it on!

Paverify is an all-caps geometric slab serif display face inspired by a particular pavement tile component which is evoking a blocky “I” letter. All other characters were interpreted based on its look and drawn accordingly. There are three uppercase Roman fonts in different weights and widths substantially. With the additional versions, type family consisting of 7 fonts in total. Over 220 Latin, Cyrillic and Greek script languages supported. Each font contains an extensive multilingual support with more than 1600 glyphs and OpenType features, including number forms, fractions, and stylistic alternate sets those provide different looks by the typographic preferences. For the lowercase letters there are small caps variants, i.e., shorter caps. These also have identical glyphs and matching marks to enable “Small Capitals From Capitals” feature. Narrower Medium and Bold styles was produced to accompany the Black first design. Paverify comes with an ornaments font named as “Extras”, which contains geometric graphical elements, i.e., paver stone patterns, banner/sticker background sets, star comps and a collection of catchwords to simplify creating feature rich layouts. As is known as interlocking paver in certain regions — a rectangular shape with the distinctive diagonal tabs — transcribing the simplest letter to draw into the whole alphabet was a challenging task. Not only it was the single thing that can be used as a source, considering its thick form in roughly 1.2:1 proportions compared to the sophistication of letterforms was the challenge. Starting point was keeping design consistent while both avoiding and preserving a particular appearance to achieve a similar texture, basically a repeating pattern on the streets. In contrary of a traditional approach, Paverify tend to have more contrast than the other slab serifs which helps to reduce massive stem weight of the source form. This look contributes to its hand painted sign effect achieved in a certain degree, which may otherwise impractical to transform because the source material is an inorganic, static form by definition. Tight and even spacing of the pavement tiles was inspirational for the kerning balance of the letters. Although the lighter weights have more space between the letter pairs, black weight adjusted as to be close to each other as the original grid. Tight spacing can be ignored by using Capital Spacing OpenType feature for the Outline versions as layer fonts. In one stroke, this gives an extra space between the letters to avoid diagonal armed letter terminals overlap. Black typographic colour and texture gives a sturdy appearance to the lines, it is useful for the projects where a robust display faces preferred for the titling, strong headlines, letter stacks, dropcaps, initials, short names on materials such as advertisements, book covers, posters, logotypes, wordmarks, package designs, and more in print or digital. Paverify can be paired as a complimentary face in a combination with broader type systems, where vintage look compositions and woodcut style fusions requiring an extra stunning texture.

Since their first appearance as Italians on the pages of the 1821 William Caslon type specimens, reverse contrast typefaces have been typography's best loved quirky outcasts. Subverting the traditional relationship between thick verticals and thin horizontals made them perfect for eye-catching advertisements. The unexpected contrasts and the thick slabs produced by reverse-contrast serifs became ubiquitous in period posters, and synonymous with wild west and circus iconography. In designing Stinger, the Zetafonts design team composed by Maria Chiara Fantini, Andrea Tartarelli and Francesco Canovaro and orchestrated by Cosimo Lorenzo Pancini decided to marry this subversive tradition with the workhorse approach of modernist sans serif typefaces like Univers, developing a super-family with four widths, each in five different weights, from thin to heavy. This gives the designer a full range of options for type setting, with the Normal and Fit widths providing two different text-sized alternatives, the wide width adding display and titling options and the Slim ready to deal with the space-saving necessities of extremely long texts. True italics have been added developed for all weights and variants, bringing the Stinger family to a total of 40 fonts, with a latin extended + Russian Cyrillic character set covering over 200 languages, and open type features including positional numbers, stylistic sets and alternate forms. In the crowded panorama of contemporary grotesque typefaces, all aiming to stark geometric perfection, Stinger stands out with its bold choices and strong personality. From the calligraphy-inspired terminals in the thin weights to the logo-ready sculptural approach in the heavy weights, each variant manages to look striking without forgetting the readability and flexibility lessons of modern reverse-contrast classics like those designed by Excoffon or Novarese. A variable version is included with the full family, allowing maximum flexibility and control for the designer over the wide range of expression capabilities of the Stinger super family.

In 1924 Morris Fuller Benton designed for ATF a new variation on his father’s design, Century Oldstyle. Century Schoolbook has become a synonym for readability.

Boheld comes with 6 different style variations such as Sans, Serif, Bold, Condensed, and Inline. It is inspired by classic labels, tickets, posters, and more.

In 1924 Morris Fuller Benton designed for ATF a new variation on his father’s design, Century Oldstyle. Century Schoolbook has become a synonym for readability.

Introducing the third reincarnation of TT Chocolates! The popular typeface was updated to stay up-to-date with the latest requirements and trends in design! TT Chocolates is an elegant Humanist sans serif with a dense typesetting and well-balanced proportions similar to the classical tradition. This font's nice and friendly nature makes it seem like something close and familiar. It has earned a reputation among designers as the perfect font for confectionery, but the application range of the TypeType's "sweetest" typeface goes well beyond that! In 2023, we decided to do a full-scale font update referring to extensive sans-serif market research. We figured out where the trends are headed and what users want—this information helped us enhance TT Chocolates. Specifically, we introduced a new Condensed font version, a narrow font style with the authentic proportions of the standard version. At the same time, TT Chocolates Condensed boasts a more expressive personality than the base subfamily, which allows designers to solve even more creative tasks using only one typeface. The third version of TT Chocolates has become even more modern and advanced. A large number of characters, various OpenType features, and stylistic sets make the font suitable for multiple purposes and tasks. TT Chocolates is a perfect match for both branding and layouts. The font's dynamic shapes make it easy to read in small point sizes, allowing the eye to move effortlessly across the line. This typeface can also be used in web design due to the TrueType manual hinting option. TT Chocolates 3.000 includes: 29 font styles: 14 roman, 14 italic, and one variable font; Condensed version consisting of 14 new font styles; Carefully crafted contours; Optimized font rhythm and completely new kerning; Enhanced italics in basic subfamily; Variable font with three axes of variation: width, weight, and slant; 32 OpenType features, counting in 13 new ones; 901 characters in each font style—the character set has grown compared to the previous version, which had 629 characters in each font style; 230+ languages support, including the new ones: 35 Cyrillic-based and 16 Latin-based. Elevate your design's appeal with TT Chocolates!

An informal, rather bold typeface without serifs, Mushmellow looks like it might have been written with a marker pen. In addition to the plain and bold weights, it comes with outline and “cactus” variants.

Clobber Grotesk is a grotesk typeface family designed for high readability. It includes a range of weights and a stencil variant. The terminals of the letterforms are slightly flared in order to increase legibility.

A neat face with pronounced spur serifs which several foundries have already digitized. We like ours better though, because we have drawn a lowercase which was lacking in the original. Barnhart Bros. & Spindler of Chicago introduced this type in 1888.

Barnhart Bros. and Spindler called this Faust Text when they introduced it in 1898. A quarter of a century later, they brought back a number of obsolete faces and renamed them. This one became Missal Text in their 1923 catalog.

A decorative and fancy slice of the gay '90s (1890s that is). Due to the modular nature of this design there may be a slight lack of smoothness to the curves at very large point sizes (around 100 pt and above).

LTC Ornaments Two is the first Lanston Ornament font which uses OpenType features to assist in decorative border creation. The ornaments themselves features designs of Fournier and other classic fleurons and ornaments whose origins date back to the earliest printers.

Crimes Times Six is a cool horror font, originally created with a chalk stick back in 2012, by Jonathan S Harris. The typeface design works very well in video games, movies and broadcasting, but also looks great on clothing and posters.