A classic, comic book sound effects font, inspired by 1970's horror books! Contains dozens of European characters!

The Quarantinus font was created during the 2020 covid 19 lock-down. Tranquility being all around, the JOEBOB graphics studio almost felt like a monastery, and as a result my style of writing and my choice of pen had to fit. All this writing was turned into an authentic handwritten script font with over 150 ligatures, which make it look very credible and spontaneous. The font is especially suitable for personalized 'handwritten' notes, cards and messages. It can be used on T-shirts and on shop-windows. It has an 'instant logo' quality, it can be used for tattoo-designs and it screams home-made everything. And in case you are a writer you now have an option to print your work in a way that seems as if you wrote it yourself. Please note that even though the font comes with a complete set of Western characters, accents and special signs, the Cyrillic and Greek characters that are in the font do not make a complete set.

Birka is the first typeface I designed from scratch. It took a whole year of my weekend and evening hours and is the typeface that teached me everything I know about type design. It is easy too see that I had Garamond in mind when drawing it. Birka is beautiful" was the comment of the well known Swedish designer Bo Berndal when he first saw it. That comment gave me the courage to design more and more typefaces. In a Danish article about Scandinavian type design, Birka was taken as example of a typical Swedishness in typography. I am not sure what the writer had in mind, but it surely sounded well. Birka has its name from the ancient Viking town Birka, whose remains are found not far away from Stockholm. Birka was released in 1992."

Back in 2017, I was working on a cutout font that I originally wanted to call Scissor Madness. In the end, I named it Cut Along and it was quite a popular font for a while. This week I decided to clean up my fonts folder a bit (as I usually have tons of unfinished fonts lurking in there) and I found a file named Scissor Madness. It was the original try-out for Cut Along. It contained a couple of nice glyphs that I never used, so I started playing around with them and after a day, I had a whole new font! So, in short, Scissor Madness was partly cut out by hand, partly computer made, but it is 100% fun to use! Scissor Madness comes with a bunch of very cute discretionary ligatures.

‘Skiart Serif Subtle’ is now available online. Originally inspired by the san serif font ‘Skia’ by Mathew Carter for Apple. ‘Skiart’ was designed to feel more like a serifed font, but without any serifs. It took a step between sans serif and serif fonts. Next on the path towards a serif font came Skiart Serif Mini, with tiny serifs added. This was a true serif font, all be it on the small side. Skiart Serif Subtle is less of a serif than Skiart Serif Mini, in that it doesn’t have actual 'serifs' as such. It has a subtle flare where a serif might normally be found. It remains fully readable and feels as clean and normal as any of the best body copy serifs, and yet still has the strong solid bones of all the other Skiart font families. If compared to one of the more commonly used serifs like ‘Times New Roman’, the ‘Skiart Serif Subtle’ lowercase is more open with a taller x-height, increasing its readability and friendliness. The serifs are smaller and less distracting. They are not pretending to be ligatures. Where ‘Times’ makes its p q b d forms out of a barely touching oval and stem, the ‘Serif Subtle’ forms are much more firmly attached, appearing clearly as single letters. The standard setting for the a’s and g’s are round single story, feeling warmer and more inviting in the ‘Serif Mini’ font. Much more friendly than the stuffy double-storied versions in fonts such as ‘Times’ etc.

The Rosetta Stone, or Rashid Stone, was accidentally found by a French soldier during an excavation in the fortification of Egypt. The stone was inscribed in three languages, intended to be sent to three major Egyptian temples. These languages are: Demotic (the language used by the people in Egypt), Hieroglyphic and Ancient Greek. This font contains ancient greek.

Baraquiel is based on an interesting style of calligraphic script we found in a turn-of-the-century magazine ad. It is much more acutely slanted than most scripts, and has pretty dramatic variations in weight. Nonetheless it has high readability and works well in combination with many of our text fonts, particularly Evadare and Albemarle.

Hold on to your Hats and Stand in a convenient Door Frame, and be warned that anything you have on your desktop that is not nailed down is going to hit the floor when these characters thunder across your hard drive. Perfect for sound effects like BOOM! THOOM and, er... RUMBLE, this font family is an Earth Shaker!

I really like peanuts! My family and I often eat an Indonesian snack called Rempeyek, which is a deep fried, battered peanut cracker and I was probably craving one when I made this font. Peanut Crunch is a hand painted display font. It comes with some alternates and a bunch of ligatures for you to play around with.

Fine and Dandy JNL comes from the hand lettered title of the 1929 movie "Isle of Escape"; found on the sheet music for its theme song "My Kalua Rose". An engraved and fancy Roman, the style combines elements of Western, Art Nouveau and Art Deco into one attractive type design; available in both regular and oblique versions.

This idea of "wrong way weights" was originally called French Clarendon by the Americans, Italienne by the French, and American by the Italians. Sounds like nobody wanted to own up to it. When it was revived by ATF in 1933, it was given the name P. T. Barnum. Many variations have appeared. Dime Museum is an old wood type.

A friend bought me a Chinese calligraphic brush set in a beautifully decorated box. I started to letter the alphabet on parchment, in my own hand, using quick strokes and found the resulting script had an interesting energy to it. After further refinement in my font application software 'Swordtail' was born. A great free-hand script.

This typeface was developed for the Different Ground exhibition identity (and that explains the name of the font). The aim was to make an absolutely geometric, constructed font. Sometimes even too geometric and too much into it's own rules. But at the same time to make it look very humane, sometimes imperfect and weird, but alive and not soulless.

With an obvious nod to Art Deco, this font offers a stylish design with distinctively elongated ascenders and descenders. Includes: Western European, Central European, Baltic & Turkish sets. Due to the modular nature of this design there may be a slight lack of smoothness to the curves at very large point sizes (around 100 pt and above).

Petroglifos is a dingbats font as a collection of pre-Hispanic petroglyphs of indigenous ethnic Venezuela, most of them are found in signs carved in stone or painted in caves of the pre-Hispanic period, each icon is an accurate representation of these ancestral signs. Forms are very interesting from a visual, anthropological, historical and semiotic point of view.

Clufy is an editorial serif typeface inspired by neoclassical serif style typography. Clufy is perfect for headlines, editorial design, monograms, branding, logos, poster design, and more. Clufy includes approximately 601 glyphs support with features such as ligatures, alternate characters, old-style figures, fractions, numerator/denominator, superior/inferior, and various symbols, also support around 200 languages in Latin.

Birch Beer JNL comes from lettering spotted on a European business sign found in some stock footage that was used for an old black and white film about World War II. The name is derived from a popular root beer-like soda sold by the Royal Castle Restaurants that were popular in Florida from the 1930s through the 1970s.

Emeritus is born from the carved letters found on buildings and monuments in Washington, DC. Muscular and low contrast but with assymetrical flared serifs that soften its stately presence. Small caps, inline caps, chiseled characters, and multiple weights and numerals offer an array of typographic voices. Notably academia, military, monumental, automotive, logos, signage, and so on.

Sturdy is designed to be as black as possible yet still legible. As an OpenType Pro font it has my normal complement of around 500 characters. New to this font I have added what I call ordinals: first through tenth in addition to Caps, lowercase, small caps, lining, oldstyle, and small caps figures, ligatures, and so on.

The Gadabuursi alphabet, also known as the Borama alphabet Borama is an alphabetic script for the Somali language. It was devised around 1933 by Sheikh Abdurahman Sheikh Nuur of the Gadabuursi clan. Though not as widely known as Osmanya, the other major orthography for transcribing Somali, Borama has produced a notable body of literature mainly consisting of qasidas.

Alber New is the revamped version of Alber originally released in 2006. While retaining its original appeal Alber New has been overhauled from the ground up with improved outlines, spacing and kerning. Alber New also boasts an extending character set including small caps, subscript and superscript allowing it to cope with the most demanding of jobs.

MVB Bossa Nova is based on unattributed hand-lettering found in an old book, circa 1946. Yet unlike many scripts based on a vintage source, it feels fresh and dynamic. This is due to the skilled hands of Holly Goldsmith, who gave the forms a contemporary vigor despite their age. Alternate glyphs with extended ascenders offer extra flair.

This is an experimental type, something of retro-futurism and modern robotics in one package, with letters of unexpected proportions and forms. It was inspired by the glorious imagination of the past, but it holds in itself themes that are bound with the future. The DBL Cheque family consists of incredible 22 styles, filling every need for demanding designers.

What exactly is an exit punch? I have no clue! :) I named the font after a wordplay with random words, and somehow I found the name suited the font perfect. The letters are awkward and unpredictable in a legible but playful manner. I've added ligatures for the most common double letters, such as bb, cc, dd etc.

Eckhardt Poster Deco JNL is a continuation of a series of sign painter's fonts, and was modeled from a lettering example found within the pages of an old sign design manual. It is named, as always, in honor of the late Albert Eckhardt, Jr., the owner of Allied signs in Miami, Florida and Jeff Levine's good friend.

In many aspects, built in a traditional way. Still, some modern details have been implemented which classic designs sometimes lack. The prime goal was to make a strong text font for books and longer texts in general. This fact does not exclude the possibilites for use elsewhere. Throughout history existing designs have often been the source of inspiration for newer ones. Delicato is no exception and looking closely, similarities can be found in the lowercase of Jeremy Tankard’s Enigma and the stems of Petr van Blokland’s Proforma. The goal is to respect these sources and turn the the typeface into something new with a unique and personal touch. Most text faces carry a basic set of weights like Regular, Italic, Bold and Small Caps. MRF wanted to expand that a little bit further and added a Medium, Alternates and a set of Ornaments to make the family complete and versatile.

Schlange is a rich typeface with rounded terminals. The family includes five sans serifs and five slab serifs in weights from ultra light to bold. Schlange’s personality is determined by an open aperture and quite large lower case characters in comparison with the upper case set. Schlange’s personality is open and friendly, giving a text it’s used for a soft, warm appeal. Schlange will work well as a display type (think titles, short magazine call-outs, ad banners, and such), but it’s not a good choice for extensive bodies of academic text. Available in numerous weights, the typeface provides rich opportunities for mixing and matching and is great for typographic compositions. These qualities make Schlange a dream type for a packaging designer. It will feel at home in design for cosmetics or sweets, postcards, children’s books and menus.

Looking for a tall, skinny, rounded serif font, with a fun hand-written feel? Look no farther than Garrulous! Garrulous is a mixed-case font, with the lowercase letters standing just as tall as the uppercase, so you can mix and match uppercase and lowercase in the same word for an extra fun look. It also comes with 32 double-letter ligature pairs, 17 uppercase and 15 lowercase, so you won't have the exact same letter twice in a row. As usual, the letters in Garrulous have been cleaned up extensively, to make everything sharper and easier for crafters and for any print projects. And I've included over 300 extended Latin characters for language support. Garrulous includes: - Standard characters A-Z, a-z, 0-9, and punctuation - 32 double-letter ligature pairs - Over 300 extended Latin characters for language support

Mourich comes in 2 styles and is recommended for use with stylish and minimalist design. It is carefully designed with medium contrast of the strokes. This font is an all-caps font or has small capitals that very useful for the headline or logo, and is suitable in large or small sizes. Mourich has 500+ glyphs with many OpenType features. There are beautiful ligatures, stylistic alternates, and swashes which you can use it to get your design more softly. Mourich Bold is has 20pt thick from the regular style. The rounded serif gives a strong and assertive look. Beautiful to use as standalone type or combine with regular style. Very much recommended for headlines. Mourich Regular has a minimalist adjustment with more relieved of negative space that awesome to apply in many media. Also useful in the body text or editorial purposes.

Ready to make your branding spark? If you need to create a big, bold logo for your business, work on a poster for an event, or whatever your project may be-then this is the perfect font for you. Mitters-A Sans Serif Font Mitters is a captive font designed with rounded outlines and fat strokes to bring your branding to life and add a touch of vintage, fun, but still stylish. This font features thick and angular letters that easy on the eyes and nice to look while it’s also easy to read. Perfect to create amazing headings, logos, menus, social media graphics, and many more. Our font always includes Multilingual Support to make your branding reach a global audience. Features: PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Natha Studio

Monto is a superfamily — this is the Grotesk + Grotesk Display part of it. Monto Grotesk is a modern sans serif typeface that combines the strengths of the neo-grotesque and geometric genres. While maintaining an established and trusted look, the design is influenced by a contemporary geometric aesthetic, making it a modern yet timeless companion. The Grotesk is split into two sub-families (Monto Grotesk and Monto Grotesk Display). While Grotesk is intended to be used in long paragraphs and copy text, Grotesk Display is perfect for striking headlines. To achieve maximum legibility, Grotesk emphasizes its characters vertical strokes, focusing on a coherent rhythm and having more open counters in contrast to Display which features a reduced tracking and more geometric and round forms. Furthermore, individual characters change their entire shape to best suit their areas of operation.

Rondalia is a timeless yet modern font in which the strokes vary in thickness. It is highly readable yet has an informality combined with a quiet elegance. Above all else, Rondalia is well-behaved, ladylike, and can be expected to behave correctly and make the right impression in a wide range of situations. Rondalia is clean and rounded with a slightly Byzantine flavor. It is extremely versatile, equally effective for magazine design, movie posters and cosmetic ads, and for invitations, greeting cards and company profiles. The fact that there is very little difference in height between upper and lower case letters creates a calm, peaceful impression. The font is letterspaced and kerned and has a complete character set (all upper and lower case, numerals and mathematical symbols and a complete set of accented and special characters).

The Genau family is a geometric sans serif designed under the influence of the constructivist schools of Vkhutemas and Bauhaus. Despite the traditional shapes, the family has characteristic features in the modern outline. The sharp junction of round and straight strokes repeats the sharp tails in “a” “d” “n” “u” and other. The family has an even, smooth texture. The family has been developed to advert materials for architecture, design, education, modern art. The family has high readability in a small size, and doesn't lose aesthetic qualities when enlarged. The font family contains 8 styles The font is equipped with a Variable file with two axes (weight and slope) Supports languages ​​of central Europe and some languages ​​of eastern Europe Contains small uppercase letters Contains tabular figures There are several alternates in the font The font has more than 1700 kerning pairs

Proudly Present Peanut Donuts - Retro Bubble Type, created by ikiiko. Peanut Donuts is a font that perfectly encapsulates nostalgia, you can travel back in time to a time of delectable delicacies and mouthwatering delights. This retro bubble font, which was meticulously crafted, is the ideal option for your vintage products. The Peanut Donut blends your packaging, labeling, and advertising with delectably nostalgic appeal to bring the happiness and enjoyment of the past to the present. It instantly conjures up images of vintage cafes, soda fountains, and recognizable food trucks with its rounded corners and bubbly shapes. This typeface is perfect for an vintage stuff, retro poster layout, children book, comic, packaging, food & beverages and also good for quotes, or simply as a stylish text overlay to any background image. What's included? Uppercase & Lowercase Number & Punctuation Multilingual Support Works on PC & Mac

This typeface was inspired by milk sherbet, which is enjoyed cold on a hot summer day. Rounded shapes and soft stroke endings make the typeface look cute. Heavy works great for headlines with its extra-heavy stroke weight and size, while Regular and Light are best for body text.