I think it is one of our most useful fonts in that it doesn't draw much attention to itself while it is quite refreshingly different. Almost all shapes in Vecta are rounded to provide a friendly effect. Proportions are somewhat condensed providing economic space usage. Vecta looks equally at home in headlines as well as body text.

Hand lettering of the song title on the 1914 sheet music for “Dear Old Girl” was the working model for Old Songs JNL. A condensed Roman typeface available in both regular and oblique versions, this titling font exhibits a casual, nonconformist design that isn’t quite traditional, nor is it part of the Art Nouveau movement popular at the time.

Are you looking for a strong display font? Introduction a Briztle Font Stylish brushy condensed typeface. With solid stroke brush styles, this typeface has a very fresh, modern, and classy look that's perfect for your display project. This font is perfect for headlines, quotes, magazine covers, editorial design, print posters, signage, window shop design, and much more.

German type designer Jürgen Huber created this display FontFont in 1996. The family contains 3 weights: Regular, Condensed, and Heavy and is ideally suited for film and tv, music and nightlife, poster and billboards as well as software and gaming. FF Angst provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

GROVELANE is a Condensed Handbrushed Font. Grovelane is a simple and clean display font. It is the ideal choice for a variety of designs, so add it confidently and you will love the relaxed and neat final result.. GROVELANE also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Coyuhqui is a semi-geometric technical typeface, ideal for posters and flyers. It provides two weights: regular and medium. In addition to three styles: condensed, regular and extended; without leaving out the italic forms of each one. Thus, the Coyuhqui typeface family provides twelve typefaces. If you need a typeface for your project, this is the ideal one.

This slab serif is a general purpose type in six weights. The lighter weights are useful for short passages of text. The heavier weights are a versatile tool for setting headlines. Available weights are Extra Light, Light, Regular, Semibold, Bold, Black. Silica was designed to withstand condensation using horizontal scaling without compromising the weighting scheme of the design.

Another addition to the Whiz-Bang Wood Type series is this ultra-condensed font, well suited for very large headlines. Named for the body of water which separates Padre Island from the mainland of Texas. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

A very condensed 19th century Tuscan style wood type design with a full character set with ligatures. This design was first shown by Wm H Page Co in 1859 and this is the first digital version of this font to include a lowercase and extended European character set. This is a font best used at large sizes.

Diamond Cubic is a modern serif font with a geometrical and a slightly condensed design which makes it particularly effective for space economizing. It will look fantastic with short and middle length text blocks, headlines, presentations, logo, branding, poster, packaging or any other creative design. Diamond Cubic containing small caps and glyph coverage for several languages.

I think it is one of our most useful fonts in that it doesn't draw much attention to itself while it is quite refreshingly different. Almost all shapes in Vecta are rounded to provide a friendly effect. Proportions are somewhat condensed providing economic space usage. Vecta looks equally at home in headlines as well as body text.

Gardo Grotesk is a bold condensed display typeface designed to make a strong impact. Armed with eye catching ligatures and catchwords, combined with its striking visual features, Gardo Grotesk grabs the attention of the reader effortlessly. Gardo Grotesk's Opentype Features include Standard and Discretionary Ligatures, Alternates, Catchwords (Contextual Alternates), Case Sensitive Forms, Fractions, Scientific Inferiors, Superscript and Tabular Figures.

German type designer Erik Spiekermann, created this sans FontFont between 1991 and 2010. The family has 28 weights, ranging from Hairline to Black in Condensed and Normal (including italics) and is ideally suited for advertising and packaging, book text, editorial and publishing, logo, branding and creative industries, small text as well as web and screen design. FF Meta provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options—oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic, Greek, and Hebrew writing systems. FF Meta Variable are font files which are featuring two axis and have a preset instance from Hairline to Black and Condensed to Roman In 2011, FF Meta was added to the MoMA Architecture and Design Collection in New York. This FontFont is a member of the FF Meta super family, which also includes FF Meta Correspondence , FF Meta Headline , and FF Meta Serif . FF Meta® font field guide including best practices, font pairings and alternatives. Featured in: Best Fonts for Resumes

ZT Bros Oskon 90s is a captivating typographic creation that seamlessly blends the aesthetic charm of the 1990s retro era with a modern touch. With unmatched serif elegance and a unique 90s style, this font offers 72 variations, including sharp Condensed forms, graceful Expanded, and captivating italic styles. Every character in ZT Bros Oskon 90s is meticulously crafted, creating a vintage ambiance that is truly enchanting. Featuring 6 font weights ranging from Extra Light to Bold, this font provides you with the flexibility to create a wide range of striking and memorable designs. Features of ZT Bros Oskon 90s: 72 Unique Variations Aesthetic Retro Vibes from the 1990s Elegant Serif Style Condensed, Expanded, and Italic Forms 6 Font Weights: Extra Light, Light, Regular, Medium, Semi-Bold, Bold Exceptional Creative Versatility ZT Bros Oskon 90s is the perfect choice for graphic design projects, branding, posters, and other promotional materials that require a captivating retro touch. Unleash limitless creativity with this font and infuse a nostalgic 1990s vibe into every one of your creations. ZT Bros Oskon 90s has 6 free styles, you can get them on my GUMROAD I hope you have fun using ZT Bros Oskon 90s. Thanks for using this font ~ Zelowtype

Created as a logo typeface in 2004 by Francesco Canovaro, Duepuntozero is one of Zetafonts classic typefaces. A monolinear sans serif typeface with rounded corners and condensed proportions, strictly based on modular geometric design, it was at first designed in five weights to be used as a condensed companion typeface to the rounded display family Arista. In 2019 the family was completely redesigned by the Zetafonts Team, expanding the original character set to include cyrillic and greek glyphs and adding four extra weights and italics to the original weight range. This restored and revamped version, named Duepuntozero Pro, also includes full Open Type features for positional figures, fractions and Small Caps. With his rounded, minimal aesthetic, Duepuntozero embodies the desire for simplicity and playfulness of contemporary mobile applications, making it a perfect choice for gaming and app interface design. Its compact design allow for maximum space saving on mobile screens when used as a text typeface, while the strictly geometric design and the extreme range of weights (including thin and black) make it excel in display, logo and editorial use. A complementary set of free icons in the same range of weights of the font is provided to help designers build consistent branding through pictograms in infographics, interfaces and editorial products.

Queenlery is an elegant, wavy, and delicate sans serif font. It features a classy look that can be used for logos, branding, poster, advertising, promotion, invitations, stationery, wedding designs, social media posts, and much more! Have fun with this cool font and explore its endless variations. This font is PUA encoded which means you can access all of the glyphs.

Asgardian is a minimal and modern sans serif font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out! Have fun with this cool font and explore its endless variations. This font is PUA encoded which means you can access all of the glyphs.

LetterPerfect's version of this distinctive sans serif design is both legible and approachable, and about as bold as a display font can be. Its friendly persona makes it an ideal choice for greeting cards and invitations, or for use with children's reading material.

Esenka is a family sans that comes with 9 weights, 9 italics and 2 outlines. Esenka has an expanded uppercase alternate, with a choice of 2x and 3x width options. Esenka is PUA encoded which mean you can access alternate with ease.

The starting point for VLNL Kouseband was spotted by Donald DBXL Beekman on the Christian Reformed Church in the Dutch town of Naarden. The iron wire lettering contained a number of unusual characters and details, which eventually led to this five weight family. The Kouseband fonts mix elements of geometric sans serifs and upright unconnected scripts, with a hint of Dutch school writing. VLNL Kouseband is monolinear and has an very large cap height compared to the (lowercase) x-height, giving the capital letters an elongated condensed appearance. Kouseband is the Dutch word for ‘garter (belt)’ and also gave the name to a long tropical bean known as Yardlong bean. Kouseband beans are a common ingredient in Roti and other Surinamese dishes. As the Dutch Christian church is sometimes referred to as ‘Zwarte kousenkerk’ (Black stocking church), and stockings are held up by garter belts, we have come full circle and VLNL Kouseband has a name. VLNL Kouseband contains a set of oldstyle numbers matching the lowercase letters, and a couple of wider alternate capitals (HMNOQ) to enhance the liveliness of your designs.

For those of you who require a typeface with an attractive classic, retro, and vintage vibe, Ruihant Retro Condensed is the ideal option. This font was created with an original and striking look, making it ideal for all of your creative projects. Premium features like ligature, alternative, and multilingual support are included with the Ruihant, allowing you to customize the font’s design to suit your needs. This font’s straightforward and compact form will enable you to produce designs that are more well-structured and effective. Ruihant is the ideal option to boost your creative endeavors because of its distinctive style and flexibility to alter the font’s appearance. Purchase this font right away and benefit from its advantages to raise the caliber of your designs. What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

The Cabrito family is making a statement again. Launched as a supplement to the children's book, The Clothes Letters Wear, the original Cabrito is carefree, fun and easy on the eyes. Now, by balancing this friendly connection with new elegance, Cabrito Serif arrives: attractive copy text with an extra sophisticated sensibility incorporated into the design. Still bright and playful, this new Cabrito is cleaner and leaner, ensuring that its polished appearance retains legibility. 54 fonts include upright alternates, ligatures, and old figures. The range includes extended and condensed variants. To see any of these interactive features, see the PDF manual. The family also includes language support for 72 Latin-based languages, and there are more than 600 glyphs. Cabrito Serif can be used for logos and packaging, as well as for brochures and web pages. It’s readability makes it an excellent choice for a wide range of jobs. Take a walk with Cabrito Serif and see how much fun it is. By the way, look at some other Cabrito members and see how much you love the original, Inverto, Contrast or Didone.

fj Platz Groteske™ is the new font from frncojonastype project that culminates after almost 5 years of learning and development. fj Platz Groteske™ is a Neo-grotesk font with slight geometrical proportions with humanistic terminations. For this occasion, this font will show the normal version, however, the entire project contemplate condensed family, extended and the development of alphabets as Cyrrilic and Greek. This proposal is to improve the legibility in the Neo-grotesk fonts with generous gaps, vertical and square counter form and ascendents that exceed slightly the capitals. Counts with old numbers, small caps, modern numbers, tabular, numerators and denominators to fraccions, reference numbers to notes and formulas to face confidant and complex different stages. Ideal to editorial projects of informative content - scientific and titular of a huge impact because of the various alternative characters, stylistic options and a optometrical version to risky designers. To exclusive licenses and to follow the develop of this project, please visit frncojonas.com (WIP) Learn about upcoming releases, work in progress and get to know us better! Instagram: @frnco.jonas

ITC Lubalin Graph® was initially designed by Herb Lubalin and drawn to fit the requirements of typographic reproduction by Tony DiSpigna and Joe Sundwall in 1974. Its underlying forms are those of Lubalin's previously released ITC Avant Garde Gothic, but its shapes were modified to accommodate large slab serifs. Its condensed weights, which include small caps and oldstyle figures, were later additions by Helga Jörgenson and Sigrid Engelmann in 1992. The family, with its generous x-height and overall tight fit has come to represent the typographic style of American graphic design in the 1970s. The typeface is at home when paired with mid-century modern design and spare sanses or more traditional text faces from the period. ITC Lubalin Graph covers four weights in its condensed width from Book to Bold, and five weights in its normal width.

Vagebond is a monoline family in three widths, Condensed (C), Normal (N), and Extended (XT). With Vagebond I was inspired by a very old television I once saw on a junkyard. I wanted to create a typeface with round edges that would fit within the 4 x 3 proportion of the screen. It had to be monoline, because that gives it a very simplistic and minimalistic look. Having created the XT width I felt it needed the both complementing widths to make it complete. The Condensed version, for me, is the funky rounded version of the DIN. I love DIN, but it sometimes feels just a bit to ‘normed’ for me. Vagebond C brings in a bit more personality. Although Vagebond looks kinda ‘oldstyle’, it works very well in futuristic designs. It feels best in combination with a super futuristic 3d object.

Lukara Script Font is a script decorative font with which you can achieve handwritten-type lettering feeling on the spot. Of course, Lukara supports a full set of Greek characters and an extended Latin character set with diacritics. Therefore, this multilingual font supports all European languages. In addition, the font has a really nice flow so you use it in a large text if you want to give them a handmade aesthetic. Also, it can be used on social media content, for branding, wedding invitations, or packaging. The bouncy romantic flow of this font is perfect for “save the date” cards and any other wedding print material. Again, this modern script font is perfect for a variety of graphic design needs like social media quotes, blog headers, posters, stationery, and branding.

Torbjörn Olsson's experimental type One Night Stand deserves a longer relation. Use it for drop caps or quotes, to add drama in dull surroundings and to spice up bland editorial content. One Night stand is also the perfect way to seduce readers of advertisments, as well as delivering contrast in headlines. Do you want to show the world in stark black and white? The One Night Stand is for you! One Night Stand is an OpenType typeface for both PC and Mac. Swedish type foundry T4 releases new fonts every month. One Night Stand is our twelfth introduction. Note: The underlying sans-serif font for One Night Stand is Esans Bold, also designed by Torbjörn Olsson. Esans is a fine sans, excellent for headline use, inspired by Granby, Tempo, Gill and others.

Have you been looking for a script font with touch of retro style? Do you dream of creating headings that stand out and inspire creativity, imagination, and endless fun? Then we’ve got just the font for you! Introducing Stay Retro-A Script Font This bubble script font can be used for a host of different content needs and projects. An excellent choice to add the right amount of street vibe and playfulness. Create gorgeous printed quotes, standout packaging, or beautiful t-shirts! You can even use it to create amazing headings, logos, menus, and social media graphics. Stay Retro includes multilingual options to make your branding reach a global audience. Features: Standard Ligatures Stylistic Sets Swashes Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Campeche variable is an expressive yet functional typeface family. Seeking to express its beauty, it twists the conventions of classic typography when necessary. Campeche finds its inspiration in the grotesque typefaces of the late 19th century coupled with a typical Latin American playful sense that gives it a modern freshness. The initial form arises from the idea of expanding Seriguela, evolving along the way, becoming its own system with a unique personality. Campeche is designed according to today's visual requirements. Taking advantage of variable technology in 3 axes: width, weight and display. Campeche Variable is a typeface that provides versatility for almost any use. It can be used for packaging, editorial, branding... etc. The mixture of its possibilities can generate complex graphic parts or systems with different levels of hierarchy, without losing unity.

With designs drawn specifically for comfortable reading in everything from on-screen digital content to print in periodicals and books, Mundo Serif is ready to take on just about any project. Carl Crossgrove drew the suite of typefaces to complement his Mundo Sans family’s classic humanistic design traits – and added a subtle modern influence. Restrained stroke modulation, generous counters, commanding x-height and tall ascenders ensure that content set in Mundo Serif is both legible and easy on the eyes. While primarily designed for text copy in print and on screen, Mundo Serif becomes a powerful display type tool in the lightest and boldest weights. Headlines, navigational links and banners are naturals for this versatile collection of typefaces. Mundo Serif is a large family. Nine weights, each with an italic companion, enable precise typographic tuning. Captions, subheads, pull quotes and long-form copy can be melded to create a welcoming page of modulated text. For best results in digital environments, skipping a weight – or even two – ensures hierarchical clarity. Crossgrove did extensive testing of Mundo Serif to ensure the best possible on-screen readability. To further guarantee optimal digital imaging of the family, he gave the design generous inter-character spacing and slightly expanded intricate characters like the lowercase a and g. If the goal is diversified or multi-platform branding, look no further than Mundo Sans. The two designs harmonize with each other perfectly in weight, typographic color and proportion. Both designs benefit from large international character set that includes support for most Central European and many Eastern European languages. For a stronger contrast, pair Mundo Serif with virtually any sans serif grotesque design. Crossgrove has designed a variety of typefaces ranging from the futuristic and organic Biome™ to the warm, clean lines of the Mundo Sans. His work for Monotype also often takes Crossgrove into the realm of custom fronts for branding and non-Latin scripts.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Hazelle is a typeface suitable for elegant, upscale, classic, luxury editorial content as well as headlines, sub-headings, and logo designs. It can enhance the tone of your messages when used in headlines, and it also gives a unique character when used in logo designs. This updated version comes with variable fonts version and more discretional ligatures and new alternate despite a major glyph shape improvements.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Although the pattern for this typeface, originally named Glenmoy, was released by Stephenson Blake in 1932, the letterforms can be more aptly described as pure 1950s retro. With beatniks, Brando and blue suede shoes all rolled up into one, this typeface is definitely a contender. The Opentype versions (OTF and TTF) of this font contain the complete Unicode Latin, Latin 1 and Latin Extended-A character sets.

Introducing Arealand, a Monoline Script Font. Arealand is perfect for logotype and branding. also can creating beautiful vintage typography on any of your projects such as merchandise, logos, posters, calendars, quotes, t-shirts and more. Arealand fonts are also suitable for use in text content because they have good legibility. Uppercase Lowercase Symbols Numbers Accents Ligatures Alternates Thank you for watching. Hope you like it and enjoy!