First designed in 1999 Large now becomes LargeOT and it's available in Regular, Extra and Italic. Includes plenty of OpenType features, like SmallCaps, Alternates, Ligatures and Swashes.

Decora Pro font family is designed by Naghi Naghashian. A modern interpretation of classic Roman characters in 1 weigh and 2 styles: Regular and Regular Italic. It is a Liaison between the classic Roman typeface and script style. The character set of this Font family supports most western languages including: Afrikaans, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili and Swedish. There are 17 additional symbol characters: euro, litre, estimated, omega, pi, partialdiff, delta, product, summation, radical, infinity, integral, approxequal, notequal, lessequal, greaterequal, and lozenge. It also includes the characters necessary to support the following central European languages: Croatian, Czech, Estonian, Hungarian, Latvian, Lithuanian, Polish, Romanian, Serbian (Latin), Slovak, Slovenian and Turkish.

Darkmire Blackletter is a writing style created with the pentool. Attractive hand strokes give this font a strong look. It can be used for various purposes. such as, business design, product design, quotation etc. FEATURES; -Uppercase, Lowercase, Foreign Support, Numbers and Punctuation. -Regular & italic -Works on PC. -Simple installation. -Accessible in Adobe Illustrator, Adobe Photoshop. Adobe InDesign, it even works in Microsoft Word. -Fully accessible without additional design software. Darkmire is coded with Unicode PUA, which allows full access to all additional characters without having to design any special software. Mac users can use the Font book, and Windows users can use the Character map to view and copy any extra characters to paste into your favorite text editor/app.

About Cita Pro Hi there please say hello to "Cita Pro" the latest collection from @faldykudo, Cita Pro is a serif typeface with a taste of old style, its very beautiful with a timeless aesthetic and has a very wide range for various design situations. Cita Pro is perfect for both display and body text because it has a very good readability. Cita Pro has 14 style and 7 weights, - from Thin to Bold and Matching calligraphic italic. Cita Pro also has special alternate characters in complete uppercase from A-Z . it is to give a different look for your display design. thanks, hope you would like and accept "Cita Pro" as part of your family. thank you in advance­

Ulises is a modern serif typefamily that comes in 9 weights plus matching italics. Beautiful typefaces such as Shift, Brioni, Skolar and Malaga inspired this project. Our goal was to create an eclectic slab serif with some grotesques features, which provides a wider range where Ulises can be used. Therefore this typefamily is perfectly suited for headlines and small text sizes. Ulises contains alternative glyphs, fraction, superscript, subscripts and special numbers. This project is a classical-modern serif typefamily that is ideal for graphic design, printed publications, web design, motion graphics and branding. We’re proud to introduce: Ulises. Learn about upcoming releases and work in progress, and get to know us better! On Instagram W Foundry On facebook W Foundry wtypefoundry.com

Martin Crantz (or sometimes Krantz) of the three, including Ulrich Gering and Michael Friburger, that set up a press at the Sorbonne in 1470 was likely the fellow who had the technical know how how to cast the type itself, hence the name of this new face that is based on his work. This font has been expanded to meet the demands of modern day use but it also contains a number of specialized glyphs that allow for the recreation of text in the manner of his day with such characters as the -rum abbreviation and other handy Renaissance oddities. Since this face was designed prior to 1501 there is no italic variant in keeping with the spirit of historical accuracy.

Mastro™ Sans is a contemporary humanist sans serif and the sans version of Mastro. The lowercase shapes are simple yet distinct, its organic design (specially the italic) are based on different stroke modulation ideas combined into a coherent whole. The uppercase is inspired in roman capital proportions yet keeping the lowercase stroke modulation. Mastro™ Sans has a total of 16 styles and it covers a large set of languages. It also has many Opentype features, such as small caps, superscript numbers and letters, old style and lining figures, tabular figures, case sensitive forms, fractions and more. It is a design with a lot of personality while being versatile. You can use it in branding, editorial, web and video.

Ganache is a smart, intricate, fun, and deceptively simple font. This distinctive hybrid is a unique blend of script, Roman, and italic. My fascination with letter-fitting makes this an intriguing exercise in negative space. The uppercase letters are boldly stylish, and here some of the counters display unexpected shapes. Between some letters, the negative space is transformed into a type of swash itself. Customize your design with Ganache’s 185 swashes and alternates and 10 ornaments. *NOTE* Basic versions DO NOT include swashes, alternates or ornaments See what’s included! http://bit.ly/2bUfPmt These fonts have been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

Senlot Serif is a follow-up to the technical yet elegant sans serif Senlot . In this serif edition, the original’s calligraphic tension shines through, with a moderate amount of contrast. Moreover, you can use Senlot Serif to set large amounts of text or for titling. It has a special calligraphic tension, and lends itself to luxury and design work of high quality. There’s a full set of small capitals and titling capitals and a real italic. Including thin to heavy, there are nine weights and three widths. Also included are a full set of OpenType features, super and subscript, old style numbers, and expanded Latin with support for more than 72 languages. For your next luxury campaign, the new rich text is Senlot Serif.

Appetite Pro is a total upgrade of the world wide popular display font Appetite (2011). It is based on original lettering and belongs to the upright script like. Appetite Pro consists of 10 weights of the refreshed curves — 5 regular and 5 italic — from Light to Heavy. It’s a multilingual and international font, with a full Western Latin, Cyrillic (Russian, Belarusian, Ukrainian) and basic Greek support. The Appetite Pro font family is specially designed for food identity and packaging design projects. In addition to standard letter cases, Appetite Pro also includes dingbats set. Due to the 10 weights font palette, you can solve a wide variety of professional problems without spending money on extra fonts for titles, subtitles, and main text. Try and buy!

Wordmark is our new fully equipped branding tool. Designed with a refreshed humanist style, much loved by brands that need to deliver their message in a serious way, with a current look. Drawn by the cool eye of Gaspar Muñoz, expect this font to be as good or even better than its predecessor "Herokid". "Wordmark" is super complete; it includes condensed, thin, expanded, and heavy weights plus italics with two complementary systems that work together in a powerful way. "Wordmark Normal" offers great readability for text and signage, big or small. And "Wordmark Display", designed with a noticeably taller X height specifically made for headlines, big windows, and big screens. With 48 different styles keep it simple and make reliable designs with "Wordmark".

This workmanlike typeface is based on the Metro series, designed by William Addison Dwiggins in the 1930s for the Mergenthaler Linotype Company. Its clean lines and balanced color make it suitable for text and headline work alike. Available in three weights, plus italics. All versions of this font contain the complete Unicode Latin A character complement, with support for the Afrikaans, Albanian, Basque, Bosnian, Breton, Catalan, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Finnish, Flemish, French, Frisian, German, Greenlandic, Hawaiian, Hungarian, Icelandic, Indonesian, Irish, Italian, Latin, Latvian, Lithuanian, Malay, Maltese, Maori, Moldavan, Norwegian, Polish, Portuguese, Provençal, Rhaeto-Romanic, Romanian, Romany, Sámi, Samoan, Scottish Gaelic, Serbian, Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish and Welsh languages, as well as discretionary ligatures and extended fractions.

Hennigar is a Neo Grotesque sans serif especially useful for display text and headlines. Many of the rounded letters are based on the appearance of the letter O with very little variation in width. Because of it's condensed nature the apertures are narrow with extenders that dip well below the base line. Similarly many of the lowercase characters are based on the lowercase o. Terminals and tails always point east/west giving the entire alphabet a very uniform appearance. Basic Latin, extended Latin, diacritics, punctuation, math symbols, symbols,Greek, Cyrillic, ligatures, fractions, alternates, and kerning are included. Kerning support for Macedonian and Serbian is included via alternate substitutions along with proper italics for Russian. Use Hennigar for a poster, web graphics, or book title.

Hartwell is a Neo-humanist sans serif type family. Its strokes and terminal are related to the calligraphic shapes from humanist typefaces in sets with geometric touches. This combination results in a versatile postmodern type family ready to use with many possibilities. Hartwell comes in 18 weights from thin to heavy plus its matching italics. Moreover, this family has OpenType features such as arrows, ligatures, fractions, special numbers, alternate glyphs, extended language support and many more. Hartwell has the ability to blend perfectly in all sort of projects like editorial design, branding, advertising, headlines and short texts. Finally, I would like to thank the entire W team and their collaborators for the months of learning, goodwill and make this project possible.

Gioviale is a unique hybrid that seamlessly blends an italic and script typeface with flair and elegance, and carryies just a hint of tailored and clean, structured underpinnings. Its versatility is exemplified in its greater readability at small sizes compared to other scripts. Gioviale includes an entire set of alternate swash caps, 20 ornaments, 20 discretionary ligatures, and 300 swashes, which include a standard uppercase set for more traditional text settings, and a swash uppercase set which are even more flourished. See what’s included! http://bit.ly/2bUXDcH *NOTE* Basic versions DO NOT include swashes, alternates or ornaments These fonts have been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

Years ago, I developed an interest in the Japanese art of dwarfed potted trees, bonsai. I bought some books on the subject from Brooklyn Botanic Garden. In one -- Handbook on Bonsai: Special Techniques (seventh printing, February 1976) -- the type was bad. Old worn lead type, I suspect, spread wide in the tops of characters and disappearing on the bottoms. Two decades later, I came across my Brooklyn Botanic Garden collection and was struck again by this interesting type. Inspired, I made a typeface. Didn't take me long to decide on a name for it, either: a name with a double-meaning, based both on its look and its inspiration. Bonsai, the typeface, has two styles, a roman and a true italic.

Winden is a geometric slab serif typeface based on the bestselling font Isidora https://www.myfonts.com/fonts/latinotype/isidora/ and inspired by early 20th century famous classic slab-serif typefaces. Characteristic features such as trapezoid shape serifs give Winden a modern, contemporary touch and the rounded edges of the Alt version make it look unique and special. This font consists of two subfamilies: Winden —classic, simple and functional— and Winden Alt (playful and contemporary), ideal for display use. Each version comes in 7 weights, ranging from Thin to Black, and includes matching italics— 28 fonts in all. Winden is the perfect choice for headlines, logos, branding, packaging, publications and websites. The full set contains 615 characters that support over 200 Latin-based languages.

Zona Pro is a geometric sans-serif type family of 8 styles plus matching italics, designed by Kostas Bartsokas in 2013/14. It draws inspiration from 1920’s geometric style faces, having clean and highly readable shapes, and mixes it up in the heavier weights with a slight variance in the stroke widths, lending it a grotesque-ish unique and distinctive look. Zona Pro is multifunctional and versatile. With its modern yet elegant form it performs amazingly in display sizes and headlines. At the same time its really tall x-height makes Zona Pro equally suited for editorials and shorter lines of text in smaller sizes (magazines, newspapers). Zona Pro supports Greek, Western, Central and Eastern European languages, ligatures and special characters.

BIG is an elegant condensed display font created for strong and impactful headlines. It comes from a series of hand printed specimens taken from wood type found in Andrew Howard’s Studio in Porto (Portugal). A wooden type that reassembles the industrial victorian style which has now been expanded to 20 cuts, ranging from ExtraLight to Bold, with Italics and a stencil version, covering all your needs for a striking visual effect just with plain type with distinctive features and personality, standing out from the crowded world of display sans serif. The font was engineered with essential OpenType features, that allows the user to compose the headlines in two different heights, with case-sensitive punctuation, symbols and special ligatures such as “the”, “of” and “le”.

Wardshus Calligraphy is a unique blend of medieval gothic style and modern script, creating a distinctive and eye-catching blackletter font. The heavy, hand-drawn design brings an air of the Middle Ages to your projects, making it perfect for logos, posters, rock or hip-hop music album covers, and other display purposes that require a cool and striking touch. The beautiful cursive elements add a touch of elegance to the font, while the bold strokes and intricate details give it a strong presence. Wardshus Calligraphy is a testament to the rich artistic history of the past, reimagined for contemporary design projects. Use # after any letter to make a crown. Example: Que#en Use underscore _ anywhere to make a swash. Example: Kingdom_Heroes Use multiple underscores to make underlines of different lengths. Example: Knig___hters The Wardshus Calligraphy font family includes nine high-quality styles to suit various design needs: Regular: A well-balanced, classic blackletter script style. Regular Upright: Adds a more controlled, vertical look to the regular style. Regular Italic: Combines the balance of regular with a touch of expressiveness. Bold: A stronger, more assertive version of the script for impactful designs. Bold Upright: Merges the boldness of the bold style with the structure of upright. Bold Italic: A dynamic fusion of the bold style and the energy of italic. Black: The heaviest, most powerful iteration of the blackletter script. Black Upright: Combines the weight of the black style with the upright structure. Black Italic: Adds expressiveness and flair to the intense black style. Built with advanced OpenType functionality, Wardshus Calligraphy ensures top-notch quality and provides you with full control and customizability. It includes stylistic and contextual alternates, ligatures, and other features to make your designs truly unique. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

We wanted to make an ultra-thin, tall font with a rough, hand-drawn look and ended up with more than we bargained for. To get the font we wanted we started by developing a source font for the basic letter shapes and we ended up with a whole bunch of variations of the basic style. Thus was born the new Ducatus family of fonts, starting with Ducatus Light which developed into the Medium and Heavy versions, and the Medium weight was ultimately used as the basis for the Ducatus Rough font, which was the goal of the project in the first place. Ducatus Rough was created by modifying Ducatus Medium in Photoshop using Gallery Effects and several other filter packages, and then redoing the outlines from scratch in Fontographer. A lot of work, but the result is just what we wanted.

Berona font family is a variable geometric sans serif with a modern display purpose. The dynamic sharp edges makes it ideal to be used in a medium and big scale.

Genesee JNL is a medium-bold sans serif inspired by the letter shapes of Jeff Levine's Paper Stencil JNL, and named for the river valley that traverses Rochester, New York.

Goudy Catalogue was designed by Morris F. Benton in 1919. A medium weight adaptation of the of the original Goudy design, it is about 15 percent heavier than the Oldstyle.

Sprout is a low-contrast sans serif, slightly condensed for economy of space, and complete with 6 weights in Roman and Italic. It has open apertures and a generous x-height for clarity of reading. It also comes with a weight balanced italic, which can be used for differentiation or as a standalone typeface in itself. The defining feature of the family is the taut curve, where the inner counter pushes out toward the outer contour, creating a feeling of tension in the curve. In the italic this shape language is pushed further, with a playful looped g and cursive form of the f. Sprout also comes with Old Style figures. Its range of weights makes for a versatile family suitable for branding, on-screen publishing and long-form reading.

Qonora is an innovative new sans-serif text face that combines flowing, almost calligraphic strokes with a post-modern sensibility for a look that works as well on the printed page as it does on screen. Its comfortable proportions and no-nonsense streamlining (note the lack of spurs, serifs or any unnecessary ornamentation) make it an excellent choice for legibility even at very small point sizes. Qonora includes a true italic, drawn independently from the Roman. Strokes for the italic have been re-weighted to complement the Roman, and idiosyncratic italic glyphs have been substituted where appropriate. The typeface’s extensive Hebrew implementation (including diacritics and cantillation marks) is an important part of its character. The Latin, Cyrillic and Greek ranges of the face maintain a consistent ethic of form and function.

In the 1990s Adobe’s MultipleMaster technology introduced interpolation into font editing programs. Though the obvious use of interpolation was to create an unlimited number of weights for a font, interpolation could also be used to crossbreed two completely different typefaces. IngrianEuroikaH is a hybrid resulting from such crossbreeding of two very different parents. Euroika is a decorative font with high contrast and thin, square serifs while Ingriana is a relaxed, informal typeface. IngrianEuroikaH was constructed in 1995-6; updates in 2012 and 2020 cleaned up many of the remaining oddities that resulted when parts of the parent fonts clashed. The family retains some peculiarities from the method of its construction but is highly readable as text. The IngrianEuroikaH family has six styles: regular, semibold, bold, italic, semibold italic and bold italic.

Cinemas from the early 20th century are called “Lichtspiele” in Germany. “Lichtspiele” transports you back to a time where neon lights and marquee letters decorated cinema façades. Of the five styles, three have two versions of italics — the left-leaning italic evokes looking up from lower-left, the right-leaning italic is as if we are looking from lower-right. Display is the basic style, while Neon is inspired by the old neon letters found outside cinemas. Try placing Neon Outline on top of Display or Neon to add another layer to your artwork. Neon 3D is a extruded version of Neon. The Screen Credits style is based on the notes — producers, cast, crew and so on — on movie posters. Get more out of life, go out to a movie.

Buddy is the new companion sans for Contenu, the book font family designed for my book on font design design. Originally, I called it Compagnon, but that seemed to pompous. Then I called it Aide, but that was too formal and dry. It's a loose, free, easy to read sans, so when my wife suggested Buddy, it clicked. This is the 4-font Buddy family of Regular, Italic, Bold, & Bold Italic. I made a new, more limited feature set for these fonts due to their designed usage, but there are still small caps, small cap figures, oldstyle figures, numerators, and denominators. The bold is closer to a black, and the italics are only slightly slanted obliques. If you need a strong black in caps, use the small caps of the bold.

Fact or Fiction? Are you troubled by strange noises in your font folder? Do you experience feelings of dread in Illustrator, Photoshop or Procreate? Have you or any of your family ever been haunted by an ampersand, cedilla or tilde? If the answer is yes, please don’t wait another minute. BEYOND BELIEF is ready to Believe YOU! Six weights of non-judgmental understanding and faith in everything you have to say -- even the most outrageous font conflicts and naming “coincidences”. Some say this font resembles our tall, friendly sans-serif font Tall Tales, but we don't know what they're talking about. Beyond Belief includes six fonts (Regular, Italic, Bold, Bold Italic, Heavy & Heavy Italic) with upper and lower case alphabets, automatic alternate letters, Crossbar I Technology and Western & Central European language support.

Colagent is a high-contrast typography inspired by transitional and contemporary typography. The font expands its usability by providing weights ranging from Light to black. Natural curves, swelling and slanting stems grow in characters as the font gets heavier. While the thinner weights have reduced contrast and optical corrections to create a warm and soft appearance. Featuring charming italic letters, exceptional bold weights, and full character support for over 200 Latin-based languages. Colagent excels in display settings such as editorial design, titles, branding projects, logo design, packaging, magazine headings, advertising, short or long text. Colagent also comes with four Variable font versions: Regular, Italic, Condensed, and Condensed Italic to make it easier for designers to explore and perfect beautiful designs, uncovering many visual tones and hidden secrets.

Montauk Pro is named after a small village in Suffolk County, New York on the South Shore of Long Island. It is the easternmost area in Long Island, and thus the easternmost area in New York State. It is home to Montauk Point State Park, site of the Montauk Point Lighthouse. It is named after the Montauk Indians. Montauk Pro is a casual, jaunty and quite beautiful handwriting script. It comes with six styles as light, light italic, regular, regular italic, bold and bold italic, each style with about 1.000 characters covering the complete Latin glyph set for West and East including Baltic and Turkish, including a large selection of ligatures, character combinations and alternates to make this beautiful script design a perfect font for OTF-savvy applications like e.g. InDesign or Quark Xpress 7.

The Getty-Dubay® family of fonts has been 500 years in the making — so that you can make your handwriting worksheets in seconds. These fonts are modern descendants of the chancery handwriting style (now called “Italic”) from the Italian Renaissance, when master scribes designed a fluid and graceful hand, inspired by the proportions of the golden rectangle and Roman capitals. The Italic style has been in constant use since then. In modern times, it has been celebrated by Alfred Fairbank, Lloyd Reynolds and many others including authors Barbara Getty and Inga Dubay in their Getty-Dubay® Italic method. The Getty-Dubay® monoline handwriting fonts provide a replete resource to effectively model the highly-legible and beautiful Italic handwriting style. These are the official fonts of Getty-Dubay® Italic. Download the Getty-Dubay® Font Guide for everything you need to know about the Getty-Dubay® fonts. The Getty-Dubay® Joined fonts produce a clean cursive handwriting with join-as-you-type ease. Four join options are included: Standard, Pointed (altered joins into m, n and r), e k (utilizing the two-stroke e and one-stroke k), and Beginning (easiest joins only). The Getty-Dubay® Basic fonts provide sans-sarif clarity suitable for young writers. The Getty-Dubay® Precursive fonts add serifs to the lowercase letters, while retaining the pure Roman capitals of Basic Italic. The Getty-Dubay® Smallcaps fonts make mixed capitals easy to use. All Getty-Dubay® fonts come with scaffolds such as dashed contours, ruled lines, directional arrow and starting dots (for Basic and Smallcaps). They support multiple Latin-based languages from around the world. Getty-Dubay® is a registered trademark in the United States.

Cirkel is a contemporary font family based on circles. Its geometrical and unusual forms gives us a nice feel of modernity and humor. Created by Jarbas Gomes, Cirkel family is composed by 3 weights (Light, Medium & Bold) and its respective ornamented fonts made of patterns (Stripes Light, Stripes Medium & Stripes Bold). The fonts also have a great set of ligatures and swashes that can be accessed in softwares with support to OpenType features. Cirkel is indicated for hype designs, on titles and short texts.

Paula Natalie is a cute and playful script font. This font was created to give your headlines and logotype projects a cheerful touch. Paula Natalie font is also usable in a wide range of works such as logos, covers, posters, quotes, product packaging, merchandise, social media and much more! Feature : - PUA Encoded - Multilingual Language - Works on PC & Mac - Simple installations - Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even works on Microsoft Word.

Stifin handwritten display font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Stifin font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Stifin handwritten display font. Cheers, Maulana Creative