The font collection is called "Plastun", it is a vintage display font for logotype. These collections contain script and sans serif font. Every font comes with 4 style typefaces (clean, rounded, rough and textured). Plastun gives more extras animal and farm in one pack illustrations. This script font includes some alternates and ligatures. This texture style includes some different stamps for uppercase and lowercase in sans serif. The Plastun matches apply in some designs such as the logo, poster, label, badge, packaging, t-shirt, branding, quotes and more custom design. Plastun features : 4 style typefaces (clean, rounded, rough and textured) Uppercase, lowercase, numeral, symbol, punctuation, ligature and alternate(ss01-ss05) in script font All-caps, numeral, symbol and punctuation in sans serif font Multilingual PUA Encoded Plastun includes : 9 fonts (script, sans serif and dingbat) 12 hand-drawn illustrations in dingbat

Baldufa is a charming typeface with strong personality, which looks very comfortable in text. There is a search to obtain complicated curves and detailed features, which gives the typeface a touch of beauty and elegance. However, this is also a self-conscious design that claims through the rounded serifs and irregular vertical stems appreciation for quirkiness and human imperfection. The letterforms in the Latin are inspired by the slight distortions and idiosyncrasies that came with old printing methods. It has distinct, features such as rounded serifs, irregular vertical streams, ink traps and extremely thin junctions. In the Italic, serifs have been removed to enhance movement and expressivity. These experiments in form have not come at the cost of legibility: The typeface remains suitable for both small and display text. Baldufa Greek Ltn covers Greek and Latin.

Geogrotesque is a semi modular with a subtle rounded finish typeface. All the characters are based in the same formal principle with its corresponding optical adjustments in order to adapt the system to an alphabet for texts. Although the type family has a geometric or “technological” construction, the rounded finish provides it a warm appearance, making the typefaces nicer and nearby. Geogrotesque has been conceived to be used as a display typeface in publications or intermediate length texts, most of all the Thin and Ultralight weights which were meant to be used in big sizes. The type family consists of 14 styles, 7 weights (Thin, UltraLight, Light, Regular, Medium, SemiBold and Bold) plus italics and it’s available in Open Type format. For more details see the PDF. Related: Geogrotesque Stencil, Geogrotesque Condensed, Geogrotesque Expanded, Geogrotesque Slab and Geogrotesque Sharp.

Vagebond is a monoline family in three widths, Condensed (C), Normal (N), and Extended (XT). With Vagebond I was inspired by a very old television I once saw on a junkyard. I wanted to create a typeface with round edges that would fit within the 4 x 3 proportion of the screen. It had to be monoline, because that gives it a very simplistic and minimalistic look. Having created the XT width I felt it needed the both complementing widths to make it complete. The Condensed version, for me, is the funky rounded version of the DIN. I love DIN, but it sometimes feels just a bit to ‘normed’ for me. Vagebond C brings in a bit more personality. Although Vagebond looks kinda ‘oldstyle’, it works very well in futuristic designs. It feels best in combination with a super futuristic 3d object.

Zt Shago is a font family of 3 eye-catching display forms, each style has its own character, from very strong and soft angles. When you're looking for a font with a fun message, you can find it in the zt Shago family. Zt Shago is the most extensive font family I've ever created, with 33 styles and 16 free font styles. The default and round styles come in regular & Italic. But for the free one I only have one on myfont, for other styles you can download at Gumroad. While extra rounded only has one weight, namely extra bold. Zt Shago also has several unique alternatives to the letters a, h, k, m, n, v, w, & z, thus enhancing your design style. I hope you have fun using zt shago Thanks for using this font ~ Khaiuns X zelowtype

Designed by Cosimo Lorenzo Pancini and Andrea Tartarelli, Kabrio is a sans serif typeface for the lovers of minimal design, and great curves. Kabrio features four different corner treatments to offer variation in display and logo use: the "alternate" variant features slightly rounded corners, that become even more round in the "soft" variant. "Abarth" features cut corner for a more mechanical, cold look. Each variant comes in seven weights with matching italics, for a grand total of 56 weights to add to your typographic palettes. All Kabrio weights feature an extended character set with accents to cover over forty European languages as well as Russian and Bulgarian Cyrillc. OpenType features include stylistic alternates and a wide arrange of numerals (oldstyle, tabular, tabular oldstyle, superior, inferior, fractions) to allow you maximum flexibility to use Kabrio in number-heavy documents: spreadsheets, tables, timetables.

Introduction to Bages – Bubble Font Bages – Bubble Font is a dynamic and cheerful display font, inspired by the playful shapes of bubbles and balloons. Ideal for catchy displays, this font captures attention instantly, making it perfect for creative and fun-filled projects. Design Features Every character in Bages – Bubble Font mimics the round, buoyant nature of bubbles. The design incorporates smooth, rounded edges, giving a floating effect akin to balloons. This unique style brings a joyful and lively flair to any design, ensuring it stands out with its playful aesthetics. Versatile Applications This font’s versatility is noteworthy, suitable for a variety of design purposes. It’s excellent for party invitations, children’s books, and marketing materials, adding a fun twist to traditional text. Moreover, its engaging style is ideal for educational content, making learning more appealing to young audiences.

Filson Soft is the rounded version of the popular Filson Pro . At first sight, the main feature of Filson Soft are the distinctive letters ‘K’, ‘Q’ and especially ‘R’ that make the font family very elegant. With its rounded terminaisons, this font family is also perfect for original titles and will give you future creations a nicely friendly aspect. But with all these originals features, Filson Soft is highly legible and quite versatile. Its large x-height, even performs nicely in small sizes. Filson Soft comes in 8 weights - Thin, Light, Book, Regular, Medium, Bold, Black, Heavy with a professional range of Opentype functions such as lining and oldstyle figures, stylistic alternates, case sensitive forms, localized forms, stylistic set, arrows and f-ligatures. For better typographic control, Filson Soft also includes an OpenType class kerning with thousands of kerning pairs.

The German designer Emil Rudolf Weiss originally created Weiss Rundgotisch for the Bauer typefoundry in 1937. In their catalog for the typeface, Bauer began with this quote from Leonhard Wagner: The round gothic (rundgotisch) script is the most beautiful kind of script; she is called the mother and the queen of all the rest." While designing Weiss Rundgotisch, Weiss was inspired by Renaissance types cut by the Augsberg printer Erhard Ratdolt. Ratdolt had spent some time in Venice, which is most likely where he became familiar with round gothic letters. This sort of letterform was never as popular in Germany as Fraktur or Gotisch may have been, but round gothic types were used there for centuries to represent arts and craft feelings, as well as old-fashioned handwork. For a blackletter typeface, Weiss Rundgotisch is very similar to normal serif and sans serif designs, especially its uppercase letters, which seem to have some uncial influence in them as well. Therefore, Weiss Rundgotisch is more legible for contemporary readers, making this an excellent choice for anyone looking to set text, logos, or headlines with in blackletter. Weiss Rundgotisch was apparently quite a difficult typeface to design, even for a master designer like Weiss. He began work on the face in 1915; Weiss Rundgotisch's development took over 20 years to complete."

Brave Factor is a display font mixture of the script font features providing capital letters in round, adorable proportions. Such round letters express so smooth, warm, friendly nuances that it is suitable to create attractive, fun nuances. In spite of the big, round shapes, this font maintains the original script font features, which are still legible, such as the smooth curves elements and the unique scratches flowing in some of the letters. Such script elements can add beauty and personal touches to the font. Some of the letters may have curvy curves, while the others have sharp ones to show you interesting visual dynamics and to liven up the font. Furthermore, the font’s letters have been carefully crafted to be as legible as possible without ignoring its aesthetic parts. In addition, you may enjoy the available features here as well. Features: Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Brave Factor fits best for any design projects requiring prominent, yet friendly displays such as titles, logos, posters, brandings, advertisements, and so on. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Sunday Popice is a delightful display font that brings a dose of cuteness and whimsy to your designs. With its rounded shapes and high contrast, this typeface exudes a unique charm that is perfect for adding a touch of playfulness to any project. Designed with love and attention to detail, Sunday Popice captures the essence of childlike joy and innocence. Each character is carefully crafted with rounded edges, creating a friendly and approachable appearance. The high contrast between thick and thin strokes adds a dynamic and lively quality to the font, making it truly stand out. This font's rounded and soft shapes evoke a sense of warmth and coziness, reminiscent of a Sunday afternoon spent in the company of loved ones. Because of the unique style, for the best readability use this font at large text sizes. Enjoy the available features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Sunday Popice fits in children's books, product packaging, greeting cards, headlines, logos, and any design project that requires a touch of whimsical elegance. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

The early Twentieth Century was a golden age for cinema, and for the artists who lettered the iconic title sequences. Stanffords Family evokes the soul of this vintage brush lettering with a modern twist. Its main characteristics are bouncy baseline, round forms. These qualities give Stanffords its casual, friendly and handmade looks. The font family is characterized by excellent legibility in both - web & print design areas, well-finished calligraphic designs, optimized kerning etc. Stanffords Family include 5 fonts: Stanffords, Stanffords Bright, Stanffords Sans and Stanffords Ornaments and Stanffords Bright Ornaments (sets of 86 ornaments) to combine and give options to your typographic elements and designs. Stanffords is a very versatile script font: it includes initial forms, and a generous complement of alternate characters, ligatures and ornaments, creating a genuine connecting hand-painted look in dynamic OpenType format. You have a lot of options to customize it and that makes it perfect for logos, packages, titles, food packaging, t-shirts, blogs, photo books, wedding and invitation stationery and for everything you think necessary ... You get the idea!

Franklin Gothic was designed by Morris Fuller Benton for the American Type Founders Company in 1903-1912. Early types without serifs were known by the misnomer "gothic" in America ("grotesque" in Britain and "grotesk" in Germany). There were already many gothics in America in the early 1900s, but Benton was probably influenced by the popular German grotesks: Basic Commercial and Reform from D. Stempel AG. Franklin Gothic may have been named for Benjamin Franklin, though the design has no historical relationship to that famous early American printer and statesman. Benton was a prolific designer, and he designed several other sans serif fonts, including Alternate Gothic, Lightline Gothic and News Gothic. Recognizable aspects of Franklin Gothic include the two-story a and g, subtle stroke contrast, and the thinning of round strokes as they merge into stems. The type appears dark and monotone overall, giving it a robustly modern look. Franklin Gothic is still one of the most widely used sans serifs; it's a suitable choice for newspapers, advertising and posters.

Filthy Creation; An Outrageously Cartoonish Slime Font - Barf Bag Optional! Creeping off my ink-drenched drawing board, these illustrated slime fonts offer designers a unique set of diabolical tools for use in their gruesome creations. The five hand-drawn font styles are reminiscent of the best in vintage horror comics, 80s trading cards, gross-out movies, paperbacks and Saturday morning cartoons. Each style comes with uppercase and lowercase characters, plus numerals, punctuation, language support and symbols. Added to this is a complete set of alternatives (no need to repeat those oo’s, tt’s and ee’s) and an extra collection of grotesque illustrations that’ll leave you reaching for the barf bag! When you need the most gory, disgusting and slimy looking titles, look no further than this Filthy Creation.

Inspired by hand-painted signage found in ”Little Haiti” Miami, Florida. Sirena’s quirky curls, dynamic slant, and organic nuances capture the essence of Latino street vernacular.

Art Student JNL is a limited character set font inspired by hand lettering found on the box for a learn-to-draw set from the 1950s.

Nouveau Era JNL was adapted from the title of a hand-lettered advertisement found on the back of a 1920s-1930s piece of vintage sheet music.

A handwritten decorative font with brush characteristics This attractive decorative script is found in a pamphlet of script samples from around 1900 which was issued by Otto Maier publishing house in Ravensburg/Germany. The forms and flow of Maier’s Nr. 42 are obviously influenced by Art Nouveau. In the original sample, only the Latin alphabet appears. All other characters, especially the Greek and Cyrillic letters, were modeled on elements of the original. A typeface can first reveal a true "handmade" character when the letter forms do not continually repeat themselves – a completely normal occurrence with handwriting. Thanks to OpenType, some key letters of Maier’s Nr. 42 appear in various alternative forms depending on the combination of letters. For example, the difference is obvious between an e followed by i and an e followed by l. Using this principle, a number of letter combinations are presented with alternative character forms so that overall a very lively impression is created.

A page from the 1931 Vitrolite catalog showing illustrations of store fronts and building exteriors utilizing the material provided a classically Art Deco type example. The business name “Sylvin” did not offer many characters to work with, so completion of the digital type design was simply left to imagination. The end result is Structural Glass JNL, which is available in both regular and oblique versions According to Wikipedia: “Pigmented structural glass, also known generically as structural glass and as vitreous marble, and marketed under the names Carrara glass, Sani Onyx, and Vitrolite, among others, is a high-strength, colored glass. Developed in the United States in 1900, it was widely used around the world in the first half of the 20th century in Art Deco and Streamline Moderne buildings. It also found use as a material for signs, tables, and areas requiring a hygienic surface. Over time, the trademarked name “vitrolite” became a generic term for the glass.”

When traveling in Paris, American designer Frederic W. Goudy did a rubbing of a second century marble inscription he found in the Louvre. After ruminating on these letterforms for several years, he drew a titling typeface in 1918, all around the letters P, R, and E. He called the new face Hadriano" as that name was in the original inscription. Robert Wiebking cut the matrices, and the Continental Typefounders Association released the font. Goudy designed a lowercase at the request of Monotype in 1930, though he didn't really like the idea of adding lowercase to an inscriptional letterform. The lowercase looks much like some of Goudy's other Roman faces. Compugraphic added more weights in the late 1970s, and made the shapes more cohesive. Hadriano has nicely cupped serifs and sturdy, generous body shapes. Distinctive individual letters include the cap A and Q, and the lowercase e, g, and z. Hadriano™ is an excellent choice for impressive headings and vigorous display lines."

Perva is a suite of three eye-catching fonts inspired by display types from the 19th century. This unconventional family has three different font styles that can be used individually or combined to build a playfulness multi-typeface design system. It is suitable for titling, posters headlines, book covers, packaging, social media, and branding. Perva brings together a Slab serif font, a.k.a Antique or Egyptian; a Reverse-contrast or Italian; and an Old English Blackletter. The design is inspired by the display types listed as “Typographic monstrosities” in Thomas C. Hansard’s book Typographia (1825). What he found absurd was understood here as interesting and enjoyable to introduce a contemporary approach of the types widely sold by foundries such as Bruce’s New York Type-Foundry and Caslon Foundry. Each of the three fonts holds around 400 glyphs, covering the languages of Northern, Western, Central, and Southern Europe. Opentype features include case-sensitive forms and a couple of alternates for the Blackletter style.

Irish Penny is based on the lettering from Percy Metcalfe's beautiful and influential pre-decimal coinage of Ireland, the Barnyard Collection. The font is more monoline than is conventional for Irish insular styles, almost giving the feel of a modern soft sans, and perfect for small and large scale display purposes. Irish Penny contains a full complement of Latin Extended-A accented characters, Irish lenited consonants with the dot accent, and the tironian et which is commonly used in Ireland instead of an ampersand. Lowercase characters are provided small caps style, slightly reduced in size and subtly thickened in weight. The licensed font comes with a faux italic, and although obliques are not common among insular typefaces, Irish Penny Italic is a useful smart and sporty extra. Although the insular G/g is usually understood, Irish Penny also includes a more latinised option as an alternate G/g. The supplemental 'Irish Penny Alternate G' font places the latinised G and g characters at the normal G/g keystrokes, and makes the original insular glyphs the alternates. An alternate E/e with an angled crossbar is also included. The font contains a selection of discretionary ligatures, these include the ligatures that were used for pre-decimal coins: AC/ac, AE/ae, AL/al, AO/ao, AU/au, AT/at (halfpenny, half crown), AX/ax, AY/ay CA/ca, CC/cc, CE/ce, CO/co (half crown), CU/cu, CY/cy EA/ea (halfpenny, half crown), EC/ec, EE/ee, ET/et, EU/eu (sixpence), EY/ey FE/fe (farthing), FF/ff, FL/fl (florin) GI/gi (penny), GU/gu KA/ka, KE/ke, KI/ki, KO/ko, KT/kt, KU/ku LA/la, LE/le (halfpenny, half crown), LL/ll (shilling), LO/lo, LT/lt, LU/lu, LY/ly RA/ra, RC/rc, RE/re (three/sixpence), RH/rh, RI/ri (florin), RK/rk, RN/rn, RM/rm, RO/ro (half crown), RR/rr, RT/rt, RU/ru, RY/ry TA/ta, TE/te, TO/to, TU/tu NOTE - Irish Penny contains some characters that are not accessible directly from your keyboard, but which may be copied from a font viewer such as Character Map, Font Book or FontExplorer, and pasted into documents. They can also be accessed from the Glyphs browsers within OpenType-aware applications like Adobe InDesign and Illustrator, and Affinity Photo and Publisher.

Blumenkind is a fresh, bright, humanist script font radiating boundless optimism and friendly enthusiasm. Its strokes are based on the rounded triangle, which lends it a dynamic bounce and a confident human touch. It shines in a wide range of display and editorial applications, but excels in particular in the context of art, creativity, food, social events, and spirituality. Blumenkind is inspired by an instance of metal-strip lettering found on the B�rgermeister Kornmesser Siedlung residential building complex in Berlin from the 1960s. The font name, being German for �flower child�, aims to capture the positive zeitgeist of that time evident in the letters. Blumenkind comes with extensive language support, tight kerning, attractive ligatures, and subtly varied alternate shapes for some of the most commonly doubled letters � and all that in three linear weights and one calligraphic weight. Furthermore, a complementary version of the font (Blumenkind Alternate) is available, in which the overlapping tittles and accent marks of the original are replaced with more traditional free-floating marks. This font is dedicated to the miracle of medical science. Thanks to Georg Seifert, Rainer Scheichelbauer, and Michael Wallner for technical aid.

Cross the irrepressible Samuel Welo with a bit of found matchbook art and voilà! You have this retro charmer, proudly found on the kind of neon signs that offered an invitation to dine and dance. To continue the baseline treatment between words—or to extend it on either side—use the _Underscore character. Both versions of the font include complete Latin 1252, Central European 1250 and Turkish 1524 character sets, with localization for Moldovan, Romanian and Turkish.

Precursors to Torrone, the fonts are found among the type experiments of Art Deco artists in 1930’s Europe. Fonts of this type with chunky, geometry-driven lower case letters combined with somewhat flamboyant, brush-influenced upper case can be found in the logotypes for Mignon Chocolate Factory in Germany and Baci bon-bons still in use today by Italy’s Perugina Candies. Torrone includes alternate lower case characters and full Central European glyph sets with over 550 characters included!

Punk-looking fonts usually embody the rebellious and edgy spirit of the punk subculture. It is characterized by its bold, jagged, and distorted letterforms, which often feature exaggerated or irregular shapes. This font is perfect for your design needs such as: for posters, magazines, covers, brands, logotypes, band logos, etc

Bitsaylen is a new script full of elegance and quirk with a playful demeanor and a playful side. Perfect for adding a unique yet relaxed feel, this bag comes with a wide selection of natural looking ligatures. This font is perfect for logos, invitations, wedding designs, social media posts, and more!

Oksana is a Ukrainian female name. As a true native Ukrainian, this semi-serif type family has a strong structure, but soft and friendly nature. In six weights from thin to heavy it is perfect for titles and short texts lines. Look how people use it: http://use.type.org.ua/tagged/oksana

Vampire Bloods is an incredibly unique horror display font with 2 style Font are Dripping and solid style with jagged Outline. Add this font to your favorite Halloween themed ideas and notice how it makes them come alive. Vampire Bloods is perfect for posters, packaging, banners, advertising, apparel, and more.

introducing GHOSTINGER - luxury signature font - GHOSTINGER is a natural signature font. It is great for branding, packaging, quotes, Signatures, logos, t-shirt designs, tote bag designs, cards, banners, social media, and more. Features: - Uppercase - Lowercase - Numeral - Multilingual Support - Punctuation - Ligatures - PUA encoded I hope you love it. regards, Abo Daniel Studio

Districtside is from Tagging Graffiti with urban lifestyle inspiration. Featuring an extra swash font, you can make your project more attractive. This style is bolder, easier to read, and is perfect for titles, logos, product packaging, branding projects, magazines, social media, and even just to express words above the background.

Jungle Street is an uppercase decorative font inspired by street art tag in big city wall. It's works perfectly for headlines, logos, posters, packaging, T-shirts, postcards and many more. Latin-based Language Support. A summary of what's included: Jungle street Regular font (otf) Jungle street Outline font (otf) Happy creating!

This font is a collection of calligraphic ornaments suitable for invitations, gift tags,etc. These designs are assembled from hand drawn elements, and mirrored elements have been modified slightly, to increase the hand-drawn appearance. They would also be right at home framing the dialogue screens of a silent film.

INFO DUMP: Get jacked into cyberspace direct feed, no buffer with this hotwired font by John 'Son of a Glitch' Roshell. Initial upload to Ghost Rider 2099 was prematurely aborted, but not before the downramp pusbag Ozymandias pirated a jagged beta version and assaulted the Uncanny X-Men during 'Onslaught.'