Sistina is a trademark of Heidelberger Druckmaschinen AG, which may be registered in certain jurisdictions, exclusively licensed through Linotype Library GmbH, a wholly owned subsidiary of Heidelberger Druckmaschinen AG.

Eckmann is a trademark of Heidelberger Druckmaschinen AG, which may be registered in certain jurisdictions, exclusively licensed through Linotype Library GmbH, a wholly owned subsidiary of Heidelberger Druckmaschinen AG.

Alcuin is a trademark of Heidelberger Druckmaschinen AG, which may be registered in certain jurisdictions, exclusively licensed through Linotype Library GmbH, a wholly owned subsidiary of Heidelberger Druckmaschinen AG.

Slightly aged font

Auline is Modern Luxury Serif Font is a well-balanced contemporary font with a fancy, unique, and versatile Luxury serif, font that you can combine to get any variations and unique shapes easily just in seconds with choose alternates of them. What's Included: Character set A-Z Normal & Italic Style Numerals & Punctuation Accented Characters (West Europe) Stylistic alternates Works on PC & Mac Recommended using Adobe Illustrator or Adobe Photoshop. Wish you enjoy our font. :)

Tenby is a series of modular geometric display sans serif fonts with a hint of Art Deco combined with a 1980s finish. The fonts' underlying grid is ten squares high. Their widths correspond to condensed (Tenby Four), normal (Tenby Five) semi-extended (Tenby Six), extended (Tenby Seven), and extra-extended (Tenby Eight). Each contains two weights, light and regular. Although smaller text sizes are still quite legible, the fonts work better at large sizes.

An unnamed scroll typeface featured in the 1869 MacKellar Smiths and Jordan specimen book provided the pattern for this font. You may begin and end the scrolls with parentheses, braces or brackets, and employ the space bar as you normally would to construct headlines "in a pretty box". Both versions of this font contain the complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

An unnamed scroll typeface featured in the 1869 MacKellar Smiths and Jordan specimen book provided the pattern for this font. You may begin and end the scrolls with parentheses, braces or brackets, and employ the space bar as you normally would to construct headlines "in full-flowing draperies". Both versions of this font contain the complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Chatnarong Jingsuphatada is a Thailand based typeface designer of foundry Typesketchbook. In 2014, he has created Orev, a type family that consists of 18 fonts, including 9 weights available as normal and oblique style. It’s a unique and modern sans typeface, which is well suited for a variety of typographic applications such as headlines and small texts. The Orev font family supports multiple languages and is available as both webfont and desktop font.

With the intention to create a family of modern calligraphy, Vild Scapes offers different feels in different effects. The Normal option cuts back the imperfections created from freehand writing, while Inkless keeps those details. There’s also the Rust option, which imitates letterpress printing effects. In addition, the family comes in three designs: Brush (big paint brush style), Script (small paint brush style), and Marker (brush tip maker style), offering you more possibilities for creativity.

Markout is a chunky marker pen font. With a casual style and loose baseline, it's a great display font for titles, headings and logos. The Markout family has regular and alt versions, where some of the characters are different. Most notable is the 'k' in the Alt version this has a more normal size and shape when compared to the regular. Also includes five marker pen emoji ligatures and double letter ligatures.

Supra-compressed – designed by Gert Wiescher in 2013 – is the extreme version of this family. But despite it being very slim it is still – because of its openness – a very readable font. The light and normal weights and the dominant x-height with its high ascenders make for easy reading of long copy. The heavy and x-light weights are great for elegant headlines. Supra is a versatile OpenType family with lots of different weights.

Armetica is an ultra condensed sans serif typeface with a unique personality. It comes in normal and display versions, with 9 weights, as well as italics totaling 18 fonts. Armetica is a modern elegant typeface that would be perfect for branding, logos, headlines or captions. The font could also work as a stylish text overlay on any background image you like, minimalist and warm while still being versatile enough to use anywhere!

A contemporary interpretation of the famous DIN typeface. Regular style suits for long texts, while Light and Bold variations work well in large sizes. The typeface includes 24 styles: 6 upright and 6 normal-width italics, as well as 6 Narrow and 6 Condensed styles. The typeface was designed by Vasily Biryukov and released by Paratype in 2015. The set of Condensed styles was added by Alexander Lubovenko and Isabella Chaeva in 2022.

Port Play ... Based on Density Slab Serif, now with other styles, Normal and Expand, equipped with alternative letters that are so wide that they give a strong, clear, masculine feel, and have good legibility. Port Play comes in regular, oblique, outline, and outline oblique styles along with regular and oblique variable files. This font is perfect for every project. suitable for branding logo, badge design, or apparel design. This font also comes with multilingual support.

Geogrotesque Expanded Series comes in three widths: Wide, Extended and Expanded, that go between 120% and 200% of the normal width. Since the original Geogrotesque is slightly condensed, the Wide family becomes a good option for texts. Whereas the Extended and Expanded are ideal for display sizes. With the inclusion of the Expanded Series and the preceding Condensed ones, the Geogrotesque super family is now a complete widths system. For more details see the PDF.

Bodoni Classic Inline is a very elaborate extension of my Bodoni Classic family. The font has 5 different swashes for each capital letter, diverse swashes for lowercase letters and a full set of ligatures, oldstyle and normal numerals, all together 669 glyphs. This Inline font is good for all kind of official looking documents and of course goes together well with my forever growing Bodoni Classic family. Your Bodonian type-designer Gert Wiescher

"Disco Pang Pang" is the Korean name for Tagada rides. It is a characteristic typeface that is good to use when you want to make use of a unique and bouncy feeling. Light and Extrabold are made with the thickness of normal typefaces, but Left and Right have strange shapes with stroke thicknesses that are biased to one side. Its unique shape can make a strong impression on people. This font contains Korean.

Here is my font with carved out letters, like a really bad stamp. Each lowercase letter has 3 different versions, and that makes your text more natural, organic and handmade. Normally I kern my fonts throughout, but this time there is no kerning at all...and that's odd, when we're not talking about monospaced fonts. Anyway, Bottle Fork has its flaws and jumpy x-height...but that's exactly the charm of it all! :)

Minik Font Family comes in 2 weights; Regular and Bold. It is completely hand-drawn. While the capital letters have normal sizes, the lowercase letters are smaller than the common form in the vertical axis to have a cute view. The Minik Font Family has a few ornaments and stylistic alternates. With this font family, you can create eye-pleasing and nice works such as posters, printings, t-shirts, adds, magazines etc.

Otoiwo Grotesk is an extremely versatile sans-serif typeface with a closed aperture. It features whopping 126 styles over 7 widths, each containing 9 weights with corresponding italics. The mood of the family ranges from fairy neutral in Normal and Condensed widths to very flavorful Compressed and Ultra Wide. Rich language support, which includes Cyrillic and spans 131 language ovarall, makes Otoiwo Grotesk a worthy choice for brands that strive to reach international audience.

Fab Figures is a numbers-only font. This high contrast display font family with curly terminals is a great choice for infographics and posters. The entire font family consists of 10 styles: 2 styles for big usage, 2 styles for normal usage, 2 styles for small usage and 3 patterned styles (fitting to the big styles). Character Set: 1 2 3 4 5 6 7 8 9 0 | % # • ~ { $ £ € } . , : ; + - = ÷ / ° * ' ’ (Arrows) (No-Symbol) (Nr-Symbol)

Olimpos is a Display sans font that is absolutely perfect for editorial headlines. Her large, bold and slender figure is perfect for posters, t-shirts, and magazine covers. Reserved for capital letters only, this calm and bold typeface is a content creator's best friend. font files Uppercase, Numbers, Punctuation & Symbols. Diacritic for Multilingual Support This Olimpos is a modern sans-serif font that includes 4 weights of the normal style and the Italic style.

Quebra Ex Cn (Extra Condensed) is an extend display sans-serif font family, available with four widths (Extra Condensed, Condensed, Normal and Expanded) and ten weights, italics versions are available. The main strokes contain small breaks simulating modulated variations on the letterforms, these details are more present on large body sizes. All font versions contain Latin and Cyrillic encoding characters and also ligatures, case-sensitive forms, fractions, oldstyle and finally tabular figures.

Hello friends! The 'Wolfie' font family is coming; a dynamic and new vintage feel. It's perfect for branding, logo, packaging, header, title, etc. Wolfie is great if you pair it with an 80s illustration, it will make the design even more dope. Wolfie are available in 3 Widths (Condensed - Ultra Condensed - Normal) with matches 5 weights (Light - Semi Light - Regular - SemiBold - Bold) total 30 fonts and support for 75+ language. Happy creating :)

Hi, friends! Introducing new typeface - Asterlight. It is a new display font with 2 styles and cool characters. Asterlight has multilingual support includes cyrillic. Many ligatures make your typography most variable. It works well with normal size text and for large displays or short words. You may combine uppercase and smallcase in the text body, as alternates symbols. The Asterlight typeface is suitable for : product packaging, labeling, logo, classic shop, ethnic shop, titles, etc

Re-introducing the classic mid-1500s Garamond forms for the twenty-first century is never an easy task. But Hans van Maanen makes a fine attempt at just that by remodeling the traditional shapes through a modern lens with stunning results. Aragon is a workhorse family that performs very well in a variety of text sizes, from footnotes and legal copy to lengthy body sets. Its combination of wedge serifs with uniquely tapered stems offers a sturdy Dutch touch that improves legibility altogether, while at the same time the slight stress shift to the top half of the characters makes the immersive reading experience very open and comfortable. The Aragon family comes in a standard two-weight set with corresponding italics, a roman small caps font with its own italics, and very attractive initials for display uses. All fonts come in the usual popular formats, and include a glyph repertoire that covers Western, Central and Eastern European languages, as well as Turkish and Welsh/Celtic.

Bee Think This is a Rough Brush Typeface that is written casually and quickly. comes in two mode Standart this font are made with brushes on Procreate. Then crafted carefully drawn into vector format. That is why Bee Think has Rough and strong characteristic more natural look to your text with a more modern look to your text. You can activate Ligature OpenType panel to make these two styles. Bee Think is perfect for homeware designs,branding projects, Logo design, Quotes product packaging, especially with horror and scary themes Bee Think a natural Hand Drawn feel. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes,photos, photography overlays, signs, window art, scrapbooking, tags and so much more! That is has charming, authentic and relaxed characteristic more natural look to your text.

Oita might be a carefully crafted typeface family, created by a meat-bag human. Or, it might have been made by a supremely clever sentient robot. Found in the dark recesses of a top secret spy agency’s quantum computer, this font came with this somewhat unusual description, which is presented without comment. "To conquer, we cannot simply overcome. Success is found in supremacy--in the dominance of Oita. While looking for the right tool for this success, our research has led us to the finely executed forms found of military domination throughout history. In our labs, we've used our specialized machines to harness these forms' power and refined their impact through elements of contemporary and computer design. The structure proves to be robotic and squared on its edges. However, the chutzpah of this technical face still allows it to pass as if created by human hands. Our resulting payload, Oita, is modern and sturdy. While based on a practical, octagonal structure, make no mistake; this new instrument will drive forward the energy you want to push through your projects. Oita has 42 cuts certain to encompass your designs on world domination. Each font contains the glyphs to support over 52 languages. The font also includes tabular and lining figures, numerous ligatures, and selected advanced Opentype options, including stencil and experimental options to bring out the dynamic characteristics that have already been crafted into Oita. Early tests have found that the new instrument is easily scalable to smaller dimensions without reducing its impact. The font remains highly readable across a variety of applications. We speculate from our findings that it will be successful for sporting and technical applications. So for you who venture to use Oita, use it boldly. Don't just overcome. Dominate. Go and conquer mightily with Oita. We'll be watching." We may never know whether Oita hails from mind or mechanism. What we do know is that, should you choose to take on Oita, you'll be acquiring a dynamic poster and packaging face, a minigun-toting bad robot of a font that exudes pace and power.

Out from a turn-of-the-century cartoon, Pennywhistle evokes the silly symphonies and merry melodies of an earlier age, while playing footloose and fancy free for a modern age.

Linotype Mega is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. The fun schrift of German designer Till F. Teenck is available in three weights whose names are word plays in themselves. Mega in (which we hope the font will be) contains relatively light, somewhat irregularly-drawn characters which look as though they were printed by hand and the characters are set rather far apart from each other. This weight is good for short and middle length texts in point sizes of 10 and larger. Mega normal is anything but. The characters are the outline forms of Mega in and their larger width reduces the distance between them. This weight is generally a headline font. Mega out is a very heavy weight and is the filled-in version of Mega normal. The characters flow into each other and look almost like silhouettes. The reduced legibility makes this font suitable exclusively for headlines in larger point sizes.

Tomorrow’s Typeface Today Are you ready to take your science fiction, action, military films, shows or video games to the next level? Our family of fonts brings a touch of nostalgia and a dash of modernity to your titles and typography. The CA YOSHIRO “Wide” style bears a striking resemblance to the iconic Eurostile typefaces of the 1960s. It has an immediate sense of familiarity. But what sets it apart is its contemporary, fresh sci-fi design. It’s the perfect blend of classic and cutting-edge, delivering an unprecedented, unconsumed style that promises to captivate audiences like never before. The CA YOSHIRO “Normal” style can also be used for a variety of other projects that require a normal width and just need to show a light technical touch without immediately suggesting a sci-fi reference. In addition, CA Yoshiro has subtle similarities to the monospace fonts commonly used on computer displays and screens. These fonts are the foundation of written programming code and sequences, lending a distinctive character to the digital realm.