You've seen them all around -- on alarm clocks, tote boards, scoreboards and in many other venues we take for granted in our daily lives -- displays with letters and numbers that flip down to reveal other letters or numbers. Flipboard JNL is a digital recreation of these mechanical sign displays. There is a limited character set, and a blank panel is located on the equal sign keystroke.

This font, is dedicated to all the Russian and non-Russian Babushkas around the world. This font was created using a flat brush and Chinese ink. After that I scanned all the letters and numbers and created the real font. Designed by Giuseppe Salerno, in the 2011. You can even watch a video on YouTube showing how Babushka was hand-drawn by the artist.

One of the classic designs of the wood type era is Hamilton Gothic Bold [from the Hamilton Wood Type Foundry circa 1889]. Clean and timeless, it even had found a resurgence during the rock and roll posters of the 1960s, where vintage wood types and Art Nouveau influences merged with the “Hippie Counterculture”. Wood Gothic JNL is available in both regular and oblique versions.

If it's dog friendly, it must be something good! Actually, I was never really into dogs, not until me and my wife decided to get a dog. We got a French Bulldog and life hasn't been the same since! I found out that I love dogs, and especially French Bulldogs! This font is a kind of tribute to everything good that has to do with dogs! :)

3D Techno is a font made entirely of little cubes! Combine 3-D and flat styles, or use these styles separately..... many different looks can be created! There is a sprinkling of dingbats scattered around the alternates, just there to make this font extra fun and useful . Check it out! 3D Techno contains West European diacritics and ligatures, suitable for multilingual environments and publications.

From the 1917 sheet music for "The World Has Been So Mean to Me" comes a wonderfully hand lettered chamfered sans with varying widths and character shapes, now released digitally as Sentiment JNL in both regular and oblique versions. This informal bit of lettering retains the stylish elements of the Art Nouveau period without the extreme eccentricities found in some typographic designs of the period.

Fighting American and all around Superman Ed McGuinness joins our Masters of Comic Book Art with a font inspired by his gamma ray saturated handwriting! Ed is officially a friend of Comicraft and a big smile in Hulk form! Now a small slice of this Jolly Green Giant is available as an alphabet waiting for puny humans to arrange in words of no more than two syllables.

Inspired by bold and slanted handwriting style, we present to you History Walker, a handwritten font with bold and slanted characters that was comes with alternates and multilingual glyphs to help people around world with that unique accent with this font. History Walker is very suitable like as text, cover book, poem, handwritten style, and more.That way easily change the glyphs to make more unique glyphs.

Cuisine originated from a how-to lettering book from the 1950s. It suggests the script style found on food and beverage labels in the early 20th century. This creamy font does for food advertising what Bodoni does for haute couture. Its simmering, hand-scribed charm captures the complexity of wine and the robust energy of coffee. It shines on luxe food packaging or high-end menus

This quaint little charmer was found under the same name in the 1893 Cleveland Type Foundry specimen book. Slightly quirky and naively elegant, it's the perfect choice for everything from invitations to headlines. It also contains a few alternate characters in the ASCII circumflex and tilde positions to spice up your layouts. Both versions of the font contain characters to support all major European languages.

Champloo is very unique typeface which combines serif features and brush stroke. Some letters have serif, but some don’t. Serif to be found on left side of stem only. It gives a quirky impression on short text. However the larger the text become, the more consistent look it gets as a whole. These two versatile weights let you play with the typeface freely and beautifully.

Desk Drawer JNL is a collection of twenty-six images representing the kinds of small items lying around inside a desk at any given time… From a thumbtack to a spring clip… from a postage stamp to a roll of tape… even some shirt pins or some gummed labels… the center drawer of a desk can house just about anything that fits inside it!

The uppercase letters of this magical, mystical face is based on various alchemical symbols used from the thirteenth through the sixteenth century; the lowercase letters are based on those found on a 1935 poster, signed simply “Strekalovsky.” Ideal for adding a little pocus to your hocus, or cadabra to your abra. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Inspired by thin and condensed handwriting style, we present to you Windy Monday, a handwritten font with thin and condensed characters that was comes with alternates and multilingual glyphs to help people around world with that unique accent with this font. Windy Monday is very suitable like as text, cover book, poem, handwritten style, and more.That way easily change the glyphs to make more unique glyphs.

This is a live recording from Mars: Your planetary system is about to be invaded by the inhabitants of Mars. We come in peace, we come with party! Heh-heh. Say hello to my interplanetary font, Message from Mars. Handmade, yet super digital. Play around with the weird shaped letters, and make your own galactic text - use upper- and lowercase as well as the alternate version

Pisang Manis means ‘sweet banana’ in Bahasa Indonesia. I don’t think this particular combination is used in everyday life, but it sounds nice. Pisang Manis is based on an older font of mine, called Pisang, which I created in 2013. It looks similar, but it is a different font altogether. Pisang Manis is a ‘Tall & Thin’ display font, ideally used for product packaging, websites and book covers.

The inspiration for this typeface was found tucked away in what is arguably the worst book of advertising clip art ever published (cleverly entitled The Advertising Cartoon Clip Art Book from 1971). It’s so bad, it’s good—at least at getting your attention. Both versions of this font include the complete Latin 1252 and CE 1250 character sets, with localization for Romanian and Moldovan.

Fundevogel is a Brothers Grimm fairytale about a boy who was found in a tree. The story, of course, has all the obligatory characters in it: a fair maiden, a wicked cook, an old forester and lots and lots of shapeshifting. And, yes, a happy end! Fundevogel font is a handmade fairytale font. It comes with extensive language support and all the cuteness you could wish for.

This typeface is inspired from the old display fonts that used to decorate the world around us, but just because we don't see such beautiful signage these days, doesn't mean we should lose the great typefaces used. Foreman is a condensed serif display typeface, with hard geometric lines inspired from fonts used in the 1930s and 1940s, and very much used by the American Art Deco movement.

Inspired by the classic German Antiqua style, Gilhaus is a totally original modern serif rooted in iconic history and built for modern projects including branding, web and digital apps, large format printing, and more. While subtle serifs and soft edges bring in an element of warmth and approachability, Gilhaus is balanced out by the bold angular strokes and high contrast letterforms typically found in classic Antiqua typography.

Inspired by thin, childly, unique handwriting style, we present to you Nighty Tales, a handwritten font with thin and childly characters that was comes with alternates and multilingual glyphs to help people around world with that unique accent with this font. Nighty Tales is very suitable like as text, cover book, posters, handwritten style, and more.That way easily change the glyphs to make more unique glyphs.

The hand lettering found on a small catalog sheet for decorative decals from the 1930s-1940s era was the perfect source material for Crestview Six JNL. Handmade typefaces or signage from past decades offer a wonderfully humanistic change from the perfectly-crafted designs of printer's type (or digital type in the modern era). The font's name comes from the old alpha-numerical phone exchanges of the past.

In 1994 I took a picture of an old movie marquee in Times Square, New York City. 7 years later, I decided to design a typeface based on the big plastic letters found in those old marquees. I scanned in the picture I took and began to draw the letterforms. Like most of my font designs, the initial inspiration came from an urban environment.

Prismatiq JNL was modeled from lettering found in a French alphabet book from the turn of the last century - the type sample appearing online at an image sharing site. All of the imperfections of hand-lettering were left intact. This is a limited character set comprising A-Z, 1-0, basic punctuation, forward slash and dollar and cents signs, and is best used in large headline applications.

Whenever I create a font using a Chinese brush and ink, it almost always comes out scary-looking. Sensory Overload is not like that: it is quite a neat and tidy font, even if it is a little rough around the edges. Sensory Overload is an all caps typeface and would be ideally suited for book covers, headlines, packaging and posters. Comes with an overload of diacritics.

Gelateria is characterized by its dots and tails. This font is as a whole smooth and elegant. But because its dots and end of the tails are little points, Gelateria impressed you very much. Holiday Type Project offers retro hand drawing scripts. Inspired by retro script on shopfront lettering, wall paint advertisements in Italy around 1950s. Check out the script fonts from Holiday Type!

Hutsulyandiya 2D family fonts comprise folk ornaments found on Hutsul ceramics of the mid 19th to early 20th centuries. Hutsulshchyna is an ethnic region in the Ukrainian Carpathian Mountains where folk art and indigenous culture preserve up to nowadays. All images are to the maximum approximated folk prototypes. The graphics are characterized with grotesque, stylization simplicity, surprising plot moves. The font cheers up and evokes positive emotions.

A bold sans serif with occasional rule-breaking vertical serifs on some characters was found within page examples from the book "100 Alphabets Publicitaires" ("100 Advertising Alphabets"). Although a few of those vertical serifs extended above the cap height in the hand lettering, they were made more uniform to keep a consistency in the digital version known as Peppermill JNL. Available in both regular and oblique versions.

Haunted Gallery is a fun horror typeface with classic letterform. You can play around with the ligatures.This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

Cult is the work of designer Timothy Donaldson and its forms alone evoke a sense of mystery. The wide capitals with their unusual forms complement perfectly a condensed, angular lower case alphabet. The unique Cult is especially suited to work dealing with anything mystical or New Age.

Zephyr is a sinuous Roman font available in both Regular and Openface (inline) versions. This classically inspired font set conjures up a gentle, relaxing breeze from the West and Southwest. Subtle and not-so-subtle variations offer a refreshingly modern take on these age-old letterforms.

Konscript is a distressed typewriter face developed from analog samples from papers Mary Browers typed in the 1950s for her high school coursework. The model and age of the typewriter are not known. Additional characters were developed based on the analog samples to complete the character set.

Inspired by an example of eroded Portuguese cast-iron ecclesiastical lettering mounted on marble, Apocrypha has been designed to evoke an age-worn imperfection; once elegant, but now eroded and distorted by time. Mix the characters in the upper and lower-case keystrokes for authentically uneven results.

This interesting type was introduced by the Chicago firm of Marder, Luse & Company in 1890, about the time designers were beginning to lose some of the excessive ruffles and flourishes that characterized the Victorian age. Originally a caps-only font, we have added a lowercase to match.

Swedish designer Lennart Hansson began designing letterforms at the age of 20, and since then his exceptional calligraphic artwork has been on exhibit throughout the world. Hansson won the Nordic Typeface Competition in Copenhagen for his typeface Runa Serif, inspired by the forms of ancient Viking runes.

Introducing a vintage look label font named "Brew House". All available characters you can see at the screenshot. This font have 5 basic styles - Regular, Full, Shadow, Light and Aged. This font will good viewed on any retro design like poster, t-shirt, label, logo etc.

Roll up! Roll up! The world’s largest three (letter-)ring circus of Great and Tall Elephantmen fonts is now touring cities and towns in your area! See the amazing exploits of fonts of heretofore unimagined heights and weights! Gasp as x-heightwire artist John Roshell walks great and tall on the typerope up above your headlines! Look in wonder as Elephantmen get greater and taller on stilts, staggering around with their trunks high in the air as well as loose around their waists! Peer cautiously into the sky as the greatest and tallest Elephantmen disappear into the clouds as they swing up on the trapeze... Yes, the Comicraft Big Top is always full of surprises... so hurry, hurry, hurry to download your ticket to the Greatest and Tallest Show on Earth in the comfort of your own home! See the families related to Elephantmen Greater & Taller: Elephantmen, Elephantmen Great & Tall, & Elephantmen Greatest & Tallest.

Roll up! Roll up! The world’s largest three (letter-)ring circus of Great and Tall Elephantmen fonts is now touring cities and towns in your area! See the amazing exploits of fonts of heretofore unimagined heights and weights! Gasp as x-heightwire artist John Roshell walks great and tall on the typerope up above your headlines! Look in wonder as Elephantmen get greater and taller on stilts, staggering around with their trunks high in the air as well as loose around their waists! Peer cautiously into the sky as the greatest and tallest Elephantmen disappear into the clouds as they swing up on the trapeze... Yes, the Comicraft Big Top is always full of surprises... so hurry, hurry, hurry to download your ticket to the Greatest and Tallest Show on Earth in the comfort of your own home! See the families related to Elephantmen Greatest & Tallest: Elephantmen, Elephantmen Great & Tall, & Elephantmen Greater & Taller.

This font was inspired by the rare manuscript Roman Quadrata used by an unknown scribe to inscribe a copy of the Roman poet Virgil’s GEORGICS, somehwere around 161 to 180 AD. Only a few sheets have survived, now preserved by different libraries around the world. In creating this font, we have adapted it for contemporary users, making differences between U and V; I and J (which made no difference at all to ancient Latin scribes) and naturally adding the glyphs for Thorn, Oslash, Lslash, W, Y, as well as the usual accented characters and punctuation, none of which existed at the time. Only capitals are present in the original; but we have provided alternates: so alternating each character A-Z/a-z will give a pleasant appearance of manual script. We have added the Roman numerals “I V X L C D M” in the OTF/TTF versions usable as “Old Style Numerals” alternates.

Hey guys, I'm really excited to introduce The Wayfaring Font Duo! A hand-painted set of fonts designed to add a rustic and whimsical charm to your design projects. It's rough around the edges and not without imperfections - but aren't we all? With distinctive bold & playful brush strokes, The Wayfaring Font Duo is ideal for your logo designs, product packaging, wedding designs, book covers, social media posts, merchandise & more. The awesome thing about this typeface duo is that it's so easy to mix up the various font styles and create totally unique, hand-made looking words each time. Not only are there 2 sets of upper & lowercase characters, there is also a unique 'all-caps' version - which not only looks great as a supporting font, but can also be combined with the regular Wayfaring font to give you even more layout options. I'm serious! Just throw a small-caps character in the middle of a word, it's really fun to play around with.