Metalet Modern JNL was based on the letters found within the Metalet Movie Titling Set manufactured by the Modern Display Advertising Company of Hollywood, California circa the 1940s. Each stamped metal letter would be affixed to the background surface via the use of miniature magnets. Once in place, titles for home movies or slides could be photographed, the letters then returned to their storage area in their box. The character shapes show unusual stroke movement, which means the original models used for these letters were most likely hand-drawn.

Proudly present Mother Bones - 90s Type Grunge Vibes, created by ikiiko. Mother Bones inspired by the handwriting style of the 90s, where the Seattle sound trended with a raw, wild and free style. With spontaneous strokes and unique lines, this font has strong vibes of 90s era. This type is very suitable for making a poster, magazine layout, brand logo, sleeve cover, party flyer, quotes, or simply as a stylish text overlay to any background image. What's Included? Uppercase & Lowercase Numbers & Punctuation Multilingual Support Works on PC & Mac

Cooks call thinly cut - like matchsticks - vegetables "Julienne". I found that was a fitting name for this very narrow typeface. Julienne Slim is the extreme cut of the two. Personally I do not use narrow typefaces very often, but from time to time they come in handy if there is much text to be crammed into little space. I could make a typeface that was even narrower, but I will not do it. This is as narrow as my typefaces get. Enjoy what I cut for you, Gert Wiescher.

Solvent is a fluid font, somewhat liquid, somewhat viscous, super decorative. It's an all-caps font with two design options for each letter – turn on the Contextual Alternates feature to instantly cycle these. There are yet stylistic alternates for the letters g, y, and z. Solvent comes in two styles, regular and bold, and is surely a great pick for creative compositions such as packaging, apparel, album covers, books, greetings cards, posters, branding and so many more. Try Solvent fonts, liquefy your designs, turn up the sound, and keep on creating!

Kate Greenaway was a very famous British (1846-1901) author and illustrator of childrens books. Her books were an outstanding success in English publishing during the Victorian period. Recently I found these sweet Mignonettes in an old foundry specimen book. Mignonettes is derived from the French word "mignon" which stands for lovely, charming, sweet, delightful, pleasant and that does exactly describe these little drawings. I already published a Kate Greenaway's Alphabet a couple of years ago. So here is my second installment. Yours, Kate Greenaway fan Gert Wiescher

I have had the name "Fruitcake Fanatics" in my mind for quite some time now...but I needed a font that suited the name...then one day...actually last Wednesday, I was playing around with some letters (which eventually would turn out to be this font!) and suddenly it struck me: I got the letters for my Fruitcake Fanatics font! Another story could be - what does the name mean?! Well, to tell you the truth, I don't know - but what I do know is that the font is playful and unpredictable and loads of fun!

Blarks is a unique font with a strong character. The inspiration for making this font is from several e-sport and typography logos that I have seen on various websites, where I found ideas to make fonts that could be applied without having to use another application to change it. Blarks is ideal for logos, event titles, quotes, product packaging, clothing, or anything that requires a turbo typographic boost. It is perfect for titles and logos. Type any a-z using this font, and you will get a unique font arrangement and strong character.

Fly your inner geek flag with this cool new "Eleet" typewriter font. It's kinda like a wonky internet translator that converts normal text into leet-speak, so you can exchange encoded love notes with cyber-hackers and goofy-gamers. The actual glyphs in this font are interchangeable with the more logical Ollivette typewriter font, but here the characters have all been moved around to create stylized interpretation of similar glyphs. So "ELEET" could also be typed "31337". Except you don't have to think about it. Get it? Got it? Good! 3NJ0¥ TH15 ƒØÑ+ & U53 !† 0FT3N.

The Techno sound of the 1990s, a personal computer, a font creation software and some inspiration had been the sources to the F2F (Face2Face) font series. Alessio Leonardi and his friends had the demand to create new unusual faces that should be used in the leading german techno magazine "Frontpage". Even typeset in 6 point to nearly unreadability it was a pleasure for the kids to read and decrypt the messages. About Al Retto: "Al" means "Alessio Leonardi" and Retto "straight", but if you read it as an italian world means "in the a**".

Wavelength is a unique sans serif family of five weights and italics. For all of it's unusual detailing and arc-shaped strokes, this typeface is a solid workhorse, and is highly legible at all sizes. It's an excellent starting point for a unique logotype or offbeat headline, and is able to cross genres and styles because of its essential letterform simplicity. Wavelength is contemporary, but with a nod to 1930s art deco, streamline, and even 1990s tech futurism. It's great all-arounder that works well with shadows, outlines, extrusions added within vector editing programs.

Biscayne is inspired by the old and classic Art Deco art and architecture found in some building ads from the 1930's in the Art Deco District of Miami. The name of the font family is one of the most emblematic and representative places in Miami City. Biscayne can be used mainly in titles, display and short texts. This typeface family supports East Europe languages. It also includes standard and discretionary ligatures, alternative style of uppercase, fractions, numerators and denominators, end and/or terminal forms and other OpenType features.

Swingers is a curly, fun, cartoonish display font. I wanted it to look light, but loud, so it can yodel from Posters and Headlines. It has over 300 glyphs, several variations on the standard alphabet and all those extra pesky foreign features. OpenType coded, It has various letter pairings that interlock automatically to create a more randomized, bespoke feel to your copy. It also has tons of extra characters and other combinations available directly through your glyphs palette. Play around with it, break it, like it, buy it.

Carafia is a bold sans serif font. It has its own uniqueness in its small, bound letters, Supported by several alternative and ligature fonts that make it cute, unique, suitable for all types of projects such as branding, logo design, cover design, web design, packaging, social media, and many more what are you waiting for! What's included? Uppercase Characters Lowercase Characters Support 75+ Language So what are you waiting for? immediately purchase this font, feel free to comment, or send me my PM or email at khoirtypework@gmail.com Thank you for seeing

I proudly present Savant, a friendly headline typeface with an attitude. It’s got a slab serif touch and is packed with lots of nice typo-gems. The italic is a perfect companion for the regular. But beside that, it's powerful enough to stand its own ground. Savant is a good mixture of the playful and the classic. You can use it for fashion, food, magazines, packaging, corporate design- and other projects with an attitude. So show me what you’ve got! Savant Regular only is completely free in 2012, so download your free copy today!

Frakto is a two-weight family of calligraphic Fraktur-style typefaces designed by Julius de Goede. One of the main categories of Blackletter typefaces, Fraktur was developed around 1517, and was used throughout Germany and Northern Europe well into the 20th century. With Frakto, Julius de Goede has re-applied the written element of the script back into the Fraktur style, rejuvenating and reinvigorating it for 21st century display use. Frakto is the perfect fit for certificates and newsletter headlines. We recommended using it in point sizes from 12-pt on up.

The English roundhand has always occupied the central position in the group of faces appropriate to the social printing handled by engravers, and their contemporary imitators, thermographers. At the end of the nineteenth century when engraving was mechanised by the pantographic engraving machine, the traditional roundhands found their way onto pantographic pattern plates. Embassy is a traditional roundhand of vigorous contrast with straightforward capitals with ball terminals; it was transferred from such an engravers’ pattern plate to the Fotosetter at Intertype about 1955. Alphatype’s Yorktown is similar, but appears to have less contrast.

Bike Decals JNL captures the fun and nostalgia of the 1950s and 1960s when kids all around the country ran to their local five and dime or hobby store to purchase water applied decals. The "cool" thing would be to customize your bike, little red wagon or anything that would be fair game with various racing symbols, weird space creatures or other unusual images. In this font, Jeff Levine has put his own spin on some of the classic designs of yesteryear, drawing from scratch some of the most popular of their day.

Compagnon is a friend, a partner. This handmade display font will come in super handy when you are working on that book cover, or the packaging of a product. It will shine on posters and websites and it will keep you warm at night. I guess that last bit is an exaggeration… Compagnon comes in three distinct styles: a ‘regular’ version, which is a bit rough around the edges, a ‘dirty’ version, with a juicy eroded look and a polka dot version. All three have their accompanying italics.

MTT Milano is a font inspired by the Milanese typographic heritage and the Futurist movement that developed it. Drawn from scratch, it features ascendants and descendants slightly taller than what can usually be found in similar typefaces, in order to improve its elegance. Whilst maintaining a good readability in body-text, this family meets its peak when displayed in medium-big sizes. There are five weights — from regular to black — each with their matching italic, ligatures and extended language support resulting in a full, flexible, ten fonts family.

The French publication “La Lettre Dans le Decor et La Publicite Modernes” (“The Letter in the Modern Décor and Advertising”) was a 24-page booklet showcasing the then-current trends of the time (circa late 1930s-early 1940s). On one page was found a squared, extra bold sans serif alphabet set with strong Art Nouveau influences, yet it was ahead of its time by taking on the look and feel of 1980s techno typography. They say “everything old is new again”, and Nouveau Techno JNL is now available digitally in both regular and oblique versions.

The Quandary Font is created for a horror theme in use with an illustrated book ‘The Predicament’ by Edgar Allan Poe. It is designed as a highly expressive face to accentuate a sense of mystery and the macabre. A comparatively more carefree and free-spirited face, it comes as a uni-case single weight family used exclusively as the main face for the book. The characters are developed from the numeric glyphs found on the astronomical clock-face at Prague Old Town Square, Czech Republic. http://www.behance.net/gallery/Quandary/383204

MOCKEJOE FONT was born in the modern era which was inspired by the letters found in various print and digital media. Comes with a modern and futuristic style that will rock your great design! It is suitable for you to use in logotype designs, posters, typography, t-shirts, tickets, and other modern designs. The alternative characters in this font were divided into several OpenType features such as Stylistic Alternates, Stylistic Sets, and Ligature. The OpenType features can be accessed by using the OpenType program such as Adobe Illustrator, Adobe Photoshop, and Adobe InDesign.

Shicken Zoop JNL is based on an old lettering stencil from the early 1950s. The A-Z and a-z keystrokes contain the bulk of the Hebrew alphabet. Additional letters are found on the exclamation point, quote and apostrophe keystrokes. Vowels are positioned on the period, comma, hyphen, colon and semicolon. Please note that this is not a normal Hebrew font; it is in effect a latin font with Hebrew letters appearing in place of latin letters. It will not allow you to copy and paste with other samples of Hebrew text.

Block-style typefaces make excellent sports-themed fonts, and Stadium JNL is no exception-- but this lettering style is also filled with nostalgia for decades past. Modeled from one of the many classic designs found in the Speedball® Lettering Textbook, this style of alphabet was quite popular in signage of the 1920s and 1930s. Stadium JNL fills the bill either way-- a font that is just as much at home on a gridiron or baseball diamond, or as lettering for a garage, warehouse or attention-getting ad copy.

Introducing Linefeed, the retro-inspired monospaced typeface that transports you back to the 1960s and 1970s era of computer band printers. Drawing inspiration from the revolutionary technology of the time, Linefeed captures the essence of the clunky yet iconic machines that were responsible for producing some of the most important documents of the time. Imagine a row of hammers, one for each column, smacking the paper against the ribbon and raised characters embossed on a constantly revolving steel band. This is the heart of the Linefeed font, paying homage to the technology that paved the way for the digital age. Most band printers of the time were restricted to uppercase, digits, and a little punctuation to ensure maximum efficiency, but Linefeed brings this beloved typeface to life with added lowercase letters, extra punctuation, and accents. Linefeed was once one of the most widely used computer fonts during the 1960s and 1970s. It could be found on a plethora of documents, including driver’s licenses, magazine subscription labels, report cards, invoices, and auto dealership window stickers, among other things. In a world where sleek and modern designs dominate, Linefeed offers a refreshing throwback to the golden age of computing. Its technical design, inspired by the machines of yesteryear, is a testament to the ingenuity and creativity of early computer designers. With its monospaced layout and vintage charm, Linefeed is sure to bring a touch of nostalgia to any design project. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

New York to London via Europe The hardworking FS Koopman is a crossbred workhorse which draws inspiration from Swiss and Germanic grotesks, American gothics and early British grotesques, but refuses to fit neatly into any of these categories. Its neither one nor the other, but all of the above. Fontsmith designers Andy Lethbridge and Stuart de Rozario decided to take the characteristics they admired from each category and distill them down into one functional family. Neo meets Neue FS Koopman aims to swim against the tide of Helvetica-ish derivatives by bringing some personality and soul to a genre that all too often ends up feeling bland and sterile. FS Koopman subtly embraces the quirkiness and charm often seen in early twentieth century designs but pairs this with the functionality of later pioneers of the genre. It’s a grotesque isn’t it? The term grotesque surfaced around the early 1800s and refers to the early sans serif designs that many initially believed were strange or ‘grotesque’ due to their lack of elegant serifs. Later variations became known as neo-grotesques and this moniker stuck around even after they gained mass popularity. Some American variants became known as gothics. FS Koopman takes cues from all three categories and blends them into one cohesive design.

Firm and resolute, the sharp, triangular wedge serifs of the new Aviano Wedge stamps your copy with the confidence of late 19th century luxury, wealth, and power. Indicative of banknotes and financial strength, the large, elegant Aviano Wedge is composed in the Latin style. Aviano Wedge takes its original footing from period signage found on a building in Asheville, NC. While shaped largely by engraved faces, the elegant Aviano Wedge maintains the extra-wide comfort and ease found with the rest of the Aviano series. Aviano Wedge comes in six different weights and is packed with OpenType features. As a complement to these characters, Aviano Wedge includes 40 discretionary ligatures for artistic typographic compositions. To see these features in action, please see the informative .pdf brochure. OpenType capable applications such as Quark or the Adobe Creative suite can take full advantage of the automatically replacing ligatures and alternates. Aviano Wedge also includes support for all Western European languages. This new face has also been designed to pair well with the rest of the Aviano series, including our best-selling Aviano, Aviano Serif, Aviano Sans, Aviano Didone, Aviano Flare, Aviano Contrast, and Aviano Slab. Use it alone, or combine Aviano Wedge with any of these other fonts to build the strong presence you’re looking for.

Rhein is named after the German river that runs through the western border valley. Rhein is a sans-serif typeface family for titles, editorials and graphic design pieces with high impact needs. Rhein was not only conceived as a font design with rounded corners, but its intersection points have been also smoothed. In addition, the wide range of 8 weights that vary from Thin to Black allow relatively long continuous reading (Regular, Medium, Semibold), and short reading designs (Black, Bold, Thin). On the other hand, the "Inline" variant is extremely provocative to fit into any branding project. To add dynamism and to expand the typeface range of use, it was designed as a family of alternatives. Together, the 18 styles of "Rhein" provide a range of options that adjust to the needs and current design and advertising trends.

Schlange is a rich typeface with rounded terminals. The family includes five sans serifs and five slab serifs in weights from ultra light to bold. Schlange’s personality is determined by an open aperture and quite large lower case characters in comparison with the upper case set. Schlange’s personality is open and friendly, giving a text it’s used for a soft, warm appeal. Schlange will work well as a display type (think titles, short magazine call-outs, ad banners, and such), but it’s not a good choice for extensive bodies of academic text. Available in numerous weights, the typeface provides rich opportunities for mixing and matching and is great for typographic compositions. These qualities make Schlange a dream type for a packaging designer. It will feel at home in design for cosmetics or sweets, postcards, children’s books and menus.

Getho is a Semi Sans family of geometric construction with 6 weights plus the italic versions all include small letters, the symbol of Bitcoin and other monetary symbols. It is an exclusive typography with neo-grotesque modulations and maximum readability in any size. The typeface has alternative letters and numbers, small caps and advanced OpenType functions. The complete Pack includes versions of the Variable Fonts type. The drawn of the vectors is meticulous to obtain smooth curves of elegant aspect to which also contributes the subtle rounding of the corners, the thicker versions have of traps of ink in the knots of the unions to be able to use them in small sizes. The Metric and the Kerning of all the versions I have reviewed individually to obtain a fluent reading in any type of text and size.

The typefaces Largo Mager (Light) and Largo Halbfett (Medium) were cast for the first time in 1937 by Ludwig & Mayer based on the designs by Hans Wagner. One weight Largo Licht (Outline) was added in 1956. All fonts were only configured with capitals. The digital version of Largo has pointed serifs and not the slightly rounded ones seen in the hot metal versions which gives the typeface a more elegant note. Largo is often used for fine printing jobs as business cards or formal invitations, or in the fashion and cosmetics fields. Hans Wagner was born in Munich in 1894 and died in 1977 in Altenburg where he had worked as a painter, graphic designer and book designer. In addition to the Largo typeface, he developed, among others, the Altenburger Gotisch (1928), the Welt-Antiqua (1931-1934) and the Wolfram (1930).

A touch of modernism for all kinds of projects Like the rest of the family (Rival Sans and Rival Serif), Rival slab has round shapes with bevelled endings on certain letters such as G, Q or Z. These are the characteristics that make Rival Slab a contemporary cast iron for all kinds of projects. It provides advanced typographical support with features such as case sensitive forms, small caps, ligatures, alternate characters, fractions, slashed zero, circled, pro kerning…It comes also with a complete range of figure set options It comes in 16 weights with corresponding italics and it’s suited for multiple purposes including editorial use, web font, apps, digital ads, ebook, and also for advertising, long text, packaging and branding. As a modern sans serif font family, Rival Sans has true italics to give more style in long texts.

Magenos Soft is the rounded version of Magenos typeface family. It is a modern geometric sans serif family characterized by its simplicity and extensive functionality. With its open apertures, geometric architecture and low contrast strokes, it expresses a sincere tone with a modernistic, neutral, yet friendly personality. It has been designed to work well for a wide range of applications and is a reliable workhorse. Equally suitable for print and screen usage, it works well for both text and display at a wide range of point sizes. The addition of true italics gives the whole family a dynamic edge and flexibility. Magenos Soft comes with many OpenType features including stylistic alternates, standard ligatures, oldstyle and lining (proportional and tabular) numerals, slashed zero and a variety of symbols, making it a perfect choice for contemporary and professional typography.

Designed for the covers of children’s literature and picture books, this is a freehand-style, rounded gothic typeface that conveys warmth and softness. It has also been sold as a font for use in game software. 児童書や絵本の表紙向けにデザインされた、あたたかさややわらかさを表現したい場面で使われるフリーハンド（手書き風）書体です。ゲームソフトなどに組み込まれるフォントとしての販売実績もあります。右肩上がりのリズミカルなフリーハンドタッチで、ヨコ組タテ組どちらでも読みやすく組むことができます。

Funny Hippo is a stylish display font in a freedom concept to show unique, friendly, fun expressions with smooth, round, curvy accents. The characteristics are the dynamic lines and angles and various letter proportions. In addition, Funny Hippo gives you an extra bonus called the clipart. Use this font for big text sizes for a legibility reason and enjoy the available features as well. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Silentgraph fits for various design projects, such as posters, banners, logos, magazine covers, quotes, headings, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great experience using our font. Feel free to contact us for further information when you have a problem using the font. Thank you. Happy designing.

Robson is a fluid, condensed, uppercase font made up of eight weights, as well as a variable, that will provide instant visual impact to your projects. The font is made up of 486 glyphs which features extensive language support & stylistic alternates to give your designs the versatility they require. The font has a retro edge to it by using rounded structures on the A, M, N, W and Y glyphs that are reminiscent of posters and promos from the 70s and 80s. The ultra tight thin weight is made to be used at super sizes to bring a focal point to your designs. Robson is meant to be seen big (well, he's a bit of a show-off) Robson is perfect for your digital, print or branding projects. Or, for a poster on your fridge that says "You rock".

These initials set I collected from “Tristan of the Round Table”, published approximately in 1513, by Antoine Verard. Antoine drop caps font family has Regular, Light and Colored styles. It's all you need to precisely imitate medieval style text. Use this font as a decorative element at the beginning of a paragraph or section, other part of the paragraph should be in regular black letter font. You’ll get Drop Caps & Numbers set. --- *You can use color fonts in PS CC 2017+, AI CC 2018+, ID CC 2019+, macOS 10.14 Mojave+ * *Please note that the Canva & Corel & Affinity doesn't support color fonts!* *Please download this test file with only A letter ( https://www.dropbox.com/s/lpzmdikw0ewxozx/AntoineDropCaps-Test.otf?dl=0 ) to check your app & system.* --- Please feel free to request any help you need: kaer.pro@gmail.com Best, Roman.

Eirene Sans is a sans serif type family inspired by grotesque typefaces with some humanistic characteristics. Simple, modern, and functional are the principal features of this type family; the uppercase glyphs present a sophisticated personality. There are 5 weights available and matching italics. It is a bit more condensed than normal width and the difference between thin and thick stems and the unique terminals make the type family have this humanistic personality. It has rounded forms in some letterforms and special characters (i, j, ., :, etc.), humanistic terminals, and very thin ink traps. Eirene Sans is perfect for digital and non-digital designs; it can be used in magazine titles, logo designs, packaging designs, and web designs. Features: 5 weights and matching italics Opentype features Arrow set Stylistic alternates (ft) Stylistic changes in italics Fractions Subscripts Inferior and superior numbers Language support (Latin extended)

Looking for a tall, skinny, rounded serif font, with a fun hand-written feel? Look no farther than Garrulous! Garrulous is a mixed-case font, with the lowercase letters standing just as tall as the uppercase, so you can mix and match uppercase and lowercase in the same word for an extra fun look. It also comes with 32 double-letter ligature pairs, 17 uppercase and 15 lowercase, so you won't have the exact same letter twice in a row. As usual, the letters in Garrulous have been cleaned up extensively, to make everything sharper and easier for crafters and for any print projects. And I've included over 300 extended Latin characters for language support. Garrulous includes: - Standard characters A-Z, a-z, 0-9, and punctuation - 32 double-letter ligature pairs - Over 300 extended Latin characters for language support

Wait a second... Seconda. A sans serif with its own individuality. A typeface which combines character with legibility. A typeface which combines business with pleasure. Its moderate contrast and narrowing terminals give this typeface a gentle and sophisticated nature. Use it for books, reports, magazines, business letters — and relax. Use it for brochures, posters, signs, corporate identity projects — and enjoy. Seconda has sixteen styles, extensive language support, eight different kinds of figures, sophisticated OpenType features — so it’s ready for advanced typographic projects. For text and display use. When using Seconda in small text sizes, it will be a reliable and legible text face. When using it in big display sizes, it will show its refined details. Seconda has the companion typefaces Seconda Soft, Seconda XtraSoft, and Seconda Round. For more information about Seconda, download the PDF Specimen Manual.