MGT Fugiat is a Neo-grotesque font inspired by the 1900s.Apart from that, there is also monospaced.This super clean sans serif is perfect for bodytext, in magazines, websites, and books.Also suitable for book titles and posters. MGT Fugiat Neo-grotesque, there are 20 styles, hairline to heavy.Uprights and Italics.Meanwhile, MGT Fugiat Mono has 18 styles, hairline to black.Uprights and Italic too.Both fonts are also included in Variable Fonts.

Stemplate is a bold, no-nonsense font based on the common translucent green templates that are available now at an office supply near you! Stemplate includes upper and lower case letters, as well as numbers, symbols, punctuation, and accented foreign characters. Stemplate Outline is based on the common translucent green templates that are available now at an office supply near you, and includes upper and lower case letters, numbers, symbols, punctuation, and accented foreign characters. Stemplate Outline is particularly fetching with a neon glow.

A rock solid face that works well in many of today's applications. Sets extreamly well for both large and small sizes. And with very little morter between the joints sets nice and tight.

This font draws its inspiration from handwriting, in order to maintain a certain dynamism and irregularity. It's a serifless font, with small capital characters, always readable at any dimension, despite a tight tracking.

Barnhard Brothers and Spindler called this typeface Congo when it appeared in their circa-1910 type catalog. The design is characterized by strong Art Nouveau influences, tight spacing and a large x-height.

Excessive photocopying, with extreme enlargements and reductions to magnify the imperfections, helped to rough the edges and give Not Sassure a non-digital quality.

Non-alphabetic typeface consisting of 38 silhouette and outline images of women’s footwear and accessories. Designed by Yana Kutyina. Released by ParaType in 2008.

The idea was to create a legible font based on graffiti (wide tip marker) hand styles. Special attention to tight spacing, stylish caps & alternate drips bring an authentic street aesthetic into any layout or signage.

A casual, open brush script style designed with a shadow effect for a three-dimensional impression by British designer Martin Wait. This typeface looks best with tight letter and word spacing in large display settings.

Neoncity is a bold and fresh display font with a vintage feel. Inspired by the flashing 80’s, it will add a distinct look to any design project. This font is perfectly used in larger type sizes, above 48 pt. Neoncity is perfect for a design that wants to imitate neon—use it in Photoshop, InDesign, Illustrator or Corel with color & blend effects, and its geometry also lends itself for signage, packaging, posters, branding, event invites, quote, blog posts, social media, and more! Thanks and have a wonderful day, Dedi T

Sidecar is an elegant monoline font family of four weights of Script and Sans. Sidecar Script and Sans are designed to play together but they also work great on their own. Sidecar Script is packed with OpenType alternates: keep Contextual Alternates on for smooth flow and try Swash or Titling Alternates for more flashy letters. From Discretionary Ligatures you’ll find Ordinal Suffixes (st, nd, rd, th). Sidecar is a great display family for any project from logo to packaging or actual neon sign design and from print to online!

Proudly present Maxmillion - 80's brush type, created by ikiiko. A expressive handwriting type with a modern and wild shape used 80's vibes. This type is very suitable for making a posters, t-shirt design, neon sign, party flyer, quotes, or simply as a stylish text overlay to any background image. What's Included? Uppercase & Lowercase Numbers & Punctuation Complete Alternates & Swashes Multilingual Support Get also a good offer & FREEBIE at our site : www.ikiiko.com Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

Lamon is a soft-natured display typeface. It looks best when used for short words and succinct phrases. Lamon’s outlined glyphs are made of both uppercase and lowercase letters with the smaller letters hiding inside the bigger ones. The face's smooth lines give street signs, packaging and decorative materials a friendly lightness, while the unexpected contrast involves the viewer in an interesting optical game. Lamon is a perfect typeface for neon signs. In addition to Cyrillic and Latin letters, Lamon includes a set of useful characters and currency signs.

MVB Hotsy Totsy is Akemi Aoki’s first typeface design. Aoki created the letters in cut paper. Once digitized, the design was expanded to offer several weights and styles. Exaggerating the triangular serifs and tapering strokes of “Latin” typefaces, MVB Hotsy Totsy is the perfect party face, appearing frequently on board games, product packaging, and in children’s books. It is named for (what was at the time) a dive bar in Albany, California. The bar has since been renovated but its neon sign was preserved, a local landmark of San Francisco’s East Bay.

Hadrian Bold pushes the limits for an extra-condensed titling face. Though remaining in the tradition of the 20th-century 'grotesque' designs, its heavy verticality and tight spacing demand attention for headlines at virtually any size.

TAN - MEMORIES is set of serif with tight kerning. Classic and classy. Inspired by the 2000s typography in advertising. Perfect as a compliment for our more ornate typefaces or a standalone when you need subtler mood.

Plakato, a stencil love affair Plakato is a family of display fonts, consisting of various eye-catching styles, each of them very bold. Plakato is an identity toolkit, a heavyweight building block in case you need a strong personality, a small stencil font family to cut out your best ideas and grab all the attention. But just as with many other creations, its outcome is as divers as its multiple origins. Plakato comes in 16 eye-catching styles. The default stencil style comes in Regular & Italic. They both have 2 variations: one version, named Plakato Stencil, automatically creates borders around the text, putting any text into a graphic stencil in this way. Another version, the extruded three-dimensional version, guarantees even more attention for your message. Next to this there is also the Inline version, which is an optical play with a lot of lines. Plakato Inline has a supportive background layer, a separate font in case you want to add a background in a different colour. Then there is Plakato Paper, a manually teared version of Plakato offering a more physical look. This small family of eye-catching display fonts also contains a Neon font, an independent design in Plakato style, which can actually be used for making neon signs due to its construction. Plakato Neon comes with its own Dingbat font for that extra flush-flush. Plakato has also been redrawn on a C64, and with all its accompanying limitations been ported back and turned into a font: Plakato Game. Also this font comes with its own Dingbat font, full of emoji’s and icons for oldskool pleasure. Last but not least there is Plakato Build, constructed out of blocks. As if that wasn’t enough, there are various dynamic versions in the Plakato Play package, which offer a whole new range of possibilities for typographic expression, with new animation and interaction opportunities.

Rosie is a chunky but elegant pen script with useful OpenType features. In non OpenType-savvy applications it still works beautifully as a fully joined script.

Mix and match the upper and lowercase keys to access swash and non-swash letters in this unconventional serif font with a plethora of European characters.

Bodoni Classic Free Style is my really fat, high contrast free flowing, liberated designed, script-like non-script extension to my ever expanding Bodoni Classic family.

It is inspired by the friendliness and cordiality of neo-humanist typefaces with a mix of rounded shapes, some apexed characters, and a little bit of black. Although it follows the ductus, D Sari is also a daring font with less pointed shapes, as is the case with regular neo-humanist typefaces. D Sari has 22 variants, which make it a very dynamic typeface. Well-suited for highlighting lettering, magazines, motion graphics, advertising, logotypes, signs, etc.

How should an authentic baudelairean type look like? Aesthetically beautiful, that’s for sure. Intellectual, neurotic. Uptight — oh, the conventions of the time. Easily readable — still 20 years to go until the age of art nouveau with its outrage of typefaces. It may have a vibe of a Paris salon - salute to the Parnassiens. Such a modern-class (don’t mix it with the modern-styled) pharmaceutical Antiqua. Contrasts, thin serifs, the integrity of the operating theatre. But Baudelaire is not Heredia. «Une charogne» is not that much a vivid metaphor as a drawing from nature. The baudelairean typeface should have its cavern, flow, dark side. Not to demonstrate the fragile romantic profile of a cursed poet, as Baudelaire was seen 130 years ago, but to express the real pain. A true, unattractive, egoistic, suicidal passion.

Are you tired of stiff, uptight typefaces cramping your creative style? Introducing Rinse—the vintage t-shirt typeface that’s all about taking it easy. With its rough and ready look, Rinse is based on the classic Goudy Heavyface Italic, but with a far-out twist that’s perfect for all your laid-back messaging needs. The letter pair ligatures add some extra funk to break up the monotony of repeating letters, giving your text a natural and mellow feel. So why settle for boring, uptight fonts when you can let Rinse infuse your message with some classic retro style and fun-loving personality? Whether you’re designing a t-shirt, a poster, or just want to add a little vintage flair to your next project, Rinse is the typeface that will keep it cool. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Chopard is an elegant and modern sans-serif font family. It includes upright and Italic style, each of them has six weights from light to bold. This is a multi-purpose font that is perfect for any project, it is contrasted, modern and easy to read. With it, you can create logos, use in advertising, packaging, book covers and magazines, headings, descriptions and much more. Todes includes stylistic alternates for uppercase and lowercase, with them you can add dynamics to the font and make your project more individual and stylized. This font is easy to use has OpenType features.

Hempa Sans is a modern sans serif font family with a geometric touch. Consists of 16 Styles 8 upright and 8 inclined to match. Thin Weight - Black Designed with strong open-type features in mind. This font has alternate characters in Letters (G, M, R, g, k, r, t, u, y). Each weight includes extended language support for numbers, arrows, binders, and more. Great for graphic design and any display use. It can easily work for Web, Print, and more. This typeface comes with a standard 445 character set that supports more than 80 Latin-based languages.

Ragiel is an elegant and classy serif font, inspired by a didone-style font with high contrast and upright axes. With high contrast it will be very suitable for display needs such as posters, advertisements, logos, billboards, covers, labels, and various types of display designs. Ragiel is equipped with uppercase and lowercase characters that support multi-language, and comes in 3 styles and 3 weights in each style to add aesthetics to your artwork. We hope you enjoy this font, and don't hesitate to leave a comment or message if you have problems or questions. Thank you :)

In its characteristics Xtra Sans is a combination of modern grotesks/grotesques and traditional calligraphy. Its upright and compact letterforms generate a sturdy effect as in the early 20th century grotesks Nobel, Kabel or Erbar. On the contrary, dynamic inside forms (counters) give the characters a fluent appearance. As a result, Xtra Sans stands out in large size, while remaining highly legible in small and long text. In 2007 Xtra Sans received a Certificate of Excellence in Type Design from Type Directors Club, New York. In 2002, still unpublished, it was awarded a bronze prize at the Morisawa Awards, Tokyo.

Polites is a millennial generation serif font family, made with a very soft touch and it comes in 12 upright weights. Polites works great in any branding project, for logos, magazines, films. The different weights give you a full range of applications, while the outlined fonts give a real modern feel to any project. Multilingual support for various languages, including: French, German, Spanish, Portuguese, Italian, Dutch, Finnish, Swedish, and more. OpenType features can be accessed by using OpenType smart programs such as Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. They can also be accessed through the character map.

Based on lettering with a sharp pen, Gangfield features a rather solid character and a measured rhythm. This is named after my nephew who has an optimistic and disciplined style. Gangfield is available in upright variants, with regular, italic and bold weights. Gangfield's bright and cheerful energy shines through either in the form of short blocks of text, or enhanced on display sizes with over 1,100 wildcards and swashes that vary in size and complexity. Gangfield includes 134 alternates with various variations plus several variants of ligatures which make it ideal for special dates such as weddings and parties.

Rovela is an elegant, modern and contrast sans-serif font family, and a great fashionable solution for your project. It includes upright and oblique style, each of them has four weights from thin to bold. This is a modern stylish and bright logo font it includes many alternatives and ligatures with which you can play and choose the option that suits you. With it, you can create logos, banners, use in advertising, packaging, book covers and magazines, headings, descriptions and much. Font including: Full caps alphabetA-Z Numbers, fractions Punctuation and symbols 82 alternates 51 ligatures