Rayya is a modern calligraphy font carefully created with a touch of elegance. This is a beautiful combination of timeless elegance and authentic calligraphy. It features amazing swashes and ligatures that make the script incredibly versatile. Whether you’re looking for fonts for Instagram or calligraphy scripts for DIY projects, Saylina will turn any creative idea into a true piece of art! This font is PUA encoded which means you can access all of the cute glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

Frank Marciuliano designed the basic forms of Linotype Constitution around those of the swash alphabets of the 18th century. While the capitals are generously designed, the lower case letters have more reserved forms and are narrower. The characters of Constitution seem to have been set to paper with a feather and ink. The marked stroke contrast and elegant forms makes it a dynamic and sentimental font. The capitals can be used as initials mixed with other fonts, but Constitution is also good for texts which should give a feeling of nostalgia.

Garamond Nova Pro is one of the fonts of the SoftMaker font library. It is a modern interpretation of the classic Garamond style. SoftMaker’s Garamond Nova Pro typeface family contains OpenType layout tables for sophisticated typography. It also comes with a huge character set that covers not only Western European languages, but also includes Central European, Baltic, Croatian, Slovene, Romanian, and Turkish characters. Case-sensitive punctuation signs for all-caps titles are included as well as many fractions, an extensive set of ligatures, and separate sets of tabular and proportional digits.

The Latin family of typefaces, first popular in the last half of the nineteenth century, is characterized by its large, sharp, triangular serifs. With six widths (from Extra Condensed to Wide), Latin CT offers the most extensive collection of Latin fonts available, each with a large character set that includes support for all European languages including those that use the Cyrillic alphabet. From the sleek elegance of Latin CT Extra Condensed to the brash boldness of Latin CT Wide, you will find a width to fit your contemporary typographic needs.

Introducing Caligreto Display new generation Typeface with 5 Weights. Caligreto Typeface created with the vision of to attract the audience to your brand . The finest details of this typeface are methodically and mathematically created. Caligreto is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, servers, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project. The Typeface includes Five Weights. Light, Regular, Medium, SemiBold and Bold.

Modern digital typography pushes many designers to try and achieve visual perfection with their lettering. In the days of wooden type, the premise was more in creating a font that "sold" the message (possibly, in part due to the lack of advanced tooling to achieve uniformity). In many styles of wood type (such as the one used as a model for Broadletter JNL), there are vast differences within the character design, weight and symmetry from letter to letter. This is now looked upon as "old fashioned" and "charming" - part of the appeal of this typeface.

Galle is a very distinctive and specific typeface. It has 356 glyphs that are coherent in their own way. We have two versions to use: regular and italic. It is a display font with very characteristic letters, each of which has been developed separately, but in such a way as to match the rest of the typeface. The inspiration taken to design the cut is Sri Lankan typography - a lot of squiggles and sharp edges, hence the name of one of the prettiest and atmospheric cities in Sri Lanka - Galle.

Eleusis is a sans serif monospace display font. The typeface has a distinct style inspired by a combination of Naval, Industrial, Mid-Century Modern and ancient sacred geometry, designed to be bold and easy to read. The Eleusis name is derived from the legendary town (Ancient Greek: Ἐλευσίς), home of the Eleusinian Mysteries and birthplace of the great tragedian Aeschylus for its past and present. Contemporary Eleusis is one of the main industrial centers of Greece with refineries and shipbuilding. Eleusis is great for display work, quotes, invitations, posters, titles and headings.

Linotype Octane is part of the Take Type Library, selected from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. The font was designed by German artist Norbert Reiners, a tall, thin font with a narrow line width and marked stroke contrast. The regular and bold weights seem somewhat static while the italic cuts make a dynamic impression. Linotype Octane is available in four weights, each of which contains a number of ligatures. The cool and reserved Octane is best used for shorter texts and headlines in larger point sizes.

Ramesty is a handwriting bunch of fonts that are charming and elegant in each of their writings. very suitable for all designs that require a touch of handwriting, of course, using this font will make your design charming This font is designed with a natural touch of handwriting which is refined to create a portion and composition that suits your needs. So this font is suitable for craft, children's writing, adventure posters, food banner titles, wedding invitations, product packaging logos, quotes, social media page covers, furniture banner headlines, book covers, and much more.

Melodica was so named because the characters dance easily across the page as music wafts across a room. The font was designed to meet the need of designers that need clarity, sensuousness, a suggestion of the oddball, and a modicum of humor. With its boldly curvy caps, and large x-height lower case characters, Melodica suggests a boldness of purpose while enjoying a well modulated delicacy of line. Use Melodica for any purpose that wants a happy, vibrant, slightly quirky yet "not too far from the norm" solution. Language support includes all European character sets.

Georges Peignot designed Cochin based on copper engravings of the 18th century and Charles Malin cut the typeface in 1912 for the Paris foundry Deberny & Peignot. The font is named after the French engraver Charles Nicolas Cochin (1715–1790) although its style had little to do with that of the copper artist’s. The font displays a curious mix of style elements and could be placed as a part of the typographical Neorenaissance movement. Cochin is especially large and wide and was very popular at the beginning of the 20th century.

Unveiling Arabico, a captivating typeface that bridges cultures and aesthetics with its exquisite design. Arabico is a tribute to the elegance and fluidity of Arabic script. Its letterforms are carefully crafted to echo the aesthetic beauty and expressive nature of Arabic writing. Every stroke and curve of its letters pays homage to the graceful artistry of the flow of Arabic calligraphy. Arabico fits in headlines, logos, posters, flyers, branding materials, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview.

Astine Sophiya Script, a handwritten script font inspired by handwriting with an aesthetic touch. Aliya Script is flexible enough for web and print and can be used in a variety of projects such as stationery, packaging, apparel, wedding stationery, prints, quotes, social media graphics, planners, greeting cards, logos, branding and much more. The script includes a set of uppercase characters, numbers, symbols, two sets of lowercase letters, and ligatures. Complete Set of standard alphabet and punctuation marks Additional set of brushed lowercase endings Handwritten ligature. Thank you so much for checking out my shop!

Novarese font is the work of designer Aldo Novarese. He created 218 typeface cuts but as he was writing his book, Alfabeta, he decided to include only those he considered indispensable. He divided his fonts into 4 categories and in the designing of Novarese, took the best characteristics of each group and combined them into this font. In the style of Latin stone scripts of the second century BC. Novarese is a well-balanced and relatively wide text font with classic forms. ITC Novarese™ font field guide including best practices, font pairings and alternatives.

Bike Decals JNL captures the fun and nostalgia of the 1950s and 1960s when kids all around the country ran to their local five and dime or hobby store to purchase water applied decals. The "cool" thing would be to customize your bike, little red wagon or anything that would be fair game with various racing symbols, weird space creatures or other unusual images. In this font, Jeff Levine has put his own spin on some of the classic designs of yesteryear, drawing from scratch some of the most popular of their day.

PRIMITIVE is an attempt for an essential of urban culture, especially graffiti and the unique pixaçao. PRIMITIVE is also inspired by the ancient cultures, especially scandinavian tribes as an anagram to the present. This "vandalism" is viewed from several angles. PRIMITIVE is one of them. PRIMITIVE is one of the modern headline fonts which include a lot of alternates, a variation of one word for a comfortable use. Two weights, ligatures and stylistic sets are obvious. And this cheap price is a support to this independent culture from me.

Fine Gothic was developed over several years, and was partly inspired by the blackletter fonts of the great 20th century calligrapher and lettering designer, Rudolf Koch. Although blackletter has many historical and cultural associations with Germany, and has been used in the English-speaking world excessively on the mastheads of newspapers or the facades of antique shops, contemporary designers should not be deterred from adding these vigorous letterforms to their repertoire. Conventional blackletter tends towards the heavier weights, which makes the Light weight of Fine Gothic something of a delight and a rarity.

Jutlandia Pro is a redesign of Jutlandia Slab. About the Jutlandia font family: made for straightforward and functional typographic design. Its design is rooted in clarity and legibility which is the slab serif tradition. The unpretentious, yet sturdy and functional visual expression of the regular form, and the subtle bold and italic forms is an homage to Jutland – the Cimbrian Peninsula of Denmark and my birthplace. It's suitable for package design, logotype, poster design, editorial design and anything you can dream of! Great for tons of text copy as well. Enjoy!

Introducing Krick Display new generation Typeface with 4 Weights. Krick Typeface created with the vision of to attract the audience to your brand . The finest details of this typeface are methodically and mathematically created. Krick is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, servers, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project. The Typeface includes four Weights. Regular, Medium, SemiBold, and Bold.

Mominacute is an adorable handwritten font that radiates charm and sweetness. With its delicate letterforms and whimsical curves, Mominacute captures the essence of cuteness and playfulness. Each letter feels like a gentle brushstroke, exuding a sense of innocence and joy. The soft and friendly nature of this font makes it a perfect choice for designs aimed at capturing the hearts of young audiences, such as children's books, playful invitations, and cheerful branding. Mominacute adds a touch of endearing personality to any project, bringing smiles and warmth to those who encounter it.

Culinary is a typographic system inspired by the art of cooking. This family comes with 2 subfamilies: one Regular Family of 4 weights plus a Sans Line font and a set of Borders, and one 4-weight Script Family that also includes Sans Line and Borders. Culinary is well-suited for packaging, restaurant and cafe branding, bakeries, logos, magazines, menus, recipe books, invitations and much more. The OpenType features allow access to a wide set of characters, including ligatures, swashes, endings, initial and terminal forms, and lots of alternates.

Vernata, an enchanting and elegant serif font, captivates with its timeless sophistication and refined charm. Each letter is meticulously crafted, embodying a perfect balance of curves and straight lines that exude a sense of grace and luxury. The delicate serifs add a touch of classic flair, while the overall design maintains a modern sensibility. The spacing and proportions of Vernata are expertly calibrated, ensuring readability and an effortless flow of text. Whether used for invitations, branding, or editorial design, Vernata brings a magical allure to any project, seamlessly blending tradition with contemporary aesthetics.

Vicentina has been created starting from gothic cursive calligraphy, widely used in Italy during XIV century. The ductus of Vicentina has been derived from the documents redacted by Master Domenico Dominici from Vicenza, while most of the inspiration comes from books preserved in the archives of Orvieto Cathedral (Archivi dell'Opera del Duomo di Orvieto). As a result, Vicentina takes form with an elegant, but fast and simplified ductus respect to gothic graphs, rich in ligatures and with over 400 OpenType glyphs, in perfect harmony with the rules of readability of a modern typeface.

Karben 205 Mono is a monospaced variation of Karben 205. The clean and pure geometry of Karben 105 makes it highly suitable for adaptation to this monospaced variant. It has an even look and retains its legibility at very small sizes. Karben 205 Mono is available in a family of five weights and includes an extended character set to include accents for Central European languages. Karben 105 Mono is also available as a monospaced variant of Karben 105. There is also a stencil version of Karben 105 available.

Sinffonia is a beautiful ornamental font family. Its thin weight and roman style makes very elegant and ideal for any high quality project. The Open Type version, plenty of ligatures, alternative Characters and ornamental characters, is carefully programmed to replace automatically the glyphs accord to the feature and context so you can modify the aspect of the text easily without any incoherence in the design (i.e. overlaps and collisions). Non Open Type users can try the four plain versions of Sinffonia, which includes some of the beautiful ornamental characters of the OT version.

TT Slabs update 1.110 What’s new: Case Sensitive Forms Tabular Figures Fractions Numerators Denominators Superiors Scientific Inferiors TT Slabs useful links: Customization options | Instagram | Facebook | Website About TT Slabs: World needs a beautiful, simple and high-quality fonts. We need simple and geometric fonts. Slab is a form of serifs, which gave its name to the font family. If you are looking for a versatile font with wide proportions for your projects—TT Slabs will suit you perfectly. Optimized for the websites, mobile applications, and printing materials. We offer you to have a look at this font’s narrow version—TT Slabs Condensed. TT Slabs language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Arumanian, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Bosnian (lat), Breton, Bulgarian (cyr), Cebuano, Chamorro, Chiga, Colognian, Cornish, Corsican, Cree, Croatian, Czech, Danish, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Gagauz (lat), Galician, German, Gusii, Haitian Creole, Hawaiian, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Innu-aimun, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Judaeo-Spanish, Kalenjin, Karachay-Balkar (lat), Karaim (lat), Karakalpak (lat), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Kurdish (lat), Ladin, Latvian, Laz, Leonese, Lithuanian, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malay, Manx, Maori, Mauritian Creole, Minangkabau, Montenegrin (lat), Mordvin-moksha, Morisyen, Nahuatl, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Quechua, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Salar, Samburu, Samoan, Sango, Sangu, Scots, Sena, Serbian (cyr), Serbian (lat), Seychellois Creole, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Sorbian, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Swiss German, Tagalog, Tahitian, Taita, Tatar, Tetum, Tok Pisin, Tongan, Tsonga, Tswana, Turkish, Turkmen (lat), Ukrainian, Uyghur, Vepsian, Volapük, Võro, Vunjo, Xhosa, Zaza, Zulu.

TT Drugs useful links: Graphic presentation | Customization options Font family TT Drugs—fonts that are specifically designed for the pharmaceutical industry and for household chemicals. Then to make a text layout for package of any medicine, toothpaste or laundry detergent? The answer is—Drugs. Font family has a range from thin to black font and can be used on any surface: paper, cardboard, metal, glass and others. We offer you to have a look at this font’s narrow version—TT Drugs Condensed. FOLLOW US: Instagram | Facebook | Website TT Drugs OpenType features: Case Sensitive Forms, Tabular Figures, Fractions, Numerators, Denominators, Superiors, Scientific Inferiors. TT Drugs language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Arumanian, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Bosnian (lat), Breton, Bulgarian (cyr), Cebuano, Chamorro, Chiga, Colognian, Cornish, Corsican, Cree, Croatian, Czech, Danish, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Gagauz (lat), Galician, German, Gusii, Haitian Creole, Hawaiian, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Innu-aimun, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Judaeo-Spanish, Kalenjin, Karachay-Balkar (lat), Karaim (lat), Karakalpak (lat), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Kurdish (lat), Ladin, Latvian, Laz, Leonese, Lithuanian, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malay, Manx, Maori, Mauritian Creole, Minangkabau, Montenegrin (lat), Mordvin-moksha, Morisyen, Nahuatl, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Quechua, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Salar, Samburu, Samoan, Sango, Sangu, Scots, Sena, Serbian (cyr), Serbian (lat), Seychellois Creole, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Sorbian, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Swiss German, Tagalog, Tahitian, Taita, Tatar, Tetum, Tok Pisin, Tongan, Tsonga, Tswana, Turkish, Turkmen (lat), Ukrainian, Uyghur, Vepsian, Volapük, Võro, Vunjo, Xhosa, Zaza, Zulu.

When you go traveling you always fall in love with something… At this time, it is the inscription of Holland America Line which is sparkling on ‘New York Hotel’, Rotterdam-Holland. Based on the letters I had at my disposal from the Holland America Line inscription at ‘Hotel New York,’ I started to complete the alphabet in the same style as the original text. Eventually, I digitized everything in order to acquire a usable and modern font to be able to use it for all graphic purposes. The font is ideal for head text, posters, logos, editorial, branding, signage, web applications, modern design, etc... Don't hesitate to use this unique historical font! It will give your work that glamour that you will find in this extraordinary font. Enjoy the New York Line. The Holland America Line was founded in 1873 as the Dutch-America Steamship, a shipping, and passenger line. Because it was headquartered in Rotterdam and provided service to the Americas, it became known as Holland America Line (HAL). From 1901 the iconic building on the Kop van Zuid shines. It previously housed the Holland America Line; now it houses the hotel-restaurant, Hotel New York. A building with a great history. Hotel New York has a beautiful history. Built in 1901, many ships sailing away and opened in 1993 as a hotel and restaurant. The New York Line Font comes with uppercase, lowercase, numerals, punctuations so you can use it to customize all your designs. Perfect for Logos, Letterhead, Poster, Apparel Design, Package design, Label design etc. The New York Line Font is designed by Coert De Decker in 2018 and published by Kustomtype Font Foundry. Enjoy your journey with the New york Line!

Welcome to the ultimate font choice for all you gnarly dudes and dudettes out there! Gleaming the Cube is the totally tubular display typeface straight from the late 80s and early 90s. With its rad style, you can rock those capital letters at both the beginning and end of a word for maximum impact. But wait, there’s more! This babe-a-licious typeface comes packed with special OpenType combination ligatures that will blow your mind and take your design to the next level. And let’s not forget the wildly awesome symbols included that will make your message pop and stand out from the crowd. With Gleaming the Cube, you can bring that retro 90s skateboard vibe to your graphic designs and make them shine like never before. So don’t be a poser, grab this font and let your creativity soar! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Introducing Rowan - Elegant typeface. 116 font styles included and 1 script Rowan is elegant and retro typeface loaded with 116 font styles (narrowest, narrower, narrow, regular, wide, wider, rough, outline and script with 6 weights) 87 languages support, alternate and ligature glyphs to make you typography truly unique! Language Support : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Chiga, Colognian, Cornish, Czech, Danish, Dutch, Embu, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusi,i Hungarian, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian, Bokmål, Norwegian, Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish, Gaelic, Sena, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss, German, Taita, Teso, Turkish, Upper, Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu FEATURES Uppercase, lowercase, numeral, punctuation & Symbol ligature glyphs alternates Narrowest - regular, italic and styled with 6 weights Narrower - regular, italic and styled with 6 weights Narrow - regular, italic and styled with 6 weights Regular - regular, italic and styled with 6 weights Wide - regular, italic and styled with 6 weights Wider - regular, italic and styled with 6 weights 1 script 2 rough styles 6 outline fonts Multilingual support - 87 languages No special software is required to type out the standard characters of the Typeface. How to access alternate glyphs? To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out. Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Meet Gnuolane Jump, the lighthearted typeface that bounces with personality. Inspired by early twentieth-century grotesque designs, Gnuolane Jump is a typeface with a playful 1960s twist. Its superelliptical appearance gives it a unique charm that sets it apart from other headline fonts. Gnuolane Jump features old-style numerals, adding to its vintage appeal. But what really makes this font stand out is its OpenType ligatures. With tailored combos that automatically substitute common character sequences, Gnuolane Jump creates a bouncing effect that brings your text to life. If you’re looking for a more subdued style, be sure to check out Gnuolane and Gnuolane Stencil. But if you want to inject some fun and personality into your headlines, give Gnuolane Jump a try. Its lively spirit and unique character will add an extra touch of charm to your design. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Introducing the spookiest typeface on the block—Darkheart! With its condensed horror style, this font will send shivers down your spine. The interlocking letterforms are reminiscent of the monstrous creatures that roamed the silver screen in the 1960s. Darkheart’s eerie letters will give your message a mournful and terrifying voice, perfect for any horror-themed project. Use this font to create movie posters, book covers, or even Halloween party invitations. And, for your convenience, Darkheart is designed with ligatures that automatically create interlinked combinations. No need to fiddle around with separate letters, let the font work its magic and create the perfect spine-tingling message. Don’t miss out on this creepy typeface—get Darkheart today and let the monsters lurch to life! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

NEW UPDATE Ver 2.0 Now is support font Variable with 2 axes (Weigh + Italic) + Adding selected Emoji Fracktif typeface is a modern Grotesk, Reveals a strong constructivist identity with classic type character proportions. Inspired by the historical German classic Grotesk designed by Genzsch & Heyse in 1874. Fracktif develops with simplicity in mind and refers to radical shapes by combining with calligraphic contrast logic there are many distinctive letters with clear modernist roots and a strongly contemporary finish, They were solid designs, suitable for advertisements, titles, and posters. Fracktif typeface family consists of 7 weight plus matching italics, Designed with powerful OpenType features such as alternate characters, Standard ligatures, discretionary ligature, case-sensitive forms, fractions, super- and subscript Language Support: anguages Support: Afrikaans, Albanian, Arapaho, Alsatian, Aragonese, Aromanian, Arrernte, Asturian, Asu, Aymara, Basque, Belarusian (lacinka), Bislama, Bemba-lang., Bena, Bokmål, Bosnian, Breton, Catalan, Cebuano, Chamorro, Cheyenne, Cimbrian, Corsican, Chichewa (nyanja), Croatian, Czech, Danish, Demo, Dutch, English, Esperanto, Estonian, Faroese, Finnish, French, French (creole), Frisian, Fijian, Friulian, Galician, German, Genoese, Gilbertese, Greenlandic, Gusii-lang., Hungarian, Haitian (creole), Hawaiian, Hiligaynon, Hmong, Hopi, Icelandic, Italian, Ibanag, Iloko (ilokano), Indonesian, Interglossa (glosa), Interlingua, Irish (gaelic), Istro-romanian, Jerriais, Kashubian, Kurdish (kurmanji), Latinbasic, Latvian, Lithuanian, Ladin, Lojban, Lombard, Low (saxon), Luxembourgeois, Malagasy, Makonde, Maltese, Malay (latinized), Manx, Māori, Megleno (romanian), Mohawk, Morisyen, Norwegian, Nahuatl, Norfolk (pitcairnese), Northern (sotho), North-Ndebele-lang., Occitan, Oromo, Pare, Polish, Portuguese, Pangasinan, Papiamento, Piedmontese, Potawatomi, Quechua, Romanian, Rhaeto-romance, Romansh, Rombo, Rotokas, Rukiga, Rundi, Rwa, Rwandan, Sami (lule), Samoan, Serbian, Slovak, Slovenian, Spanish, Sardinian, Scots (gaelic), Sena, Seychelles (creole), Shona, Sicilian, Somali, Soga, Southern (ndebele), Southern (sotho), Swahili, Swati (swazi), Turkish, Tagalog (filipino), Taita, Tahitian, Tausug, Teso, Tetum, Tok (pisin), Tongan, Tswana, Turkmen (latinized), Tuvaluan, Ubasic, Uyghur (latinized), Volapuk, Veps, Votic (latinized), Vunjo, Walliser German, Walloon, Warlpiri, Xhosa, Yapese, Zulu.

"PGF Caprina Pro" is an audacious and rough geometric sans-serif font inspired by the wild and untamed personality of mountain goats (the word "caprina"‘ in Spanish is related to or resembling ‘goats’)—amazing animals which can skilfully climb up slopes and withstand very cold temperatures. Was originally developed under the Latinotype team supervision and is now upgraded to this Pro version that comes in 20 font styles, with 739 glyphs each, supports now more than 200 Latin-based languages and includes a wider OpenType features range like: Stylistic Alternates ‘set 01’ for b, d, g, p, q, i, j, t, y, &, I, G, M Stylistic Alternates ‘set 02’ for d, g, j 4 Stylistic Alternate from ‘set 01’ to ‘set 04’ for Enclosed Numbers (circles and squares) Stylistic Alternate ‘set 05’ for curved 3 and ‘Zero with dot inside’ Contextual alternates automatically turns ‘zero’ into a ‘slashed zero’ in alphanumeric contexts Contextual alternates automatically turns “Il” into a serif for improve its legibility Case Sensitive when "All Caps" is activated for ß, ¡, ¿, () [] {}, ‹› «», •(bullet), *(asterisk), -(hyphen) Standard Ligatures for fi, fj, fl Discretionary Ligatures for tt, tr, www, LL, TT Lining Numbers Old Style Numbers Tabular Lining Tabular Old Style Numbers Slashed zero on every number figures Numerators and Denominators from 0 to 9 for any Fraction expression Superiors and Inferiors from 0 to 9 for any scientific notation Ordinal forms for ‘a’ and ‘o’ Localized language customization for German, Dutch, Polish, Catalan, Romanian, Moldavian, Turkish, etc. Every OpenType option is also accessible via Character Map allowing users and designers to choose an alternate design for a particular character. “PGF Caprina Pro” is well-suited for high-impact action publishing and advertising as well related with adrenalynic and extreme sport design stuff.

Hey, cats and kittens! Dig this groovy font we got for ya—Burpology! It’s the perfect typeface for all your cartoon headline needs. With its heavy weight, small counters, and tight spacing, you’ll be making a visual footprint that’ll knock ’em out! And that’s not all, daddy-o! Burpology comes equipped with automatic shuffling of three letter and numeric variations in OpenType-savvy apps, giving your words that cool, hand-drawn vibe. It’s like having your very own in-house cartoonist! So, if you want to add some serious pow and pizzazz to your headlines, just hit up your application’s contextual alternates or standard ligatures option and watch the magic happen. Don’t be a square, man—get Burpology and let your words do the talkin’! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Maori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Far out, fellow psychonauts, have you checked out the trippy typeface called Otoboke? Let me tell you, this font is not from this world—it’s straight from the cosmos! With its mind-bending letter pair thingamajigs, even repeating letters are otherworldly. Take a closer look at Otoboke, and you’ll notice the fur texture—it’s like the letters are alive and ready to party! But where did this font’s tripped-out, letterforms come from, you ask? Well, they were inspired by none other than Louis Minott’s 1965 classic, Davida, channeling the vibes, and taking it to a whole new level. So, if you’re ready to take your graphic design to a whole new dimension, look no further than Otoboke. This typeface is not for the faint of heart—it’s for the true freakazoids. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Varidox, a variable typeface design, allows users to connect with specific design combinations with slightly varied differences in style. These variations in design enable the user to reach a wider scope of audiences. As the name suggests, Varidox is a paradox of sorts--that is, a combination of two disparate forms with two major driving influences. In the case of type design, the conflict lies in the age-old conundrum of artistic expression versus marketplace demand. Should the focus center primarily on functionality for the customer or err on the side of advancing creativity? If both are required, where does the proper balance lie? Viewed as an art, type design selections are often guided by the pulse of the industry, usually emphasizing unique and contemporary shapes. Critics are often leading indicators of where the marketplace will move. Currently, many design mavens have an eye favoring reverse stress. However, these forms have largely failed to penetrate the marketplace, another major driving factor influencing the font world. Clients now (as well as presumably for the foreseeable future) demand the more conservative forms of monoline sans serifs. Typeface designers are left with a predicament. Variable typefaces hand a great deal of creative control to the consumers of type. The demands of type design critics, personal influences of the typeface designer and the demands of the marketplace can all now be inserted into a single font and adjusted to best suit the end user. Varidox tries to blend the extremes of critical feature demands and the bleeding edge of fashionable type with perceptive usability on a scalable spectrum. The consumer of the typeface can choose a number between one and one-thousand. Using a more conservative style would mean staying between zero and five hundred, while gradually moving higher toward one thousand at the high end of the spectrum would produce increasingly contemporary results. Essentially, variable fonts offer the ability to satisfy the needs of the many versus the needs of the few along an axis with a thousand articulations, stabilizing this delicate balance with a single number that represents a specific form between the two masters, a form specifically targeted towards the end user. Practically, a user in some cases may wish to use more conservative slab form of Varidox for a more conservative clientele. Alternatively, the same user may then choose an intermediate instance much closer to the other extreme in order to make a more emphatic statement with a non-traditional form. Parametric type offers a new options for both designers and the end users of type. In the future, type will be able to morph to target the reader, based on factors including demographics, mood or cultural influences. In the future, the ability to adjust parameters will be common. With Varidox, the level of experimentality can be gauged and then entered into the typeface. In the future, machine learning, for example, could determine the mood of an individual, their level of experimentality or their interest and then adjust the typeface to meet these calculated parameters. This ability to customize and tailor the experience exists for both for the designer and the reader. With the advent of new marketing technologies, typefaces could adjust themselves on web pages to target consumers and their desires. A large conglomerate brand could shift and adapt to appeal to a specific target customer. A typeface facing a consumer would be more friendly and approachable, whereas a typeface facing a business to business (B2B) customer would be more businesslike in its appearance. Through both experience, however, the type would still be recognizable as belonging to the conglomerate brand. The font industry has only begun to realize such potential of variable fonts beyond simple visual appearance. As variable font continues to target the user, the technology will continue to reveal new capabilities, which allow identities and layouts to adjust to the ultimate user of type: the reader.

Euroscript Pro is the handwriting of Ralph M. Unger, a very talented and hard-working German type designer. Unger has redesigned a large number of beautiful ancient typefaces during the last few years. Peter Rosenfeld of profonts persuaded him to try and produce his own very beautiful handwriting. Kind of hesitant at the beginning of the design process, Unger's joy and excitement about the project was continuously growing during the design process. He designed not only the standard character complement West, but added all of the Eastern European Latin glyphs and, on top of that, even the complete Cyrillic characters. Born and grown up in Th�ringen, former East Germany, Unger has a fair knowledge of Polish and also Russian (Cyrillic). Euroscript Pro is a very beautiful, casual, informal and modern handwriting of a contemporary type designer. Even though a digitized handwriting, it keeps a very natural and pleasant look, at the same time being generous and well-readable. The individual characters combine quite easily and perfectly with no need for extra variants.Euroscript Pro is well-suited for plenty of applications, e.g. personal correspondence, invitations, greeting cards, headlines etc.Euroscript Pro is supplied in the complete Latin character set (West + East) plus Cyrillic.

She did not live to experience her breakthrough as a poet, but today she is considered one of the pioneers of literary modernity – the American lyricist Emily Dickinson (1830–1886). She left behind a life’s work of manuscripts on scraps of paper, note pads and letters – and a last wish, that these were to be burned. Emily’s younger sister Lavinia did not fulfill her wish – and thus preserved the ingenious manuscript-objects for posterity. For Julia Sysmäläinen, designer of the award winning Kafka type family FF Mister K, Dickinson’s manuscripts were an inspiration and a source for creating her new typeface “Emily In White”. Emily In White – named after Emily Dickinson’s preference for white clothes – captures the most filigree letterforms of the poet’s multifaceted writing style. With hundreds of alternates and ligatures and a complex OpenType feature code it manages to revive the lively sequence of single and connected glyphs of a delicate handwriting which has been described as “breezing” and “reminding of bird tracks”. Emily in White is available in three weights designated I, II and III. For each weight, there is an associated Swashes font. See the PDF in the Gallery section for details. Language support Western and Central European, over 1800 glyphs.