Hilmar Sans is a neo-grotrsque typeface family in 7 weights, support most European Languages and features. The typeface is versatile to blend in your design- with 7 weight, ranging from thin, extra light, light, regular, medium, semi bold, bold variable type. Perfect anywhere you need a right finas touches for branding, publishing, titles, book, magazine , and use on UI/UX design.The typeface is versatile to blend in your design- with 7 weight, ranging from thin, extra light, light, regular, medium, semi bold, bold variable type. Perfect anywhere you need a right finas touches for branding, publishing, titles, book, magazine , and use on UI/UX design.

RRollie is a typeface family inspired on the proportions of the Roman capital in the Augusto's age, some of them can be seen in inscriptions of Pompeii; in this particular case, it has taken an inscription from a tomb of the year 15 AD. The subtlety of the serif is hardly insinuates, helping to strut the terminals of the stems. Ascenders and descenders are very short. The thickness variation is presented quite delicate, highlighting the light-dark passage and even the agile counterblocks of the typeface. These fonts can be used in many kind of graphic works by its strong personality, visual impact and readability. This font family include OpenType features: Standard and discretionary ligatures, small caps, case sensitive from, old style figures, tabular, diacritics for western languages and many others. Roberto Rollie (1935-2003) was an outstanding professional of Graphic Design, Photography and Visual Artist. He was involved in the creation of the career of Visual Communication Design at the Faculty of Fine Arts (National University of La Plata, Argentina), in the late '60s; he was a pioneer and great teacher too, who loved the Roman Capitals for its subtle and balanced design, especially for high readability and clever design. Those who, like me, knew him as a person and teacher, we are deeply grateful for having received their warmth and enthusiasm for graphic design.

Oliver Quin, a beautiful and stylish low italic script handwriting font. Oliver Quin offers a harmonious pen movement for a diversity of design projects, including logos and branding, wedding designs, social media posts, advertisements, poster, watermark photography, and more.

Fork Brush inspired by realistic dry brush. all-caps font was hand-drawn with a real acrylic ink, Fork Brush offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Gerard Unger’s new typeface Alverata is a twenty-first-century type-face inspired by the shapes of Romanesque capitals in inscriptions of the eleventh and twelfth centuries, without being a close imitation of them. It is additionally based on the early twentieth-century model, but tweaked so as to prevent blandness and monotony. Alverata performs beautifully in both screen and on paper, delivering excellent legibility. Its letters are open and friendly in small sizes and lively and attractive in large sizes. They are robust, and show refinement in their detail. Unger’s Alverata is an extensive type family, with versions for both formal and informal applications, and with Greek and Cyrillic relatives. Alverata consists of three different fonts: Alverata, Alverata Irregular and Alverata Informal, that vary in form and width, but maintain the same spirit. The Irregular version is particularly inspired by the Insular letterforms, the uncials, and their constantly changing positioning. Alverata strikes a balance among Europe’s diversity of languages, combining contemporary typographical practices with features of medieval letterforms, from the time when Europe came into being. Visually, some written languages, such as Czech and Maltese, differ quite strongly from languages like English and German, notably because of their many accented characters. While other typefaces will show this difference, Alverata removes it. As a result, Alverata enables harmonious convergence of languages.  For the development of the Greek letterforms, Unger collaborated with Gerry Leonidas (University of Reading) and Irene Vlachou (Athens), and with Tom Grace on the Cyrillic letterforms.

Add some twinkling lights to a bold Art Deco font such as Art Lesson JNL, and the result is a typeface which truly puts your name (or message) up in lights. Opening Night JNL conjures up images of Broadway plays and Hollywood premiers.

Bumerang Display Serif , Inspired by art nouveau Design Era. Bumerang Display serif offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs. Features: Ligatures Stylic alternates Multilingual Support Enjoy & Happy Creating!

Briliantine Script is beautiful, fashionable and super-chilled new handwriting font script with some sexy stylish extras. Briliantine Script offers beautiful typographic harmony for a diversity of design projects, including logos & branding, wedding designs, social media posts, advertisements & product designs.

Churchward Samoa is the seventh OpenType font family released by BluHead Studio, LLC from the exciting and unique type design library of Joseph Churchward. This five-weight family exhibits playful diversity in expressing your messages in both text and display.

inspired in the idea of traveling in the light velocity

ROMANICA is a relaxed humanist sans with subtly curved corners and slightly flared glyphic terminals that are expressively angled where appropriate. Romanica has the authority of the ages without the harshness of many classically inspired typefaces. All eight fonts include a full complement of Latin Extended-A characters, Welsh diacritics, Irish dotted consonants, and additional oldstyle numerals. ROMANICA is available in three packages - • Basic Family (Regular, Italic, Bold & Bold Italic) • Light (Light & Light Italic) • Medium (Medium & Medium Italic)

Arbotek has the original skeleton that the author used for the development of his typeface Arboria, a real 'architect typography', with a basic and radical approach to pure geometric forms. The three basic styles - Thin, Light and Light Rounded - try to approach the cartographic technique annotations and their output on plotters. The voluptuous style, Ultra, keeps the same structure of the Light versions, but develops as a historic Art Decó variant of this 20s and 30s graphic style.

The Brush Strike Family is an exercise in dynamic, gestural brush type design by Francesco Canovaro. The typeface contains no lowercase set, but it doubles the uppercase with a strikethrough alternate set to be used for dynamic logo design and unusual word highlighting. Two weights are available with consistent design: the light weight (Brushstrike Light aka Lightstrike) can work together with the heavier regular weight but can also be used in white on dark background for light effects.

Trellacote is modern sans serif font with 4 styles: Light, Light Italic, Regular and Italic. Trellacote comes with many variant alternates of glyphs, ligatures and special PUA characters. It's perfect for posters, business cards, logos, social media, magazine covers and any project with suitable purpose.

Shizzle is a font with a graffiti marker style. The lettterform of ‘Shizzle’ essentially made by the combination of downward and upward stroke base on -15 degres angle guideline. The basic of downward stroke is pulling pen from the top left to thw bottom right with full width of marker, then the basic shape of upward stroke look like the ligh flick by using the tip of the pen from bottom right to the top left. Inspired by Hip Hop and Rap style style. ‘Shizzle’ is a slang way of saying "Sure". People generally use it to communicate agreement to another person. This term is a product of Snoop Dogg's penchant for replacing the end of words with "izzle" to sound cooler. And ‘Fo Shizzle’ (for sure) this font offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts and advertisements, especially with graffiti look.

Framer Sans is sans-serif condensed type-family, created by June 23 Foundry. It is a geometric, lightly robust, simple and clean font, with a low contrast width. Framer Sans perfectly conforms to the ever-increasing demand for a diverse set of weights and additional support for non-Latin languages. The type system consists of 7 weights that for the clarity and users convenience is labelled with numbers from 100 to 700 (100 for “Thin”, 200 - “Ultra-Light”, and so on till 700 for “Bold”). It supports full Latin (European) character set, as well as Turkish, Vietnamese, Greek (basic) and Cyrillic languages. Framer Sans includes alternate characters, ligatures, symbols and 253 country codes that perfectly expand the design’s capabilities. Numerals contain six figure sets and Roman numbers. The variety of choices is expanded with additional stylistic sets for lowercases "a" and "g", as well as 3 stylistic sets for Latin uppercases with crossbars and letter “Q”.

Behold the allure of Midkaiser – where innovation converges with design mastery, creating an experience that transcends the ordinary. Prepare to be captivated by the future of typography! Midkaiser is not just a font; it’s a testament to visionary design. Elevate your creations with a futuristic allure that has already earned accolades across the design universe. Crafted with precision, Midkaiser boasts a seamless blend of boldness and sophistication. Empowers your brand to stand out, leaving an indelible imprint on your audience’s perception. Covers a wide variety of languages, included Vietnamese. See the details in the preview images. Ignite your creativity, transform your designs, and leave a lasting impression with Midkaiser – Your Gateway to Futuristic Tech Fonts!

When was the last time you listened to elevator music and found yourself humming along? And perhaps the tune you were listening to, got stuck in your ears for the rest of the day...the rest of the week? That's often what happens with elevator music: maybe you don't notice it - but it is there, and it could most likely be one of your all time favourites! :) My Elevator Music font does somewhat the same: it's nice and pretty harmless - but it works, perhaps even without you noticing! :) I've added 4 slightly different versions of each lowercase letter - and that goes for both Regular and Scratch versions. And they both have multilingual support, because elevator music is universal!

Old Kharkiv was inspired by the first half of the 20th century photo with a signage on the building of the Ivan Kotlyarevsky Kharkiv National University of Arts. During the development, the font has acquired unique features not from the original signage, for example, drops in uppercase were replaced with sharp serifs. This font contains the letters of all the main European languages, Cyrillic and basic special characters. Some uppercase letters (where allowed their form) have decorative elements (swashes) to use them as drop caps or initials. There are stylistic alternatives for some Ukrainian letters. Also, as a bonus, this font contains up to a dozen graphic elements that you can use in your layout.

jpAlva is a technical and functional sans-serif that consists of 40 typefaces, divided in 2 font families jpAlva and jpAlva Extended. A universal family of typefaces that fits pretty much any purpose. It illustrates a precise balance of modern geometrics, with a functional yet sparing style that effectively communicates without distraction. A straightforward, unadorned appearance with efficient construction. Simple, clean with a technical note and a wide range of styles it is perfectly suitable for a wide range of applications, from identity systems to editorial design, from signage systems to software applications. Designed with powerful OpenType features (e.g. figure sets, fractions, ligatures, case sensitive forms) and extended language support, it is easy and enjoyable to use.

Childish but heavyweight! A rounded bubbly heavy font that was designed for texts related to kids and children. With its melted and soft forms, it brings delight and makes your letters to be pleasant to be read. Apadana font support Persian, Arabic and also Basic Latin. A joyful choice for all the designers and creatives. Shahab Siavash, the designer has done more than 30 fonts and got featured on Behance, Microsoft, McGill University research website, Hackernoon, Fontself, FontsInUse,... Astaneh text and headline font which is one of his latest designs, already got professional typographers, lay-out and book designers' attention as well as some of the most recognizable publications in Arabic/Persian communities.

jpAlva is a technical and functional sans-serif that consists of 40 typefaces, divided in 2 font families jpAlva and jpAlva Extended. A universal family of typefaces that fits pretty much any purpose. It illustrates a precise balance of modern geometrics, with a functional yet sparing style that effectively communicates without distraction. A straightforward, unadorned appearance with efficient construction. Simple, clean with a technical note and a wide range of styles it is perfectly suitable for a wide range of applications, from identity systems to editorial design, from signage systems to software applications. Designed with powerful OpenType features (e.g. figure sets, fractions, ligatures, case sensitive forms) and extended language support, it is easy and enjoyable to use.

Clavo was picked for the EXHIBITION CALL FOR TYPE - NEW TYPEFACES and is presented in the Gutenberg Museum in Mainz, Germany. Clavo is a multipurpose font family. Its warmth comes from subtle details, classical proportions and traditional forms, while harmonious structure prevents distraction while reading. This makes Clavo a universal typeface. In all sizes, from caption to display. The family consists of ten weights. They were not created in a linear way. The steps between the weights were adjusted carefully to avoid a mechanical graduation, in favor of optical harmony. Clavo covers all latin languages. It contains a wide set of numerals, small capitals, fractions and other OpenType goodies. And of course every weight comes with matching italics.

I am very pleased to present you Debbie – a universal set of handmade fonts! Thanks to the very clear weight contrast and authentic matte style, Debbie is guaranteed to give your text an individual, individual feel – a fancy, freshly baked font is perfect for greetings, adding to illustrations, children’s books, delicious packaging, labels, printed quotes, logos and much more!! Font features: – A-Z; character set a-z; – 1 language (English); – numbers and punctuation marks, symbols. Fonts can be opened and used in any software that can read standard fonts, even in MS Word. Made with love and magic ♡ Thank you for checking this out and feel free to write me a message if you have any questions! ~ Anastasia

A calligraphic roman sans-serif, with large x-height, the Vershen font is available in four weights, plus a series with small capitals and old-style figures, also in four weights, and finally, a four-weight set of universal fraction generators. The fonts are thoroughly pair-kerned, including all accented characters and letter pairs not commonly found in English, but frequent in other western European languages. Each font package includes both TrueType and PostScript versions, and is avialable in either PC/Win or Macintosh format. Numerals and currency symbols in the standard font set are monospaced for orderly columns; but a narrower numeral '1' is also provided, along with an alternate lowercase 'g' and ampersand.

Please welcome a new Combinado Font Family that has it all: elegant display sans serif and serif fonts in three weights each; a modern calligraphy script that looks beautiful next to them; a sans serif font designed specifically for the best on-screen reading experience, which comes in two weights (for now! more to come); and the last but not least - Design Elements font that has more than 70 elements to compliment your designs. This font family is very universal and you can use it everywhere: websites, instagram ads, magazines, books, cards and invitation designs, as well as in all possible personal design project that do not fit in any of the listed categories! Enjoy!

Piolin So new. So different. Piolin is a memorable display font inspired by the circus universe. This typeface, which has the same name of the most renowned brazilian clown, is full of magical tricks like several characters alternates, swashes and discretionary ligatures. Please, explore the opentype features included in this typeface at their best and go deep inside the circus imaginary.  Piolin is suitable for brand identities, book design, editorial design, campaigns, exhibitions and other promotional materials that seek a special flavour to stand out an astonishing message. If used in big sizes, Piolin reveals its marvellous details which make us feel bewitched by how carefully it is designed. Feel the magic up close!

Eina was designed as a corporate typeface for the design school “EINA, University Centre of Design and Art.” It’s not just a font to be used — Eina embodies an educational concept that transcends simple typographical use. Eina is a typeface to be explained and used to teach typography. The whole process of design and development is reflected in the publication “Four nuances of a typographical standard: A typeface for EINA.” Eina is a versatile and multipurpose sans-serif typeface, consisting of 32 original styles, organized into four categories: rational, humanist, geometric & industrial. Each category contains four weights with their corresponding italics. You can purchase the full family, each individual weights, or four packages with each categories.

Rikkia is synonymous with glamour and innovation and has an immediate high-end look that is both timeless and universally appealing. The font family is distinguished by modern ovals and subtle architectural angles. Stylish and versatile, Rikkia comes in wide and standard widths – from hair to bold. The font also has an alt character set for key glyphs like "a" and "R." You'll find a professional set of ligatures, multilingual options, fractions, and a the estimated symbol. Cosmetics, AI, engineering, healthcare, sports, editorial – and all points in between, Rikkia has you covered for a variety of layout needs. Clean, distinctive, memorable, and easily readable — an ideal choice for both print and screens.

This font was inspired by one of a standard French manual styles in use from the beginning of 1900s to the end of World War II, when people were writing most often with pen holders and metal nibs. This typeface is easily legible as it was used for the lithographic printing of university textbooks. All lower cases from a to z and numerals from 0 to 9 are doubled by a slightly different one to allow a varying manual aspect in texts. We have added a lot of diacritic characters, covering West (including Celtic) and North European, Icelandic, Baltic, Eastern European and Turkish language. A few special glyphs allows to make final loops or underlining.

'Prosto' in the name of the font is translated into Russian as “Simply”. Prosto Sans Condensed is the condensed version of the Prosto Sans font family. We created the simplest font possible, and it will fit perfectly into any design. Each line of this typeface is emotionally neutral and aims to not emphasize the text in its graphic representation, but only to use the text to convey the meaning. Having Prosto Sans and Prosto Sans Condensed in your collection is like having a universal tool that helps you every day when you need to 'mend' or 'repair' something. Due to condensed proportions, any text array fits a smaller text field than usual.

First place in a spelling-bee competition, a Harvard University diploma or the Nobel Peace Prize? You can't go wrong with this classic Swedish calligraphy font, created by veteran designer Bo Berndal. He named Gertrud after his better half, but was also inspired by old handwritten documents: "Gertrud is a calligraphic letter design from the 16th century. I used it when I engrossed diplomas with a flat-nibbed pen in the 1980's. When I got my Mac I generated the typeface in Fontographer." Gertrud (the typeface) comes in three weights, with roman and italic. It is an OpenType creation, for both PC and Mac. Swedish type foundry T4 premieres new fonts every month. Gertrud is our sixth introduction.

Kontora is elegant, universal and laconic geometric sans. Kontora has minimal amount of decor, mostly modern proportions and letterforms, but at the same time shows a touch of retro constructivist aesthetics. This version of Kontora sans comes in 9 weights, it has 590 glyphs, therefore it supports Latin Extended A (Western and Central European) and Cyrillic (Russian, Ukrainian, Bulgarian) languages. It has basic ligatures and two sets of stylistic alternates. Kontora is perfect for clean and minimalistic design, as well as it can be a breath of fresh air to a fully loaded complex layout. Use it for bold typography, headlines, posters, branding, packaging, it looks great in all caps and vivifies design as a text font.

ITC New Baskerville is one of many contemporary type families based on the work of John Baskerville (1706-1775), a writing master and printer from Birmingham, England, whose types were cut by the punchcutter John Handy. Baskerville produced a masterpiece folio Bible for Cambridge University, and today, his types are considered to be fine representations of eighteenth-century rationalism and neoclassicism. ITC New Baskerville is a late 20th-century interpretation of Baskerville’s style, designed by John Quaranda. It makes an excellent and very readable text face; its sharp, high-contrast forms make it suitable for elegant advertising settings as well. ITC New Baskerville® font field guide including best practices, font pairings and alternatives.

The Varstate font family is a versatile collection of fonts inspired by the varsity team name lettering often seen on apparel such as Letterman jackets, t-shirts and hoodies. The fonts can be used in combination to provide a variety of design options and different looks in genres such as sports, leisure and industry. The family contains fonts in 4 weights; Normal, Semi Light, Light and Extra Light. Each font includes Latin basic characters which includes uppercase, lowercase, numbers, punctuation and much more.

Exter is a geometric Sans-Serif font inspired by the work of Russian artist Alexandra Exter that combines geometric and angled forms. Exter has been designed for advertising, posters, web, branding, packaging or any place where you need a clean and forceful voice. This personal character of its forms is due to the variety of weights it has (Black, Ultra Bold, Bold, Semi Bold, Regular, Light, Ultra Light, Extra Light and Thin). All are fully The character set is robust, covering extended Latin.