Charles Gibbons' Fleischman BT Pro revives J.M. Fleischman's quirky and elegant text faces of the 1730s. Born in Germany, Fleischman worked in Holland, primarily at Enschedé en Zonen where he cut dozens of faces. His types represent some of the earliest examples of the Transitional style, predating and influencing the work of Fournier, Baskerville, and Bodoni. They were wildly popular in their day, used for everything from newspapers to currency, and Fleischman himself has enjoyed a renaissance of late. Fleischman BT Pro preserves the feel of the printed metal types while expanding the original to include four OpenType fonts: roman, italic, bold, and bold italic. They all include small caps, old style and lining figures, discretionary and historical ligatures, ornaments, and superiors. Fleischman Pro also supports Western, Central European, and Eastern European languages.

Ador is a humanist sans serif especially designed for contemporary typography and comes up with 8 weights from ultralight to black plus true italics and 343 ligatures. A large x-height not only creates space in the letters for extra-bold styles, but also lends Ador an open and generous character in the more narrow and semi-bold versions. The nice balance between sharp ink trapped and soft, dynamic shapes helps to work in small sizes. Diagonal stress, angled finials and the 4 degree true italic styles give Ador a dynamic look. The font contains 981 glyphs including small caps, tabular, old style, fractions … and a wide range of flexibility for Latin language support for every typographical needs. Ador is a contemporary sans serif typeface, special for logotypes, brands, magazines and editorial.

ZT Klotin is a serif display font characterized by a strong, Classic vibe, with straps, special alternate glyphs, and soft Curves. Perfect for branding, weddings, social media, product design, stationery, and advertising. ZT Klotin is flexible enough to add these classic elements to almost any project requiring a special class touch. ZT Klotin features over 178 unique ligature and alternatives, ZT Klotin is crafted to be Soft and interwoven to create a stunning display of its subtle hypnotic curves, making it the perfect choice for impactful editorial layouts and bold Bold creations. FEATURE — 644 Glyphs — Uppercase & lowercase letters, numbers — Old-style figure — 40 Discretionary Ligatures & Standard Ligatures, — 178 Alternatives (Uppercase & Lowercase) — Symbols, punctuation marks I hope you have fun using ZT Klotin Thanks for using this font ~ Khaiuns X zelowtype

Introducing Fortune Font set. This typeface has an old school look with classic western shapes. Fortune Variable Font has three predefined weights (Thin, Regular & Bold) and Variable font with flexible weight. All of the small letters has one or two alternates with bottom expanded shape*. Fortune Variable Font supports most of the European languages. *Make sure that "Contextual & Stylistic Alternates" features are supported & enabled in your software. Also please consider that this feature is available only for English alphabet.

Frederic Goudy designed National Old Style Roman in 1916. It is loosely based on a logo he lettered for the National Biscuit Company in 1901. Steve Matteson expanded on Goudy’s original by designing a bold, semibold and matching italics. While much of Goudy’s work is strongly influenced by Venetian types of the 15th and 16th centuries - this design has a truly American quality about it. The design is useful for text or headlines that captures a sense of Americana.

Inspired from Cambodia’s alphabet, Khmer. I tried to explore the visual of the original character in Latin characters. Inspired by 2 gothic fonts, Old London (for the modern/straight feel) and Berliner (for the dynamic between thin and bold line). The letters are made with pencil in a millimeter block book, then scanned into clean vector format. And the result can be use for Display or a Headline with traditional or ethnic theme, including film, game, event, etc.

Code Saver — Next-generation monospaced font — 1. Code Saver is a monospaced font family for coding and tabular layout. 2. Code Saver is a clean, natural and simple monospaced font family. 3. Code Saver consists of 6 style, Regular, Medium, Bold and their 11° Italic. 4. Code Saver has 93.33% condensed width for more usable space. 5. Code Saver has good distinguishability and legibility especially numerals. 6. Code Saver brings a fresh sensitivity to boring old existing monospaced fonts.

Presenting… a Western style alphabet from the 1960 edition of Samuel Welo’s “Studio Handbook for Artists and Advertisers”… Extra bold, featuring slab serifs and concave corners, this type style could easily have been found on building signage in the Old West… but in redrawing it digitally, it’s been named Modern West JNL because at one time, this would have been considered a modern style of lettering. Modern West JNL is available in both regular and oblique versions.

Vanitha is a bold script font, inspired by vintage logos and old-school sign painting. This font is made with hand drawings and still pays attention to the calligraphic form so that it looks modern and unique. Vanitha is a display font, which you can use as logos, logotypes, merchandise, sports themes, flags, banners, stickers, labels, posters, and others. This font is also equipped with stylistic alternates to beautify your typographic design. Thank you for your support!

Most folks might picture wood type lettering as the fancy styles of the 1880s which so perfectly evoked images of the Old West. Occasionally there is an exception to that rule, as an online image of some vintage wood letters with an Art Deco influence inspired a revival as a digital type face. Wood Lined JNL features a bold alphabet with an engraved line throughout the characters, and is available in both regular and oblique versions.

a bold and brute script font

Playful, whimsical unicase chunky bold lettering.

Bold, soft and clean script typeface.

A bold and brawny comic font.

TG Hagia is contemporary serif font inspired by Modern Culture. This font is highly recommended for use as display and body text. Tg Hagia is available in three widths namely regular, semi-bold and bold.

Remish is a bold serif with high contrast, making it a versatile and elegant typeface. With a touch of vintage vibes, it will add a sleek and bold look for headlines, invitations, advertising and more.

SK Akropol is a sans serif and condensed font. Designed by Salih Kizilkaya in 2020. There are six different options: Regular, Italic, Medium, Medium Italic, Bold and Bold Italic. Includes 6 fonts and 1122 glyphs.

Grambly is a bold sans serif and unique display typeface with a combination of elegant and bold style that will make it stand out. Suitable for logos, stickers, posters, packaging, branding, invitations, notes, print, etc.

Valgal is a wide, squarish font family with a prominent slab serif. It is monoline and comes in plain and bold weights. The bold weight has an outline style that can be layered above it.

Desire black typeface is designed by Evo Studio. A display typeface with bold and bold contrasts. You'll love using the many alternative options and binders, perfect for creating great designs like logos, heads or titles.

Comet Hotspur - Display Typeface Font is a bold and distinctive font that seamlessly blends modern and retro aesthetics. With its unique character shapes, bold strokes, and alternative letterforms, this font offers a captivating typographic solution. The font exudes a retro bold and vintage vibe while maintaining a fresh and contemporary edge. Whether you're creating logos, branding materials, titles, posters, film graphics, cards, quotes, or landing page titles.

Brohillo font is created from the frequent use of typeface for wedding needs. This font has an elegant and bold concept. It is perfect for designs with romantic themes such as wedding properties, Valentine cards, romantic quotes and others. This Dio font when combined is really good with a bold and bold serif combined with an elegant and spontaneous script to create an awesome design.

Introducing "ZT Monstion," a fusion of sans and grotesque styles, both in bold weight, radiating an essence of simplicity and modernism. Crafted meticulously, this typeface embodies the purity of sans-serif aesthetics while embracing the boldness of grotesque forms. Its carefully refined x-height and expertly smoothed angles create a mesmerizing balance, where minimalistic design meets commanding boldness. With each character empowered by the weighty black typography.

About this font family Squaripeg is a funky square typeface with geometric shapes to create impactful headlines and web banners. This typeface was designed so that it takes up less horizontal space but still has a lot of prominence on the page. Some letters have been combined into one unit to save further space. Features 8 weights (from thin to black) Multi language Ligatures To be able to access alternative fonts, make sure the software you use can support opentype features such as Microsoft Word, Paint, Adobe, Corel draw, Cricut and other applications. Designed and published by Andy Peat. Released April 2022

The new Declaration font set from P22 features two lettering fonts based on the Declaration of Independence of the United States of America. A script font that features the look of classic 18th Century penmanship, with a slightly irregular edge, as found on documents made with ink quill pens on vellum or parchment. The accompanying Blackletter font is also derived from the Declaration of Independence as it was used for emphasis and of course the famous document title itself. A third font, which features the signatures of the signers of the Declaration of Independence, is also included.

A neo-brutalist variable typeface conceived with flexible proportions and a singular heavy weight, including the oblique. Useful for any quirky display uses. Designed with extra-wide contrasting shapes, as a result of an extreme simplification of traditional typographic letterforms, “Moai” has a variable width that adapts to your needs, pushing for maximum readability. It's perfect for logos, headlines, posters, art projects, social media, visual identity, corporate image, film posters, music cover art, and books. Specifications: - Files included: Moai Variable including obliques - Multi-language support (Central, Eastern, Western European languages) - OpenType Features Thanks for viewing, Unio.

Sassoon Felt’s more casual letterforms can be used either as informal text or for the teaching of reading and handwriting; having the letterforms most taught in UK schools. These fonts are an educators alternative to Comic Sans (from Microsoft) and Chalkboard (from Apple), which are more appropriate for ‘Print’ style writing in United States Elementary schools and may also be appropriate for parts of Australia, which can be identified usually by crucifix t, diagonal y downstroke, short f, two-stroke and there may be more. Free to download resources: How to access Stylistic Sets of alternative letters in these fonts

Linked Now is so named because this Typeface has Multiple Discreationary Ligatures that unite two different letters to make a striking shape. Is a powerful grotesque typeface designed to be versatile in a wide range of contexts. Having more than 50 stylish Dsicreationary Ligatures on Uppercase letters and unique Alternate on certain letters makes it seem like they have various shapes, so they are great to use as display fonts. To complete it, Linked Now typeface is equipped with 8 weights from Extralight to black and each includes italic. More than 485 glyphs on each and support most European languages .

Peter Schmidt, well-known designer from Hamburg, browsed in a fashion magazine on a return flight from the United States. At that time he was thinking about a logo for a philharmonic orchestra. In the magazine, he noticed some interesting typography. He removed the page from the magazine and sent it later to Peter Langpeter. That was the inspiration for the creation of the logo. Since Peter Langpeter really liked the classic aesthetics of the resulting letters, he developed a whole new alphabet of it. Initially, only capital letters. Now he has completed this exceptionally beautiful font.

Felabra adalah font kontemporer dengan kurva terhubung yang menyenangkan, memberikan nuansa unik tetapi juga bisa modern dan memukau. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Chipperly is a brand new face inspired by the art of the Edwardian poster, especially travel posters. It’s good for clear ad legible headings which need a gentle and unobtrusive period touch, and is the latest is Greater Albion’s line of faces to explore the ‘small capitals’ idea. In its regular weight, Chipperly’s glyphs are semi-shaded within an outer outline giving a distinctive look, while the Heavy weight maintains the separate outline but is completely filled. The Light form is an outline alone. All forms unite period elegance with the modern need for clear readiility.

Print Shop Parts JNL has a nostalgic assortment of blank sign panels, a pointing hand, decorative embellishments and even an assortment of "Made in U.S.A.", "Made in America" and "Made in United States" emblems located on the 1-9 keys. All are from vintage type catalogs and sign painting instruction books from the early 1900s. When scaled up, the blank sign panels can be used for small signs or price tags as originally made in years past. During the early part of the 20th Century, it was common to create show cards in attention-getting shapes matched with beautiful hand lettering.

Copenhagen has been in need of a typeface that unites the city’s many visual expressions. The three designers Morten Rostgaard Olsen, Henrik Birkvig and Ole Søndergaard have designed and developed the typeface FP København. Now available from MyFonts in 44 styles: Serif & sans serif, uprights & italics, small caps, pictos-characters, stencils, sprayed style, OT-features, ligatures, contextual alternates etc. The shapes of the letters are inspired by the city’s culture and the visual environment and design in Denmark in the 20th century. It is relatively low and wide as the city itself and with rounded corners that give it a warm visual mood.