Argot is inspired by condensed grotesque letterforms and would be a monolinear sans except for an unorthodox disparity between inner and outer shapes. Elegantly curved outlines contrast starkly with austere rectangular counters, suggesting a no-frills functionality, 20th century modernism, or an unsettling discordance. The squared off inner spaces also add clarity and crispness. Argot is available in three widths — Wide, Normal and Narrow. Each width is supplied in three weights — Regular, Bold and Black — with corresponding italics (obliques).

Malto is a condensed sans serif font. With semi bold soft edge stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Malto font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Malto font. Cheers, Maulana Creative

Granko is a a retro vibes condensed sans serif font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Granko font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Granko font. Cheers, Maulana Creative

Vidocq is a single weight typeface designed for use in headlines and titles, inspired by the woodcut styles of the 19th century. Its rounded forms and dark stroke translate into a bold yet friendly appearance coupled with a narrow proportion that let’s it set well in condensed settings. Thanks to an extended character set and wide range of Opentype features that includes arrows and fleurons, Vidocq was created to allow designers to play with various styles while composing layouts.

Another techno-sans with interesting compensators, inspirit by Alexander Rodchenko works. Clean, strong, ultra here and there. Plus free symbol typeface for supporting in various situation.

Buffalo Bill is a revival of an old favorite font that’s been around since 1888, the James Conner’s Sons foundry book of that same year is the oldest source I've seen for this old classic. If you're looking for the font used as the logo for Buffalo Bill’s Irma Hotel in Cody Wyoming please refer to the FontMesa Rough Riders font. New to the Buffalo Bill font is the lowercase and many other characters that go into making a complete type font by today’s standards. The Type 1 version is limited to the basic Latin and western European character sets while the Truetype and OpenType versions also include central and eastern European charcters. William F. (Buffalo Bill) Cody called America’s Greatest Showman was one of the United State’s first big celebrity entertainers known around the world, millions of people learned about the Old West through Buffalo Bill’s Wild West shows which traveled throughout the United States and Europe. William Cody, at age eleven, started work on a cattle drive and wagon train crossing the Great Plains many times, he further went on to fur trapping and gold mining then joined the Pony Express in 1860. After the Civil War Cody went on to work for the Army as a scout and hunter where he gained his nickname Buffalo Bill. In 1872 William Cody started his entertainment career on stage in Chicago along with Texas Jack who also worked as a scout, the Scouts of the Prarie was a great success and the following year it expanded to include Wild Bill Hickok and was eventually named The Buffalo Bill Combination. By 1882 Texas Jack and Wild Bill Hickok had left the show and Buffalo Bill conceived the idea for the traveling Wild West Show using real cowboys, cowgirls, sharpshooters and Indians plus live buffalo and elk. The Wild West shows began in 1883 and visited many cities throughout the United States. In 1887 writer Mark Twain convinced Cody to take the show overseas to Europe showing England, Germany and France a wonderful and adventuruos chapter of American history. The shows continued in the United States and in 1908 William Cody combined his show with Pawnees Bill’s, in 1913 the show ran into financial trouble and was seized by the Denver sheriff until a $20,000 debt (borrowed from investor Harry Tammen) could be paid, Bill couldn't pay the debt and the loan could not be extended so the assets were auctioned off. William Cody continued to work off his debt with Harry Tammen by giving performances at the Sell’s-Floto Circus through 1915 then performed for another two years with other Wild West shows. William F. Cody passed away in 1917 while visiting his sister in Denver and is buried on Lookout Mountain joined by his wife four years later. Close friend Johnny Baker, the unofficial foster son of William Cody, began the Buffalo Bill Memorial Museum in 1921, over the years millions of people have visited William Cody’s grave and museum making it one of the top visitor attractions in the Denver area. William F. Cody romantisized the West creating the Wild West love affair that many still have for it today through books and cinema.

A mechanically drawn felt tip pen styled font with matching common cap styles suitable for greeting cards, posters, and announcements. Ravenna requires subjective display kerning and compensation.

Antique Decorations JNL collects more images of vintage letterpress embellishments [primarily from wood type sources]; redrawn in digital format and made available in one convenient font file.

The idea for Quirky was born while I was looking at a book of etchings by British artist Graham Clarke. His signature, crawling spider-like across the page, fascinated me with its casual, almost messy, inky dark and light drama. I started scribbling the alphabet as I imagined he would write it, based on his signature, then continued, adding curls, making the characters more angular, and refining the dramatic play between dark and light. Finally, Quirky appeared. Apparently casual, Quirky is, in fact, a true connected script. Quirky is characteristic of contemporary handwriting: It appears loose, angular, unstructured, and free, while maintaining good form and legibility. Its baseline is varied, creating an impression of impatient handwriting, without losing legibility. Quirky comes in five styles: condensed -- the most dramatic form, with great drama between thick and thin condensed black -- as with condensed but allows the user to provide exceptional emphasis wide -- increased readability wide black -- increased readability and emphasis splat -- messy and ink-blotted -- a hint of grunge Use Quirky for advertising, for humorous greeting cards, for a funky fashion look or tongue-in-cheek spooky media. Quirky is a fully professional font with extensive use of OpenType Ligatures. For example: most common double letter combinations such as "ee" are rendered as two, slightly different shaped "e"s. This variation in letter shapes removes the cues by which the reader identifies that he is viewing a FONT and thus conveys a strong sense of hand-lettered text. Language support includes all European character sets and has been designed to be used with the following languages: Afrikaans, Albanian, Basque, Bemba, Cornish, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, Ganda, German, Icelandic, Indonesian, Irish, Italian, Kinyarwanda, Luo, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Sango, Shona, Somali, Spanish, Swahili, Swedish, Swiss German and Zulu.

The aviation world contains loads of stylish logotypes, from handwritten scripts to geometric styles and so on. The Avionic Condensed family finds its origins of inspiration in the Air China company logotype, and from there has been expanded upon to create a large stylistic family of 40 fonts. Avionic celebrates the geometric sans serif styling of the original logotype, evolving beyond the condensed all capital set logo to include a lowercase designed in parity with the original design style, as well as many weights and widths to offer a fresh diversity. Each subfamily includes a full standard character set with expansive international support of latin based languages, and 5 weights jumping from book to black, along with 5 accompanying obliques. This family is ready to chart a course for your design destination, whatever it may be. Here's what's included with the Avionic Family bundle: 370 glyphs per style - including Capitals, Lowercase, Numerals, Punctuation and an extensive character set that covers multilingual support of latin based languages. 5 weights in each subfamily: Book, Regular, Bold, Heavy, & Black. • 4 widths in the collection: Condensed, Regular, Wide, and Extra Wide. Accompanying Obliques with each weight/width style. Fonts are provided in TTF & OTF formats. The TTF format is the standard go to for most users, although the OTF and TTF function exactly the same. Here's why the Avionic Collection is for you: You're in need of a dynamic geometric font with a variety of weights and widths for your designs You're an aviation junkie and have to have anything inspired by Air China You love the style of Bank Gothic, but really want something just a little different You are looking for a pseudo-techno style font family with versatility You just like to collect quality fonts to add to your design arsenal

The Quandary Font is created for a horror theme in use with an illustrated book ‘The Predicament’ by Edgar Allan Poe. It is designed as a highly expressive face to accentuate a sense of mystery and the macabre. A comparatively more carefree and free-spirited face, it comes as a uni-case single weight family used exclusively as the main face for the book. The characters are developed from the numeric glyphs found on the astronomical clock-face at Prague Old Town Square, Czech Republic. http://www.behance.net/gallery/Quandary/383204

Melgis Tp with beautiful curved lines, it becomes a complete beauty in one unit. Melgis Tp is a 9 weight font family ideal for beauty products, logos, magazines and posters. This font is ideal for beauty brand design with swash glyph suitable for your beautiful elegant design concept. Melgis Tp - Beauty lines & simple sans serif font style for Poster, Magazine, Beauty brand design. PLEASE NOTE Most of the fonts require advanced graphic software that supports Open Type Features like Adobe (Illustrator, InDesign, Photoshop), Affinity (Photo, Designer, Publisher), Corel Draw, or similar software. Image used: All photographs/pictures/logo/vector used in the preview are not included, they are intended for illustration purposes only. Thank you

The Handel Gothic? typeface has been a mainstay of graphic communication for over 40 years - all the while looking as current as tomorrow. Designed by Don Handel in the mid-1960s, and used in the 1973 United Airlines logo developed by Saul Bass, Handel Gothic was an instant success when released to the graphic design community. Its generous lowercase x-height, full-bodied counters and square proportions make the design highly readable at a wide range of sizes. Handel Gothic's slightly idiosyncratic character shapes gave the face a futuristic look 40 years ago that retains its power today. In addition, its Uncial-like lowercase is instantly identifiable - and unique among sans serif typestyles.

The Handel Gothic™ typeface has been a mainstay of graphic communication for over 40 years - all the while looking as current as tomorrow. Designed by Don Handel in the mid-1960s, and used in the 1973 United Airlines logo developed by Saul Bass, Handel Gothic was an instant success when released to the graphic design community. Its generous lowercase x-height, full-bodied counters and square proportions make the design highly readable at a wide range of sizes. Handel Gothic's slightly idiosyncratic character shapes gave the face a futuristic look 40 years ago that retains its power today. In addition, its Uncial-like lowercase is instantly identifiable - and unique among sans serif typestyles.

RAILHAM is a slab typeface with more than 330 glyphs including uppercase, lowercase, numbers, small caps, accents, punctuation, currencies, etc. Inspired by the tracks of a railroad, with stems that narrow at the top, Railham typeface, like a train looks to the future without forgetting the fundamentals of a long road, detaining in the detail of every element to form a strong, fast and versatile family. Retaking and uniting essential concepts of typography, rounded serifs with especially wide base, forms and counterblocks that complement together, RailHam typeface neatly adapts to any topic, besides being practical and readily legible in small and large formats, joining a select list of modern slab serif fonts.

Lucky Lady was inspired by the old, classic art and craft of brush script lettering usually applied in ads of the WWII era and 1940s. The name of the font family refers to one of the most emblematic combat units of the US air force in WWII that were decisive in the victory of the allied forces. Lucky Lady can be mainly used in titles and display texts. It supports East Europe languages. It's highly recommend to use the combined shadow styles under the main regular basic style layer. Lucky Lady includes standard and discretionary ligatures, alternative style for uppercase, fractions, numerators and denominators, end and/or terminal forms and other OpenType features.

NEW! Includes a set of 42 connecting word character glyphs along with 23 alternate lowercase glyphs. MARLIN is a condensed vintage style serif display font that works great for logos, packaging, branding, menus, advertising, and posters. The lowercase letter set has different letterforms allowing you to mix and match upper and lowercase for a variety of looks. In Illustrator, the custom connecting word set can easily be accessed in the "Type → Glyphs" panel and in Photoshop through "Type → Panels → Glyphs Panel".

The 1913 sheet music for "There's A Girl in the Heart of Maryland (with a Heart That Belongs to Me)" may have had no shortage of words in the title - fifteen to be exact, but it also offered some nice hand lettering in the Art Nouveau style. Maryland JNL is a condensed typeface with an unusual twist. The "S" and "G" both have spurs on them, which is reminiscent of the preceding Victorian period and the popular spurred Tuscan alphabets of the time.

A compact geometric sans serif typeface influenced by Bauhaus and the early modernist era. Precise shapes are optically adjusted to create a clear, natural typeface with excellent legibility across various applications. Corbert compact is part of the popular Corbert type system; other widths include Normal, Condensed and Wide. Details include over 590 characters; OpenType features consist of five variations of numerals, including inferiors, superiors, fractions, alternative lowercase a, e and g, and language support covering Western, South, and Central Europe.

Cover Sans is a humanist geometric typeface with an orthogonal structure, which provides stability when composing a text. Open shapes and low x-height give this font balance and makes it an air-breathing typeface. Cover Sans is a stable and strong condensed font that works well for magazines and publishing. The strong personality of its alternative characters gives the font a modern and elegant style, which makes it ideal for use on annual reports as well as on business logotypes.

Waika is a modern sans serif font that seamlessly blends a rounded aesthetic with condensed proportions, resulting in a contemporary and versatile typeface. Its smooth curves and absence of serifs contribute to a clean and friendly appearance, making it suitable for a wide range of applications. The deep inktrap adds a touch of sophistication and uniqueness to each character, ensuring legibility and visual appeal in various design contexts. Waika is a dynamic choice for projects seeking a balance between modernity and approachability.

Nun Waw is a modern humanist condensed sans display font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Nun Waw font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Nun Waw font. Cheers, Maulana Creative

Marselid Serif. Marselid Serif.is a Serif Display Font with a modern, classy, fun, unique and versatile style. It looks amazing at display size and is easy to read in text size. This font also has lots of unique alternatives and binders that will make for stunning design projects. Marselid Serif. works well for branding projects, logos, wedding designs, social media posts, advertisements, product packaging, product designs, labels, photography, watermarks, invitations, or any project you are working on. File Includes: Regular Slant Outline Condensed

An image spotted on the internet of a brass shipping stencil for the Royal Quality Brand (for the John H. Fitch Company of Youngstown, Ohio – a coffee and spice merchant). The lettering style for “Royal Quality” was a hand-cut, condensed, slightly flared sans serif with various character flourishes, giving the letters a stylish, somewhat regal look. Expanding on this idea, a full character set was developed and redrawn digitally as Royal Stencil JNL, which is available in both regular and oblique versions.

Gentlysoftly is a characteristic signature font of Maulana creative, with clean monoline storke, slanted, condensed and fun character. It has Opentype features of ligatures character, To give you an extra creative work. Gentlysoftly signature font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Gentlysoftly signature font. Cheers, MaulanaCreative

Mellodyst is a signature script font, with thin condensed stroke and fun characters. It has Opentype features of ligatures and some lowercase alternates, makes it a perfect choice for branding and digital designs. Use this font for logos, social media, websites, blogs, instagram, social media, business cards, branding, and more! Mellodyst font support multilingual more than 100+ language. and good pair for your secondary text font with sans or serif. Make a stunning work with Mellodyst signature script font. Cheers, MaulanaCreative

Yet another san serif typeface, Yassitf is a generic sans, a font meant to blend in rather than stand out. It has little contrast and is almost monoline. It includes three widths: condensed, narrow, and regular. The widths have four to six weights: ultra thin, thin, light, plain, bold, and extra bold. Further, each width and weight combination has both upright and italics styles. The thirty fonts in the family contain several open-type features, including both proportional and tabular (monospaced) numbers.

Developed from condensed san serif families of the 90’s to 00’s, Morl brings together the distinctive features of the time but presented in a simpler design. Its potential is increased with Original, Sans, and Rounded options which offer varied moods. Suitable for publications, web and product designs, Morl can fit either headlines or body. It’s also effectively supported in various devices. The family comes in 10 weights, making it available to use for your required tasks in 60 styles.

Dexa Pro is now available on variable version. The family was designed by Ceyhun Birinci in 2020 with an inspiration to create a contemporary super family with inspiration from classic sans serif families. It's a workhorse family consisting of condensed, narrow, normal and expanded widths. Each width has a wide weight range from thin to black, along with their true italic counterparts. With more than 770 glyphs per font, It offers a ton of language support from all the Latin languages to Cyrillic.