The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

Montana is an elegantly playful handwritten font family with separate fonts for icons and illustrations included. This font is based on tight, condensed Grotesk typefaces, combining geometry and legibility with the originality of handwritten strokes. The result is a fresh font family perfect for headlines, typographic posters, t-shirts, food packaging and other print works. Its optimized legibility, simple structure and low contrast was made to perform excellently with e-books and mobile apps in mind.

Delator font is a display typeface, inverted contrast, and condensed. Inspired by the personal experience of the designer who, with resilience and daily struggle, managed to get ahead. Its name is linked to the song of an Argentine rock artist called "Corazón delator", this means that it is a typeface that does not go unnoticed, it attracts attention for its shapes and its way of being and above all, when it is present, it automatically "gives itself away".

Palio is a family of fonts derived from the classic Didone, its capitals are slightly condensed and the lower case definitively abandon the reminiscent of the baroque endings strokes, which are still endure in many typefaces. It is an elegant font especially the slant version that actually is a truly italic. This version very readable and is enriched with a series of alternative variables and swashes that make it more expressive for certain projects that need some flowering.

The Demos® Next typeface family is a complete renewal and expansion to Dutch type designer Gerard Unger’s classic from 1975. This enhanced typeface design introduces subtle changes to character shapes, proportions and spacing to improve legibility and readability in print and on screen. The new expanded family now has 6 weights of regular and condensed designs, each with a complementary italic for a total of 24 typefaces, and provides a welcome set of OpenType® typographic features.

Back when shop window decoration was done with a brush, every window designer had his own style. In this vein the sans serif Altrincham was created. But even as a text font, it has stood the test of time, since it is very easy to read even in smaller point sizes, thanks to its relatively large x-height. With the Altrincham Condensed and Altrincham Wide Bold two other fonts have been created to perfectly complement the font family.

Decima+ is a subfamily addition to Decima, a new face by TipografiaRamis. Decima+ is an upright variation of Decima italics and is built in three weights. The unique difference of this typeface is that it presents a softer and more human look, while retaining the condensed geometric structure of its counterpart. Decima+ is a display face, with bold weight most suited for titling use. Decima+ is released as OpenType single master with a Western CP1252 character set.

Ando is a condensed sans serif typeface available in seven styles. Built on a simple geometric structure, this family packs a lot of elegance with its super smooth curves and unique details. Designed for headlines, Ando really shines when used big, specially in the lighter weights. Initially released in 2011, the family was extended and updated in 2020. OpenType features include standard and discretionary ligatures, stylistic alternates, tabular figures, localized forms, case-sensitive punctuation, and more.

The roots of Rockport BF run deep. 19th century woodtypes, display gothics of the 40s and 50s, are inspiration for this distinctive font style. Its OpenType programming features automatic fractions, stylistic sets and alternates for a, b, q, r, t, u, y, M, N, U, Y, and dollar symbol. Tempered by somewhat humanistic elements, these condensed, geometrically-structured letterforms bring a strong but friendly presence to posters, logos, bookjackets, signage headlines, and many other typographic environments.

A linear geometric sans serif influenced by neo-grotesques and the early Swiss type foundries. Smooth, even letter shapes are carefully drafted from a grid to produce a uniformed, low contrast typeface with a high degree of readability. Details include 540 characters with alternative uppercase R, alternative lowercase a, e and g, 5 variations of numerals, manually edited kerning and opentype features. For the extended version of this type family with condensed styles, visit Nuber Next .

Mouzambik is a simple, condensed sans-serif font with a bold and intricate personality. It comes in three styles: regular, Inktrap, and Smooth, each with italics. Crafted with intention, it maintains its allure in both large and small point sizes. This font is ideal for headlines, billboards, magazines, websites, titles, posters, branding, and logos. With an abundance of ligatures, alternates, and other features to choose from, you can ensure your project stands out from the rest.

Conica is a bold, condensed typeface that aims to grab your attention. By playing with heavy, dark shapes and small counters, this single weight typeface explores the contrast between defined shapes and gentle curves to produce a surprising headline font. It equally includes a range of Opentype features, with a set of small capitals, stylistic alternates and ligatures, users can choose which forms best suit their needs. Conica includes an extended Latin glyph set covering most Latin based languages.

Merick is a modern and slightly condensed cursive, carefully drawn to obtain a very readable font. This font is a versatile and elegant script, based on the author’s calligraphy, the lower cases are connecting with lots of dynamic and vivacious swashes, ligatures and alternates. Merick is perfect for logotypes, posters, cards, menus, product packaging and other printables, as well as web applications.The swashes, tails and alternate letters will add a finishing touch to every logo or headline.

Hello Everyone, introduce our new product Thealiens - Ligature Condensed Sans, inspired by the title of the sports poster and We make it very energetically, taking into account the thickness and density of each gliph, along with a ligature that makes this font look unique. Thealiens font with strong and challenging nuances. very suitable for the title, typography, clothes, Poster, magazines, brochures, packaging,Websites and much more for your design needs, making your designs more modern and professional.

Thurkle is bold new serif font, look tough and playable. Comes with sharp edges, inspired by sword making dynasty in British History. This display typeface is semi condensed and included some extra unique ligatures. Thurkle is perfect for any project such as magazine header, flyer header, logotype, invitation card name, and some any other design. Features: All Caps and Small Caps Character Numbers and Punctuation Special Characters Ligatures. Multilingual Support Thankyou For Picking The Font, Enjoy. Grontype

Quickat is a handwritten font, thick, condensed calligraphic style has several sets of terminal ornaments for decoration of phrases and titles. This font is drawn by hand with a pen following proportions based on the numbers of Perrin applied completely to the capital letter H and from this letter all the proportions of the rest of the alphabet are calculated according to mathematical formulas that I have been perfecting and putting into practice in my last fonts, is ideal for designing greeting cards or weddings, posters, flashy headlines or small texts.

introducing Dx Grove, a vintage-inspired font that seamlessly blends nostalgia with elegance, making it the perfect choice for your design projects. This timeless serif font comes in 4 Style regular and Condensed including the italic too. offering you versatility and style for your graphic design, branding, and packaging projects. Capture the essence of the past with Dx Grove free-spirited vintage charm, bringing a touch of yesteryear to your creations. Ideal for wedding invitations, branding, or projects that need nostalgic 90’s font aesthetics, this hand-drawn typeface is bold and versatile.

Sinyal is an oblique style condensed font, and in a very different style from the others. Its weight excels in posters, social media, headlines, magazine titles, clothing, large print formats - and anywhere else you want it to be seen. Inspired by design styles that are popular today, and this is the answer to all the needs of every idea that you will pour in this modern era. Sinyal offers you: Sinyal- A clean Bold italic font including Upper & Lowercase characters(ALL CAPS), Ligatures Character Supports Multi linguage (Latin Western Europe), Numbers and Punctuation

Slovakian type designer Peter Bil'ak created this sans FontFont in 2001. The family has 20 weights, ranging from Light to Black in Condensed and Medium (including italics) and is ideally suited for book text and editorial and publishing. FF Eureka Mono provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, super- and subscript characters, and stylistic alternates. It comes with tabular lining figures. This FontFont is a member of the FF Eureka super family, which also includes FF Eureka and FF Eureka Sans.

Introducing, The epitome of modernity in this extras condensed display font, Seattle Highland. With its clean and crisp appearance, it exudes a sense of modernity and sophistication . It comes with unique rough and stamp style, add a touch of ruggedness, making it a font that effortlessly bridges the gap between cool and contemporary. This font adds a unique touch to any design project. From logos to posters, Seattle Highland is the perfect choice for applications that require a fresh and contemporary look. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

Boldstrom is a heavy-handed, all caps, display font available in 5 versions. Emphasis was put into strong line weight, minimal contrast, and tight curves. This family is defined by very broad stems with comparatively thinner cross strokes. Spacing was condensed to ensure the characters fit snug against one another. This was done in part to minimize negative space while also creating tension. The result is a powerful looking sans serif designed to command attention and make a statement. Boldstrom will be best used in large format print, titling, books, movie posters, or company logos.

Introducing Tjempaka - Classy Type, created by ikiiko. Tjempaka is a modern condensed serif type with a elegant style. This font shape is simple form character with vintage touch. This typeface is perfect for an brand logo, magazine design, travel design layout, wedding invitation, flyer design, poster design, inspirational quotes, photography layout, or simply as a stylish text overlay to any background image. What's included? Uppercase & Lowercase Number & Punctuation Multilingual Support Works on PC & Mac Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

When 45 RPM records were the norm for a teenager’s music collection in the 1950s and 1960s, many discs had their labels printed by letterpress. Some record companies utilized a bold, condensed typeface set in all caps for the song’s title and other pertinent information. The digital version of this font is called Recording Artist JNL, and is available in both regular and oblique versions. A companion font loosely based on this type design [but with more original characters and a slightly lighter weight] is Promotional Copy JNL.

Introducing Space Odyssey - Modern Sans, created by ikiiko. Space Odyssey is a display type with a character of semi-condensed sans serif combined with stretched font characters. This letter has a choice of stretch shapes to play with that. This typeface is perfect for an logo, branding, layout magazine, fashion stuff, quotes, or simply as a stylish text overlay to any background image. What's included? Uppercase & Lowercase Number & Punctuation Alternates Multilingual Support Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

Try something different, we proudly present our new exploration named "Retroma Vibes" a mixed font inspired by retro collage art and clipping of old newspapers. Feel the old school taste with this block font mixed of sans serif, condensed serif, blackletter, handwriting, and old typewriter style, combined into a chaotic collage style. You can also mix and match the letter by using the alternates characters or switching with the lowercase which gives you a more attractive design. What you'll get : Uppercase Lowercase Numbers & punctuation Stylistic alternates Multilingual support Hope you enjoy this font!

If you are looking for an elegant typeface, with strong impact and delicate details, then Galadali is the perfect choice for you. With a complete range of resources, like small caps, old-style and lining figures, fractions, superior and inferior letters, figures, and weights from light to heavy, Galadali offers a wide variety of combinations for you to create with. Galadali's multiple alternates and swashes can add extra spice to your designs. A tall condensed typeface specially designed for beautiful titles.

ZT Bros Oskon 90s is a captivating typographic creation that seamlessly blends the aesthetic charm of the 1990s retro era with a modern touch. With unmatched serif elegance and a unique 90s style, this font offers 72 variations, including sharp Condensed forms, graceful Expanded, and captivating italic styles. Every character in ZT Bros Oskon 90s is meticulously crafted, creating a vintage ambiance that is truly enchanting. Featuring 6 font weights ranging from Extra Light to Bold, this font provides you with the flexibility to create a wide range of striking and memorable designs. Features of ZT Bros Oskon 90s: 72 Unique Variations Aesthetic Retro Vibes from the 1990s Elegant Serif Style Condensed, Expanded, and Italic Forms 6 Font Weights: Extra Light, Light, Regular, Medium, Semi-Bold, Bold Exceptional Creative Versatility ZT Bros Oskon 90s is the perfect choice for graphic design projects, branding, posters, and other promotional materials that require a captivating retro touch. Unleash limitless creativity with this font and infuse a nostalgic 1990s vibe into every one of your creations. ZT Bros Oskon 90s has 6 free styles, you can get them on my GUMROAD I hope you have fun using ZT Bros Oskon 90s. Thanks for using this font ~ Zelowtype

Burt is extended grotesk with condensed uppercase. Its combines modern bauhaus features with old grotesk details. And the X, what a banger! Well it actually is. That what gave the font name - buřt = sausage. Full Latin extended A support, many features, stylistic sets and alternates. All together 9 styles.

Lil Milton is full of energy and excitement, like the blues legend that inspired its name. Irregular counters (and irregular outlines!) creates a dissonant harmony of form and function. Stretch it, but don't condense it for a righteous look. Lil Milton is the perfect companion to Adobe Myriad Tilt.

The Stephenson Blake foundry in England, made two fonts, Flemish Expanded and Flemish Condensed. In our view, one was too wide, the other too narrow; so we redrew it and renamed it Brussels. Why not? Belgium is one of the few places where you may still hear Flemish spoken.

Nadsat is a unicase display typefaces with a condensed, art deco styling. Best suited for short texts or display settings, the lowercase and capital letters can be combined to offer more layout possibilities. The typeface also includes a series of ligatures and alternate characters for even more layout options.

Inline Retro JNL is Art Deco in style, featuring condensed characters and its namesake inline. While not a true revival of a vintage design, the same influences are utilized throughout the font to give it retro appeal. Inline Retro JNL is available in both regular and oblique versions.

It is an Extra Condensed, Extra Light, Extra experimental and Extra display font. Extra C is a fun font that doesn't take itself too seriously. Ideal for those who need a font with great character and personality but at the same time a delicate touch in their graphic pieces.

The 1935 sheet music for Shirley Temple's "That's What I Want for Christmas" [from her 20th Century Fox film "Stowaway"] provided the hand lettered sans which became the model for Artistry JNL. A condensed block design with rounded corners, the typeface is available in both regular and oblique versions.