Amonx, contemporary of Sans Serif Display font, Amonx offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Retro British A classy eighties Poster inspired serif, offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Gallero Vintage Inspired by Renaissance Design Era. Gallero offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Modern Aesthetic Inspired by Renaissance Design Era. Modern Aesthetic offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Kombuca font is handwritten with a casual impression, supported by the ss01 feature which adds diversity to the anatomy of letters, suitable for use in casual themed designs.

FleurCross is a set of 76 stylized crosses designed by calligrapher Michael Clark. This diverse range of cruciform ornaments features many variations on the theme of the cross.

Retro Brown, Inspired by 70s Design Era. Retro Brown offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Quirky Fashion Quirky Fashion offers beautiful typographic with 2 style : Regular & Italic, harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Introducing Esport Graph Inspired by Esport style, Esport Graph offers Futuristic typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Argaka Fashion, contemporary of Serif Display font, Argaka Fashion offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

La Signora Inspired by Renaissance Design Era. La Signora offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

La Barokah , Contemporary of Bold Serif Typeface, La Barokah offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Metal Gothic Inspired by art nouveau Design Era. Metal Gothic offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Retro Volt Inspired by 70s-80s Design Era. Retro Volt offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Retro Cool , Inspired by 60s - 70s Design Era. Retro Cool offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

The popular Geogrotesque family becomes an extended system with the inclusion of three new members to the family; Geogrotesque Condensed, Geogrotesque Compressed and Geogrotesque Extra Compressed. The condensed series keep the spirit of the original one, and give way to a superfamily up to 56 styles. This new system fluidly varies between widths, ranging from the original width to a 55% of it in the narrower one. As their original partner, the new fonts are great headline families for publications, but will also work in text of intermediate length and point size. The Geogrotesque superfamily offers now one font for each design need. It is available in Open Type format and includes Ligatures, Tabular Figures, Fractions, Numerators, Denominators, Superiors and Inferiors. All of them with support for Central and Eastern European languages. This type family consists of 42 styles, 7 weights plus italics in 3 widths. For more details see the PDF.

The Bitstream version of Trump Mediaeval of Linotype, 1954-60, by Georg Trump, a prolific German type designer. It seems to be his best typeface. It has a vigorous and assumed oldstyle roman and italic that is the sloped roman, except for the letters a, e, f. With its crisp angularity and wedge-shapes serifs, Trump Mediaeval appears carved in stone. It is a strong text typeface that is highly legible and especially useful for low-resolution output. It is useful in display work too. Cyrillic version developed for ParaType by Vladimir Yefimov and Isabella Chaeva and released in 2010. Cyrillic italics maintain the main feature of Trump Mediaeval to be the sloped roman, except for the letters г, д, и, й, n, т. There are old style figures, additional ligatures and fractions available at all styles and small caps at the Roman 55. Black style was added in 2011 by Vladimir Yefimov.

Neon Retro inspired by 1980’s and neon lights. Neon Retro offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Vintage Retro Inspired by Renaissance Design Era. Vintage Retro offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs. Happy Creating!

Neon Absolute was inspired by 1980’s and neon lights. It offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Retro Sugar Unique& playful serif family with 9 Weights Retro Sugar offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

In this face designed for Bauer in the twenties, Emil Rudolf Weiss used tiny serifs with many inversions and alternative forms to create the mannered texture peculiar to this form.

Inspired by fashion magazine adverts, right in with bringing retro Boruna offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

K-haus 105 is inspired by the work of graphic designer and typographer, Herbert Bayer, during his time at the Bauhaus around 100 years ago — work that kick-started graphic design as we know it, to this day. It owes something to the simple geometry of Bayer’s hand-drawn, ‘universal typeface’, updated and expanded to deliver a clean, balanced, geometric sans for today. Also available as K-haus 205 , featuring a few, more 'daring' characters here and there, chiefly in the lower case set. Both variations include an extended character set, featuring accented characters for Central European languages.

Taro Why do designers make more and more geometric fonts? There are already many geometric sans in the world. Because It is a natural flow of design. It is true that we like geometric type instinctively. Taro was designed to archive a good balance between the following three things geometrically. 1. To be Natural, Flowing, Organic. 2. To be Neutral, Unbiased, Universal. 3. To be legible, distinguishable, readable. Consists of eight weights and their matching italics. Supporting almost all latin languages. All-caps text for one line or a few is as wonderful as normal mixed-case typesetting.

After Yaddasht handwriting fonts, which provided a child-like, fantasy and simple Persian/Arabic handwritten style, now it is the time for the big brother! Yadgar [means Monument] also supports Persian, Arabic and basic Latin. This font brings a full diacritics set with itself. A young smooth handwriting typeface. Shahab Siavash, the designer has done more than 30 fonts and got featured on Behance, Microsoft, McGill University research website, Hackernoon, Fontself, FontsInUse,... Astaneh, Hezareh, Yaddasht,... text, headline, handwrting fonts, already got professional typographers, lay-out and book designers' attention as well as some of the most recognizable publications in Arabic/Persian communities.

Meet Monni, a clean and balanced sans-serif typeface family—fresh-faced and cosmopolitan with a high x-height. Monni sports finely crafted angles, complemented by confident squared punctuation. This sans-serif has a universal appeal accentuated by select modern angles. Perfect for campaign work with its memorable lines, clear consistency, and optimization for screens. Noteworthy for both headline and body copy needs. Monni is sure to aid in brand retention. Monni is generously multilingual, including Ukrainian and comes in 5 weights, from light to black. With nearly 800 total glyphs, Monni’s versatility will make an excellent addition to any professional font collection.

The Cardea family of typefaces is the outcome of David Cabianca’s 2003–04 MA Typeface Design experience at the University of Reading. With Cardea, Cabianca intended to mix classical and modern characteristics, and in the process he created a typeface that “sparkles” on the page, with high contrast, luster and crisp edges. The result is a type with a muscular or sculptural feel much like the work of artists like Arne Quinze or Mark di Suvero. Cardea was designed to function as a text face. It features three weights each with accompanying italics, small caps and a variety of ligatures.

K-haus 205 is inspired by the work of graphic designer and typographer, Herbert Bayer, during his time at the Bauhaus around 100 years ago — work that kick-started graphic design as we know it, to this day. It owes something to the simple geometry of Bayer’s hand-drawn, ‘universal typeface’, updated and expanded to deliver a clean, balanced, geometric sans for today. Also available as K-haus 105 , featuring a few different characters here and there, chiefly in the lower case set. Both variations include an extended character set, featuring accented characters for Central European languages.

John Baskerville spared no effort to create the ultimate typographic book. He prepared deep black inks and smoothed paper to show to full effect the letters that he had John Handy cut from his own brilliant designs, based on a lifetime of calligraphy and stonecutting. Punches and matrices survive at the Cambridge University Press. The present design is an accurate recutting, with particular attention to George W. Jones’ revision from the metal of Baskerville’s English (14pt) roman and italic in 1929 for Linotype & Machinery Ltd; Mergenthaler Linotype imported this design to the USA two years later.

We are proud to present the futuristic Excelancer font. This font was inspired by passion for space stories. The uniqueness of this font lies in the rare combination of a wibrant style of decorative capital letters and perfectly balanced lowercase charachters that read well in any massive text. Thus, you get a universal font kit with which all the tasks of futuristic design are solved. However, this font will become a decoration not only for fantastic stories, but also for everything related to technology, development, progress and even sports. In short, this is the pure energy of the future!

The most popular Persian / Arabic handwriting fonts! Yaddasht [means Note], is a child-like, fantasy and simple handwritten font which supports Persian, Arabic and basic Latin. This font which comes in 2 weights, brings a full diacritics set with it. Shahab Siavash, the designer has done more than 30 fonts and got featured on Behance, Microsoft, McGill University research website, Hackernoon, Fontself, FontsInUse,... Astaneh text and headline font which is one of his latest designs, already got professional typographers, lay-out and book designers' attention as well as some of the most recognizable publications in Arabic/Persian communities.

Do you often find yourself looking for a font that is universal and neutral on the one hand, and distinctive and special on the other? Here's one for you. Premis is a fairly broad font family that is suitable for versatile use, but still has plenty of original details, such as straight endings in the letters r, t and f. Equally current and timeless, Premis is available in three different widths. In terms of features, Premis is sensibly designed to meet demanding use, including, for example, capital letters and several different number styles. Make Premis your premise.

"Phanter Black" is a display font with a modern, space, and futuristic theme. This font reflects elements of technology, strength, and a futuristic aesthetic often associated with modern design. The space theme adds an element of exploration and the unknown in the universe to your design. "Phanter Black" is well-suited for various design projects that aim to emphasize these aspects, including space-related designs, advanced technology, advertisements for futuristic products, and more. With "Phanter Black," you can create designs that convey durability, strength, and a bold vision of the future, while infusing a futuristic touch into your projects.

Grimmig draws inspiration from solid and angular blackletter shapes and the idea of cutting letters out of paper. The interaction between curves, sharp edges, and partially unconventional serif placement makes it an excellent typeface for impactful headlines. The vivid details fade into the background in smaller sizes and provide an enjoyable reading experience for continuous text. Open counters and a large x-height contribute to Grimmig’s legibility in text sizes. It was developed as part of the MA Typeface Design in the University of Reading but had started before as a graduation project for Tamara Pilz.

"Iron Metal" is a display font with a modern, space, and futuristic theme. This font reflects elements of technology, strength, and resilience often associated with modern and futuristic designs. The use of a space theme can also add elements of exploration and the wonders of the universe to your design. "Iron Metal" is highly suitable for design projects that aim to emphasize these aspects, including space-themed designs, cutting-edge technology, advertisements for futuristic products, and much more. With "Iron Metal," you can create designs that convey durability, strength, and a challenging vision of the future.

Willow is an Adobe Originals typeface designed in 1990 by Joy Redick for the Adobe Wood Type series. Willow is a condensed typeface modeled on nineteenth-century wood types known as Clarendons (wood type Clarendons do not resemble the English metal types of that name). Clarendon condensed faces were originally so well-designed that words or a line of display type have an even color that is remarkable for wood types. Taken from proofs of type in the Rob Roy Kelly Collection housed at the University of Texas at Austin, Willow can be used for display work such packaging, advertising, and posters.