Canadian type designer Val Fullard created this display FontFont in 1992. The family contains 3 weights: Light, Medium, and Bold and is ideally suited for festive occasions, music and nightlife as well as poster and billboards. FF Mambo provides advanced typographical support with features such as ligatures, titling alternates, alternate characters, and case-sensitive forms. It comes with tabular lining figures.

Dutch type designer Donald Beekman created this display FontFont in 2006. The family has 10 weights, ranging from Light to Ultra and is ideally suited for festive occasions, music and nightlife as well as poster and billboards. FF Soul provides advanced typographical support with features such as ligatures, case-sensitive forms, fractions, and super- and subscript characters. It comes with proportional lining figures.

German type designer Jan Jedding created this script FontFont in 1994. The family contains 3 weights: Regular, Semi Bold, and Bold and is ideally suited for advertising and packaging, festive occasions as well as software and gaming. FF Friday Saturday Sunday provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional oldstyle figures.

British type designer Tony Booth created this script FontFont in 1996. The family contains 4 weights: Light Italic, Regular, Medium Italic, and Bold Italic and is ideally suited for advertising and packaging and poster and billboards. FF Sale provides advanced typographical support with features such as ligatures, alternate characters, and case-sensitive forms. It comes with proportional lining and tabular lining figures.

German type designer Manfred Klein created this script FontFont in 1994. The family contains 3 weights: Light, Demi, and Extra and is ideally suited for advertising and packaging, festive occasions, film and tv as well as poster and billboards. FF Quill provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional oldstyle figures.

Spricker is where contemporary design meets typographical precision. With slab serifs anchoring its design, this typeface achieves a striking balance between robust weight and delicate hairline thin strokes. Every character is a study in contrast, yet the ensemble delivers undeniable legibility. Its unique letterforms bring a fresh flair to the classic structure, making Spricker a standout choice for modern designs.

German type designer Kai Vermehr created this display FontFont between 1998 and 1999. The family has 12 weights and is ideally suited for advertising and packaging, film and tv, poster and billboards as well as software and gaming. FF Eboy provides advanced typographical support with features such as ligatures, case-sensitive forms, and super- and subscript characters. It comes with proportional lining figures.

Unveil the Bold Elegance Serif Font – Where letters stand strong, strokes exude confidence, and design speaks with authority. Elevate your creations with this typographic powerhouse that turns words into captivating stories. This typeface is ideal for greeting card, packaging, brand identity, poster, or any purpose to make your art/design project look eye catching and trendy. Feel free to play with this typeface!

German type designer Frank Heine created this display FontFont in 1994. The family contains 2 weights: Light and Bold and is ideally suited for festive occasions, editorial and publishing, poster and billboards as well as software and gaming. FF Instanter provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining and proportional oldstyle figures.

German type designer Critzla created this display FontFont in 1996. The family contains 4 weights and is ideally suited for advertising and packaging, festive occasions, logo, branding and creative industries as well as music and nightlife. FF Localizer provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional oldstyle and proportional lining figures.

Dutch type designer Just van Rossum created this script FontFont in 1991. The family has 20 weights and is ideally suited for advertising and packaging, book text, film and tv, editorial and publishing as well as logo, branding and creative industries. FF Schulschrift provides advanced typographical support with features such as alternate characters. It comes with tabular lining and proportional lining figures.

German type designer Daniel Fritz created this display FontFont in 2000. The family has 8 weights, ranging from Thin to Bold (including italics) and is ideally suited for advertising and packaging, editorial and publishing as well as poster and billboards. FF Ticket provides advanced typographical support with features such as ligatures, alternate characters, and case-sensitive forms. It comes with tabular lining figures.

Coupler is a sturdy text face with low contrast, airy counters, and a strong baseline for smaller sizes and extended reading. Lightly bracketed serifs and pleasantly conspicuous italics temper Coupler’s formal demeanor—well suited for financial reports, news magazines, catalogs, academic journals, and any instructional setting. Four weights with italics and advanced typographical support provide design flexibility in any layout.

German type designer Ingrid Liche created this display FontFont in 1995. The family contains 3 weights: Regular, Medium, and Bold and is ideally suited for advertising and packaging, logo, branding and creative industries as well as poster and billboards. FF Liant provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.

PROUDLY PRESENT CLUISHER BRUSH is a brush type font which includes an outline style that you can adjust the color to make this font look more perfect. Cluisher Brush is ideal for logos, apparel, T-shirt, Hoodie, graffiti, quotes, product packaging, or anything which needs a typographic turbo-boost. if you have any Question please Message Me. Thank you ERGIBI STUDIO

Dutch type designer Just van Rossum created this display FontFont in 1992. The font is ideally suited for advertising and packaging, film and tv as well as music and nightlife. FF Dynamoe provides advanced typographical support with features such as ligatures. It comes with tabular lining figures. As well as Latin-based languages, the typeface family also supports the Greek writing system.

Dutch type designer Donald Beekman created this display FontFont in 2007. The family contains 4 weights and is ideally suited for advertising and packaging, logo, branding and creative industries, music and nightlife as well as sports. FF Atomium provides advanced typographical support with features such as ligatures, case-sensitive forms, fractions, and super- and subscript characters. It comes with proportional lining figures.

Dutch type designer Donald Beekman created this display FontFont in 1999. The family has 6 weights, ranging from Light to Bold (including italics) and is ideally suited for film and tv, music and nightlife as well as poster and billboards. FF Beekman Square provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.

British type designers Darren Raven and John Critchley created this display FontFont in 1997. The family has 5 weights, and is ideally suited for editorial and publishing, logo, branding and creative industries, music and nightlife as well as poster and billboards. FF Bokka provides advanced typographical support with features such as ligatures, alternate characters, and stylistic alternates. It comes with proportional lining figures.

Neue Helvetica® is a melding of aesthetic and technical refinements that result in superior design proportions, improved legibility and an expanded range of uses beyond the original Helvetica typefaces Neue Helvetica World fonts enable the setting of pan-European languages, in addition to Arabic, Armenian, Cyrillic, Georgian, Greek, Hebrew, Thai and Vietnamese. The Cyrillic fonts include full support of the Unicode block, including characters for Bulgarian, Mazedonian, Serbian and Ukrainian. Other Monotype global fonts can be paired with Neue Helvetica World to create a more comprehensive global typographic solution. A few examples follow: Devanagari: Saral Devanagari Japanese: Tazugane Gothic or Yu Gothic Korean: YD Gothic 100 or YD Gothic 700 Simplified Chinese: M Ying Hei PRC or M Hei PRC Traditional Chinese: M Ying HK or M Hei HK Click here to download a brochure with more information on Neue Helvetica World.

Based on ten characters found on the cover of a 1960s Blue Note jazz album. The source characters were originally designed for film-based typesetting by Wayne Stettler as part of a single typeface published by Visual Graphics Corporation (VGC) under the name Neil Bold. Mobley Sans, along with its condensed and serifed counterparts, constitute a brand new typographic whole molded around the original inspirational source. The family embodies the independent creative spirit of that era - yet manages to remain contemporary with several modern design traits - creating its own unique visual theme through the use of odd counters, generous curves and sharp corners. Mobley delivers your message in a bold, yet friendly, and subtly discerning fashion. Perfect for music artwork, packaging and book covers. Available with both sans and serif versions, in regular and condensed widths.

Slovakian type designer Peter Bil'ak created this serif FontFont in 1998. The family has 5 weights, ranging from Regular to Bold (including italics) and is ideally suited for advertising and packaging, book text, editorial and publishing as well as wayfinding and signage. FF Eureka provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. FF Eureka received several awards: the National Slovak Design Centre award in 1997 and the The Best Design in the Category of Type 19th International Biennale of Graphic Design Brno award in 2000. This FontFont is a member of the FF Eureka super family, which also includes FF Eureka Mono and FF Eureka Sans.

Robert Hunter Middleton drew the original design of Stellar for the Ludlow Typograph Company in Chicago. Work began in the late 1920s, when Middleton was asked to create a sans serif type family to compete with European imports of Futura and Kabel. Stellar was Middleton's attempt to raise the ante. Where Futura and Kabel were geometric in design and monotone in weight, Stellar was based on roman character proportions and stroke weighs were stressed. In the late 1990s, Dave Farey took on the task of reviving the Stellar design. While Ludlow cut Stellar in a full range of point sizes, the family was limited to just a roman and bold design. Farey's revival is twice as large a family. It ranges from a very light called Stellar Nova to a very bold called Zeta In between are Lyra and Epsilon.

Secca Soft is the rounded sister of Secca font family. With its workhorse qualities, Secca Soft is perfectly suited for a wide range of applications - especially where legibility and economy are important factors. It comes with a wide language support and many typographic features and extras. The family comes in nine weights from Thin to Ultra Black - each with italics, small caps and italic small caps. While the weights from Light to Bold perform well in text sizes, the more extreme styles give extra freedom for Headlines & Signage. For setting tables and charts, Secca Soft offers tabular figures, fractions, currency signs and mathematic operators which share the same fixed width throughout the entire range of weights. This special feature is called "weight duplexing" and is a time saver for designers of annual reports and other figure-heavy texts.

As most successful German private press, «Bremer Presse» has strongly influenced German book art. It was founded 1911 in Bremen to print and produce books in perfection. The role model of the press’ typeface was the english Doves Press. Willy Wiegand drew three versions of the «Bremer Presse» antiqua font, starting with the regular weight in 16 pt and adding later the regular weights in 11 and 12 pt. The revival of this beautiful font is based on the 12 pt weight. During the design process, the focus was laid on finding the elegance and strength of original prints. As it was designed to print books, the typeface is optimally used for texts. And with the revival’s new weights «medium» and «bold» and OpenType features like ligatures or old style figures, you can design sophisticatedly typographical compositions.

Neue Helvetica® is a melding of aesthetic and technical refinements that result in superior design proportions, improved legibility and an expanded range of uses beyond the original Helvetica typefaces Neue Helvetica World fonts enable the setting of pan-European languages, in addition to Arabic, Armenian, Cyrillic, Georgian, Greek, Hebrew, Thai and Vietnamese. The Cyrillic fonts include full support of the Unicode block, including characters for Bulgarian, Mazedonian, Serbian and Ukrainian. Other Monotype global fonts can be paired with Neue Helvetica World to create a more comprehensive global typographic solution. A few examples follow: Devanagari: Saral Devanagari Japanese: Tazugane Gothic or Yu Gothic Korean: YD Gothic 100 or YD Gothic 700 Simplified Chinese: M Ying Hei PRC or M Hei PRC Traditional Chinese: M Ying HK or M Hei HK Click here to download a brochure with more information on Neue Helvetica World.

Neue Helvetica® is a melding of aesthetic and technical refinements that result in superior design proportions, improved legibility and an expanded range of uses beyond the original Helvetica typefaces Neue Helvetica World fonts enable the setting of pan-European languages, in addition to Arabic, Armenian, Cyrillic, Georgian, Greek, Hebrew, Thai and Vietnamese. The Cyrillic fonts include full support of the Unicode block, including characters for Bulgarian, Mazedonian, Serbian and Ukrainian. Other Monotype global fonts can be paired with Neue Helvetica World to create a more comprehensive global typographic solution. A few examples follow: Devanagari: Saral Devanagari Japanese: Tazugane Gothic or Yu Gothic Korean: YD Gothic 100 or YD Gothic 700 Simplified Chinese: M Ying Hei PRC or M Hei PRC Traditional Chinese: M Ying HK or M Hei HK Click here to download a brochure with more information on Neue Helvetica World.

Cracked Concrete - Vintage Serif Font is a typographical masterpiece that instantly transports you to the golden age of classic design. This font exudes timeless charm with its bold, classic serif characters that embrace the aesthetics of retro and vintage design. The font offers two distinct versions to cater to your design needs: a clean variant for a polished and refined look, and a textured version that adds depth and character to your creations. Additionally, it provides two thickness options, regular and bold, allowing versatility in your projects. Cracked Concrete - Vintage Serif Font is the perfect choice for logos, invitations, packaging, posters, titles, businesses, greeting cards, magazines, and any design projects that seek to capture the essence of retro and classic themes. Unleash the nostalgia and classic elegance of Cracked Concrete, and let your designs shine with vintage sophistication.

Slovenian type designer Mitja Miklavcic created this sans FontFont in 2011. The family has 14 weights, ranging from Thin to Black (including italics) and is ideally suited for advertising and packaging, book text, festive occasions, editorial and publishing, logo, branding and creative industries, poster and billboards, wayfinding and signage as well as web and screen design. FF Tisa Sans provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. In 2013, FF Tisa Sans received the CommArts award and was also selected as one of Typographica’s favorite typefaces of 2012. This FontFont is a member of the FF Tisa super family, which also includes FF Tisa.

Neue Helvetica® is a melding of aesthetic and technical refinements that result in superior design proportions, improved legibility and an expanded range of uses beyond the original Helvetica typefaces. Neue Helvetica World fonts enable the setting of pan-European languages, in addition to Arabic, Armenian, Cyrillic, Georgian, Greek, Hebrew, Thai and Vietnamese. The Cyrillic fonts include full support of the Unicode block, including characters for Bulgarian, Mazedonian, Serbian and Ukrainian. Other Monotype global fonts can be paired with Neue Helvetica World to create a more comprehensive global typographic solution. A few examples follow: Devanagari: Saral Devanagari Japanese: Tazugane Gothic or Yu Gothic Korean: YD Gothic 100 or YD Gothic 700 Simplified Chinese: M Ying Hei PRC or M Hei PRC Traditional Chinese: M Ying HK or M Hei HK Click here to download a brochure with more information on Neue Helvetica World.

The Duero is one of the major rivers of the Iberian Peninsula, flowing from its source across northern-central Spain and Portugal to its outlet at Porto. The "Duero viñatero", is an area of the Duero Valley where its famous wines are produced. "Duero", a new script font designed by Olcar Alcaide. Its slight bounce and intentional irregularity gives your words a wonderful flow. The thick and thin strokes in this typeface combine balance and harmony. "Duero" has OpenType features such as Stylistics and Contextual alternates, Swashes, Ligatures, that allow you to mix and match pairs of letters and a Central European language support to fit your design. This will help your creativity and make it easier to make the impressive and elegant typographic work.  "Duero" looks good on food packaging, logo design, business-cards, fashion, magazines, menus, book covers and much more!

Less is More. This stencilled version takes away some of Didonesque’s structure while adding another level of distinguished style and supreme elegance. The Elegante fonts epitomise the style required for high-end fashion and beauty applications with their crisp curves combined with tapered serifs and terminals – instantly creating a polished and fashionable aesthetic. Didonesque Stencil was designed for large display purposes, branding, corporate identities, headlines, advertising, wedding invitations and the like. Of particular note are the minimal ball terminals which are available by activating Stylistic Set 2 – they’re perfect for adding that extra bit of magic to your typographic designs. Key Features: • 4 Stencil weights in Roman and Italic styles • 4 Stencil Elegante weights in Roman and Italic styles • 4 weights in Condensed style • Small Caps, Petite Caps, Alternates, Ligatures and Contextual Alternates • Full European character set (Latin only) • 780 glyphs per font.

Neue Helvetica® is a melding of aesthetic and technical refinements that result in superior design proportions, improved legibility and an expanded range of uses beyond the original Helvetica typefaces Neue Helvetica World fonts enable the setting of pan-European languages, in addition to Arabic, Armenian, Cyrillic, Georgian, Greek, Hebrew, Thai and Vietnamese. The Cyrillic fonts include full support of the Unicode block, including characters for Bulgarian, Mazedonian, Serbian and Ukrainian. Other Monotype global fonts can be paired with Neue Helvetica World to create a more comprehensive global typographic solution. A few examples follow: Devanagari: Saral Devanagari Japanese: Tazugane Gothic or Yu Gothic Korean: YD Gothic 100 or YD Gothic 700 Simplified Chinese: M Ying Hei PRC or M Hei PRC Traditional Chinese: M Ying HK or M Hei HK Click here to download a brochure with more information on Neue Helvetica World.

Filson Soft is the rounded version of the popular Filson Pro . At first sight, the main feature of Filson Soft are the distinctive letters ‘K’, ‘Q’ and especially ‘R’ that make the font family very elegant. With its rounded terminaisons, this font family is also perfect for original titles and will give you future creations a nicely friendly aspect. But with all these originals features, Filson Soft is highly legible and quite versatile. Its large x-height, even performs nicely in small sizes. Filson Soft comes in 8 weights - Thin, Light, Book, Regular, Medium, Bold, Black, Heavy with a professional range of Opentype functions such as lining and oldstyle figures, stylistic alternates, case sensitive forms, localized forms, stylistic set, arrows and f-ligatures. For better typographic control, Filson Soft also includes an OpenType class kerning with thousands of kerning pairs.

Halau is a clear, elegant and fun upright font for sunny Spring/Summer projects. More fun & sun for your typo- design! I really love this Retro Cartoon style in the 60s and 70s advertising or Hawaii style posters. Combine different width/styles for outstanding typography designs. Some alternates (A, E, K, R, Y, a, g, l, k) will give you more interesting result for your project. Also, you get Hawaii style illustrations set as letters and numerals alternates (36 Total).

Chenko is a nod to Alexander Rodchenko the Russian Constructivist artist and designer whose poster work is characterised by its stark, stripped down typography and bold, geometric graphics. It was truly revolutionary in its day, and continues to be influential in ours. Chenko is my own take on his deceptively simple letterforms, and designing a font without a curve or a diagonal (okay I cheated on a few details like the O-slash and A ring characters) presented some interesting design challenges!

Moilgo is a beautiful bold typeface that was inspired by classic typefaces that are synonymous with luxury brands, beauty and elegant curves, high contrast and an all-round feel, perfect for art projects and typography across all platforms. Moilgo also has unique ligatures which makes it easy for you to create a logo for your personal branding and your business beautifully. Moilgo will be perfect for many project like logos, magazines, posters, branding, packaging, quotes, blog headers, advertisements, and more.

Aesthetic Typeface is a handmade vintage lettering, which is combining modern and classic typography with some awesome features. Aesthetic Features - Uppercase - Lowercase - Numerals & Punctuations - Accents (Multilingual characters) OpenType features -Ligatures - Stylistic Alternates - ss01 - ss02 - ss03 - swosh There are more than 310 glyphs in the font including Stylistic Alternates, Ligatures, Stylistic sets etc. OpenType features with Stylistic Alternates, Contextual Alternate in some characters that allow making an awesome vintage look. this is suit for: labeling, logo, classic shop, coffee shop, movie title, etc

Hello friend, let me introduce my product Straightler - Oldpress Font! Straightler is a display sans serif typeface inspired from letterpress in old signane, they have a verry rough and rust character. Straightler come with four fonts styles regular, press, oblique and oblique press. Straightler basicly is allcaps font but they have some alternate character, ligature and catchword to make your design more stunning. Suitable and applicable to create typography design, branding, logos, product packaging, invitation, qoutes, t-shirt, label badge poster etc.

A new San Serif Font that we created special for Headline, Title and more stand out typography needs. It's so perfect to add your style and headline overview. And specially for Headline font, we crafted for unique style and modern feels so enjoy to create any project that will show your main idea out. Segule Modern Humanist Sans Serif Font ready with: Preview as a inspirations that you can do with Segule font Ready with All characters Wish you enjoy our font. :)