10,000 search results (0.029 seconds)
  1. Lane - Narrow - Personal use only
  2. TQF_WordTrain - Unknown license
  3. Enter Sansman - Unknown license
  4. Komikazoom - Unknown license
  5. Frankie - Unknown license
  6. Beffle - Unknown license
  7. Eddie - Unknown license
  8. A Drink For All Ages - Unknown license
  9. Dummies - Unknown license
  10. Startling - Unknown license
  11. BN Sunday Kid - Unknown license
  12. Starlet - Unknown license
  13. BN Year 2000 - Unknown license
  14. BN Moog Boy - Unknown license
  15. EasterGirl - 100% free
  16. MadisonSquare - Unknown license
  17. Automind - Unknown license
  18. Ygnorant - Unknown license
  19. Whackadoo - Unknown license
  20. Cló Gaelach (Twomey) - Unknown license
  21. Sauerkraut - Unknown license
  22. ZeueiMinchoSample - Unknown license
  23. Lane - Posh - Personal use only
  24. SixtySeven - Unknown license
  25. BN M@TAN - Unknown license
  26. Weehah - Unknown license
  27. Devroye - Unknown license
  28. GhoulyBooly - Unknown license
  29. Cack-handed by Kerry Colpus Designs, $25.00
    Cack-handed was created by writing with my left hand even though I am right handed.
  30. Matchbox by K-Type, $20.00
    Display font for pixel lovers - mad for right angles and hard edges? Constructivists ate my bitmaps.
  31. Bedaax - Personal use only
  32. roinert - Personal use only
  33. pixcoose - Personal use only
  34. wmxyo - Personal use only
  35. renvem - Personal use only
  36. We The People by K-Type, $20.00
    This typeface is extrapolated from the ‘We the People’ calligraphy of the handwritten US Constitution Preamble which employed a style based on German Text and Square Text exemplars from George Bickham’s penmanship copy-books, the most celebrated being The Universal Penman published in 1743. The original Constitution document was transcribed onto parchment by Jacob Shallus, a Pennsylvania Assistant Clerk, over a weekend in 1787. Shallus’s biographer, Arthur Plotnik (The Man Behind the Quill, 1987), notes that he was paid $30, a modest monthly wage at the time. He also suggests that the calligraphic headings, ‘We the People’ and ‘Article’, may have been inserted by Shallus’s 14 year old trainee son, Francis, “The manner in which the ‘Article’ headings are squeezed into the space Shallus allowed for them suggests a second hand—and perhaps not a very experienced one.” The unconventional backslant of the headings would seem to support this contention, and at the end of the document there is perhaps a novice’s inconsistency in the structure of the letter n between that used for ‘done’ and those used for ‘In Witness’. However, one has to admire the elegant swagger of the wavy t, h and l which the K-Type font extends to the b, f and k. Also, the simpler, Schwabacher-style W, an enlarged version of the lowercase w, is a little less flamboyant than the capital W from the German and Square texts in Bickham’s manuals. For designers using OpenType-aware applications, the typeface includes some Alternates, including a Bickham-style W, the letters t, h and n with added flourishes, two simpler forms of the A, and a few roman numerals for numbering articles. Also some ornamental flourishes and a round middle dot/decimal point. Punctuation marks are drawn in square, calligraphic style, but an alternative round period/full stop, for use with currency and numerals, is available at the period centered position (though placed on the baseline), accessed by Shift Option 9 on a Mac, or Alt 0183 on Windows. The full phrase, ‘We the People’, has been placed at the trademark keystroke and can be accessed by Option 2 (or Shift Option 2) on a Mac, or Alt 0153 on Windows. For designers who find the backslant awkward or unpleasant, the licensed typeface also includes two additional fonts which have a vertical aspect that may be more conducive to graphic design layouts. ‘We The People Upright’ and ‘We The People Upright Bold’ both retain the distinctive style, and the heavier weight is only slightly emboldened, just enough to add some punch.
  37. Solstice by Atlantic Fonts, $26.00
    Bright with many interlocking and connecting ligatures and warm with hand-drawn irregularity, Solstice is something to celebrate. Based on the inspiring hand writing of creative friend, Kimberly Mahan.
  38. Obscure Stencil JNL by Jeff Levine, $29.00
    A bold, handmade stencil alphabet from the book “Lettering” by Harry B. Wright (1950) served as the model for Obscure Stencil JNL – available in both regular and oblique versions.
  39. Element M One by ElementM, $20.00
    Element M One is a clear and bright typeface with a touch of futurism. Specially made for signing, posters, covers and corporate identities. Also a perfect typeface for headlines.
  40. Signerica Fat - Personal use only
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