Madani Arabic is new version of Madani with the addition of Arabic glyphs, for Arabic, Urdu, and Farsi. Basic form for arabic font is refers to the arabic kufi style, with a geometric approach to harmony with Latin.

Wild Summer is a casual dry brush font that is suited for retro-style logos and posters. So what’s included: Basic Latin A-Z & a-z. Numbers, symbols, punctuations, and ligatures. Multilingual Support. Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß Thank You.

All-cap titling typeface, Epos, comes in three widths and includes a range of decorative ligs & alts – as well as both Latin & Cyrillic scripts. It reminds of hand-lettered book covers from the early and mid 20th century.

Retro Mansion is a casual dry brush font that is suited for retro style logo and poster. So what's included: Basic Latin A-Z & a-z. Numbers, symbols, punctuations and ligatures. Multilingual Support. Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß Thank You.

Sukothai is a traditional Thai design based on early metal type. The classic and distinct forms make it excellent for setting text at small sizes or in large passages. Originally released by Linotype for digital photocomposition, now both the Light and Bold weights are available in OpenType format. This makes it possible to dynamically and precisely position the various levels of superscript and subscript vowel signs and tonal marks. In addition to this, the complete Unicode page range for Thai is covered to ensure flawless conversion between other OpenType fonts using Unicode. The accompanying Latin design matches well in scale and texture and supports most Western European languages making it ideal for setting bilingual texts.

Decary Sans is a new vintage typeface. A sans-serif lettering provided in the styles Light, Regular and Bold, and each weight as Italic. Perfect for a logotype or headline, use this modern retro type to express genuine tradition while keeping the design up-to-date. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

German type designer Siegfried Rückel created this display and sans FontFont in 2002. The family has 6 weights, ranging from Light to Bold (including italics) and is ideally suited for advertising and packaging, logo, branding and creative industries, poster and billboards as well as sports. FF Alega provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Greek writing system. This FontFont is a member of the FF Alega super family, which also includes FF Alega Serif.

With the original Ranelte, Insigne Design pays tribute to the strong, simple forms of the long-lasting DIN series. Now, Ranelte Deco, a new variant on the classic-inspired font, makes a more specific statement with some unique styles that are clearly contemporary. It’s the type of face that you’ll find adds great value to your high-tech and bleeding edge design uses. Ranelte Deco is designed for title use and posters. Since it’s an experimental display font, there are no OpenType features, but the typeface fully covers Latin-based languages. Remember, even a timeless classic can be reshaped to something beautiful. See how the new style of Ranelte Deco can make your next masterpiece.

Proba Pro is a geometric sans with lowered x-height, prominent ascenders and descenders and a subtle humanist touch. It comes in 7 weights + matching italics each supporting numerous Latin-based languages as well as major Cyrillic languages. It is packed with OpenType features like ligatures, small caps, 4 sets of digits, 2 stylistic sets, superiors and inferiors, fractions, ordinals, and respective punctuation varieties including all-cap punctuation. There are also language-specific alternates for Romanian Ș/ș, Catalan punt volat, and correct small-cap versions for i/ı in Turk languages. Some of the styles of Proba Pro can be found in Mint Type Editorial Bundle together with other fonts which make some great pairs. Check it out!

Casta is strong Modern contrasts make this typeface both impressive at display sizes and easily readable in text size, while the sharp shapes of the triangular serifs and the distinctive letter shapes show their strength in logo design and impressive editorial use. Casta come with elegant style, strength and contrasts, with features an extended latin character set of 429 glyphs covering over 28 languages, and includes advanced open type features like standard and discretionary ligatures, positional numerals, stylistic alternates and case sensitive brackets. Mixing versatility and personality, Casta is ready to be like a top model on the design catwalk, making your projects looking classic but contemporary, finely tuned but assertive, and elegant as the best luxury fashion.

The Vtg Stencil series of fonts from astype are based on real world stencils. The Germany No.1 design was derived from authentic antique German stencil-plates. » pdf specimen « Surprisingly these stencil-plates offer a high contrast Didot design very similar to the French stencils produced and sold till today. The production time of these stencils is in the range of the German imperial period (1871‒1918). Of course the usage period was even longer. The font styles PAINT and SKETCH include 4 additional variations of base glyphs and figures. An extensive random function will mix the glyphs as you type - on proper OpenType-savvy apps like Adobe InDesign only. All styles offer an extended Latin character set.

German type designer Yanone created this sans FontFont in 2010. The family has 14 weights, ranging from Thin to Black (including italics) and is ideally suited for advertising and packaging, logo, branding and creative industries as well as poster and billboards. FF Amman Sans provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Arabic writing system. This FontFont is a member of the FF Amman super family, which also includes FF Amman Serif.

Based on 10th century Carolingian scripts, Silentium Pro sparkles with a quiet but ebullient sense of the human hand. As a multi-featured Adobe Originals OpenType family, Silentium includes myriad alternate forms, ligatures, and titling characters that add an air of tasteful liveliness to contemporary graphic design and typography. Designed by Yugoslavian calligrapher and type designer Jovica Veljović, Silentium works well in both display sizes and text setting as small as 8 points. Silentium is the Latin word for silence, a discipline commonly practiced in the medieval European monasteries and court scriptoria where the Carolingian script flourished. Now, more than ten centuries later, Silentium Pro brings the fluid energy of their work to contemporary design and typography.

The Alamia type family is a sans serif in 20 weights, ranging from Hair Line to Black with matching italics. Each style contains more than 900 glyphs. Alamia comes with an extended coverage of the Latin and Cyrillic Script. All weights of this family are equipped for complex, professional typography with OpenType Features including: Small Caps, Ligatures, Discretionary Ligatures, Superscript, Subscript, Tabular Figures, Old-Style Figures, Circled Figures, Arrows, Matching currency symbols and fraction.The construction of the characters combines clean grotesque style with modern, that gives the font an organic, warm and friendly touch. The Alamia font family is a perfect choice for body text, branding design, web design, editorial design and more.

Laviossa is an elegant serif font that has a soft and modern character. Small letters have a distinctive accent that represents a flexible wind, their soft curves make for a bold impression and easily blend into your designs. so that your design looks beautiful and stands out Laviossa has an alternative binder that is perfect for a simple and minimalist style. The stunning details and versatility of this font make it an essential addition to any type of design, such as magazines, books, ui ux designs, posters and many more. Laviossa has 5 weights, which is more than 380 glyph at each weight including various opentype features in it. already supports many Latin languages.

Lithuanian type designer Mindaugas Strockis created this slab FontFont between 1998 and 2002. The family contains 4 weights: Regular, Italic, Bold, and Bold Italic and is ideally suited for advertising and packaging, festive occasions, small text as well as software and gaming. FF Elementa provides advanced typographical support with features such as small capitals, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with proportional oldstyle, tabular lining, and tabular oldstyle figures. As well as Latin-based languages, the typeface family also supports the Cyrillic and Greek writing systems. This FontFont is a member of the FF Elementa super family, which also includes FF Elementa Rough.

Clavo was picked for the EXHIBITION CALL FOR TYPE - NEW TYPEFACES and is presented in the Gutenberg Museum in Mainz, Germany. Clavo is a multipurpose font family. Its warmth comes from subtle details, classical proportions and traditional forms, while harmonious structure prevents distraction while reading. This makes Clavo a universal typeface. In all sizes, from caption to display. The family consists of ten weights. They were not created in a linear way. The steps between the weights were adjusted carefully to avoid a mechanical graduation, in favor of optical harmony. Clavo covers all latin languages. It contains a wide set of numerals, small capitals, fractions and other OpenType goodies. And of course every weight comes with matching italics.

Metrika is a sans serif font inspired by the trends of technology. It's works perfectly for headlines, logos, posters, packaging, T-shirts, postcards and many more. It includes full set of uppercase and lowercase basic characters, multilingual symbols, numerals and punctuation (check the previews in order to see them all). Weight: extra light (200 pt), regular (400 pt), bold (700 pt), outline (400 pt). Style: plain, oblique. Latin-based Language Support (You can check your language typing characters in text box below). A summary of what's included: Metrika extra light (otf) Metrika extra light oblique (otf) Metrika regular (otf) Metrika regular oblique (otf) Metrika bold (otf) Metrika bold oblique (otf) Metrika outline (otf) Metrika outline oblique (otf) Happy creating!

German type designer Jörg Hemker created this sans FontFont in 2011. The family has 16 weights, ranging from Extra Thin to Black (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding, wayfinding and signage as well as web and screen design. FF Sero provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic and Greek writing systems. In 2011, FF Sero received the CommArts award.

SK Synonym Grotesk is a geometric neo-grotesk typeface, which was developed under the influence of Swiss type design and adapt to modern realities. Its sturdy and simple structure is characterized by angular joints that accent details of the letters. The font design uses a strict geometric and stable construction it's combining with organic and lively forms, it creates an unusual attractive aesthetic of the character set. SK Synonym Grotesk consist of a variety of tools for various design needs, including OpenType alternatives and a wide range of styles from Thin to Black. This typeface is multilingual, supports more than 40 languages including Extended Latin and Cyrillic sets and contains more than 450 characters.

Bolívar is a contemporary display typeface inspired in the handwriting of one of the most prominent personalities of the Latin American 19th century: Simón Bolívar, “the liberator". The typeface intends to capture the passion of handwritten letterforms and to translate it into type. Among the characteristics that best contribute to its strong personality, are the impressive length of ascenders and descenders as well as the more than 45 degrees of slant. Bolívar mimics certain aspects of handwriting such as the slightly different baseline for each letter and ink clogs in the counters of some letters. Use Bolívar whenever you need to add passion to a piece of text, from logos or single words to sentences and captions.

Canadian type designer Nick Shinn created this display, serif, and script FontFont between 1994 and 2010. The family has 16 weights, ranging from Light to Extra Bold (including italics) and is ideally suited for advertising and packaging, book text as well as festive occasions. FF Fontesque provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic writing system. This FontFont is a member of the FF Fontesque super family, which also includes FF Fontesque Sans.

German type designer Erik Spiekermann created this sans FontFont between 1997 and 2002. The family contains 4 weights: Regular, Italic, Bold, and Bold Italic and is ideally suited for logo, branding and creative industries. FF Meta Correspondence provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic and Greek writing systems. This FontFont is a member of the FF Meta super family, which also includes FF Meta, FF Meta Headline, and FF Meta Serif.

Thick is the perfect font for all your fun designs and also for Halloween decorations. The main font file is equipped with ordinary characters, as well as more than 350 glyphs to support most Latin-based languages. Everything is made with the same brush, and everything is the same size as Thick, so you can be sure they will work well together! It is suitable for you to use in making t-shirt design, quote, label, packaging, logo type, or long writing. Because we have compiled kerning and matrices that are tailored to your needs. Thick feature: - More than 350+ glyphs - Fully coded PUA for full access to all characters - 19 languages ​​support

Skate is a multifunctional font family of a script in five weights and a bold complementary sans. It is a versatile combination that works best in large sizes - think billboards, posters, magazine and website headlines, as well as packaging. The Skate family is edgy and packs quite a punch which also makes it suitable for branding projects that rely heavily on type. Both the script and the sans have Latin Extended and Cyrillic support, while the script also comes with a variety of ligatures and stylistic sets for even more design freedom. The Skate family was inspired by urban culture, so it is a great fit for projects that cater to a bold and youthful audience.

Curwen Sans is a monoline sans-serif dating from the early twentieth century. Though contemporary with Johnston’s Underground and Gill Sans, and emerging from the same artistic milieu, Curwen Sans was created solely for in-house use at the Curwen Press in London so never achieved a wide audience or recognition. The original face was cut only in a Medium weight, but the new digital family consists of four weights, each with an optically corrected Oblique, and all containing a full complement of Latin Extended-A characters. K-Type Curwen Sans comprises three packages: • Basic Family (Regular, Oblique, Bold, and Bold Oblique) • Light (Light and Light Oblique) • Medium (Medium and Medium Oblique)

Wood Heinz No.2 - the close friend of Wood Heinz No.4 The Regular font style offers up to four »printed look« variations of all the Latin base letters and figures. An OpenType letter rotator is build into the font to emulate the randomness of wood type printing. You can switch manually to the alternate letters by using the Stylistic Sets 1–4. Stylistic Set 5 will activate the more common look of the capital letter R with a straight leg. The New font style has clean outlines and of course the alternate letter R. Wood Heinz No.2 and No.4 working seamlessly with each other. You can both mix them easily. PDF Specimen

Armavir by Fontazy is an uppercase type-family consisting of three gradually distressed sub-families Armavir 01, Armavir 02 and Armavir 03 (each in Regular and Bold weights) and Shadow (also in Regular and Bold). Armavir is a sans serif font with a slight touch of handmade. Each typeface contains stylistic alternate version of vowels -A, -a, -E and -e, that converting uppercase font in unicase(-ish). The Shadow style is suitable for each of three text styles. Being a duplicate of the text layer, it gives an additional decorative appearance to the text. All fonts in the family has Latin (West, Central and Baltic) and Cyrillic encoding. Armavir is perfect for logo making, print design, advertising, branding etc.

Prior to 500 AD the 24-rune Elder Futhark was used in Sweden. From 500 AD until 800 AD there were many Futharks which were transitions from the 24-rune Futhark to one of the 16-rune Futharks. By the end of this period the 24-rune Futhark was completely out of use , and only 16-runes Futharks were in use. By 900 AD two different types of Shorttwigs-Futharks had been born. One was popularized in Norway and the other was used in the west (the British islands). By 1000 AD the adjustment of the runes to the Latin alphabet had begun, and several versions are found up until the Dalrunes, about 1700-1800 AD.

Polish type designer Lukasz Dziedzic created this serif FontFont in 2010. The family has 30 weights, ranging from Light to Black in Condensed, Normal and Wide (including italics) and is ideally suited for advertising and packaging, book text, editorial and publishing, logo, branding and creative industries as well as small text. FF More provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic writing system. In 2011, FF More received the CommArts award.

Krimhilde was originally designed by Albert Auspurg and released in 1933 with the type foundry Ludwig & Mayer. The design mixes elements of German blackletter typefaces and geometric sans-serif designs, which became popular in the 1920s in the movement known as New Typography. The FDI version of Krimhilde offers both original styles (regular and bold) as “version A” with a full Latin 1 character set. “Version B” has alternative shapes for some letters to make the design more legible for people who are not familiar with the German blackletter shapes. In addition, there are optional display styles available (outline, shadow and fill), which can be used separately or together to create a chromatic layout.

Kondes is our "101 Dalmatians" – it's 101th release in our catalog! And it is the 1st one that belongs to variable typefaces. Kondes (which is made up word as mixture of "condensed" and "kondezovan" on Serbian) is simple, compact, straight-in-your-face sans serif family with 9 weights and 9 Italics. It was designed with purpose to serve and to be use in any project, from editorial to website. For example, Black weight could be used effectively as poster type, in big sizes while Regular fits perfectly as main webfont. Stem joining is done with generous ink trap that divides and opens letter contours, so letter breaths in smaller sizes. Contains extended Latin character set. Enjoy!

German type designer Yanone created this serif FontFont in 2010. The family has 8 weights, ranging from Regular to Extra Bold (including italics) and is ideally suited for advertising and packaging, editorial and publishing as well as logo, branding and creative industries. FF Amman Serif provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Arabic writing system. This FontFont is a member of the FF Amman super family, which also includes FF Amman Sans.

Drawn shortly before Jim Rimmer's passing in 2010, Loxley was designed to be used in a fine press edition of the folklore story of Robin Hood. It was named after the cited birthplace of the story's classic hero. Loxley's shapes were inspired the same early Roman faces (such as Subiaco from the late 1400s) that influenced Frederick Goudy's Aries, Franciscan and Goudry Thirty types. It exhibits the preculiarities of Jim's left-handed calligraphy, as well as his outside-the-box thinking with exit strokes and serif variations. Loxley was remastered for the latest technologies in 2013. Now it comes with a character set of over 450 glyphs, including plenty of stylistic alternates, a full compliment of f-ligatures, a Th-ligature, basic fractions, ordinals, a long s for historic setting, comprehensive class-based kerning, and extended Latin language support. 20% of this font's revenues will be donated to the Canada Type Scholarship Fund, supporting higher typography education in Canada.

The typeface LECO 1988 is another font family which belongs to LECO set. It is a display typeface, which is inspired by the title written on the bottle of lečo from 1988. Its typical features are embedded diacritics and significant black look with low contrast. Lower case is united with upper case and has several identical glyphs in both forms. Font contains alternative set of glyphs for letter „E“. Tabular numerals, superiors and inferiors and the full set of (glyphs - symbols) for languages using the Latin alphabet are also included in this font. LECO 1988 font family includes six specific styles: Regular, Blind, Gradient, Outline, Shadow and Stencil style. Those styles extend typographic options by mutual combination or overlapping, whilst every style share the identical metrics and kerning. Font format is Open Type with the support of several open type features. This typeface is suitable for creating logotypes, powerful posters or can be used as a headline display typeface.

Cigra is a standout display font that is an ode to fashion typography in present day. It's elaborate curves and unique shapes make it perfect for headings, logos & wedding invitations. Cigra is all class so if you want a stylish font that is guaranteed to draw the eye, then this is it! The alternative characters were divided into several features such as Stylistic Sets, Stylistic Alternates, Contextual Alternate, SWASH and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full What’s Included : Web Font Hundred of glyphs Alternates and Ligatures Punctional Works on PC & Mac PUA Encoded Characters - Fully accessible without additional design software. Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. Fonts include Multilingual Support Extended Latin

Fontanely is three unique blend Fonts. like dance letters, smooth, clean and simple. Fontanely are three Fonts perfect for weddings, events, invitations, companion cards, menu headers, displays, logos, blog sliders, packaging, greeting cards, etc. Fontanely includes alternate glyphs and beautiful swirls in fonts including style sets, Ligatures etc. The Open Type feature can be accessed using intelligent Open Type programs such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7 and Microsoft Word. And this Font has provided PUA unicode (custom coded font). so that all alternative characters can be easily accessed in full by a craftsman or designer. Features: Basic Latin A-Z and a-z Numbers & Punctuation Style Sets & Fasteners PUA Encode (Custom Encoded Fonts) If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Version, you can access all the alternative glyphs using Font Book (Mac) or Character Map (Windows). Using Windows Character Map with Adobe Photoshop ( PS)

Core Escher is an optical illusion type family which has two sub-families: Core Escher A and B. Core Escher A has impossible shapes inspired by the optical illusion works of artist M.C. Escher. The letterforms in this type family are structurally twisted and complicated but it looks simple because of its simple strokes. And for easy color variations, it split into two fonts, Core Escher A Left and Right. Core Escher B has a different kind of optical illusion. The letters of Core Escher B look like three dimentions by just putting thin lines on bold letters. Also B has two sub-families that have different viewpoints. Core Escher Family supports complete Basic Latin, Cyrillic, Central European, Turkish, Baltic character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. This family is really nice for book titles, headlines, logotypes and any artworks.

ST Remona Neue is a confident serif. Designed to reflect nature, it creates a sense of softness and natural expression. We pushed the concept in a usability-focused direction, to work as a bold tool and a beautiful communicator. ST Remona Neue allows for fluid designs in 3 styles. Regular, Italic, Outline and Latin based main language. The right slant advances aesthetics, brings energy and makes it suitable for modern design. The type family blends organic curves and soft repetition into strong and harmonious types. At large dot sizes you can appreciate the shape of the letters, while the same control and focus creates an even texture for small dot sizes and long reads. Fonts extend their use by providing a variety of unique language and style supports. The ST Remona Neue character set combines additional symbols, style alternatives, unique binding, and case sensitive punctuation - resulting in a stable, hardworking family ready to tackle projects of any size. Happy Designing

The Ronita is a unique Font. like dance letters, smooth, clean and simple. The Ronita is a perfect Font for weddings, events, invitations, companion cards, menu headers, displays, logos, blog sliders, packaging, greeting cards, etc. The Ronita includes alternate glyphs and beautiful swirls in fonts including style sets, Ligatures etc. The Open Type feature can be accessed using intelligent Open Type programs such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7 and Microsoft Word. And this Font has provided PUA unicode (custom coded font). so that all alternative characters can be easily accessed in full by a craftsman or designer. Features: Basic Latin AZ and az Numbers & Punctuation Style Sets & Fasteners PUA Encode (Custom Encoded Fonts) If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Version, you can access all the alternative glyphs using Font Book (Mac) or Character Map (Windows). Using Windows Character Map with Adobe Photoshop ( PS)