A revival of one of the popular wooden type fonts of the 19th century, condensed, bold, curved serifs, a very useful design for display.

FatSally is written with a broad felt-tip marker, scanned and finished by hand on screen, taking care to emphasize the typical "marker" feeling.

Corinthian is the work of Colin Brignall, a clean sans serif which was inspired by Edward Johnston's Railway Type and Eric Gill's Gill Sans.

Antique Embellishments JNL collects more vintage wood type ornaments and embellishments from the late 1800s and is a perfect companion to Antique Ornaments JNL.

Retrozoid is the first Open Type font from Pizzadude. It has got loads of different autoligs, just take a look at the preview pic!

A revival of one of the popular wooden type fonts of the 19th century, suitable for display, geometric slab serifs unbracketed, short descenders,condensed.

A revival of one of the popular wooden type fonts of the 19th century, suitable for display, short ascenders and descenders, pronounced slab serifs.

This font is a new fresh type of caligraphy hebrew font. The opentype features are much better then those are in the font market.

A decorative Barnum-like design. Great for headlines with that circus type atmosphere; will also work for Christmas, western and children's books and ads.

Fribble is a delightful, frolicking font that works equally well as text and titling. The open type extras provide additional ‘bounce’ for the font.

A playful slab-serif font. This typeface is versatile enough to be used in any type of design work, be it serious or fun.

Redrawn from an old wood type we picked up in London. The original manufacturer is unknown. We added the lowercase to increase is usefulness.

Distinctive and informal, this unusual script type style is suitable for a wide variety of display applications, particularly where a casual effect is desired.

Witches Crow is a Halloween Treat by our team. It's perfectly matches for any invitation type, and children theme, cartoon, poster, display, and comics.

Giving a stencil treatment to a classic wood type sans serif grotesk design, Wood Stencil JNL is available in both regular and oblique versions.

Distinctive and informal, this unusual script type style is suitable for a wide variety of display applications, particularly where a casual effect is desired.

Framingham JNL is a widened version of Nostrand JNL that takes on a new look quite different from the original condensed wood type design.

The influence for this font came from the Fred Africian's uppercase letter composition shapes, published in "The Art of Letter-type" album, Yerevan, 1984.

A classic sans grotesk wood type design, Final Edition JNL was modeled from actual headlines found in online examples of an old daily newspaper.

The Vekta Type System is part of a larger, interconnected grouping of 3 families: Neo, Sans and Serif. The goal was to develop a family designed along a common skeleton and matrix that would allow for interchangeable usage along a cohesive visual system. It's About The Personality. Interchange type families to be as expressive as you want to be. Let the piece you are designing constrain your usage and not the typeface.

Celdum, a modern geometric type family, constructed from a rectangular grid. Smooth, precise curves meet horizontal and vertical lines to create a monoline design with no apparent contrast. Each letter shape has unique subtleties creating a purposeful type family suited to text and branding scenarios within mobile applications, video games and other interactive software. Details include six weights with italics, 460 characters, five variations of numerals, manually edited kerning and Opentype features.

Tuscan X Condensed (whose actual name is Gothic Concave Tuscan Extra Condensed) was first produced in wood type by William H. Page & Company around 1872. The design is derived from a Gothic Condensed typeface, but with vertical stokes bowing inwards at the center. We modified the weight of the uppercase characters (since the original wood type has a lowercase much thinner than the caps) to harmonize with the lowercase when used digitally.

Vulnerable is an elegant script typeface inspired by a vintage type specimen I found some time ago at an art fair. Thin to thick contrasting lines and elegant curves make Beginta the perfect font for this type of logo and display purposes. Hope you enjoy it Feel free to contact me if you have any questions or concerns you may have and I will get back to you as soon as I can.

Booden is a name not to boo but to use in display type situations. but as texts funtion s to be read its functionality ges beyond a Cyber-tech font single weight single time use. it can be used for branding purposes or any type of editorial text because of its readability. Be it a logo, or a Title headliner, web or print booden typeface can certainly entertain your need for simple variation.

First designed for Chilean newspaper La Tercera in 2010, Acta family is a clean and fresh type system, while conservative enough for newspaper setting. The complete Acta Type System contains Acta and Acta Display, both with six weights with matching italics, Acta Symbols with an amazing collection of symbols specially designed for newspapers and magazines, and Acta Poster, a heavyweight version, elegant and eye-catching in three styles with plenty of ligatures and alternates.

Dunelm is a typeface that was inspired by the type used in an English book from 1636. The typeface used in the book was unique and the goal in creating this font was to emulate the printing feel of the 17th century. The authentic ink-blotted and imperfect feel of the letter-pressed type was preserved with care. For best effect, this font should be used at text and smaller title sizes.

First designed for chilean newspaper La Tercera in 2010, Acta family is a clean and fresh type system, while enough conservative for newspaper setting. The complete Acta Type System contains Acta and Acta Display both with six weights with matching italics; Acta Symbols with an amazing collection of symbols specially designed for newspapers and magazines and Acta Poster, a heavyweight version, elegant and eye catching in three styles with plenty of ligatures and alternates.

The name Old Style No. 7 comes from a time when foundries released a variety of typefaces under one name. Linotype produced Old Style No. 7, which was based on an early 1870s typeface from the Bruce Typefoundry, which had based its design on a type from the Scottish foundry Miller and Richards. Old Style No. 7 is a reliable text type that is serviceable for both books and shorter copy demands, such as magazines.

Introducing a new handwritten font called The Moonlight. Inspired by ball pen handwritten combine with retro (80-90's) nuance. The typeface comes with open type features such as stylistic alternates, stylistic sets, & ligatures and also support with the PUA encoded to help you make a stunning design. The Moonlight is perfect for headings, logo type, quotes, apparel design, invitations, flyer, poster, greeting cards, product packaging, book cover, printed quotes, cover album, movie, etc.

Linotype Boundaround is part of the Take Type Library, selected from the contestants of Linotype’s International Digital Type Design Contests from 1994 and 1997. German artist Christina Sachse gave her font a mystical feel. The vertical strokes meet the base line at a point and the strokes vary in their width. The lively Linotype Boundaround is suitable for shorter texts in point sizes 12 or larger and for headlines in larger point sizes.

P22 Blox is a modular system of shapes that can build letterforms and abstract patterns. Created as a working prototype for the letterpress P22 Blox project from P22 Analog and Starshaped Press, this system of shapes presents a unique approach to designing letterforms with a limited set of variables. Based on the American Type Founders 1944 modular metal type ornament system... you can have hours of fun building letters, patterns and more.

Linotype Atomatic is part of the Take Type Library, selected from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. German artist Johannes Plass designed his font in one strongly-crafted weight. Linotype Atomatic seems to mirror the fast pace and technology of modern times. The slight lean to the right gives an impression of speed and movement. Linotype Atomatic is intended exclusively for headlines in larger point sizes.

Hleba Soli Ziamli Voli typeface is a graphic discovery on title type that combines traditional poster shapes with Humanist notes from Renaissance. Hleba Soli Ziamli Voli is named after Belarus poem by Yanka Kupala and inherits some original glyph designs from Renaissance printings by Francisk Skoryna. Hleba Soli Ziamli Voli due to wide variety of weights is great for titles and posters. Cyrillic and Latin support makes the type sutable for multilingual communications.

Yaro is a modern sans serif geometric font, includes upper and lower case characters, Latin, Cyrillic, Latin Extended symbols and other. The Yaro family consists of 20 fonts, divided into 4 subgroups (according to the type of style - St, Op, Rg, Cut, Bl), and have the 4 types of thickness in each subgroup. Yaro fonts will be useful in developing a brand, creating posters and other graphic products, and for word processing.

The Vekta Type System is part of a larger, interconnected grouping of 3 families: Neo, Sans and Serif. The goal was to develop a family designed along a common skeleton and matrix that would allow for interchangeable usage along a cohesive visual system. It's About The Personality. Interchange type families to be as expressive as you want to be. Let the piece you are designing constrain your usage and not the typeface.