The appeal of Calisto as a text face lies in its very even color on the page, while its robust construction means that it can work equally well at display sizes. The slightly calligraphic treatment of letter shapes and the classical proportions give Calisto a clean elegance on the page. The Calisto font is a graceful and interesting addition to the typographer's repertoire and will prove particularly useful for book, magazine and advertising work.

As a follow-up to his popular Chocolate font, Angel Koziupa softens his brush again to produce Felipe, a font made in the memory of his brother. As packaging-friendly and versatile as any Koziupa font, Felipe contains fresh perspectives on old characters. Some of the majuscules and figures show characteristics normally reserved for minuscules. The overall color of the font is somewhat bittersweet, which adds to its ability to capture the attention in display settings. Felipe is ideal for packaging, signs, culinary-related designs, and posters.

In this modern era, sometimes being bold is not enough. Sometimes you need to go BOLDER! So here comes the Liquorstore Bolder font family, the long awaited sequel to the popular Liquorstore industrial, geometric display font. This new bolder font family features multiple styles that work on their own or as overlapping layers to create stunning multi-color typography. Chromatic layering effects are created with inline, outline, bi-line, and tri-line styles can be used together to create extra impactful words in your logos and headlines.

Say hi to “Alota” retro typeface. Inspired by 70’s design styles, a good decade where we saw many calm colors with groovy, bold, 3D and round shape. This font is very easy to use with hundreds of stylistic alternate (ss01-ss12) & powered with opentype feature. The font really bring a good statement for your logo design and can be the image of a design. Alota is very unique and easy to apply to any media; t-shirts, posters, sign boards, and social media needs.

This fontface is inspired on Argentinean classic and traditional art craft named as Fileteado Porteño. Caminito is available in 10 layered styles for compose with multi combinations and a extra of ornaments. Highly recommended to be used for colorized titles and display texts. Fileteado Porteño is a type of artistic drawing, with stylized lines and flowered, climbing plants, typically used in Buenos Aires, Argentina. It is used to adorn all kind of beloved objects: signs, taxis, lorries and even the old colectivos, Buenos Aires’s buses. Filetes (the lines in fileteado style) are usually full of colored ornaments and symmetries completed with poetic phrases, sayings and aphorisms, both humorous or roguish, emotional or philosophical. They have been part of the culture of the Porteños (inhabitants of Buenos Aires) since the beginnings of the 20th century. One of the most highlighted and recognized artists nowadays is Alfredo Genovese, who does a great job of teaching and claim this art and craft. The name Caminito reminds the emblematic and iconic Buenos Aires neighborhood immortalized by Carlos Gardel in music, in the tango.

My affection for Slab Serifs began in the early 1960s in Kansas City when Rob Roy Kelly was at the Kansas City Art Institute, teaching and writing his book on American Wood Type. I got to know him just well enough to gain access to his fabulous collection of wood type and wood type catalogs. Later, in the1970s, I tried to re-create a Nebiolo Egiziano for Roger Black at New West magazine. And again for Roger, in the 1980s, I designed a Slab Serif logo for Newsweek Magazine. Finally, in 2003, designed the Sutro Family. There were things I didn't like about it, so, over time, I’ve been adding some things and dressing it up a little. Sutro Shaded has existed for a few years as a one color, outlined, drop-shadowed display font. It seemed like it was just dying for a little color. I added five more fonts: Fill, Gradient, Hatching, Rules and HiLite. These fonts can be used in different combinations to achieve various effects. There is a downloadable SUTRO SHADED USER MANUAL PDF in the Gallery section for this family.

Senkron is composed of "normal" and a "blok" styles. Senkron ("normal") was designed as a pure and modern neo grotesk font. The anatomy of the letters are designed to achieve an equal text color. For this purpose, the legs of the letters “R” and "K" are designed with a vertical angle to prevent the white space that would occur in the middle of these letters. In the minuscule, the characteristic features of letters such as ‘a’, ‘l’, ‘t’ are concretized and legibility is supported in the text. Considerable attention has been paid to the harmony between the anatomical structures of the letters and the diacritical mark’s structure. Senkron Blok is arranged for situations which have diacritical marks overflow to leadings of the headline and headline typographical color is affected negatively from this situation. For this purpose, majuscule diacritical letters are resolved within the letter height. However, when this is done, new forms are obtained by integrated diacritical marks with letters instead of directly merging them. The idea behind this approach is to preserve the typographic value of diacritical marks and emphasize the semantic value of diacritical letters. 82 letters have been redesigned in this way.

As an ingredient of the large family of display typefaces "Moho", John Moore Type Foundry presents another variation of fonts consisting of two components: a main font Moho Sport based on a thick outline overlapping and Moho Sport Top, a counterblocks as shape or inside filler. Both typographic forms, Open Type, empty and filled complement one another to create interesting layering headlines for announcements, posters, marks or logo design, labels etc. This combination of both typefaces can still gain more interest if the forms are colored using graphic patterns, drawings or photographs. A nonoverlapping version is also available in Moho Sport Fat and your partner Moho Sport Fattop.

Schnipsl is a playful font based on handicraft letterforms. It comes with a bunch of features to give it that extra organic look. Those features include alternates for the letters A-Z and a-z, ligatures, and filled letterforms. All the features are easily activated via Opentype. The four styles of the Schnipsl family can be layered to create colorful designs that always maintain a handmade and personal look. The Schnipsl works well for logos, headlines, illustrations, or short texts.

An informal decorative sans serif was designed by Gennady Fridman and released by ParaType in 2004. Based on informal lettering. In Russian 'Zubilo' means 'Cold cutter' or 'Chisel'. Colorful letterforms seems to be cut by an amateurish but strong hand used to operate with rough metal tools, not with pen or pencil. The face is good for use in advertisements, posters and headlines, especally for comic editions and youth press. Decorative styles were added in 2011 by the same author.

Bombarda is a big gun, and surely a font named like that must have specific dimensions in order to make the text sound loud and powerful. Due to extreme thickness of basic strokes and of maximum possible serifs it will look great on the cover of a comic book, colorful splash screens of computer games as well as other applications where the title should have particular weight. The font was designed by Alexander Lubovenko and released by ParaType in 2016.

Promethium is an elegant vintage-style condensed font with lots of ornate detailing. Ideal for western, cowboy and rodeo graphics, as well as circus & carnival themes. Additionally, Promethium can trace some of its design roots to the well established Argentine graphic style known as Fileteado, as well as to Victorian poster and book arts. The stacking & layering of the 4 different versions of the font can yield a great range of eye-catching diverse looks and color schemes that can fit many purposes.

Pontiac Inline is a layered Art Deco font designed by Fanny Coulez and Julien Saurin in Paris. This finely balanced inline font can be enhanced to improve your designs and bring an unusual and modern feeling. You could change the inside color, then add a 3D or shadow effect. To do so, you can simply superimpose the elements in compatible softwares (Photoshop, Illustrator...) ; The Regular above, the Inside line below, for example. We hope you will enjoy our work. Merci beaucoup!

Sometimes the ugliest pets can be the cutest ones. And the dirtiest fonts can be the most charming ones. Like CA Smut which comes in two styles that can be stacked on top of each other. “Regular” is the shadow, while “Fill” is the filling. Create little masterpieces by playing with different colors, offset or deviating tracking. You can even try to use the “Fill” style on its own, but do so at you own risk. The spacing and kerning is optimized for the use with “Regular”, so be open minded for surprising results. If you ever had the intention to design a horror movie poster, there’s no way around CA Smut.

Introducing the display serif family for a variety of presentations. The Features of styles that each weight has will be an important reason for choosing a font family. The combination of dreamy grooves and sophisticated, sharp serifs will excite you. The psychedelic glyphs applied to some capital letters can be alternated with the classic stem forms. And the elegant and colorful transformation of italic styles will be the best inspirations for brand design. Be sure to try the Stylistic Alternates and Ligatures this family has to offer.

Balaleen arabic & latin typeface is a cute layered hand-drawn font designed by Adel Banfeel, Inspired by balloons effects, this font is easy to read, and easy to play with 5 different styles, line, solid with line, solid with effect, line with effect or mix all styles. To do so, you can simply superimpose them with a compatible software like Photoshop, then choose a color for each, making your works charming and unique. This font, finely designed for cards, book titles, headlines or any artworks.

Whisky is a blackletter font family with a casual touch that makes it look friendly and current. The stroke varies its thickness and angle endings making it form very dynamic bodies of text. The family includes seven weights, each with a fill and a inline version that allow you to develope more colorful applications overlaping them as layers. Also by using Open Type features you can access to an extended set of characters wich contains swashes and alternative endings to make more playful compositions.

The hands in this font are the pointing, counting, threatening, signaling, demonstrating and playing hands I use in my own design projects. I have drawn them all with a felt-tip marker, scanned and digitized for use in a font. This picture font is more user-friendly than having single ps-files. I usually convert the letter to paths once I have decided which one to use, because I might want to fill the lines or background with different colors. Yours very handy, Gert Wiescher.

Fresno is a two-font family. Fresno Inline and Fresno Black. Fresno Black is a recent addition. It can be used alone, and it is carefully tailored to fit behind the Inline font to add color to the inline. There are alternate characters: A, M & N in the caps and lowercase key positions. Fresno is a square gothic style typical of Mid-20th Century Showcard Lettering. A lettering genre known as “Gaspipe.” Signage samples similar to this still exist on buildings in my home town, Oakland, California. I have designed over a half dozen variations of this form over the years. Including Amboy. Golden Gate Initials, Matinee, Motel, and Hotel. Designed in 2001 by Jim Parkinson, Fresno has recently been refreshed, enhanced, and re-released.

Amboy is a two-font family. Amboy Inline and Amboy Black. Amboy Black is a recent addition. It can be used alone, but it is carefully tailored to fit behind the Inline font to add color to the inline. There are alternate characters: A, M & N in the caps and lowercase key positions. Amboy is a square gothic style typical of Mid-20th Century Showcard Lettering. A lettering genre known as “Gaspipe.” Signage samples similar to this still exist on buildings in my home town, Oakland, California. I have designed over a half dozen variations of this form over the years. Including Golden Gate Initials, Matinee, Motel, Hotel and Fresno. Designed in 2001 by Jim Parkinson, Amboy has been refreshed, enhanced, and re-released.

Meet Greenleaf, a display family that blends elegant art deco details, extensive linguistic support, and technically innovative features to create a bold impression that’s ideal for branding, signage, packaging, invitations, and so much more. Greenleaf’s “Pro” fonts support over three hundred sixty languages to reach the broadest possible audience. Meanwhile, its decorative companions expand the family’s expressive potential. They effortlessly create banners, chains, frames, and patterns — and include chromatic fonts which can be set in two colors without layers or special design software. Download the user guide to see Greenleaf’s many features and discover how the fonts actively help you take advantage of all they have to offer. Enjoy! Greenleaf is a trademark of Charles Gibbons / Oddsorts and may be registered in certain jurisdictions.

A tessellation is a shape that can be used to completely fill the plane—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations. These Tessie fonts have two family members, a solid style that must have different colors when used and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. Shapes that tessellate and also resemble real-world objects are often called Escher-like tessellations. This typeface contains Escher-like tessellations of birds. A number of years ago I decided to see how many of the 28 Heesch types of tessellations I could use to make birds standing on the backs of other birds. I found standing bird patterns for all 17 of the types that had either translated or glided edges. The TessieStandingBirds typefaces contain the standing-bird shapes that I discovered. At first glance they seem to be quite similar, but small differences matter in how they fit together. Most of the patterns require more than one character. The sample file here shows how pieces fit together to give tessellating patterns. (Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns.)

The handprinted Geometrix font family is an alternative to the usual distressed typeface. Rather than drawing on a sans-serif style and tearing it to shreds, Geometrix provides an intresting and compelling set of shapes which ties into a nice worn effect. The Geometrix font family consists of two fonts; Geometrix and Geometrix Nero. Geometrix and Geometrix Nero can be used together to create a fill for Geometrix's letters, by layering Geometrix above a differently coloured Geometrix Nero in your image editor of choice.

William Caslon established the first major English typefoundry, re-creating earlier Dutch designs with excellent craftsmanship, color and rhythm. Caslon Old Face is one of many faithful revivals; the original matrices (from many hands; the lowercase of the 48 point is Moxon’s 1669 Great Canon) survive at Stephenson Blake. George Ostrochulski adapted this design for photocomposition at Mergenthaler with skill and understanding.

It seems black crayons are out of stock where I live. I can buy all the colors I want, except black ones… I really needed a crayon, so I bought this ridiculously expensive professional marker crayon ($14 for 1!!!) and created this font. Use it for… well, uhm, dunno… book covers, product packaging and restaurant menus? Just have a ball!

A font inspired from Henri Matisse’s cutouts and color palette. The font was created from outlining forms without being constrained by any reason or rational proportions. It has a deliberately disorienting and unsettling tone. Tension exists throughout sometimes clear and abrupt lines, creating a vibrant and rebellious font. It’s best used for short and bold headlines or titles. This font shouts attention.

Los Niches is a stylized sans serif typeface that combines modern, monoline characters with strokes and loops reminiscent of manuscript lettering. With a consistant, harmonious style Los Niches takes on a youthful flair when presented in bright colors, but is elegant and contemporary when dressed all in black. The flexible personality of Los Niches makes it ideal for catalogs, magazines or product packaging.

The FTMilky Serif is a lovely classic serif font family. The mix of modern and vintage elements results in an elegant design. The different weights give you a variety of options for determining the best typographic color for your project. The available Ligatures and Italic styles provide a variety of different characters that give your project design an unique shape.

Luxgard Steel is an unique vintage color gradient vector SVG font created for such areas as Media & Entertainment, Food & Drinks, Clothes, Music, Games & Applications, etc. with Multilingual support. Well use in vintage labels, headers & titles, Posters, Street Signs and other Outdoor, Package Design. Luxgard Steel is derivative from Luxgard Layered font (it is also cool and flexible): https://www.myfonts.com/collections/luxgard-font-tadiar

Glotona's Black & White are four modernist typographies written by hand and combinable with each other by layers to create multi-colored typographic headlines. Glotona is my tribute to Bodoni fonts, revolutionary fonts when they appeared in the S XVIII and still in force today. The great contrast between antlers, give foot to the design maintaining the elegance of the modernist typefaces, the manual writing and the roundness of the serif and antlers bring freshness and empathy, the careful configuration of the kerning and the proportions give maximum readability to these fonts.

Bitblox fonts are based on the lettering created for Glyfyx’ eponymous wooden alphabet blocks. The characters are inspired by the low-res bitmap lettering seen on early generation computer devices. The Bitblox family consists of eight pixelated fonts, including a trio of styles that stack up to create a colorful, dimensional effect. An extensive multi-styled dingbat collection is also included. The Bitblox lettering was designed by James Beall with PSY/OPS Type Foundry, for Glyfyx Inc.

Glycerin™ is a contemporary geo-humanist sans offering excellent legibility and powerful personality. It is a fully equiped text type family, well proportioned, uniform in color, featuring beautiful true italics. It is great for paragraph text, while heavy weights create unique and powerful display scenarios. The upright family has an alternate stylistic set that creates a more geometric and minimalist effect. Glycerin is a text sibling to the very modern, high-contrast display typeface Gigafly™.

MuskitoCaps is a Tuscan (split-serif) font that is rather narrow and a bit awkward. It is caps only, though the lower case differs from the upper case(the lower case lacks the mid-stem spike). The family has three styles, plain, shadowed, and shadowinside. The last has the same shapes as the plain style but has the spacing of the shadowed style so it can be layered with the shadowed style to easily produce bi-colored lettering.

Funky Retrovy is a groovy and energetic font that perfectly captures the essence of retro nostalgia. With its funky and whimsical letterforms, this typeface exudes a vibrant and carefree spirit reminiscent of the colorful era it celebrates. Each letter boasts bold and playful curves, inspired by the iconic designs of the past. Funky Retrovy adds a touch of fun and funkiness to any project, making it ideal for eye-catching posters, vibrant branding, and retro-themed party invitations.

Argonautica is based on a relict of the future that was left on earth by time-travelling extra-terrestrials. In 1947, an UFO crashed in the New Mexico desert. There were unknown glyphs found on the spaceship which couldn�t be deciphered to date. Based on one of the unknown glyphs, Gabriele Lindemann developed a complete alphabet readable for human beings. Argonautica is particularly suited for colored typography and can be read much better with growing distance.

Lalalo is a casual, modern sans-serif font family based on hand-lettering. It's oval letter shapes provide soft and friendly appearance. Lalalo font is very legible with a warm touch perfectly suited for children books. Lalalo family consists of 6 weights ( Extra Light, Light, Regular, Semibold, Bold, ExtraBold). You can use it with normal fill or outlined. You can mix various colors and stroke widths to gain interesting results. There is also a set of nice frames available.

Franz Kafka’s manuscripts have always been a source of inspiration for designer Julia Sysmäläinen. At first she was just interested in literary aspects but later she noticed that content and visual form can not be separated in the work of this ingenious writer. Analyzing Kafka’s handwriting at the Berlin National Library, Julia was inspired to design the typeface FF Mister – by now a well known classic. Over the years, FF Mister K became a handsome typeface family and even produced offspring: the Josef K Patterns. Some of Kafka’s most expressive letterforms were the starting point for these decorative ornaments. How do the Patterns work? Outlines and fillings correspond to the uppercase and the lowercase letters on your keyboard. You can use them separately or layer them on top of each other. If you write a line of “pattern-text” in lowercase and repeat it underneath in uppercase you get a row of fillings followed by a row of outlines. Now you can color them and then set line space = 0 to get a single line of layered colored ornaments. Alternatively, activating OpenType / stylistic set / stylistic alternates will also unite the two lines to a single layered line. Further magic can be done with OpenType / contextual alternates turned on. On the gallery page of this font family is a downloadable Josef K Patterns.pdf with an alphabetical overview of forms. Hundreds of patterns are possible … we’d love to see some of yours and present them here on the website!

Modesto Initials had existed as a single font for several years. I recently added a fill font to put color in the Inlines. The Inline font still works by itself. The Fill font works alone too, as an ultra Modesto on steroids. They work best together. Modesto is a loose-knit family based on a signpainters lettering style popular in the late-19th and early-20th centuries. It evolved from the lettering I used for the Ringling Bros. and Barnum & Bailey Circus Logo. The Modesto family was not planned. It just happened, a few fonts at a time over about fifteen years. In 2014 seven new Italic fonts and two Chromatic families were added. There is a downloadable MODESTO USER MANUAL PDF in the Gallery section for this family.

The Waratah flower is the the emblem of the State of New South Wales, Australia and is unique in its color and design. So too is this new contemporary sans serif typeface that bears its name. With a warmth and friendliness that echoes its origin Waratah Gothic is at home in both text and display and has potential to become a font family with a variety of weights and italics. For corporate, packaging or simple one-line display settings Waratah Gothic is sure to please. Waratah Gothic features a generous x-height and subtle rounding on alternate terminals providing a softness that makes for easy reading.

UXB Stencil and its companion UXB Spray contain both the stencil and the sprayed letters in two fonts. The font is a headline display uppercase only character set, which is duplicated in the lowercase keys, identical in form (except for an alternate “Z”). No need to remember to hit the caps lock, the font will work with lowercase key strokes. UXB Spray is also a headline display uppercase only character set but, includes a few “drip” characters (find them in the lowercase key positions) these apply when you have held the spraycan over the stencil too long and made a mess. Use separately or together for a maximum design explosion. The fonts used together with color can create many nice design effects- by offsetting characters and putting one font in front of the other for a second effect. UXB it’s an emergency.