A techy, sci-fi condensed typeface that is inspired by the mixture of futuristic and athletic vibes into one out of this world headline typeface. This headline font best fits in large scale design when you want to immediately capture the attention of the viewers. This also fits with school-related, athletics, sports, future and science themed designs. *This font includes letters, numbers, multi-language, and all essential marks needed.

Decima Mono Round – another addition to the Decima fonts family. Decima Mono Round is a modern monospaced condensed sans serif family with classic geometric design, built in three weights and six styles. The letterforms in roman style are techno (engineered) in appearance, while italics remind one of elegant handwriting balanced with Roman geometry. The typeface is released in OpenType format with extended support for most Latin languages, as well as Cyrillic.

Lituora is a condensed classic sans serif font. With bold contrast stroke, fun character. To give you an extra creative work. Lituora font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Lituora font. Cheers, Maulana Creative

The cover title for the July, 1935 issue of Harper’s Bazaar magazine was hand lettered in a condensed, squared slab serif design with a few stylized characters. This is now available as Stylish Title JNL, in both regular and oblique versions. For many years, each issue of the magazine had its title rendered in different type styles; offering many unique variations to coincide with that month’s cover art.

Double Pivot , a condensed sport inspired Regular, Low, & Mix typeface. Double Pivot has six Style with sans serif and matching italics. This typeface has a clean and athletic look, glyphs and extensive Latin script support. Double Pivot is bold, vibrant with sharp sans serifs and competitive appearance, therefore excellent to use for headers, logos, captions and posters, especially for the sports branding industry, but just as good for any other projects.

This typeface is inspired by 60s and 70s Chilean murals and posters artwork. On the walls, big and heavy letterforms were presented pictorially for political propaganda. Muralista is a low contrast condensed typeface, similar to classic forms of the early nineteenth century humanist grotesque. The sinuous, rounded and asymmetric terminations remind us the artist’s brush strokes. This typeface is ideal for editorial sentences and logo designs. Designed by Jorge Cisterna.

Macbeth is a heavy, condensed Art Deco-style typeface from Linotype. Macbeth includes some particularly noteworthy diagonal elements -- these enliven the design and give typeface its overall character. Macbeth should be used for music-oriented applications, or anything that is both reminiscent of the early 20th Century and a bit spooky. The letters in Macbeth are quite similar to display style found on Frankenstein posters, and those of other early films.

Aristelle Family is a beautiful, hand-lettered script that was created using Leonardt III EF nib. Aristelle Script is full of OpenType features such as initial and terminal swashes, ligatures, and ornaments and is best used in an OpenType-aware software. Aristelle Sans and Sans Condensed are well additions to the Aristelle Script and all three fonts shall help you create organic, stylish, and full-of-character designs.

Presenting Running Back , a condensed sport inspired upper and lowercase typeface. Running Back has five Style with sans serif and matching italics. This typeface has a clean and athletic look, glyphs and extensive Latin support. Running Back is bold, vibrant with sharp sans serifs and competitive appearance, therefore excellent to use for headers, logos, captions and posters, especially for the sports branding industry, but just as good for any other projects.

Molecula is grotesque sans serif of slightly condensed proportions and humanist-grotesk features. The family features 9 weights from Thin to Black, each of which has an italic. The character set is robust, covering extended latin. All completely equipped with opentype features, alternative glyphs, fractions, lining numbers, small caps, subscript and superscript. Molecula has been designed for advertising, branding, packaging or anywhere a clean and contemporary voice is needed.

Birmingham New Street is the latest updated development of a typeface family inspired by the hand lettered title on a 19th century railway map. The map, prepared by the London and North Western Railway was headed "Birmingham and environs". New Street, meanwhile is the great 19th century commercial road linking the city centre of Birmingham with the train station of the same name. So, in a spirit of 19th century enterprise, we present "Birmingham New Street", a fun family of three display faces, laden with open type features and late Victorian charm, ideal for posters, book covers and any other high flown design you might have in mind.

La plupart des fontes “script” tentent de reproduire l’écriture humaine et se heurtent au problème suivant: la lettre tracée à la main n’a pas la méme forme suivant la lettre qui la précède ou celle qui la suit, ou suivant sa position au début ou à la fin du mot. La fonte “delicate” résoud ce problème grâce à la récente technologie OpenType, et propose de nombreuses ligatures - des groupes de lettres pré-dessinés - qui permettent toutes les combinaisons fondamentales. Ainsi, “delicate” n’est-elle pas seulement élégante et calligraphique, mais également fluide et énergique. Pour profiter au maximum de cette police, veuillez activer les fonctions OpenType de votre logiciel.

Park Avenue Park Avenue was designed by R.E. Smith in 1933 for American Type Founders. Park Avenue is an elegant and light script with freely drawn capitals. Park Avenues pen-drawn quality is particularly evident in the lowercase. The ascenders and descenders of this script font are long; the ascenders are bent-over at the top. Park Avenue has a small 'x' height with tall ascenders, giving the face a refined, elegant appearance. The full elegance and lightness of Park Avenue are only apparent when combining upper and lowercase. It would be worthwhile trying this script in display sizes, for personal messages, invitations, business cards and greetings cards.

Asteric Vintage is a retro-vintage font family with an amazing set of ornaments. It comes in 3 different styles: Regular, Rough, Display, and also presents 26 beautiful and luxurious ornaments . The Rough Style has a characteristic that resembles rust on each character, thus creating results that seem strong and hard. The Display Style is very suitable for display, every work created with it becomes luxurious, wrapped in a classic atmosphere. The Regular Style is a style that has a clean character but still carries a classic scent that is thick and unique. This style is very suitable for use in magazines, books, newspapers, etc.

After researching the type styles contemporary graphic designers have been using over the past few years, I noticed a consistent use of Copperplate Gothic, and its derivative designs, for various corporate advertising campaigns. That level of usage gave me the inspiration to design a display font possessing subtle characteristics of Copperplate Gothic, and various Latin Condensed designs. The font I ended up designing was semi-condensed, with more contrast between thicks and thins than in Copperplate. Baltra also has a subtle flair in its otherwise traditional lowercase, while possessing a larger than average lowercase x-height. Copperplate Gothic, on the other hand, has minimal contrast and uses small capitals for its lowercase. After examining extensive type specimens from wood type, metal type, phototype and digital type, I was not able to find a single design possessing a majority of Baltra's characteristics. Consequently, I consider Baltra to be a truly unique design, sharing with Copperplate Gothic only its flairs on stems, and having only subtle characteristics in common with traditional Latin designs.

Gilam is a sans serif font with semi-condensed proportions. The typeface was based on the famous DIN but combines its popular neo-grotesque look with characteristics, such as the pointed edges in the “W” and “M” as well as the outward cut terminals, which gives a distinctive look to the modern geometric typeface. The complete set of 9 weights plus italics gives to designers the absolute freedom to create anything. Perfect layouts with blocks of text, headlines, motion graphics, logos, apps, and websites are just part of the intended usage of this versatile typeface. Features: • 765 glyphs in 18 styles; • Extended Latin, Cyrillic and Greek; • Geometric forms and low contrast; • Prominent x-height which makes it legible in a text; • Perfect for headlines and logos; • Suitable for web, print, motion graphics etc. • Semi-condensed proportion; • Advanced typographical support and OpenType features including case-sensitive forms, fractions, superscript and subscript characters, and stylistic alternates; • Complete set of figures - old style and lining figures, which come with proportional and tabular variation; Gilam means “joy of people” so that you can enjoy it!

Always is an elegant script font in six styles. Always makes full use of extravagant ascenders and descenders, giving the font a generous, opulent appearance. To use the font to its best advantage, we suggest that the user allows a generous line spacing. (For example: use multiple line spacing of no less than 1.3 when using the MS Word application). Always comes in six styles, condensed light, light, condensed regular, regular, black and fat, giving the user enough variety for all possible uses. Use a combination of styles for product branding, book covers, greeting cards, wedding media, women’s advertising media. The Always combination will enable you to use different styles of the same font for headings, sub-headings and body text. Always makes use of OpenType features and includes a number of automatic and discretionary ligatures, giving the font a varied, handwritten effect. Always contains over 283 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present) as well as characters for ligatures and alternate characters. It has all the accented characters used in the major European languages.

Introducing Ateknov, a retro condensed font that embodies classic elegance. This font is perfect for designers looking for a touch of nostalgia in their work. Ateknov features a clean and polished design with sharp edges and a condensed appearance that makes it a great choice for headlines, logos, and branding. Ateknov comes equipped with alternate characters and ligatures, each with a unique and beautiful design that adds depth and character to your projects. The font also supports multilingual characters, making it accessible to a global audience. Whether you’re creating a vintage-inspired design or a modern twist on a classic aesthetic, Ateknov is a versatile font that will elevate your work to the next level. Download it today and start exploring the possibilities. What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

The first typeface developed by Latinotype Team. Corporative is a semi serif font that has a marked personality and distinctive traits, what makes it suitable to be used at large text sizes.Since it is a condensed font, it can also be used in smaller sizes. Corporative and Corporative Sans come with the Latinotype’s standard set of 350 characters, making it possible to use the font in 128 different languages. Corporative provides users with a wide range of characters, weights and widths for every project. By combining different variants,designers can achieve the best results. The family consists of 64 fonts: a basic family that includes 8 weights plus italics, an alternative family of 8 weights with matching italics and 2 condensed families, one regular and one alternative, both with italics. Latinotype has added new faces to its team. Latinotype Team nowcomprises: Javier Quintana, César Araya, Bruno Jara, Luciano Vergara and DanielHernández. Corporative was created by Latinotype Team and developed by Javier Quintana and César Araya, under the supervision of Luciano Vergara, Miguel Hernández and Daniel Hernández.

Corporative Sans typeface is developed by Latinotype Team. Corporative Sans is the new version of Corporative. This font has a marked personality and distinctive traits, what makes it suitable to be used at large text sizes. Since it is a condensed font, it can also be used in smaller sizes. Corporative comes with the Latinotype’s standard set of 350 characters, making it possible to use the font in 128 different languages. Corporative provides users with a wide range of characters, weights and widths for every project. By combining different variants, designers can achieve the best results. The family consists of 64 fonts: a basic family that includes 8 weights plus italics, an alternative family of 8 weights with matching italics and 2 condensed families, one regular and one alternative, both with italics. Latinotype has added new faces to its team. Latinotype Team now comprises: Rodrigo Fuenzalida, César Araya, Bruno Jara, Luciano Vergara and Daniel Hernández. Corporative was created by Latinotype Team and developed by Javier Quintana, Rodrigo Fuenzalida and César Araya, under the supervision of Luciano Vergara and Daniel Hernández.

A strong, horizontal sans serif typeface. The letterforms distinct lateral emphasis combined with condensed proportions helps improve readability and use of space across layouts. Ideally suited for a wide range of modern applications, details include 9 weights with italics, 540 characters, 5 variations of numerals, manually edited kerning and Opentype features.

HEROES a condensed sans serif font. It has a elegant, classy look and modern. It’s a great font for fashion, Ligature Feature Opentype, apparel projects, signature, album cover, logo, branding, magazine, social media, & advertisements. What's include: Ligature PUA Encoded Characters - Fully accessible without additional design software. Basic Latin Language Support (AÀÁÂÃÄÅCÇDÐEÈÉÊËIÌÍÎÏÑOØÒÓÔÕÖUÙÜÚÛWYÝŸÆß )

The sheet music cover of Lew Brown and Albert Von Tilzer's 1917 wartime song "Au Revoir, But Not Goodbye (Soldier Boy)" had its title hand-lettered in a condensed sans serif design with the influence of Art Nouveau styling. This has now been re-drawn digitally as See You Later JNL.

Introducing MBF Avturo, a square, condensed, modern, minimalist typeface that redefines versatility. Clean lines and a sleek design make it an eye-catcher, while its three weights – light, regular, and bold – offer a spectrum of possibilities for your creative endeavors. Elevate your projects with MBF Avturo’s contemporary charm and minimalist sophistication.

Power Display Inspired by Fun cartoon style combined with modern style. This Playful Font Comes In Three Widths; Condensed, Normal, Expanded. This Font Can Be Used For Modern And Vintage Designs, Also Can Be Easily Paired With Some Graphic Elements (Illustration, Photography) This Font Perfect For, Logotype, Branding, Title, And Packaging.

The 1955 British edition of the sheet music for Frank Sinatra's hit "I'm Walking Behind You" had its title hand lettered in a sans serif design straight out of the Art Deco era. This bold, condensed type style is now available as Top Tune JNL; in both regular and oblique versions.

Inspired by Typoart’s Minima, Tablica which comes in three styles - Regular, Italic, Bold - fills ideally narrow columns, charts and tables. Since all numerals are monospaced, you can sum up all numbers of a table. Though this is a condensed sans serif family, it offers a high legibility even in small degrees.

Here's another example from the William H. Page Company, originally called French Clarendon XXX Condensed No. 117. This version dials up the contrast, making it suitable for tight headlines in large sizes. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Pink is the work of British designer Timothy Donaldson, a sans serif in a style typical of the 1990s. Capitals are slightly condensed and feature unusual variations in stroke widths and the lowercase has an even more irregular stroke pattern, yet an even texture is produced when used in word settings.

He's heavy! He's huge! He's PONDEROUS! Regular & outlined hand drawn upper case display font for maximum impact headlines - or make your text dance combining the different sizes & variants of the font - Regular, Condensed & Expanded! Lowercase letters hold slightly altered versions of the uppercase letters for a trustworthy and hand drawn look!

Alpaim is a minimalist sans serif font. Uniform characters and sharp geometric features create light modular sensation. Architectural nature of this font is perfectly suited for display use, graphic design, branding and even technical lettering. Originally designed in thin condensed version, now includes weight and width variation, Latin diacritics and Hebrew.

Hadfield font is the work of British designer Martin Wait, an understated calligraphic typeface with its own unique look. The capitals should be used as initials and both they and the lowercase forms are condensed. Hadfield is a legible and refined font perfect for anything requiring an elegant, upscale look.

Maxwell Slab is a clean condensed slab serif typeface. It comes in regular and small caps versions, includes custom italics, stylistic alternatives, letter style variations, discretionary ligatures and multiple languages; Cyrillic, Greek, Latin and other Western and Central European languages and works either as a headline font or paragraph text.

Lemonlove is a condensed display font. This font come with modern themes. It matches applies in some designs such as the logotype, brand, packaging, quotes, t-shirt, cover book and more custom design. Features: Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Performer JNL, is a typeface re-drawn from condensed hand lettering found on a piece of vintage sheet music. Fairly basic in style, there are still some hints of the Art Deco influence that permeated the 1930s and 1940s art, design and typography. Available in both regular and oblique versions.

Bokarms slab is a condensed font with a distinct look. Created for the design of martial arts clubs and boxing galas. Perfect for promotional projects of all sports disciplines, giving an academic character. It will also work as a universal typeface for promotional poster designs, branding, logo design, and clothing branding.

Iron Thunder is an unique condensed display font inspired by thunderbolt. You can use this font in retro, vintage, and hipster designs. This font is perfect for a variety of projects, such as branding, poster displays, logo designs, magazines, headlines, stickers, and more.This font also has alternate and ligature features

Originally issued by the Palmer and Rey Type Foundry of San Francisco in 1884, this typeface bore the name Octagon Condensed, and is as fresh today as it was way back when. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Introductory Klose Slab Another Vintage Typeface from Studio Sun (SUN014) for your Fonts collection. Klose comes with 4 style (condensed, normal, semi expanded, and expanded) also available in Variable Font format (for customize widths). Perfect for logotype, head text, displayed text, and many more). Klose support more 75 language (Latin pro).