Dabi is a bold sans serif type family of three weights plus matching italics. It is suitable for logos, titles, posters, etc. Made from a compilation of all his design projects.

Alarionsa - font with straight horizontal serifs, vertical serifs have a slight angle of inclination. Lowercase letters are designed with somewhat inflated x-height. Perfect for both creating headlines and regular text.

JoyRider is an 8-font family consisting of 4 weights with italics. Its bold appearance is strongly influenced by motor racing and the fast car modification culture, hence the name JoyRider.

Adept Sans is a rounded, modern and clean font that make it suited for small text to high-impact headlines. The family contains six fonts, 3 weights and its matching italics.

The complete family contains 18 weights. Kole family is ideally suited for signage, packaging, brand identity, software, editorial design, as well as web and screen design. Perfectly for headlines and logotypes.

JH Roy is an Arabic handwriting Naskh typeface, including two weights; it is typical for long running text, headlines, branding & signage... The diacritic positioning is fine tuned per the publishers requirements.

Heretic surrounds itself with an atmosphere of evil, carnival freakshow and no-nonsense thuggery. Mix the black and condensed weights of this octagonal blackletter together for more interesting, yet disconcerting results.

The Bipolar Poster family of fonts adds extra weight and width to the Bipolar family to fonts. A mechanical blackletter enhancing readability while retaining ornamentation elements of the historical blackletter form.

Planta is a bold sans serif with inverted contrast. It was inspired by brutalist architecture. One weight only, 4 widths and more than 350 glyphs. Planta supports most latin based languages.

National Champion is the overly confident geometric slab that comes in four weights and twelve line styles. He's got a 3/4 cap lowercase, lots of language options, and opentype fractions!

Dina Stencil is geometric sans serif stencil typeface, an addition to Dina family. Dina Stencil consists of two styles (weights)—regular and bold. The typeface recommended for use in display sizes.

Acta Variable is a clean and fresh type system that remains conservative enough for newspaper setting. The complete Acta Variable allows the possibility to modify the Weight and Optical size axis.

Casual and sugary, Candykitchen is an inline face with a weight problem. Frosted with occasional swashy finishing strokes and a few errant bulbous terminals, this face wants space in your cupboard.

Techla is a futuristic/science fiction typeface in several weights and styles. Techla also comes with stylistic alternatives on several letters. Included: Techla Regular Techla includes multilingual support , numbers and punctuation.

ATF Alternate Gothic is a new, significant digital expansion of Morris Fuller Benton’s classic 1903 type design. Originally available in one bold weight, the metal typeface came in three slightly different widths for flexibility in copy-fitting layouts.  ATF Alternate Gothic has impact at any size. Its letterforms are instantly familiar: Benton’s original metal type family was used throughout the 20th century in newspapers, magazines, and advertising, providing “strong and effective display” in a compact space. Monotype issued its own metal version for machine typesetting, and Alternate Gothic likely served as inspiration for Linotype’s ubiquitous Trade Gothic® Bold and Bold Condensed. ATF Alternate Gothic expands on the characteristics that perhaps made Trade Gothic so popular, providing a wider range of weights and widths to address the needs of today’s designers and technologies. The space-saving clarity of ATF Alternate Gothic brings readability to the world of advertising typefaces. With its finely graded range of ten weights, with four widths of each weight (40 fonts total), this extensive type family can be used to pack a lot into a narrow space, and the range makes it easy to create variations of an advertisement or announcement for different formats and media. The tall x-height and narrow proportions, combined with a relatively low waist and springy, tension-filled forms, make ATF Alternate Gothic strong and effective in display. All ten weights have been carefully spaced for readability, caps and lowercase work well together, while attention-grabbing all-caps settings are clear and never crowded, no matter how narrow.

Bold mutant light typography. Futuristic astroluxtype. Digital pixels and hex head wrenches from the toolbox were the influence for this font. Hexxes Light and Hexxes Bold are a minimal font set that includes upper and lowercase letterforms which can be used at various sizes but, we consider it to be a headline/display font, best applied larger than 24 points in size.

Vanilla Cream this beautiful handwritten font duo, is light and elegant and light, they go well together and complement each other, it looks amazing on wedding invitations, thank you cards, quotes, greeting cards, logos, t-shirts, business cards and any other design that needs a handwritten touch. This font is easy to use, has OpenType features, and supports PUA encoding.

Hermist - Elegant Serif Font by Sans and Sons Meet our Elegant Serif Font Duo – Extra Light and Italic. The Extra Light variant radiates timeless charm with delicate strokes, while the Italic adds a creative touch with its gentle slant. Together, they bring a natural, graceful beauty to your messages. With Elegant Style this is perfect for branding, logos, invitation, masterheads and more.

Proudly Introducing, Biomorph! Biomorph is a brand new condensed sans font family released by us. This font is very suitable for your projects especially for brandingm publishing, titles, book, magazine, website, etc. Biomorph is font family that comes from thin, extra light, light, regular, medium, semibold, and bold version, with all of these styles gives yoiu freedom to design as you like!

Introducing a vintage Japanese style all caps font named Tokugawa. This font was inspired by Japanese hieroglyphs. All available characters you can see at the screenshots. This font has six styles: Regular, Shadow, Light, Aged, Shadow FX and Light FX. This font will look good on any retro and Japanese styled designs like a poster, T-shirt, label, logo, etc.

Goldie Sans is a clean sans serif that is perfect for logos, quotes, long-form copy, and more. Both uppercase and lowercase are included in light and bold, but I am particularly fond of using it as an all caps font for logos, headlines, and short quotes. INCLUDED uppercase letters lowercase letters numbers & punctuation light and bold fonts foreign language characters

FECKTOR - MODULAR TYPEFACE Fecktor is a decorative typeface made for display needs, headlines, logos etc. Made with minimalism inspired by the shape of butterfly wings combined with modular to produce a modern Art deco impression and style. Fecktor has 8 variations ( light, regular, bold, solid, extended light, extended regular, extended bold and extended solid ) equipped with uppercase, lowercase, numbers and some symbols

www.Stat-Type.com Complementary Type Family Stat Display Pro Stat Text Pro is an information design sans serif type family which was developed as a complementary to Stat Display Pro. Stat Text Pro retains many characteristics of its display counterpart, while giving readability a greater importance. It has simpler letter shape details which enable it to accomplish a constant rhythm whiles being read. Its main intended use is to accompany Stat Display Pro in places where longer passages of text are needed. In this way the visual character of the composition is retained and at the same time readability of text is given attention. As its display counterpart it has a large character set with multiple weights, which are defined by optimal size ratio, wide aperture and balanced counters. It contains nearly 700 glyphs, including diacritics, ligatures, small caps, old–style figures, arrows and more. This enables it to achieve wide language support. It consists of four weights (Light, Regular, Medium, Bold) which are accompanied by their corresponding obliques. Stat Text Pro type family has higher than average x height (72% of cap height) which is accompanied by matching ascender and descender size ratios. The development of the type family was based on research in legibility to achieve highly legible letter shapes, while not diminishing their visual character. A detailed description of Stat Pro type family is available at Stat-Type.com where a DEMO font can be downloaded.

Buntype’s new Bunday™ Sans Font Family consists of four main states with different moods: the crisp and distinctive sans, the cute script styled upright and the matching italics (these upright styles are currently not available). All states of Bunday™ Sans share the same contemporary, clear and open base forms and create a space-saving and homogeneous text colour. Despite the fact that the overall width is space-saving or narrow, Bunday™ Sans offers good legibility. The font was manually hinted and contains extensive handcrafted kerning tables to ensure perfect appearance in all media.  Bunday™ Sans ships with 9 standard, 9 upright italic, 16 italic styles from a considerable thin “Hair” to a pretty fat “Heavy” weight. It supports at least 99 languages and provides OpenType® features for ligatures, alternative glyphs, localised forms and more.  Please take a look at the other members of the Bunday superfamily: Bunday™ Clean Bunday™ Slab Further information: Bunday Sans Specimen PDF Bunday Sans OpenType® Quickguide Feature Summary: 9 weights: Hair, Light, Thin, SemiLight, Regular, SemiBold, Bold, ExtraBold and Heavy 4 Moods: Sans, Upright, Sans Italic and Upright Italic Overall width: Narrow or Space-Saving Advanced “f” ligature set* “s” and “c” ligatures* Alternates Characters: a, ç, e, f, g, l, t, y and more* Capital German Esszett* Supports at least 99 Languages * Available only in applications with advanced OpenType® support

Polar is a sans-serif grotesk with characteristic ink traps and rounded vertexes. Polar is a variable font. It is versatile, modern, elegant and neutral. It can be displayed in a range from 200 to 900 in its weight axe to play many different roles. The font has 5 predefined instances, Thin Display, Light, Regular, Bold and Heavy Display, in two styles, regular & italic, with 716 glyphs each of them. Polar has 25 OpenType features such as ligatures, fractions, stylistic alternates, localized forms, old-style figures, etc. It can be suitable for long texts. It also works great as a perfect display font for all caps headings, especially with its thin and heavy weight variants. Polar covers Latin, Central European characters & supports 101 languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Igbo, Inari, Sami, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Koyraboro Senni, Koyra Chiini, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, Northern Sami, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish, Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss, German, Taita, Tasawaq, Teso, Turkish, Upper, Sorbian, Uzbek (Latin), Vietnamese, Volapük, Vunjo, Walser, Welsh, Western Frisian, Yoruba, Zarma, Zulu.

Introducing "AZN Knuckles Varsity" font by AthayaDZN. Revolutionizing a varsity slab serif, combining sharp and rounded edges, angled serif, and a variety of weights, fitting it into the modern scene. Equipped with 3 styles ( Defined, Regular, Stencil ) Use the Defined version if you are aiming for that slab serif look, just like the name suggested, it defines the modernized slab serif on each letter, giving it that retro look yet still in the modern scene. Especially on the light weight of this version, the slab serif is really prominent. Use the Regular Version if you are aiming for any type of design that you see this font fits especially the modern scene, just like how it's advertised. Use the Stencil version if you are aiming to make a statement, my favorite one is the Bold and Italic version of the Stencil if I was to make a statement, just like the preview where it says "Anarchy", the separated shapes of the letter combined with it's bold and slanted shape is perfect to make a strong statement. Language Support : Afrikaans, Albanian, Danish, Dutch, English, Estonian, Filipino, Finnish, French, Galician, Indonesian, Irish, Italian, Luxembourgish, Norwegian, Portuguese, Romansh, Scottish Gaelic, Spanish, Swedish, Swiss German, Uzbek (Latin). And that's it for this font, thank you for purchasing the product, I wish you success on your projects. Please enjoy the font and let me know if you needed any help or if you have any questions -Athaya twitter.com/Athaya_DZN behance.net/athayadzn

The lifetime of Lorenzo de Medici (1449-1492) coincides with the rise of metal type as it displaced broad pen calligraphy for the production of books. This revolution marked the end of formal Western calligraphy, as the industry employed metalworkers who designed type according to geometric measurement while calligraphers were forced to become secretaries who practiced handwriting systems. Renaissance Florence should have witnessed the marriage of calligraphy and typography, just as all the other arts and sciences flourished as classical learning was applied to technical advances; but the metalworkers and geometricians measured, dissected and recast the calligraphic letters by crude indirect methods, and in the end took all the life out of them. Here they languished until digital type has made it possible to render the precise motion of the broad pen stroke into type. Lorenzo is a confluence of many strains from the Middle Ages, brought together within the classical harmony of the capitals. It attempts to bypass metal type, using calligraphic means to achieve the precision of type while retaining the life of the stroke: a classical font that would be familiar to Lorenzo himself as well as to the modern eye. The Lorenzo family comes in four weights, ranging from light to bold. Two sets of italics, one with swashed caps and ascenders, complement each weight. The family boasts extensive language support and an offering of over fifty calligraphic ornaments/flourishes included within the character set.

Linotype Bengali, a revival This project by Neelakash Kshetriymayum and Fiona Ross commissioned by Monotype is at heart a revival of the now ubiquitous original Linotype Bengali typeface designed by Tim Holloway and Fiona Ross (1978-1982) based on Ross’s research for her doctoral studies in Indian Palaeography. The new Linotype Bengali is informed by more recent research by Ross and Kshetrimayum resulting in additional glyphs that serve contemporary needs in a variety of genres – the original had been specifically designed for newspaper composition and in now outdated digital formats. The new design makes use of OpenType features with the employment of contextual vowel signs for Bengali – a feature that Ross and Holloway had first introduced in Indian scripts for the Adobe Devanagari typeface – and has sophisticated contextual mark positioning. Furthermore, whereas the original design had existed in only two typestyles, extensive work has been undertaken to produce this new design in 5 weights: Light, Regular, Medium, Bold and Black. It has been an important aspect of this project to remain true to the original design concepts, and so to achieve optimal readability for sustained reading at small type-sizes, but the additional weights enable differentiation in document design, and afford users scope to produce textural variety in their outputs. This revival design is intended to widen the hitherto very limited palette of typographic choices in the field of textual communication in Bengali, Assamese and other languages that make use of the Bengali script.

Introducing a vintage look label font named "Whisky Trail". All available characters you can see at the screenshot. This font have 7 styles - Regular, Full, Shadow, Light, Shadow FX, Light FX and Print. This font will good viewed on any retro design like poster, t-shirt, label, logo etc. For using effect layer: Type your text in Regular. Copy that and paste at the same position. Change the style to Light FX or Shadow FX. After that you can choose different colors for Regular font and Shadow or Light effects. For the catchwords type the word with space before and after word (for sample ' with ', or ' with2 ' for alternate view of catchword), 'Discretionary Ligatures' on the 'OpenType' tab must be turned on. Or paste it from 'Glyphs' tab in any place on your text. This in Illustrator. In Photoshop 'Discretionary Ligatures' you can find in the menu Type - OpenType. Thank you!

**Richard & Caroline** is a classic font with a modern style, so it adds a luxurious feel to this font, there are many ligatures and alternates that you can use for your design, and this will make your design more stunning and stand out. This serif font contains a number of ‘lowercase’ (A, E, U, I, O) and Uppercase Alternates characters. this can be accessed by enabling ‘stylistic Alternates’ in any software that supports OpenType. all ligatures and special characters are also accessible via the Glyphs panel. it is available in most Adobe & Affinity Designer software. **NEW UPDATE - RICHARD & CAROLINE FAMILY** what’s included: - Richard & Caroline Thin - Richard & Caroline Extra Light - Richard & Caroline Light - Richard & Caroline Normal - Richard & Caroline Thin Italic - Richard & Caroline Extra Light Italic - Richard & Caroline Light Italic - Richard & Caroline Normal Italic - Added Many Ligatures - Added lots of Uppercase Alternates - Support 75 Languages If you have any questions, please contact us

This late 19th century design conjures up early 20th century Dutch DeStijl lettering with a mostly strict adherence to right angles and minimal stroke modulation. Geometric began its life as a metal typeface from the Central Type Foundry, circa 1884. Soon after, this design was officially licensed to Morgans & Wilcox and was shown in their 1890 catalog in Regular, Light and Condensed Light variations. After acquiring Morgans & Wilcox, Hamilton Manufacturing offered Geometric Light Face Condensed as their own No 3020 and the Geometric Light Face as No 3021. HWT Geometric has been expanded digitally to include a Regular Condensed version. A heavier wood type specimen was found from an unknown manufacturer and digitized as it was found, resulting in the HWT Geometric Shopworn and Shopworn Inked variations. These digital versions all include a full Western and Central European character set of over 380 glyphs.

AstroNaut is an 8 font family consisting of 4 weights with italics. It's angular construction takes influence from various science fiction films including: Blade Runner, Alien, Minority Report & 2001: A Space Odyssey.

Qiblat Sans is a modern sans serif font designed with calligraphy style for wide range of need. It also provided 5 styles of weight to give it's users freedom when using it.

Imaginer is a great font for designers looking to give that space age, techno look to their designs. Four standard weights and six outline styles make it a very versatile typeface indeed.

Ekaliptus, Display Condensed and Humane Typeface, Containing 4 Weights + 4 Matched Italics, Can be used for Headlines and Logos. Two Styles that work well together to form a better tool for you.

Designed as a typewriter face for IBM, Courier New was re drawn by Adrian Frutiger for IBM Selectric series. A typical fixed pitch design, monotone in weight and slab serif in concept.

Arpa is a display sans and condensed font family. The source of inspiration of this typeface is “wheat-barley”. This typeface has three styles. Extensive Latin language support and features multiple weights.