Ridiculously wide, mathematical and angular, and yet, looks good in vast blocks of text. Comtype is a cross and exaggeration between vintage computer text and old-school typewriter text. Five weights for your typesetting pleasure.

A poster for the 1917 Charlie Chaplin comedy “Easy Street” had Chaplin’s name hand lettered in thick, round cornered block characters. This inspired Silent Comedy JNL, which is available in both regular and oblique versions.

Zuzana Licko's goal for Fairplex was to create a text face which would achieve legibility by avoiding contrast, especially in the Book weight. As a result of its low contrast, the Fairplex Book weight is somewhat reminiscent of a sans serif, yet the slight serifs preserve the recognition of serif letterforms. When creating the accompanying weights, the challenge was to balance the contrast and stem weight with the serifs. To provide a comprehensive family, Licko wanted the boldest weight to be quite heavy. This meant that the "Black" weight would need more contrast than the Book weight in order to avoid clogging up. But harmonizing the serifs proved difficult. The initial serif treatments she tried didn't stand up to the robust character of the Black weight. Several months passed without much progress, and then one evening she attended a talk by Alastair Johnston on his book "Alphabets to Order," a survey of nineteenth century type specimens. Johnston pointed out that slab serifs (also known as "Egyptians") are really more of a variation on sans serifs than on serif designs. In other words, slab serif type is more akin to sans-serif type with serifs added on than it is to a version of serif type. This sparked the idea that the solution to her serif problem for Fairplex Black might be a slab serif treatment. After all, the Book weight already shared features of sans-serif types. Shortly after this came the idea to angle the serifs. This was suggested by her husband, and was probably conjured up from his years of subconscious assimilation of the S. F. Giants logo while watching baseball, and reinforced by a similar serif treatment in John Downer's recent Council typeface design. The angled serifs added visual interest to the otherwise austere slab serifs. The intermediate weights were then derived by interpolating the Book and Black, with the exception of several characters, such as the "n," which required specially designed features to avoid collisions of serifs, and to yield a pleasing weight balance. A range of weights was interpolated before deciding on the Medium and Bold weights.

Siren Script takes its cue from BB&S's Stationers Semiscript (metal, 1899) and its countless imitations/inspirations from throughout the 20th century, particularly a variety of uncredited film faces from the 1960s. What makes this kind of script stand out in the genre is its mixing of flourished majuscules with mostly subdued, traditional minuscules. The result is a balance between formal and informal lettering, as if the letterer is applying his or her learned art without going into full-throttle calligraphy. The message is clearly and gracefully delivered, and the artistic endeavor is fully appreciated without causing coronaries. The Siren Script family comes in four full fonts, and a fifth one that contains alternates, ending letters, and some ligatures. Siren Script Pro combines all five fonts into a single one of over 880 characters, which includes programming for push-button stylistic alternates, class-based kerning, and other glyph palette conveniences.

Raljon is a display typeface created by designer and lettering artist Mark Robinson. It is a collaboration between the Mmarkk and Teen-Beat Graphica visual design studios. This single font was created over a period of five years. Mark took great care in finessing each character and making sure that each character would stand on its own and yet simultaneously, be an integral part of the whole. The typeface is inspired by Gothic letterforms, horror novels, speed metal bands of the 1980s, techno and electronic music of the 1990s, and Washington, DC football teams whose stadiums lie in the Maryland suburbs. While it doesn’t have multiple weights, Raljon does have a deep depth and breadth. It has a seemingly endless amount of alternate characters and ligatures. There are nine letter Ms, eight letter As and Fs, seven Rs and Ts, and the list goes on. Even the figures have alternates.

This four-piece family is the DIN design, but not as you know it. The famously, crisp, clean and precise typeface has been given a textured update that's reminiscent of rusted metal, or rubber stamps. Underneath this lies the same sturdy, geometric shapes that have allowed DIN to stand the test of time, but with a new sense of tangibility. “This kind of treatment is more about creating a feeling or a mood that goes beyond the communication of the words themselves,” explains Monotype Studio director Tom Rickner. “I think it expands the repertoire of what DIN Next can express.” Designed for display, these four typefaces – DIN Next Rust, DIN Next Shadow, DIN Next Slab Rust and DIN Next Stencil Rust – show a new side of DIN Next's personality, as if the surface of each letterform has been gradually worn away over the years.

Mountain is a digital revival and extension of Teutonia, an old metal typeface released by the Roos & Junge type foundry (Offenbach am Main, Germany) in 1902. Teutonia’s design was popular during both the Art Nouveau and the Constructivist eras, where similar letterforms could be seen as far away as the Soviet Union. Although it slipped under the radar during the 1930s and 40s, this style feels extremely contemporary today. Mountain’s underlying geometric feeling is reminiscent of pixels and grids, suiting it for application with music and art, as well as history. Yet this typeface is not as static as it seems at first glance; playful diagonals—like those seen on the capitals D, L, P, and W—enliven the otherwise stern horizontal and vertical motion. Teutonia was a simple upper and lowercase display type. Mountain adds upon these by adding small caps and obliqued italic companions, rounding out this typographic toolkit.

Palatino Sans was designed as part of a group of three font families: Palatino nova, Palatino Sans, and Palatino Sans Informal. Together these three families act as the fulfilment of Herman Zapf’s original Palatino idea. Palatino, which was born as a metal typeface in 1950, proved to be one of the 20th Century’s most popular designs. Not only is Palatino Sans a completely new typeface, it is also a completely new interpretation of the entire sans serif genre. Its letterforms are curved, rounded, and soft, not hard and industrial. The fonts in the Palatino Sans family include several OpenType features, such as an extended character set covering all Latin-based European languages, old style figures, small caps, fractions, ordinals, ligatures, alternates, and ornaments. Palatino Sans can be mixed well with Palatino and Palatino Sans Informal. Palatino® Sans font field guide including best practices, font pairings and alternatives.

Eckhardt Poster Text JNL continues Jeff Levine's series of sign painter-oriented fonts, named in honor of his good friend Albert Eckhardt, Jr. (who ran Allied signs in Miami, Florida from 1959 until his passing). Sign painters are the true heroes of lettering, for they make the alphabet and style fit the job. Printers and layout artists were constricted by metal and wood type; that is until photo lettering, then digital type opened up unexplored territories in design possibilities. There is a unique charm (and nowadays pretty much a lost art) to hand-lettering word copy in a way that draws the eye like an arrow to a target. Even a simple sanserif such as Eckhardt Poster Text JNL can have the effect of that hand lettering when applied to posters and pages with plenty of white space and matching type designs of the period.

This late 19th century design conjures up early 20th century Dutch DeStijl lettering with a mostly strict adherence to right angles and minimal stroke modulation. Geometric began its life as a metal typeface from the Central Type Foundry, circa 1884. Soon after, this design was officially licensed to Morgans & Wilcox and was shown in their 1890 catalog in Regular, Light and Condensed Light variations. After acquiring Morgans & Wilcox, Hamilton Manufacturing offered Geometric Light Face Condensed as their own No 3020 and the Geometric Light Face as No 3021. HWT Geometric has been expanded digitally to include a Regular Condensed version. A heavier wood type specimen was found from an unknown manufacturer and digitized as it was found, resulting in the HWT Geometric Shopworn and Shopworn Inked variations. These digital versions all include a full Western and Central European character set of over 380 glyphs.

When Aldo Novarese designed his “tipo inglese” Juliet typeface, he had a simple objective in mind: Reduce the inclination angle of the traditional 18th and 19th centuries English script in order to make the punchcutter’s job easier and the resulting metal type more durable. But when Juliet was released by Nebiolo in 1955, it was a big surprise to both typesetters and calligraphers all over Europe. Novarese’s idea of working the standard copperplate script within the limited technology of the time proved to be a marvel in optical metal sizing (Juliet was available in sizes ranging from 12 to 60 pt), but also opened the door to new calligraphic possibilities. Easier readability and a very friendly color were obvious side effects of the reduced angle. So soon after its release, calligraphers worldwide began emulating the angle reduction and experimenting with the application of the same concept to other calligraphic genres. Today, more than 50 years later, many professional calligraphers point to Novarese’s Juliet as an opening to fresh ideas and new directions in 20th century elegant calligraphy. Ambassador Script, this digital version of Aldo Novarese’s surprising masterpiece, is the result of more than a thousand hours of work. Going above and beyond its duty as a revival, it was expanded by a great number of alternates, swashes, beginning and ending forms, as well as accompanying flourishes and snap-on strokes for even more ending forms. Ambassador Script also supports almost every known Latin-based language, which makes its name all the more fitting. Ambassador Script is available in all popular font formats. The True Type and Postscript Type 1 versions come in 12 fonts, available in different piecemeal configurations or a full volume. The OpenType version collects more than 2300 characters in a single feature-rich font that can sing mightily in OpenType-supporting applications. Ambassador Script is ideal for weddings, invitations, greeting cards, book and magazine covers, or anywhere a touch of calligraphic elegance is desired.

The distressed letterforms hark back to early printing process using hand carved wood cut letters. The typeface is available in 6 weight with both Rough & Solid variations.

George Gibson is based on handwriting samples dating back to mid-1800s England. The font features additional characters for foreign language support, as well as extra glyphs.

Univers and Helvetica Compressed are most often used for movie posters, but they lack variants. Therefore I made a compressed family with seven weights for more versatility.

Geometric/Technical style logotypes have been developed for car chrome labels since the early 1980's. Many of these sleek logotypes are lacking an expansive family to enhance and express their brand in a richer sense, becoming true brand workhorses. The Aspire SmallCaps family finds its origin of inspiration in the ACURA automotive company logo, and from there expands to an 6 font family of weights & oblique styles, striving to become a workhorse. Aspire SmallCaps is perhaps the most true to form tribute to the original all capitals inspiration logotype. It maintains all capital forms (whether standard or smallcaps) and yet is still strikingly powerful in its presence and readability including numerals, and a comprehensive range of weights, creating a straightforward, uncompromising collection of typefaces that lend a solid foundation and a broad range of expression for designers. Here's what's included with the Aspire SmallCaps Family bundle: - 438 glyphs per style - including Capitals, Small Caps, Numerals, Punctuation and an extensive character set that covers multilingual support of latin based languages. (see the 6th graphic for a preview of the characters included) - Stylistic Alternates - alternate characters that remove the angled stencil cuts for a more standardized text look. - 3 weights in the family: Light, Regular, & Black. - 3 obliques in the family, one for each weight: Light, Regular, & Black. - Fonts are provided in TTF & OTF formats. The TTF format is the standard go to for most users, although the OTF and TTF function exactly the same. Here's why the Aspire SmallCaps Family is for you: - You're in need of automotive sans font family with a range of weights and obliques - You're love that ACURA letter styling, and want to design anything within that genre - You're looking for an alternative to Eurostile with more stylized letterforms. - You're looking for a battle-tech typeface for your futuristic war chest labelling. - You just like to collect quality fonts to add to your design arsenal

Introducing Vactic, the typeface that will take you on a journey back in time to the days of ticker tape parades and room-sized computers. Designed with a keen sense of nostalgia, Vactic captures the essence of the classic pixel board with its round, pinpoint pixels that create a stunning visual impact. This unique typeface offers a range of colors and effects to suit all your design needs. For a punch-card impression, try using black on beige, evoking the feeling of a bygone era of technology. To replicate the iconic pixel board lighting, experiment with red on black, adding a touch of retro glamour to your design. Whether you’re creating a design for a retro-themed event or simply looking to add a touch of nostalgia to your branding, Vactic is the perfect typeface for the job. With its round, pinpoint pixels and range of colors and effects, Vactic is a true testament to the timeless appeal of classic design. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Geometric/Technical style logotypes have been developed for car chrome labels since the early 1980’s. The styles are loaded with inspiration for great font families, but surprisingly, many of these sleek logotypes are lacking an expansive family to enhance and express their brand in a richer sense, becoming true brand workhorses. The Aspire family finds its origin of inspiration in the ACURA automotive company logo, and from there expands to an 6 font family of weights & oblique styles. Aspire pays homage the techno display styling of the inspiration logotype, further evolving beyond its brand inspired origin to give birth to a font family that pulls on modern and historical styles. It adopts a sturdy yet approachable style with its uniform stroke forms and curves, and goes on to include a lowercase, numerals, and a comprehensive range of weights, creating a straightforward, uncompromising collection of typefaces that lend a solid foundation and a broad range of expression for designers. Here’s what’s included with the Aspire Family bundle: 477 glyphs per style - including Capitals, Lowercase, Numerals, Punctuation and an extensive character set that covers multilingual support of latin based languages. (see the 6th graphic for a preview of the characters included) Stylistic Alternates - alternate characters that remove the angled stencil cuts for a more standardized text look. 3 weights in the family: Light, Regular, & Black. 3 obliques in the family, one for each weight: Light, Regular, & Black. Fonts are available in TTF & OTF formats. The TTF format is the standard go to for most users, although the OTF and TTF function exactly the same. Here’s why the Aspire Family is for you: - You’re in need of automotive sans font family with a range of weights and obliques. - You’re love that ACURA letter styling, and want to design anything within that genre. - You’re looking for an alternative to Eurostile with more stylized letterforms. - You’re looking for a clean techno typeface for your starship console labelling. - You just like to collect quality fonts to add to your design arsenal.

Starve for tasty bold font? Say hello to Frunch! A delicious bold script font with a vintage vibe. Frunch comes to you with several alternate letters for you to play with and the complete set of lowercase-letter swashes that make your words look delicious and stand out. It's especially created for food & beverages branding as well as product packaging typography (e.g.: snack, honey, breakfast meal, milk, bread and cake). It's also perfect for poster, business cards, headline, restaurant menus, and much more. Have fun with Frunch!

Boutiera is an upright and soft vintage script with a modern twist. Its main characteristics are bouncy baseline, round forms and bumpy stems. These qualities gives Boutiera its casual, friendly and handmade looks. It has three weights to give contrast and options to your typographic elements and designs. Boutiera has two sets of Upper cases; Slightly swashy and more basic one. The more basic set can be used in all caps. Boutiera has positional alternate characters; Initial forms to letters like r, s, x and z. And final forms to all lower cases. Those final forms have a shortened upstroke to give more balanced and harmonized look. You can use these easily by enabling Contextual Aternates from OpenType menu. It also has alternate versions of letters t and s. You can use Boutiera on logos, packages, on titles or wherever you need a friendly and lively font.

Campeche is an expressive yet functional typeface family. Seeking to express its beauty, it twists the conventions of classic typography when necessary. Campeche finds its inspiration in the grotesque typefaces of the late 19th century coupled with a typical Latin American playful sense that gives it a modern freshness. The initial form arises from the idea of expanding Seriguela, evolving along the way, becoming its own system with a unique personality. Campeche is designed for today's requirements. It is available in two styles and three widths, from condensed to extended, with 9 weights each, totaling 54 fonts, in addition to the variable version. Campeche is a comprehensive typographic system that provides versatility for almost any use. It can be used for packaging, editorial, branding... etc. The mix of widths and between the normal and display versions can generate complex graphic parts or systems with different levels of hierarchy, without losing unity.

he Blanger Script is one of the Elegant script fonts that comes with a very beautiful character change, a kind of classic copper decorative script with a modern twist, designed with great detail to bring out an elegant style. You will get: The Blanger files The Blanger Script is interesting because the typeface is pleasing to the eye, clean, feminine, sensual, glamorous, simple and very easy to read, thanks to the many luxurious letter connections. I also offer a decent number of stylistic alternatives for some of the letters. Classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting/wedding cards, packaging, labels or all kinds of advertisements. destination. . . If you need help or have any questions, let me know. I'm happy to help. Thanks & Happy Design.

Hello Introducing, Ragistan - Elegant Display Sans Serif is a unique font that uses ligatures to smoothly link letters. Perfect for adding a unique twist to word-mark logos, monograms, or pull quotes. Ragista has 32 ligatures and 6 Alternates as well as numbers and punctuation making it super fantastic. Ligature can be turned off if required standard writing needs. Any question? Just ask! What's Included : Standard glyphs Alternate glyphs Ligatures Web Font Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Fonts include multilingual support Image used: All photographs/pictures/vectors used in the preview are not included, they are intended for illustration purposes only. Language Support: Danish, English, Finnish, French, German, Italian, Luxembourgish, Norwegian Portuguese, Spanish, Swedish, Swiss, German and More Cheers! Thank You

Spritz And Delicious is a modern typeface with a traditional heritage. Captivating and blending the ruggedness of a saloon's wooden sign and the elegance of a Victorian tea room's menu, Spritz And Delicious is a typeface where the subtle hint of serifs adds a unique flavor, a nod to its vintage inspirations. At its core it remains a robust sans-serif, maintaining a fresh, modern twist. Provided in Regular, Bold, Italic and Bold italic, this font family is as diverse as it is refined. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures, and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, and includes all the characters and symbols you'll ever need. Behind this creation is type designer Mans Greback.

Currator Script is a handwritten font with a modern twist. Currator Script is a handwritten font meant for vintage logos, fashion labels, custom cards headers, badges, food packaging designs, as there are a lot of fancy letter connections. Currator Script offers a decent amount of stylistic alternatives for many letters. It comes with a handy set of Opentype Stylistic Alternates, Ligatures and multiple language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. These coded with PUA Unicode. Mac users can use Font Book and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app. Don't hesitate to drop me a message if you have any issues or queries :)

Introducing Feminous, the latest font that'll give your designs a fresh and fun twist! This brush script font has got the perfect blend of sophistication and playfulness, making it the perfect choice for all your creative projects. The brush script style gives Feminous a unique, hand-drawn look that sets it apart from the crowd. Its elegant texture adds a touch of class, while the playful and youthful vibe will keep your designs fresh and fun. Whether you're designing logos, social media posts, invitations, or anything else, this font will bring the perfect amount of style to your work. So say goodbye to boring and generic fonts and hello to Feminous! This font is versatile, easy to use, and perfect for any project that needs a youthful and sophisticated touch. Get ready to add some spark to your designs with this fun and playful brush script font!

Welcome to our Plesis Brush Display Font! It's a lively, unique handwritten typeface that injects a contemporary and enjoyable twist to your forthcoming assignments. It equips you with everything you require - uppercase, lowercase, numbers, punctuation, and symbols- and even supports multiple languages. Plesis is the typeface for every occasion! Utilize it for presentations, logos, headlines, handwritten styles, posters, branding, uplifting quotes, titles, layout of magazines, web design, adverts, invites, cover artwork, and any other inventive project on your list. What does the Package Contain? - Typeface Weight: Regular The Plesis Typeface is filled with: - Capital Alphabets (Uppercase) - Small Alphabets (Lowercase) - Numerals & Symbols - Multi-language Support Let's take a quick look at the supported characters: - All the alphabets from A-Z (uppercase and lowercase) - All the numerals from 0-9 - All these special characters - !"#$%&'()*+,-./:;?@[]^_`{|}~¥ - And a selection of global characters like ¡¢¤§¨©«­®±´¶¸»¿ÀÁÂÃÄÅÇÈÉÊËÌÍÎÏÑÒÓÔÕÖ×ØÙÚÛÜÝÞßàáâãäåçèéêëìíîïñòóôõö÷øùúûüýþÿŁłŠšŸŽžˇ‘’‚‛„†‡…‰€™

Looking for a typeface that will add luxury and elegance to your next project? Akuina is here for you! With a bold sans style, this post-modern typeface is ready to give your graphic designs a new twist. Each font has its own unique style and can be used across multiple media channels including web, print, and more. You can’t go wrong adding this creative font to your library – it’s made with versatility in mind! This unique font pack features 18 beautiful modern font styles that you can use in a variety of projects. Each character has been created to maximize beauty and character. so that your project performs optimally of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Here's a posh serif typeface and its matching italic. Glowing with elegance, Cosmetiqa can go head to head with classic evergreens like Bodoni, Didot, or Century. And just like those go-to favorites, Cosmetiqa really shines at the huge, layout-dominating sizes which have been a staple of top-shelf fashion branding and magazine design since at least the mid-1980s. You'll also find this font to be a great workhorse at much smaller sizes and in extended text passages, as the hairline serifs don't disappear in the smaller size ranges. As its title suggests, Cosmetiqa's unique look works perfectly in cosmetics and fashion branding, but also try it with 1990s-style message forward ad headline applications if you're after a retro look with a hint of a modern twist. The semi-condensed proportions and tall x-height make it great for pull quotes, page banners, and logo design.

Introducing Barghust - Modern Decorative Blackletter Font Barghust is a modern decorative blackletter font inspired by classic aesthetics, yet infused with a contemporary twist. With featuring ligatures and stylistic alternative characters, Barghust provides endless possibilities for creating designs with a bold and unique charm. Barghust is perfectly suited for branding, logotype, social media posts, advertisement, product packaging, label, photography, watermark, t-shirt, website design, invitation, stationery and any projects seeking a touch of modern or aesthetic blackletter elegance. FEATURES - Stylistic Alternates - Ligatures - Uppercase and Lowercase letters - Numbering and Punctuations - Works on PC or Mac - Simple Installation - PUA Encoded Characters - Easily accessible without additional design software. - Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word - Multilingual Support including Afrikaans, Albanian, Basque, Catalan, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, German, Icelandic, Indonesian, Irish, Italian, Malay, Norwegian Bokmål, Portuguese, Spanish, Swahili, Swedish, and Zulu Hope you Like it. Thanks.

Nami, the Japanese word for wave," is the latest collaboration between Adrian Frutiger and Linotype's Type Director, Akira Kobayashi. This typeface family is the most humanistic sans serif design ever to come from Adrian Frutiger, and it has an interesting twist: lapidar alternates that may be surfed through with the help of OpenType-savy applications. Adrian Frutiger began the design that would blossom into Nami during the 1980s. Although it would not be produced during the 20th century, it was quite forward thinking. The typeface included several seemingly avant garde alternates; these were "lapidary" versions of common letterforms. Revisiting the project in 2006, Akira Kobayashi reworked the concept into a working family of three typefaces. Each font contains 483 glyphs, including 11 alternates-two extra forms of the lowercase g, as well as new forms for a, e, h, l, m, n, r, t, and u."

Introducing Romanist - a modern twist on the classic textura/blackletter style font that brings a bold and contemporary edge to your designs. This versatile typeface combines the rich heritage of traditional blackletter with sleek, clean lines and a touch of modern sophistication. With its distinctive Gothic-inspired letterforms, Romanist adds a touch of elegance and intrigue to any design project. Whether you're creating stunning t-shirt designs, captivating magazine covers, or eye-catching posters, this font is sure to make a statement. Whether you're a professional graphic designer, a clothing brand, or a magazine publisher, Romanist is your go-to font for adding a touch of sophistication and originality to your designs. Elevate your creative projects to new heights with the timeless allure of Romanist. Experience the power of Romanist and let your imagination run wild as you create captivating designs that leave a lasting impression.

Chellin is a calligraphic script font that comes with exquisite character changes, a kind of classic decorative copper script with a modern twist, designed with high detail for an elegant style. Chellin is attractive because it is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many fancy letter joints. I also offer a number of decent stylistic alternatives for multiple letters. Classic styles are very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or all kinds of advertising purposes. . . Chellin has 380+ Glyph alternative characters, including multiple language support. With OpenType features with alternative styles and elegant binding. The OpenType feature works automatically, but you can access it manually and for the best results necessary for your creativity in combining these variations of the Glyph.

Andmesh Script is a calligraphic script font that comes with exquisite character changes, a kind of classic decorative copper script with a modern twist, designed with high detail for an elegant style. Andmesh Script is interesting because it is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many fancy letter joints. I also offer a number of decent stylistic alternatives for multiple letters. Classic styles are very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or all kinds of advertising purposes. . Andmesh Script has , including multiple language support. With OpenType features with alternative styles and elegant binding. The OpenType feature works automatically, but you can access it manually and for the best results required for your creativity in combining these Glyph variations.

Elevate your design projects with the distinctive and captivating Lavire. Lavire is an uppercase display serif font that is effortlessly made in a truly unique typographic masterpiece. Each uppercase letter in Lavire is a work of art in itself. The serifs, which are typically known for their traditional elegance, take on a modern and imaginative twist with Lavire's addition of artistic lines and flairs. The artistic lines and flairs in this font are carefully crafted to enhance the overall composition of each letter. They bring a sense of motion and dynamism to the font, making it particularly well-suited for projects that seek to convey a sense of movement or elegance. Lavire fits in headlines, logos, posters, flyers, branding materials, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview.

Artistic Script Pro is a calligraphy script font that comes with exquisite change characters, a kind of classic decorative copper script with a modern twist, designed with great detail to bring out stylish elegance. Artistic Script Pro appeals as a typeface that is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, luxurious typeface. The classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or any kind of advertising purposes. I highly recommend using a program that supports OpenType features and the Glyphs panel such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so that you can view and access all variations of Glyphs. If you need help or have any questions, let me know. I'm happy to help. Thanks & Happy Designing!

Hebden is a ‘Northern’ font. Inspired by the town Hebden Bridge in Yorkshire, the family is a mix of a grotesque and an incised serif. The grot is based on Victorian train station signage and the serif is style that can be spotted in and around the Yorkshire Dales region. Hebden has a nostalgic twist and is ideal for labelling, signage and memorable messages. The grotesque face with its robust angles and warm circular curves recalls the style of traditional English sans-serifs like Caslon’s 2-Line Egyptian. The incised face has strong but sophisticated and natural forms and is based on a wood carved style popular in the early 20th century. The weight of the two faces are are drawn to complement each other creating an evenly balanced combination. Both faces come with caps, lower caps across letters and numerals, and have Western, Central and Eastern European language support.

Ghosting Script is a calligraphic script font that comes with exquisite character changes, a kind of classic decorative copper script with a modern twist, designed with high detail for an elegant style. Ghosting Script is interesting because it is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many fancy letter joints. I also offer a number of decent stylistic alternatives for multiple letters. Classic styles are very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or all kinds of advertising purposes. . Ghosting Script has , including multiple language support. With OpenType features with alternative styles and elegant binding. The OpenType feature works automatically, but you can access it manually and for the best results required for your creativity in combining these Glyph variations.

CA Saygon was originally conceived for a large corporate design project, but as this was never implemented, the way was free to make a public font. As a striking corporate typeface, it transports the fractions of a society after the post-modernist phase. After hundreds of sketches a bunch full of letters were selected, some of them quite twisted, others rather conventional. The combination of these letters reflects a rebellion of individuality but also leads to a coherent typeface. Additionally there are alternative letterforms in the Stylistic Sets or in the glyphs palette, which keeps the font always exciting to the designer. Thanks to the Cyrillic and Latin Extended character sets, a huge language area is covered that even extends to Vietnam! Numerous OpenType features make life easier for the professional typographer: There are fractions, superscript and subscript numbers, as well as proportional and tabular numbers.

The inspiration for the Okaytext family came from seeing so many fun, highly individualized special-use fonts. Alongside this massive selection, the choice of simple, plain & readable typefaces is relatively spartan. As a newly established foundry, we feel it a "must" to contribute our very best work to this important but oft-neglected genre of fonts. So the construction of the Okaytext family began. We feel that a rounded, sans serif font should be easily read, and very clean looking. It does not need to tire the eyes with any needless twists or silly quirks. So is Okaytext, it exists simply to be read, and hopes that it is a pleasant read. Okaytext is perhaps our most versatile font yet, its ultra-simplicity makes it adaptable to the demands of almost any typeset environment. Okaytext is extended, containing the complete West European diacritics & ligatures, making it suitable for multilingual environments & publications.