Tosca is a very elegant and decorative typeface with 730 glyphs. I put a second set of capital letters in the places of the smallcaps. So just type the word in lowercase, then select the first letter and convert it to smallcap in the OpenType menu. I also give you a ton of ligatures that can be accessed via OpenType. I am slowly learning to use these OpenType features, it is fun, but it is a lot of work. Your forever learning type-designer Gert Wiescher

Tuscan X Condensed (whose actual name is Gothic Concave Tuscan Extra Condensed) was first produced in wood type by William H. Page & Company around 1872. The design is derived from a Gothic Condensed typeface, but with vertical stokes bowing inwards at the center. We modified the weight of the uppercase characters (since the original wood type has a lowercase much thinner than the caps) to harmonize with the lowercase when used digitally.

Antique Tuscan No.9 was one of the earlier wood-type designs by William Hamilton Page. It was first shown among the specimens produced in 1859, shortly after Page entered into a new partnership with Samuel Mowry, owner of the Mowry Axle Company. The new company was named Page and Company and was located at the Mowry facility in the Greenville section of Norwich, Connecticut. Antique Tuscan No.9 is an extra-condensed version of the tuscan style that had been released in moveable type by Vincent Figgins of London in 1817 and had become so popular for advertising in the intervening years. Because of the extreme compression in the design, we might be tempted to describe it as "Triple-X," but that might be misleading. The analogy would, of course, be to clothing sizes, not movie ratings. Because of the compression, this typeface reads best when set extra-extra-extra large. For printing, we recommend 36 points or larger. For the screen, we suggest at least 72 points. An unusual and distinctive design, it is best used with discretion. If I were doing a term paper for school or submitting an article to a magazine for publication, I might use it for the title page, to grab someone’s attention. I would certainly not use it for the main body of text - not if I expected anyone to read what I wrote. If you wonder why we make this recommendation, take the Ten-Point challenge. Print this paragraph using Antique Tuscan No.9 and set the font size at 10 points. If you are young and blessed with good eyesight, you will probably be able to read it - with effort. So, here is the challenge: hand it to your Grandmother and ask HER to read it.

A very condensed 19th century Tuscan style wood type design with a full character set with ligatures. This design was first shown by Wm H Page Co in 1859 and this is the first digital version of this font to include a lowercase and extended European character set. This is a font best used at large sizes.

So clear ay any size, yet conveys distinguished look as well as comics look

A practical font family with 5 weights for all your day by day design needs: headlines, body text, signage etc. High legibility at small sizes. An extended sans serif typeface with rounded endings that provides unique softness appearance without losing legibility.

Great family for all uses, text for advertising or packaging - you choose.

Stylistic and elegant, suitable for signage, logos etc.

Formal, yet with very high legibility even in small point sizes. Many weights gives you design alternatives

Inspired by old engraving and scrolls, this font is unique by its flow and contrast, enabling traditional typeface gain a new and clear flow and rhythm.

Geometric square forms make this elegant and robust font family a great companion for invitations and signs, indoor and outdoor.

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Geometric forms make this elegant font family a great companion for invitations and signs, indoor and outdoor.

This font is unique by its calligraphic flow and contrast, enabling traditional typeface gain a new and clear flow and rhythm, while preserving the nib strokes.

A modern touch to a Biblical oriented font. High legibility as text font.

This font family, of 3 weights, was inspired by old hand painted signs in Tel Aviv.

Will this be your next tattoo? Or will this be your new Yacht logo?

These are the letter forms from the famous monument in memory of the founders of the state of Israel.

Metzada is a vivid choice when you want to effortlessly make your designs stand out with a remarkable sharp crafted typography.

Tradition and romance joined in the beautiful typeface, inspired by old hand drawn signs in Tel Aviv.

The robust impression of these titles will sure leave no dought as to how serious this book is.