Technology in mind in 12 fonts Allumi is a different font. Different from anything Jean François Porchez has designed in the past. Allumi is a sleek typeface designed with technology in mind. It’s a perfect font family for any communication concerning design, robotics, or functionality. Pushed to its extreme limits, the Allumi shapes are neither perfectly round or geometrically square. It’s a human design with a high tech touch. Allumi can be described as the Eurostyle (designed by Aldo Novarese in 1964) of the new century, mixed with Frutiger. Allumi is a serious typeface because of the unique design and sturdy form. The pure shapes can create a global presence today with an eye on the world of tomorrow. Two widths The Allumi family has been built around two series of widths, standard and extended. Italics have been carefully designed as slanted roman with all necessary optical and human corrections to create a perfect and neat italic. I Love Typography 2009

Beardstown is solid, hardworking & no-nonsense. It may be a little gritty & rough around the edges, but it can also be open, warm and welcoming. Beardstown is a little Midwestern town on a river with a town square where you can buy comic books from a spinner rack at the front of the drugstore and read 'em with a root beer float from the soda counter in the back. The Beardstown font is perfect for t-shirts, sports graphics, beer cans, trading cards, carnival posters and record albums. But that’s it. I mean, you could use it on foofy hipster stuff like organic produce, vegan meat substitutes, electric car accessories or mountain bike parts, but you risk Beardstown coming over there to kick your butt. Features: three versions of each letter and two versions of each number automatically rotate for authentic print texture thirteen catchwords (like "and" "of" "for" & "the") accessible in Discretionary Ligatures support for 223 languages including Western & Central Europe, Vietnamese & Cyrillic

Neon Bugler is a font based on the third logo created by Harry Warren in early 1975 for his sixth grade class newsletter, The Broadwater Bugler, at Broadwater Academy in Exmore, Virginia, on Virginia’s Eastern Shore. This font design has these principles as its parameters: The letters generally follow what would be natural stroke directions; no sharp corners, all gentle turns; no lines back up over each other, cross each other, or run into each other. All of this civility between the lines produces an unintentional but welcome neon quality about it. This font can have a variety of vibes depending on its context--it has a certain nostalgia to it, yet it also has a slick, clean, futuristic look. It can even be used in a semi-grunge setting. This is a very versatile font! And if you like this font, check out the new boxy version of it, Neon Bugler Squared! Digitized by John Bomparte.

The Roundup family was inspired by fonts from the late 19th century, though it is not based on any one of them. Roundup-Caps was the first of the group to be constructed. It has two sets of upper-case letters that have minor differences. It has reverse contrast, that is, the verticals are thinner than the horizontals. Unlike most of the "Old-West" fonts with reverse contrast, the serifs are not square but have an odd, rounded shape. Roundup-Regular replaced the second set of caps with lower-case letters. A bold style strengthens the vertical elements so that it no longer has reverse contrast. Both the regular and bold styles have matching oblique styles. Finally, there is a hollow version with a shadow to the lower right. This shadowed style has had its inside taken out, creating RoundUp-ShadowInside. The spacing is the same as RoundUpShadowed so it can be layered over RoundUpShadowed to easily create two-colored lettering.

Marlin Soft is a rounded corner version of our Marlin Geo font family and like its parent font also includes two sets of italics. The standard italic is set at twelve degrees and the slant version set at six degrees, the slant version is perfect for signage and headlines where you may want the look of an italic but are limited on horizontal space. Marlin Soft includes many alternates which may be accessed using opentype aware applications, with over three hundred alternates to choose from your creative possibilities are great. Whether you're looking for a round dot or a square dot Marlin Soft is one font family that delivers both set up as two separate fonts so you may change a whole page of text at one time. Your projects are sure to look nice and cozy with the warm feeling Marlin Soft will bring to your product label or page design. Three free sample basic fonts are available which are fully functional minus the alternates.

A tessellation is a shape that can be used to completely fill the plane—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations, such as quilting. The TessieLetters fonts contain letter shapes that can be used to construct tessellation patterns. Each family has two styles, an outline style and a filled or black style. The black style can be used to construct colored patterns. To see how patterns can be constructed, see the files here for TessieLettersACE, TessieLettersFQ, TessieLettersGJKMN, TessieLettersLL, TessieLettersTT, TessieLettersOSZ, and TessieLettersSingles. Many or these patterns were discovered/created by the font designer during the past twenty years in the process of designing maze books, coloring books, and a book about tessellations. The TessieLetters are picture or dingbat fonts. For fonts of tessellating letter shapes that can be used for text, see the Tescellations family.

Eurocine is an expansive display typeface – a square sans serif that’s perfect for titling, headlines, logotype and branding. This 36-font family is packed with features to make it supremely versatile. This typeface attempts to capture the mood of movie credits from European Cinema in the 1970s, with a focus on Giallo films in particular. In terms of style, Eurocine sits somewhere between Walter Baum and Konrad Friedrich Bauer’s Folio, and Aldo Novarese’s Eurostile. With Eurocine you get a more versatile typeface by way of its small caps and additional stylistic sets giving you extended caps, extended small caps, and petite caps, as well as upper and lowercase unicase. Creating typographic masterpieces of your own will be so much easier! Key features: • 6 Weights in Roman and Oblique • 3 Widths – Narrow, Regular, Wide • Extended Caps • Small Caps • Extended Small Caps • Petite Caps • Unicase • Old Style Figures • European Language Support (Latin) • 1,200 glyphs per font.

Canadian designer Patrick Griffin made P22 Counter as an exercise in exploring the limits of counter-space and interchangeability between extremely geometric and standard calligraphic forms. Within a field of solid stems and horizontal strokes, parallel lines and curves play the role of counterparts to define square and round shapes, making what’s revealed just as interesting as what’s withheld. Each of the three basic Counter fonts stakes its own aesthetic territory, from clean basic minimalism, through the nostalgia of exuberantly pixel-based design, and on to calligraphic-cum-typographic, all within clear and precise geometric parameters. Counter Pro comes with that entire range included in a single font, giving its user the ability to move freely in a visual space and counter-space that can be defined by more than 1450 glyphs. While all the fonts come with extended Latin language support, P22 Counter Pro includes all three fonts in one font, many alternates, swashes and ending forms that are not available in the basic fonts.

Black Diamond isn't your average brush font, it’s raw, edgy & bursting with attitude! Hand-painted with extra attention to quick-strokes and dry textures, Black Diamond is guaranteed to deliver a loud, proud & unashamed message - ideal for logos, handwritten quotes, product packaging, merchandise, advertising, social media & branding projects. Black Diamond comes as a single font packed full of great features. It contains a full set of lower & uppercase letters, a large range of punctuation, numerals, and multilingual support. The font also contains several ligatures and stylistic alternates for those who have opentype capable software. Lastly you can add some finishing touches to your work with the added bonus extras; Just type out any of the square-bracket characters { } [ ] on your keyboard for quick and easy access to 4 different swashes, and the arrow up ^ key to produce paint splatters. Huge Language Update; Black Diamond has now been updated to support Greek & Cyrillic alphabets.

Truecolor is a bold and distinctive brush font that commands attention. The characters in this font are characterized by their robust, square forms, which give the font a sense of solidity and reliability. Each letter is meticulously designed to maintain a cohesive and balanced appearance, adding an air of authority and visual impact to your text. It has the power to transform your text into a striking focal point, ensuring that every word is seen and remembered. In addition, you can also enjoy the features here. Features: Ligatures Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Truecolor fits in headlines, logos, posters, flyers, branding materials, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Ponderosa font is a joint work of the typeface designers K.B. Chansler, C. Crossgrove and C. Twombly, who also created Rosewood, Zebrawood and Pepperwood together. As the name suggests, it is so-called wood type. The origins of this kind of typeface can be found in the early 19th century. Called Italian or Italienne, these typefaces quickly became very popular. They are distinguished by square serifs whose width is larger than the stroke width of the characters. When the letters are set together, the heavy serifs build dark horizontal bands. The distinguishing characteristic of Ponderosa lies in its extremely fine figures between heavy serifs. The designers approached the boundaries of the impossible with this contrast. The typeface is reminiscent of the Wild West with its shootouts and heroes as well as of the 1970s with their platform shoes and wild hair-dos. When used carefully in headlines, Ponderosa font will surely attract attention.

Stencil fonts often evoke rigid and sterile images such as packing crates or military vehicles, but Super Duty is somewhere between serious and fun. Super Duty is designed with sharp mechanical angles which give the letterforms a square-jawed and ready-for-action feel. A rounder companion version is included that has the sharp edges smoothed out. Unlike most stencil fonts this one has a lowercase that matches the strength of the uppercase. The lowercase has been designed with an x-height equivalent to the cap height and barely protruding ascenders so that the user can interchange the upper and lower letterforms for a funky graphic effect. Super Duty is a robust and versatile stencil font family of 25 fonts — sharp and round variations with closed versions in 2 weights each. These are provided in 3 widths — regular, narrow and condensed. Super Duty includes a text version that has more regular proportions and letter forms for a well rounded display font system.

Perm your hair, squeeze into your lycra, and retro-fy your text with Bayshore! A totally tubular mono-line script font straight out of the 80's. This hand-drawn font is perfect for creating slick & stylish lettering. Whether it’s for logos, product packaging or merchandise, Bayshore is guaranteed to give your text an unmistakeable retro quality. Bayshore comes as a single font file with added features allowing you to customise your text; End Swashes • Each lower-case character has a separate ‘end-swash’ version, use this for the last letter in a word to give it a custom-feel styling. These end-swashes are accessible via any software with Opentype capabilities, simply by turning on ‘Stylistic Alternates’. Underline Swashes • Four swashes of varying lengths are also available, simply by typing any of the square brackets [ ] { }. These can be used to underline your text and give it a real eye-catching quality.

Colotus is a striking sans-serif display font that immediately captures the eye. The characters in Colotus is made in bold and solid square forms, imparting a sense of reliability and authority. However, what truly sets Colotus apart is its subtle brush detail that adds a touch of handcrafted charm. This brush detail infuses the font with a sense of artistry, creating a captivating blend of contemporary design and organic creativity. In addition, you can also enjoy the features here. Features: Alternates Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Colotus fits in headlines, logos, posters, flyers, branding materials, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Victory Type Studios is pleased to announce the release of MCM Hellenic Wide, the first typeface from the upcoming Mid-Century Modern Collection--a set of vintage American typefaces rescued from the dustbin of history and rendered for digital use. You've seen it before. But it’s been a while... MCM Hellenic Wide is an extended slab-serif typeface that was painted on railroad cars and stamped on posters; it was found in textbooks and once proudly graced letterheads. MCM Hellenic Wide lacks frills and flourishes. Its trademark single-thickness alphabet features broad and squared-off serifs. Now that retro is en vogue, do yourself a favor and download MCM Hellenic Wide today. This digital revival of a once pervasive unappreciated typeface was rendered from scans of primary source material. MCM Hellenic Wide will add a bit of classy Americana to your next design. MCM Hellenic Wide is available for Mac and PC, in TrueType, OpenType and PostScript formats. Includes kerning.

Introducing Kampione - Vintage Bold Type, created by ikiiko Kampione is a typeface that was inspired by classic movies and frequently makes people nostalgic for the height of cinema. This typeface is distinguished by its strong, dramatic letterforms, which frequently evoke the early 20th-century Art Deco and Art Nouveau movements. Images that enhance boldness and drama, including black-and-white photos, antique movie posters, or pictures of film reels, are frequently used in conjunction with this font. Bold, geometric letterforms that are frequently rounded or squared off at the corners define this style. The font's overall appearance frequently has a significant visual impact and is reminiscent of an old advertisement or poster. This typeface is perfect for an vintage poster, movie title, elegant logo, packaging, magazine design, fashion brand, classic stuff, quotes, or simply as a stylish text overlay to any background image. What's Included? Uppercase & Lowercase Numbers & Punctuation Multilingual Support Works on PC & Mac

Worthington Arcade is a classically-proportioned capitals-only type incorporating a selection of ligatures and alternates. It loosely resembles the hand-painted architectural lettering of the 30s to the 50s, exemplified by the likes of Percy Smith’s interior signage for the BBC or George Mansell’s lettering for the University of London and the signs found on London’s bridges. However, rather than a slavish copy of any historical model, it is more an examination and evocation of certain idiosyncratic quirks of civic lettering of the period, and an attempt to create a peculiarly English titling typeface. The round letters, for example the O, Q and C, are wider than the perfect circle usually found in such designs, while the straight-sided characters, usually drawn on a square, are narrower. This lends the whole a subtle elegance that is also emphasized by the raised crossbars on the H, E and F and extended lower leg of the E. Includes old-style numerals.

Cumbre is a slanted display type with unorthodox anatomy, a dynamic rhythmic structure, movement expression, and intense visual language. An eccentric rebel with ribbon-like moves, a balanced extrovert that makes meticulous use of ink traps. Both the name and design got inspiration from mountain peaks. "Cumbre" in Spanish means summit, and that's the motive for the spiked design and the angular serrated structure. Cumbre is built by balancing sharp angles and venturous curves. The stems are spiky, and they vary in width. Cumbre is slanted and unicase. It has condensed proportions, moderate weight contrast, spacious counters, pointy terminals, and square ink traps. Cumbre is meant for large display settings to make the most out of the precise outlines and the clean intersections. The font styles: 'Sharp' has straight paths and precise intersections. 'Round' has the same outlines but with round corners. 'Stamp' has irregular wavy contours and heavy swelling at intersections.

“Sympathetic Font” multi-purpose use is an open designed font. It is possible to produce unlimited designs using this font. “Sympathetic Font” is made up of 24 different forms. Hearts, square, triangle, circles, moon and stars, horizontal and vertical lines, sloping inner lines and wavy lines. Shading and decorations are also available. Ideally suited for advertising and packaging, logo, branding, slogans and creative industries, poster and billboards as well as web and screen design. You can create unique designs using fonts in layers. TECHNICAL: Sympathetic provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. “Sympathetic” has 24 different forms and italics total 48 types. The family contains a set of 321 characters. Stylistic Alternates, Localized Forms and Old Style Figures just one touch easy In all graphic programs. Sympathetic is the perfect font for web use. You can enjoy using it.

Linotype Projekt was created by German type designer Andreas Koch with both a well-defined inspiration and goal. It occurred to me that typefaces like Helvetica and Univers seemed to have a higher quality in hot-metal composition as with modern digital typesetting. They are stronger and livelier. This is in part due to the printing process, which presses the characters onto paper, and in part to the forms of the letters, which differ from the PostScript version of the same typeface. An important aspect of printing is the slight increase in character width resulting from the pressure which also serves as an optical correction to the forms. (True exact squares appear slightly barrel-formed to the eye.) I wanted to revive this peculiarity, not because of a nostalgic feeling, rather just because it is more attractive." The result is Linotype Projekt, a text font which is harmonious, clear and extremely legible. Koch lives in Bielefeld, Germany, and is a freelance book and type designer."

What intrigued me about Buslingthorpe was the virtuoso challenge it presented, of designing a typeface that would, despite a ridiculously tiny x-height, still possess a coherent harmony betwen upper and lower case, and read confortably. At the same time, beyond pure plastic formality, I was aware that there are strong connotations of historicism in this noble style, with overtones of regal magnificence, on account of the extravagant leading and generous point size required for adequate visibility—in traditional letterpress printing such proportions, with so few characters per square inch, were pricey and devoured resources. There are two iconic early 20th century designs in the genre: Koch Antiqua (Rudolf Koch, Klingspor Foundry, 1922) and Lucian (Lucian Bernhard, Bauer Foundry, 1925). Both these have x-heights smaller than fifty percent of ascender height, which nominally defines the category. So I made these my benchmarks, and determined to outdo them in dramatic fashion. —Nick Shinn, Orangeville, March 2021

Balboa is a display design combining elements of early sans serif and grotesque types with contemporary types. It evolved from ATF Headline Gothic, Banner (a headline typeface I drew for the San Francisco Chronicle), and Newsweek No.9, a Stephenson Blake-like grotesque I designed for Roger Black's 1980 redesign of Newsweek Magazine. There are nine styles, including the three new styles that have been added in 2014: Medium, Light and Ultra Light.

Oval Monogram is a perfect oval shaped monogram font consisting of 78 letters. With just a single font file you will be able to create beautiful monograms in just a matter of minutes after the purchase! Oval Monogram Font comes with font file in OTF format. It features all the modern advanced font features such as Contextual Alternates, effectively eliminating the need to use multiple separate font files for left, center and right letters.

Leighton is a four-weight serif font family that was created in 1993 by Paul Hickson (P&P Hickson) and Steve Jackaman (ITF) exclusively for ITF’s Red Rooster Collection. Its designs are loosely based on the typeface Lectura, which was designed in 1966 by Dick Dooijes for the Amsterdam Foundry. Leighton is a conservative, demi-serif font in a Dutch style. It is ideal for upscale corporate projects and excels at any size.

Richmond Script is a beautiful script font with many alternative styles, this font looks natural, elegant, and perfect for extraordinary projects. Richmond Script is suitable for various products such as invitations, product packaging, quotes, product designs, crafters, labels, photography, watermarks, logos & branding. Everything can be accessed using software that supports Opentype, such as Adobe Indesign, Adobe CS Illustrator, Adobe Photoshop CC, and Corel Draw. You will get: Richmond Script OTF Thank you :)

The Sweet Orange Blossom font is a handwritten font that gives neat but realistic roller pen feelings when being displayed! It offers support for all the characters in all western European languages as well as standard punctuation glyphs. Perfectly suitable for numerous use such as product labels, quotations, banners, logos, product packaging, titles, headers, menu lists, and even for digital note taking! It comes in OTF format. Feel free to purchase and try!

Gerova is a serif display font that is aesthetically pleasing and has beautiful curves. Gerova font also gives the impression of luxury with a sleek and sharp serif. This font provides a unique collection of glyphs that are perfect for completing a variety of projects, such as logo designs, identities, product labels, fashion, magazines and more. Gerova font features Open Type Format (OTF), alternative styles, ligatures, kerning, uppercase & lowercase letters, numeral, punctuation and multilingual support.

Morris Fuller Benton’s drawings at the Smithsonian show a creative concern for effects of scale on typeface design. Tobias Frere-Jones began with 4pt ATF Franklin Gothic drawings, modifying proportions to mix with Poynter Oldstyle and Benton Gothic, and adjusting ends of the curved strokes of C G S a c e r s to suit news printing conditions. Poynter Gothic Text excels as subheads used with Poynter Oldstyle Text; FB 1997–99

Umidus font - Trippy wavy liquid decorative font, which works perfectly for bold titles, Festival posters, as a graphic element for bright T-shit or hoodies, or even backgrounds! This weird and ugly font likes an experiment with spacing and different deformation. Please, don't hold back on your bold modern ideas! ------------------- You will receive: - 3 OTF files (3 font styles: plane black, transparent outline, black with highlights) - ATTENTION! font comes WITHOUT any photos, textures, or effects.

Volare latest style letters are perfect for wall displays, social media post logos, advertisements, product packaging, product designs, labels, photography, watermarks, invitations, stationery, and any project that turn creative idea into a true piece of art. These fonts include: OTF files. Displayed fonts: Uppercase, Lowercase, Numbers, Symbols, Accents, Styles, Swashes and Ligatures also Multilingual Support Enjoy the font, feel free to comment or feedback, send me a PM or email. Thank You!

Basuto is a sans serif typeface that is characterized by its unusual shapes in the counters. It was originally created in 1927 by Stephenson Blake. After International TypeFounders, Inc. acquired exclusive rights to the Stephenson Blake Collection, Paul Hickson (P&P Hickson) and Steve Jackaman (ITF) created a digital revival in 1997. Basuto is an unusual yet highly legible typeface with upturned counters and crossbars. It brings a fresh, quirky feel to any project.

Hauser Script is a freely drawn brush script typeface, which was designed in 1936 by George Hauser for Ludlow. Hauser took advantage of the slanting matrices of the Ludlow machine to create what is possibly the most informal of American brush scripts. Steve Jackaman of International TypeFounders, Inc. (ITF) digitally engineered the typeface in 1998. Hauser Script has a graceful, calligraphic look that brings class to any project at display and subhead sizes.

Aqualita is bold and italic script font, with flexible character, and the top of each glyph slightly sloping. Font features: - Standard ligatures - Stylistic Alternates - Stylistic sets Font file included: Aqualita OTF Can be used for various purposes.such as headings, logos, wedding invitation, t-shirt, letterhead, signage, lable, news, posters, badges etc. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7

Winston was inspired by strolls through downtown Winston-Salem, NC. Back in the 60's, 70's and 80's Winston-Salem was responsible for supplying tobacco and hosiery to people around the world. Now, smoke stacks and ghost signage fill the downtown area. Winston blends the modern city aesthetic with the vintage influences of classic advertising. All Caps typeface Capital letter alts US and Western European language support OTF file format

Wedding Text was designed by Morris Fuller Benton in 1901 for American Type Founders (ATF). The face was so popular that its forms soon began appearing with other font foundries under different names, Elite Kanzlei with D. Stempel AG, Comtesse with C.F. Rühl, Linotext with Linotype, etc. Its ornamental forms are not considered very legible by today's standards; therefore it should be used for headlines and short texts in point sizes 12 or larger.

Jungle Monogram Font is a perfect circle shaped monogram font consisting of 78 letters. With just a single font file you will be able to create beautiful monograms in just a matter of minutes after the purchase! Jungle Monogram Font comes with font file in OTF format. It features all the modern advanced font features such as Contextual Alternates, effectively eliminating the need to use multiple separate font files for left, center and right letters.