Named after Maurice Ravel's masterpiece, Bolero likes to find itself in places of classical elegance. Slightly inspired by the soft italics put forth by Giambattista Bodoni and the Didot family, Bolero adds a feminine touch to the traditional clarity of the modern masters. A must-have for anyone who designs wedding invitations, high-end menus, romance-related book covers and posters, cosmetics packaging, fashion branding, and much more. Comes with a large assortment of alternates and ligatures.

Miramar font has elegance in every detail, which means that it isn't very easy to use. I like it very much, but would use it myself on rare occurencies, for very special tasks and even then in small portions. The name refers to the castle of Miramar just north of Trieste on the Adriatic coast, once the weekend resort of the Austrian imperial family. Now it is a museum with a marvellous park. Miramar was released in 1993.

Ckornoments is a two-font family of corner ornaments that was inspired by decorative grave ornaments. Similar ornaments can be found on old furniture and woodwork. Almost all ornaments come in sets of four for placement top right and left and bottom right and left. The two fonts, solid and outline, are designed to be used in layers but can be used separately. In addition, ornaments that include flowers have one part of the design separated out so the original and separated characters can be layered to give bi-colored images (or tri-colored with an outline). These ornaments are suitable for posters, newsletters, personal notes, and on other types of documents that benefit from framing. In addition to serving as corners, the ornaments can also be used as dividers between sections of text.

Crox™ Rounded is a sans-serif professional typeface created using Crox™ family curves that comes in 14 harmonic weights plus 2 poster styles with upright and italic variants, as well as a maximum x-height for great optical reading. All styles have over 25 professional OpenType features and a wide range of Western languages coverage. with a variety of styles and substitute characters: sets 1, 2, 4, 10, 11. Furthermore, operational styles 6 and 7 for the fit-derived SI units format and pricing styles: sets 5, 8, and 9 for business and marketing, ADS and web design, branding, or products design, as well as other OpenType features such as ligatures, old-style numerals, ordinals, swashes,... Specimen Crox™ is a trade mark of Yassine Abdi.

AltraTwo is a complete redraw of a family based on a tracing of a clip art font from an old printed book. The AltraTwo family adds italic, black, and black italic. I liked the gentle calligraphic look. Consider it a sans serif with style. This is a typical NuevoDeco OpenType pro font with caps, lowercase, small caps, lining, oldstyle, and small cap figures, numerators, denominators, fractions, swashes, and so on. There aren't many unusal ligatures for this one, though. It does have the Latin 2 character set or what Adobe calls CE, Central European characters. Altra has been my preferred header face for sevral years. it also works very well for body copy. I usually use it for my contrasting tip and quote paragraphs with Bergsland Pro as my normal body copy.

S P O I L E R A L E R T ! We don't want to be a drag, a wet blanket or a spoilsport, but we're here to tell you that everything before “but” is bulls*it! Yep, if you're a merrymaker, a carouser, a jester, a reveler or a live wire, we're here to poop your party with our latest knicker-twister, KILLJOY! Call us cynics, call us crabs, grouches, grumpy old men, sourpusses or bores, but we're the kind of Killjoys who just have to make some noise... sound effects (sic) everybody, so listen up even if you can't handle the truth... and here’s OUR truth; Keep Calm and be a Fabulous Killjoy! Yes, it’s easy to be mean -- but why should anybody else have all the fun? Or all the fonts?

Hello, Are you looking for a strong bold font? Do you want of creating Something that stand out and inspire creativity, imagination, and endless fun? Wait no more, we will give you the best choice. Black Scratch a Strong Bold Font Black Scratch a Strong Bold Font, Inspiring from strong bold typography. This font is perfect for a design that makes it more attractive and playful. made with a very good level of aesthetics making this font suitable for book cover, poster, packging, merchandise, logotype and much more.

Big, expansive and flat on top; that’s a land formation called a mesa. “Mesa” was the first name for Strata Bold Rounded Serif, but it turns out it’s someone else’s registered trademark; in any case, if you need a bold, extended mono-height font that’s great for logotype, you could, as we used to say in the Mid-West, do a whole lot worse. SBRS is the final generation of an evolution that started with Mesa begating Mesa Bold which begat Mesa Bold Rounded which culminated in this evolutionary superior product. Use it!

We have adapted the version of our Arquitecta font for use in Microsoft Office™. It only has 4 variants: regular, italic, bold and bold italic. Font weights have been named in a way that can be clearly shown up in the font list in Office™ programs for the sake of a good hierarchy (the bold variant is quite bold and does not look the same as the original font). Arquitecta Office update: Improvements of proportions and drawing. The set was extended to the current one of Latinotype.

Once I set on the concept for this ‘Origami’ inspired font, I used an imaginary strip of folded paper as the basis for each character, the folded effect being realized fully by incorporating an incised line. Of course the folded paper aspect is just a two dimensional illusion but subconsciously, will automatically be interpreted three dimensionally. There are numerous options for creating alternative characters following this logic, as the centuries-old Origami tradition itself illustrates quite clearly, but I wanted to maintain an ordered sense of style and balance throughout the full character set, so avoided any unnecessary flourishes, staying true to the Japanese ethos and spirit.

Velourist is a bold display type that’s absolutely perfect for editorial headlines with retro looks. It’s unique, bold, and slim figure make it a great fit for t-shirts, posters, and magazine covers.

Big and bold script typeface.

Ultra Bold Condensed Latin Serif

It’s alive! Insigne’s new creation, Daito, is now functional, built to process your logos, business cards, magazine layouts, packaging and more without the slightest glitch. But this new slab serif is no heartless churn of the same factory nuts and bolts. Daito is designed to greet your reader with a friendly face. Inspired by types from the era of the Space Race, this new take on some old faces brings a contemporized, unique set of serif forms to the font race. Daito comes complete with a variety of weights to help you find the best settings for your current needs or moods. Need soft and playful? Daito light communicates its message gently with softened serif. Need a different feel with more authority? With the touch of a few buttons, engage the powerful Black or striking Bold. Additional features with Daito include stylistic alternates, ligatures, titling capitals and small caps among other typographic features. Please note: use magical OpenType-savvy applications such as Adobe Creative Suite, QuarkXPress, etc to keep your font from malfunctioning, shorting, attacking people, or attempting a world takeover. Daito also speaks Western, Eastern, and Central European languages. However, Japanese is not available for this edition. It’s not every day you find a top-of-the-line font like Daito. This machine can handle most anything on your list, short of folding your laundry (though it may make your laundry look nicer). Don’t wait. Order yours today while supplies last.

Bernhardt Standard, which was designed in 2003 by Julius de Goede, is a flowing Bastarde script. Bastarde is one of the sub-categories of Blackletter typefaces. The term Blackletter refers to typefaces that have evolved out of Northern Europe’s medieval manuscript tradition. Often called gothic, or Old English, these letters are identifiable by the traces of the wide-nibbed pen stroke within their forms. Of all of the various sorts of Blackletter styles, Bastarde scripts are the most flowing, or Italic. The first Bastarde typefaces, cut in the late 1400s, were based on French handwriting styles, especially those styles popular in Burgundy. The flowing nature of Bernhardt Standard makes it similar to some other sorts of Blackletter typefaces as well. Bernhardt Standard, because of its handwritten roots, is also similar to Kurrent, a style of handwriting that was popular in Germany prior the 20th Century. Bernhardt Standard is a very calligraphic face, suitable for formal applications. This typeface would be an excellent choice for certificates or awards. The old style figures in the font allow for nice short settings of text as well.

An informal, rather bold typeface without serifs, Mushmellow looks like it might have been written with a marker pen. In addition to the plain and bold weights, it comes with outline and “cactus” variants.

The Section Bold Condensed font is patterned with lines dividing each letter into small sections. Section Bold Condensed is a headline face with uses ranging from book titles on technological subjects to embroidery books.

Charles Gibbons' Fleischman BT Pro revives J.M. Fleischman's quirky and elegant text faces of the 1730s. Born in Germany, Fleischman worked in Holland, primarily at Enschedé en Zonen where he cut dozens of faces. His types represent some of the earliest examples of the Transitional style, predating and influencing the work of Fournier, Baskerville, and Bodoni. They were wildly popular in their day, used for everything from newspapers to currency, and Fleischman himself has enjoyed a renaissance of late. Fleischman BT Pro preserves the feel of the printed metal types while expanding the original to include four OpenType fonts: roman, italic, bold, and bold italic. They all include small caps, old style and lining figures, discretionary and historical ligatures, ornaments, and superiors. Fleischman Pro also supports Western, Central European, and Eastern European languages.

Ador is a humanist sans serif especially designed for contemporary typography and comes up with 8 weights from ultralight to black plus true italics and 343 ligatures. A large x-height not only creates space in the letters for extra-bold styles, but also lends Ador an open and generous character in the more narrow and semi-bold versions. The nice balance between sharp ink trapped and soft, dynamic shapes helps to work in small sizes. Diagonal stress, angled finials and the 4 degree true italic styles give Ador a dynamic look. The font contains 981 glyphs including small caps, tabular, old style, fractions … and a wide range of flexibility for Latin language support for every typographical needs. Ador is a contemporary sans serif typeface, special for logotypes, brands, magazines and editorial.

ZT Klotin is a serif display font characterized by a strong, Classic vibe, with straps, special alternate glyphs, and soft Curves. Perfect for branding, weddings, social media, product design, stationery, and advertising. ZT Klotin is flexible enough to add these classic elements to almost any project requiring a special class touch. ZT Klotin features over 178 unique ligature and alternatives, ZT Klotin is crafted to be Soft and interwoven to create a stunning display of its subtle hypnotic curves, making it the perfect choice for impactful editorial layouts and bold Bold creations. FEATURE — 644 Glyphs — Uppercase & lowercase letters, numbers — Old-style figure — 40 Discretionary Ligatures & Standard Ligatures, — 178 Alternatives (Uppercase & Lowercase) — Symbols, punctuation marks I hope you have fun using ZT Klotin Thanks for using this font ~ Khaiuns X zelowtype

Cilcle TwoLetter Monogram Logo Font Family with OpenType magic that can adjust to front and back letters, there are 10 frame variations that you can access at numbers 0-9 how to activate it simply by adding a number in front of your initials, typing something (0AB - 9AB) it will automatically compose . you can use it on any Logo project it is perfect to add to your collection. Cilcle TwoLetter font FAMILY – includes 9 weights (Thin, Extra light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold, Black) : Cilcle TwoLetter Thin Cilcle TwoLetter Extralight Cilcle TwoLetter Light Cilcle TwoLetter Regular Cilcle TwoLetter Medium Cilcle TwoLetter Semibold Cilcle TwoLetter Bold Cilcle TwoLetter Extra Bold Cilcle TwoLetter Black Hope you enjoy. Intuisi Creative

Pentagram TwoLetter Monogram Logo Font Family with OpenType magic that can adjust to front and back letters, there are 10 frame variations that you can access at numbers 0-9 how to activate it simply by adding a number in front of your initials, typing something (0AB - 9AB) it will automatically compose . you can use it on any Logo project it is perfect to add to your collection. Pentagram TwoLetter font FAMILY – includes 9 weights (Thin, Extra light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold, Black) : Pentagram TwoLetter Thin Pentagram TwoLetter Extralight Pentagram TwoLetter Light Pentagram TwoLetter Regular Pentagram TwoLetter Medium Pentagram TwoLetter Semibold Pentagram TwoLetter Bold Pentagram TwoLetter Extra Bold Pentagram TwoLetter Black Hope you enjoy. Intuisi Creative

Introduction to Celan Bold Serif Font The Celan – Bold Serif font stands out with its robust and masculine appearance. It features thick, strong lines and minimal white space. This design choice gives it a dominant presence, making it ideal for impactful titles. Characteristics of the Font Celan is characterized by its bold, assertive strokes. The limited white space between letters enhances its solidity. This quality makes the font appear more masculine and forceful. Its serif design adds a touch of classic elegance. Ideal Uses of Celan – Bold Serif This font is perfect for powerful titles that need to command attention. Its boldness makes it suitable for headers in various mediums like posters, websites, and magazines. The strong character of the font conveys confidence and authority.

In 1962, the late Robert Libauer of the Stenso Lettering Company (of Baltimore, MD) revised two of his popular stencil lettering guides to offers users two choices: “traditional” stencil letters and numbers and "solid" letters for tracing and coloring. Solid Stencil JNL was modeled from one of those lettering guides, and contains all of the character anomalies found within that vintage stencil.

Benelux is inspired by European styles of the late twentieth century, their origins can be traced back to the Bauhaus. Broadly geometric and with an emphasis on legibility, it's well-balanced and is equally effective at both text and display sizes. Benelux is available in five weights and features an extended character set, including accented characters for Central European languages.

MOONSILVER is a Display font. This font describes about taft, funny, square, brave, vintage, retro FEATURES - Support Opentype Features - Uppercase - Numbering and Punctuations - PUA Encoded Characters - Multilingual Support - Works on PC or Mac USE MOONSILVER works great in any branding, logotype, magazines, poster, social media posts, clothing, advertisements, film title and any projects that need funny, strong, retro and vintage taste.

This font was made possible by creating a custom brush in Illustrator. I started with a flat brush dipped in India ink to create the stroke. From a scan of that stroke I made a vector tracing which I then I altered as necessary to get the desired dimensions. The lower case letters have a thinner stroke than the capitals.

There was a time in this country when many young people studied a trade via a correspondence course through the mail. While this method still exists, it's now more common to find students taking online classes. From an early-1960s course in sign painting comes Sign Merchant JNL, a classic brush stroke type design popularized on show cards and posters.

Samuel Welo’s “Studio Handbook for Artists and Advertisers” (published in both 1927 and 1960) showcased this talented man’s hand-lettered alphabets; used as inspiration for the sign trade and for graphic designers. A particularly interesting slab serif from the 1960 edition has many unusual character shapes, and served as the model for Casual Slab Serif JNL – available in both regular and oblique versions.

Inspired by wildlife, endless plains, breathtaking mountains and a vintage style, I created a duet of fonts in a rough style. Wild Nebraska is an authentic and brave font duo with many alternates, ligatures and swathes that give multiple options for creating your project and help you to be exclusive and emphasize your personality. All characters of this font PUA encoded.

Upstanding Pro is suited for use as a display typeface, but legible enough to be used in small blocks of text (lighter weights), thus providing a lot of flexibility for all kinds of projects. Upstanding Pro conveys presence, strength and speed with the italics, yet conserving certain traces of sobriety and elegance. Want to make a statement? Use Upstanding Pro!

Inspired by Edward M. Catich’s seminal thesis on the origins of the Roman inscriptional style, such as that found on Trajan’s column, Richard Lipton’s Canto traces the path from an expressive, preparatory Brush (with Brush Open to preserve gestural details at smaller sizes), through informal Pen, to the formal Roman. Classical capitals are accompanied by Lipton’s own calligraphic lowercase, small caps, and swashes.

British type designers Darren Raven and John Critchley created this display FontFont in 1997. The family has 5 weights, and is ideally suited for editorial and publishing, logo, branding and creative industries, music and nightlife as well as poster and billboards. FF Bokka provides advanced typographical support with features such as ligatures, alternate characters, and stylistic alternates. It comes with proportional lining figures.

Introducing Fortune Font set. This typeface has an old school look with classic western shapes. Fortune Variable Font has three predefined weights (Thin, Regular & Bold) and Variable font with flexible weight. All of the small letters has one or two alternates with bottom expanded shape*. Fortune Variable Font supports most of the European languages. *Make sure that "Contextual & Stylistic Alternates" features are supported & enabled in your software. Also please consider that this feature is available only for English alphabet.

Frederic Goudy designed National Old Style Roman in 1916. It is loosely based on a logo he lettered for the National Biscuit Company in 1901. Steve Matteson expanded on Goudy’s original by designing a bold, semibold and matching italics. While much of Goudy’s work is strongly influenced by Venetian types of the 15th and 16th centuries - this design has a truly American quality about it. The design is useful for text or headlines that captures a sense of Americana.

Inspired from Cambodia’s alphabet, Khmer. I tried to explore the visual of the original character in Latin characters. Inspired by 2 gothic fonts, Old London (for the modern/straight feel) and Berliner (for the dynamic between thin and bold line). The letters are made with pencil in a millimeter block book, then scanned into clean vector format. And the result can be use for Display or a Headline with traditional or ethnic theme, including film, game, event, etc.