Introducing Remixa, a cutting-edge modern sans-serif typeface that seamlessly incorporates elements from serif typefaces, resulting in a truly unique and captivating design. Remixa boasts a carefully crafted set of six weights, ranging from light to bold, allowing for versatile usage across a wide range of design projects. Each weight has been meticulously balanced to ensure optimal legibility and visual impact, empowering designers to create captivating and expressive compositions. Its clean lines and subtle serif-inspired details create a harmonious blend that stands out in both digital and print media. Experience the essence of modernity and timeless elegance with Remixa.

The story begin from Condensed, Standard & Expanded style. Saint Regus built and designed with a super family typeface in mind. Its still growing and growing by uniquely bold charismatic persona. The family itself have total 8148 glyphs with a standard glyphs and multilingual context.The possibilities are have a huge prospect in various design project, digital and print. Saint Regus development tried to explore the impact by its proportional display form. The project started from a Standard weights (Roman) and then it become a big families with 21 styles that you can use for a large design assets in any kind of design works.

The digital outline fonts, DIN 1451 Fette Engschrift and Fette Mittelschrift were created by URW in 1984 and are the basis for all DIN font families. Both typefaces were designed for the URW SIGNUS system and were mainly used for the production of traffic signs. They have since become so popular that we have developed a complete Arabic DIN family together with Boutros Fonts. The Arabic characters have been designed to harmonize with our Latin URW DIN and come in 24 individual styles, which consist of 8 weights from Thin to Black and three different widths: Regular, Semi Condensed, and Condensed.

Sagor, designed by Cihangir Öziş in 2019, is a modern font that adds a different flavour to your works with its cool look and unique details. Sagor is suitable for fashion, branding, packaging and editorial uses. It is an excellent choice for short sentences, big hero titles, unique logo fonts, in particular. It can also be used to add a new look to historic design structures. Sagor is particularly elegant and assertive, especially in lowercase letters. Features: Latin Basic Latin Western European South Eastern European Uppercase Lowercase Numbers - Decimal Digits Standart Punctuation Standart Ligatures Alternate for "a" Letter Symbols - Currency, Basic Math, Arrows

Marconi was created by Hermann Zapf in 1973. According to Gerard Unger, it was the world's first digital typeface. Zapf’s design was developed as a text face for books and magazines. The round forms of the Marconi follow the principle of the superellipse. The lowercase letters are enlarged as the result of reading tests, while the capital letters are slightly reduced. The 8-point size — normally used for newspapers — looks more like 9 1/2 points. Marconi is a legible typeface with its large and open lowercase letters. It is ideal for long text blocks in newspaper, book, and magazine production.

Kalperica is a futuristic font for the design of minimalist characteristics that has a digital world feel of the metaverse. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Ollykers is a Brush script font, With a rough stroke brush and fun character. It has Opentype features of ligatures, alternate lowercase, swashes and couple of cursive characters lowercase such as b,d,g,h,k,t. Makes it a perfect choice for branding and digital designs. Use this font for logos, social media, websites, blogs, instagram, social media, business cards, branding, and more! Ollykers brush script font support multilingual more than 100+ language. and good pair for your secondary text font with sans or serif. Make a stunning work with Ollykers brush script font. Cheers, Maulana Creative

Linotype Vision is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. Created by German designer Dan-André Neimeyer, the font contains five weights. The characters look as though they are constructed of fragments fitted only loosely together. Just enough of each character is put onto paper so that the eye of the reader can complete the conventional form. Based loosely on sans serif forms, the font has a futuristic, mathematical feel. Linotype Vision is exclusively for headlines in point sizes of 18 and larger.

Some unusual hand lettering was found on the cover of the 1924 edition of a Spanish language novel by Joaquin Belda entitled “La Hora del Abandono” ("The Time of Abandonment"). The title was created as all lower case characters in a semi-serif style reflecting the dawn of the Art Deco movement. A new set of capital letters was created for this digital revival, along with the numbers, punctuation and other necessary glyphs. Mantequilla JNL is available in both regular and oblique versions. For those unfamiliar with the Spanish language, Mantequilla (pronounced mon-tay-key-yuh) means butter.

Okaluera Sans Serif font seamlessly blends elegance and luxury with a touch of minimalism, creating a sophisticated visual experience. Its sleek and graceful letterforms exude opulence, making it ideal for projects that demand a touch of class. The font's minimalist design adds a sense of modernity, ensuring it remains versatile for various applications. Whether used in print or digital media, Okaluera effortlessly captures attention, making a bold statement with its refined aesthetics. Good for logos, branding, invitations, stationery, wedding designs, social media posts, and much more. Complete with ligatures alternates regular italic icon kerning multilingual support

Sumply is a multi-layered type family based on geometric forms. A monospace display typeface which comes as a family of four. It is equipped with OpenType features and contextual alternatives to create a versatile and fresh output. Sumply initially was designed to be used in personalization processes in digital printing. By choosing the basic geometric cut (FOUR), patterns and various graphic elements can be created just by importing text variables into the indesign data merge. If combined with the other cuts the possibilities are sheer endless. Sumply was selected to be in the 2016 edition of Typodarium.

French Art Deco lettering found within the pages of the 1934 publication L'Art du Tracé Rationnel de la Lettre (roughly translated to “The Rational Path Art of the Letter”) have provided a number of designs well-suited for digital revival. A hand lettered sans with varying character widths was the basis for Colmar JNL, which is available in both regular and oblique versions. As the source of the lettering design was a French publication, the typeface is named for the city of Colmar, which (according to Wikipedia) is the third-largest commune of the Alsace region in north-eastern France.

A 1930s advertising poster for the Inman Brothers Flying Circus offered up an interesting hand lettered Art Deco design that’s a cross between both squared and rounded character shapes. Because of it's 'futuristic look', the resulting type style can also lend itself to 1970s and 1980s retro projects as well as those from the 1930s and 1940s. Now a digital font, Air Circus JNL is available in both regular and oblique versions. A “Flying Circus” is a troupe of ‘barnstormers’ (stunt pilots) who performed aerial tricks either individually or as a team along with selling airplane rides to the general public.

Fhayu, our newest san serif font, is now available. Fhayu is a gorgeous sans-serif font with powerful curves. This typeface offers a stunning and clean appearance that’s ideal for branding, digital products, and any of your creative projects, regardless of theme. This flexible typeface has a unique and balanced personality, making it ideal for headers and paragraphs alike. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Linotype Dropink, from German designer Christine Voigts, is part of the TakeType Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contest 1999 for inclusion on the TakeType 3 CD. A spirited font, Linotype Dropink may remind you of your first attempts with a broad-tipped pen or of schoolwork in days of yore. However, the blots of ink are in this case done on purpose, are indeed the highlight of the font, large and small, round and irregularly sheped. Linotype Dropink is intended exclusively for headlines/display and should be used in point sizes of 18 or larger.

Our Special Elite Pro brings the unique individuality of the Special Elite Type No. NR6 vintage typewriter keyset to the digital age. Antique typewriters would type with a warmth and appeal to them, primarily because of their unpredictable “grunge” results from force of keystrokes to ribbon and paper. The SmallCaps and extensive figure sets add a more serious note to the nature of the typeface. OpenType features include: - SmallCaps. - Full set of Inferiors and Superiors for limitless fractions. - Tabular, Proportional, and Oldstyle figure sets (along with SmallCaps versions of the figures). - Stylistic Alternates for Caps to SmallCaps conversion.

Breitkopf Fraktur was designed by Johann Gottlob Immanuel Breitkopf (1719-1794), the well-known type designer and printer of Leipzig. Breitkopf's high reputation is based on a system of printing musical notes which was developed by him. 1793, in the final stage of his life, he designed this beautiful broken script named after himself.Breitkopf Fraktur is classified as broken", something created by the German renaissance. Broken, because all round parts of the lower case characters in such typefaces look broken.Ralph M. Unger redrew and digitized this font exclusively for profonts in 2003. His work is based on artwork taken from old font catalogues."

Australian typographer Harry Pears continues to explore ancient type forms while maintaining his consultancy business Typeface Research Pty. Ltd., of Lake Cathie, Australia. Born in Quirindi, Australia, Harry has had a long career in printing and graphic arts and has been the guiding force behind the creation of the Lindisfarne Nova family. Lindisfarne Nova Incised and Lindisfarne Runes are wonderful illustrative companions to the Lindisfarne Nova text fonts. In a unique partnership, Harry develops the concepts, and calligrapher Margaret Layson brings the designs to life. They both then work on the digital incarnation in a true collaboration.

Linotype Sjablony is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. Designed by Dutch artist Mark van Wageningen, the typeface with its interrupted strokes has the characteristics of the stencils seen on crates and barrels. The difference lies in the raw contours of this font, which make the characters look as though they were slowly eroded away by water and wind. Linotype Sjablony is composed exclusively of heavy capital letters and is particular suitable for initials and headlines with point sizes of 18 and larger.

Opinion Pro is a geometric grotesque sans-serif typeface with extra-large x-height that comes in 64 styles. It is composed of 4 width variations, each in 8 weights with respective italics. Its rigid curves with pronounced vertical stems makes it useful as both display and paragraph typefaces. Also it works particularly well as a typeface for technical applications such as wayfinding or labeling of any kind. Opinion Pro features a wide range of supported languages, including all Latin-based European languages, main Cyrillic languages, plus Kazakh. The OpenType features include, among others, 4 sets of digits, small-caps, ordinals.

Deposit Pro is a wide slab-serif family with low x-height. In both headlines and paragraph text it creates a serious yet friendly texture between a typewriter and a contemporary slab-serif, making it particularly suitable for corporate communication design. Deposit Pro consists of 16 styles (8 weights and their corresponding italics) and features broad language support including all European Latin and Cyrillic languages. It also sports plenty of OpenType features including 6 sets of digits, fractions, small caps, ordinals, all-cap punctuation, and contextual forms for ‘f’, eliminating the need for too many ligatures.

Alethia Pro is a grotesque sans-serif typeface with high contrast in all weights. It has been designed to serve as a display typeface in various editorial projects, such as magazines or corporate brochures, as a sans-serif pair to serif types of modern style. Alethia Pro comes in 8 weights + matching italics, each supporting numerous Latin-based languages as well as major Cyrillic languages. It is packed with OpenType features like ligatures, small caps, 6 sets of digits, 3 stylistic sets, superiors and inferiors, fractions, ordinals, respective punctuation varieties including all-cap punctuation, as well as language-specific alternates.

The source of inspiration for Haute Monde Monogram is the 1934 "Book of American Types" by American Type Founders. Found in that specimen book was a wonderfully elegant traditional smallcap-Capital-smallcap monogram alphabet known as “Elite Monogram Initials”. This elegant typeface is now digitally remastered and updated for modern use with functionality beyond its original intentions. Download and view the MFC Haute Monde Guidebook if you would like to learn a little more. MFC Haute Monde Monogram comes complete with Pro format fonts. You will require with programs that can take advantage of OpenType features contained within the Pro fonts.

Quenda is a small sans-serif family comprising six weights: thin to heavy. Due to its rounded terminals and a slight handwritten look, Quenda has a friendly and warm appearance. Its main purposes are for advertising and branding projects. You will find lots of ligatures and a total of 593 glyphs in each style. With extensive language support, lining-, old-style- and tabular-figures, a slashed zero, self-building fractions, superscript and subscript digits, a set of arrows as well as thousands of kerning pairs, Quenda is ready to contribute to your next design project. Designed by Marc Lohner in 2015.

Introducing Squid GT Display new generation Typeface with 9 Weights. Squid GT Typeface created with the vision of to attract the audience to your brand . The finest details of this typeface are methodically and mathematically created. Squid GT is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, servers, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project. The Typeface includes Nine Weights. Thin, ExtraLight, Light, Regular, Medium, SemiBold, Bold, ExtraBold, Black.

Linotype Laika is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. This fun font was created by Dutch designer Mark van Wageningen, who based its forms on those of a sans serif font but gave them wavy, irregular contours. They look almost as though they lie just under the surface of a pool and the movement of the water gives them their undulating appearance. The dynamic Linotype Laika is especially good for headlines in larger point sizes or shorter texts in point sizes of 14 or larger.

Linotype Irish Text is part of the Take Type Library, chosen from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. German artist Torsten Weisheit designed this font based on Irish scripts of the 5th century. Characteristic of this style is the mixture of upper case letters in the mostly lower case alphabet and vice versa. The letters look as though written with a broad tipped pen and have triangular serifs, displaying a decorative tendency akin to that of Irish calligraphy. Linotype Irish Text is intended exclusivley for headlines in large point sizes.

Neue Frutiger Vietnamese''' was developed by a team of designers and font engineers from the Monotype Studio under the direction of Monotype type director Akira Kobayashi. The family is available in 10 weights from Ultra Light to Extra Black, with matching italics. Neue Frutiger Vietnamese embodies the same warmth and clarity as Adrian Frutiger's original design, but allows brands to maintain their visual identity, and communicate with a consistent tone of voice, regardless of the language. It is part of the Neue Frutiger World collection, offering linguistic versatility across environments – suited to branding and corporate identity, advertising, signage, wayfinding, print, and digital environments.

MVB Gryphius is a digitization of uncommon type from an era normally associated with the work of Nicolas Jenson. Produced by Otto Trace, the fonts come from types used by Sebastian Gryphius in Lyon in the early 16th century. The italic appears in a book from 1524 and the roman and small caps appear with the same italic in another book printed by Gryphius in 1541. Retaining the rough contours and uneven texture of its source, MVB Gryphius is best used at text sizes from 12- to 15-point, but its old world character can work in display settings too.

Linotype Scott Mars, from German designer Hellmut Bomm, is part of the TakeType Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contest 1999 for inclusion on the TakeType 3 CD. Bomm constructed this typeface from a consciously limited repertoire of forms, producing a strictly constructed font with a cool, technical look. Worthy of note are also the exalted numeral forms and the unusual size relation of the lower case and capital letters. Scott Mars is best used for headlines and short to middle length texts in point sizes of 10 or larger.

Rotundus Rounded is a rounded sibling of Rotundus, an elegant sans serif typeface based on geometric shapes. Precise lines and accurate curves with soft edges are the main characteristics of this fresh and modern font family. While unconventional letterforms give Rotundus Rounded its distinctive appearance, a tall x-height and a condensed width provide good legibility and nice readability even at smaller sizes. With its contemporary feel, Rotundus Rounded is suitable for almost any type of analogue and digital application. The Rotundus Rounded font family includes unique letterforms, exclusive ligatures and extensive OpenType features. Rotundus Rounded comes in six weights with matching italics.

Rodrigues is a casual signature script, designed by Amin Mario and Mans Greback in 2020. A font full of personality and curves, created using quick strokes to for a natural handwritten effect, which to gives the font an organic look in a digital world. The typeface comes with OpenType features such as alternates and ligatures, a bold style and multiple decorative elements. Use { } < > [ ] anywhere in a word to create a swash. Example: Mag[ical The font has extensive lingual support, covering all European Latin scripts. It contains all characters you'll ever need, including all punctuation and numbers.

While helping produce a trade magazine years ago, I admired the hand-lettering of the art director -- a woman named Marydale -- and suggested she let me model a font after her penmanship. She agreed and drew out the alphabet, and I launched an old copy of Fontographer and (to shorten a long story) ended up developing my very first digital typeface. Which has since, astonishingly, become famous worldwide. So now the real Marydale gets the mixed blessing of seeing her handwriting (and name) plastered all over the planet. Full release has regular, bold, and black weights.

Letterhead Studio makes both fonts and design with own fonts. The studio is started in 1998 by Yuri Gordon, Valery Golyzhenkov and Olga Vassilkova. We work in graphic design, branding and type design. Our collection of Cyrillic fonts includes more than 330 faces, generally it is display fonts. Letterhead is one of leading developers of custom-made fonts, lettering and digital calligraphy in Russia. Among clients of studio are magazines like Rolling Stone, Esquire, GQ, Empire, Interni, Harpers Bazaar. Also we develop corporate fonts, more often for banks. Letterhead co-operated with Gazprombank, Rosbank, the Alpha-group, Trust, Menatep, Orgres-Nordea and others.

Proudly presents The Clastic Font Family with 2 different style Script and Sans. The Script also has combination layer style with inner shadow and drop shadow. The Characters include over 650++, allowing each character to be combined. These two cool fonts would be perfect to combine in your design. It will be great for Logotypes, Posters, Digital Lettering Arts, Clean design, Branding Design, Sign, and many more application. Features Contextual Alternates Stylistic Alternates (up to 12 style in some letters) Ligatures Initial & Terminal (also comes with alternate initial and terminal glyphs) Thank You very much, I hope you enjoy this fonts !

Constructivist flavor typography goes pro enters the digital era with Delaware Pro AOE. Delaware Pro AOE is the revival and elaboration of a limited lettering specimen from a series of old loose book pages. What began as just Capitals & Lowercase was expanded to a rich pro glyphset including numerals, punctuation, small caps, small caps scaled figures, unlimited fractionals, superiors & inferiors, ordinals, tabular & proportional figures, and an expanded language glyph set. From titling to nightclub posters, fashion spreads to stencil play, the Constructivist Era is built up and out, waiting for you to put it to use.

Introducing Oxine Display new generation Typeface with 7 Weights. Oxine Typeface created with the vision of to attract the audience to your brand . The finest details of this typeface are methodically and mathematically created. Oxine is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, servers, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project. The Typeface includes Seven Weights. ExtraLight, Light, Regular, Medium, SemiBold, Bold and ExtraBold

The Neutraliser family is a versatile collection of geometric-based fonts with 24 styles. The 6 Alternate styles are suitable for headlines and are complemented by the Sans and Serif styles suitable for small amounts text. The Caps styles allow for extra typographic variation within the family. Neutraliser is a direct result of the designer's initial exploration of typography and is uncompromising in its geometric nature. As the name suggests, the typeface celebrates the precision of the digital medium as a drawing tool in which the critical points that make up a letterform can be almost ‘plotted’ according to a grid-based logic.

Naerya, a modern stylish serif font, effortlessly blends sophistication with contemporary design elements. With its sleek and clean lines, Naerya exudes a sense of timeless elegance, making it an ideal choice for projects that demand a touch of class. The font’s well-crafted serifs add a distinctive flair, striking a perfect balance between tradition and modernity. Naerya’s letterforms showcase a harmonious interplay of curves and straight lines, resulting in a balanced and refined aesthetic. Whether used for editorial design, branding, or digital applications, Naerya stands out as a versatile and visually pleasing serif font that lends a touch of sophistication to any project.

Colmcille was designed by a Gaelic scholar, typographer and printer, and first released by Monotype for composition casting in 1936. The design intention was to provide a Gaelic looking type which worked well as a roman text face. The digital version of the Colmcille font family has been made in collaboration with the designer's son, Dara O Lochlainn. A number of changes have been made, including a new set of figures and the addition of a bold weight. Although originally designed as a text face, Colmcille can be used for advertisements, flyers, in fact wherever a touch of Gaelic charm is required.