The design of Gondolieri has its origins in an experiment to combine aspects of Didone and Tuscan typefaces. The result has a continental 'Italianate' feel. If you wonder what lies behind the name, just look at the lower case 'f'...definite overtones of a Venetian Gondola here, and throughout the design. Gondolieri is offered in regular and bold weights, as well as a simplified form for smaller text use. All of these are available in three widths. The Gondolieri family has a lovely Didone, 'Belle Epoch' feel for use in design, posters, book covers and so forth. An extensive range of Opentype features, including ligatures and terminal forms is included in the regular and bold faces.

Hargalia is a beautiful cursive display typeface. Inspired by classic cursive calligraphy from Carolingian Renaissance era (about 8th century) which in that era, the alphabet letterform was perfected for the first time with many curvy strokes with a flat brush. Hargalia is designed with penmanship and carefully digitized with many swashes included. Hargalia is designed for headlines and short body texts. The natural strokes with calligraphic feel that highly recommended for fashion, branding, magazine, editorial, logotype, packaging, historical quotes, and more. This font is PUA Encoded with 430 glyphs in total! Worth every penny! Features included: Uppercase Lowercase Numbers Symbols Punctuation Stylistic alternates Contextual alternates Swashes Ligatures Stylistic set 001 - 003 Best regards, Ramz.

Qi is a display sans-serif inspired, in part, by the art deco typefaces sometimes seen on old signs along rural American backroads. Unlike these signs, Qi is new, fresh, a little bit quirky, and not at all in need of repair or a fresh coat of paint. The family is comprised of six distinct fonts with more on the way. With an entire set of Central and Western European (and, of course, American) glyphs, plus a bunch of alternates and ligatures, Qi could be the perfect display face for your next sign, poster, newsletter, headline or, well, most anything else. Hey, the lowercase alone makes these fonts well worth the price.

Celebrity is a new execution of a film type concept put forth by Willy Wirtz in 1971. The original idea, called Latus, had many irregularities and unfit characters that are now fixed and expanded in this digital version. Celebrity's construct combines extreme thicks with hairline thins to build forms that contribute to a type totality that is at once modern and techno, as well as retro-deco. Eye catching and memorable, Celebrity is ideal for use on posters, book covers, media sleeves and packaging. It also has enough geometric appeal to inspire unique logos and set attractive titling. Celebrity comes in all popular font formats, and includes a very expanded Latin character set.

Stay Enjoy is a captivating sans serif and bruh font duo. The sans serif font in the Stay Enjoy is a testament to timeless elegance and sophistication. Crafted with precision, its letters embody clean lines and a modern aesthetic. In striking contrast to the sans serif counterpart, the brush font of the Stay Enjoy bursts forth with creativity and energy. Each letter is masterfully crafted in large, expressive strokes, creating a dynamic and eye-catching composition. Together, the Stay Enjoy marries elegance and spontaneity, offering a versatile and captivating typography solution that can elevate your design projects. Stay Enjoy fits in headlines, logos, posters, flyers, branding materials, print media, editorial layouts, and many more designs.

Inspired by the vintage brush typography, we proudly present Hadnich. the versatile script font. Carefully designed with the taste of old school sign painting which has the neat letterforms, attractive move and combined in modern form. Complete your font library with this cool brush font. Works perfectly for logo, signage, apparel, labels, poster, and many more! Make sure you get more variants of typographic design with a ton of alternates characters that you can access easily! There are stylistic sets 01-14, ligatures, swashes also accented characters, packed in a total of 350++ glyphs! Worth every penny. Uppercase Lowercase Numbers & symbols Stylistic sets 01-14 Ligatures Multilingual characters Thank you for watching. Keep it real!

Merrivale is an ideal example of the benefits of keeping ones eyes open- it was inspired by the gilt-finished raised lettering on a late Victorian shopsign in Melbourne, Australia. The family of seven faces include upper and lower case forms, small capitals, all capital forms, and flamboyant display forms. Extensive Opentype features are incorporated. All faces are offered in incised forms inspired by the original lettering as well as in solid black filled forms. Thsee typefaces are wonderful for signage where either a period air or a dignified but legible feel are required. They also lend themselves to other display uses such as posters, book covers and so forth and are ideal for the title lines of certificates.

Senko Hanabi (線香花火 - Japanese: incense-stick fireworks) is a type of Japanese sparkler. These traditional sparklers are said to evoke “mono no aware” - “an empathy toward things”; the flash of sadness when reminded of the fleeting nature of life. I am always a bit melancholic this time of the year, so when I created this font, I wanted to give it a suitable name. Senko Hanabi was made using a brush and Chinese ink. It is a beautiful font, which comes with stylistic alternates, discretionary ligatures and a sparkling amount of diacritics. Remains for me to wish you all a very happy new year. Let’s do our best to make it one worth remembering!

Aphrosine is a font based on pointed pen script. A huge lot of alternatives and smart OpenType features allow it to look almost indistinguishable from real live handwriting. Aphrosine is something between handwriting and calligraphy: it took too much effort for being “just handwriting” but lacks seriousness and regularity comparing to true calligraphic fonts. That’s why it was called after a peculiar character from a children’s book: a witch who was very fond of dressing, makeup and writing letters. Aphrosine has three faces. But unlike most other type families, the glyphs from one face do not match exactly the glyphs from another one. The faces are based on writing with different nibs but by the same hand. The type is designed by Alexandra Korolkova and Alexander Lubovenko and released by ParaType in 2015.

Epines is a modern handwritten font, carefully handcrafted to become a true favorite. Its casual charm makes it appear wonderfully down-to-earth, readable and, ultimately, incredibly versatile. Epines will look outstanding in any context, whether it’s being used on busy backgrounds or as a standalone headline! Epines is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery and any projects that need handwriting taste. What's Included : Bonus Swash Ai & Eps Standard glyphs Ligature Works on PC & Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Fonts include multilingual support for; ä ö ü Ä Ö Ü ß ¿ ¡ Hope you enjoy with our font! Taznix

Rostin is a modern monospaced typeface with half-open forms of characters. Contains 8 fonts. 4 regular and 4 true italic. Weights from ultralight to bold. Including modern and futuristic stylistic alternates. The typeface was designed to read well in small sizes (from 15px) and be bright in large sizes. With these characteristics and a wide palette of weights Rostin has a huge potential area for usage. Ideally suited for musical covers, posters, logos, street wear, movie titles, packaging, editorial, web and applications - here he will always be gorgeous. With a wide variety of alternate characters you can make your design bright, memorable and modern. Opentype features: old-style figures, fractions, stylistic alternates, superscript and subscript.Multilingual support: Latin, latin extended, cyrillic and cyrillic extended (more than 75+ languages)

The Gabriela project is of great importance to us since it is the first font published by Latinotype México which is our brand-new sister foundry in Mexico. Gabriela, yet more versatile, shares all of its DNA with Gabriela Stencil. The font is an excellent choice for short and medium-length text. Gabriela is a Didone typeface well-suited to classy branding and editorial designs. Its alternate version includes swashes and more than 300 glyphs and 75 ligatures, allowing for more stylized designs. It may look different from its "regular" counterpart, but the essence of both is the same. Gabriela comes in 9 styles, ranging from Thin to Black, and includes matching true italics. Each font weight has an average of 750 characters which support more than 200 Latin-based languages.

Axion SER is an original design by Alex Kaczun. Axion SER is a serif style variation based on his original Axion typeface family of fonts. It is a display font not intended for text use. It was designed specifically for display headlines, logotype, branding and similar applications. The entire font has an original look which is strong, dynamic, machine generated and can be widely used in publications and advertising. Axion SER is a futuristic, techno-looking and expressive typeface with an appearance of machined parts with sharp and rounded edges. This attractive display comes in roman with lower case and lining figures.The font is also available with true small capitals and old style figures. The large Pro font character set supports most Central European and many Eastern European languages.

Meet Wiblz (say “Vibbles!”). Wiblz is a Modern/Didone text family in the great tradition of squarish text families like Walbaum, Ibis, and Georgia. He has a high x-height and a great balance of legibility and readability. Plus, he supports the Latin alphabet, basic Cyrillic, Monotonic and Polytonic Greek, and the International Phonetic Alphabet. That makes him superlative in his usefulness and versatility! When searching for a didone typeface, it's often a struggle between blackness/legibility and stylishness/contrast. this is especially true of squarish didones, which number less than their round counterparts. Wiblz is an excellent balance between the two — clean and striking, good for uses from text to heading, and at home in print and on screen. Give him a try! He's a smart, adaptable, useful guy!

Rolling gemstones… The name "Eris" is again borrowed from Greek mythology, is related to the myth "the apples of Hesperides" which were gold and one of them got the Erida!!! More about this myth can be found on the web... And in this font (as in one section in the "Cyceon" font) I have mixed in the lower case with the capitals in many letters.I tried here to give a different illustration in lowercase letters, simply because of whims or because the monotony is tiring me!!! One can also mix here with two levels to get a third color depiction using the “ErisPro-Black” with “ErisPro-Strap” or “ErisPro-BlackIt” with “ErisPro-StrapIt” This series is composed and includes twenty-four fonts with 658 glyphs each, with true italics and supports Latin, Greek and Cyrillic.

Sagobi - Fun Display Playful Font Sagobi is a fun display playful font create with natural handwritten type with 3 alternates weights; light, regular and bold. Sagobi Playful Display Font is suitable for greeting cards, invitations, posters, baby clothing, books cover, quotes, logos, presentations, headline etc. Sagobi will turn any creative idea into a true piece of art and ready to make your design looks great and fun! Features; - 3 Weights; Light, Regular and Bold - Standart and special ligatures - Uppercase, Lowercase, Number, and Punctuation - Works on PC & Mac - Simple installations - Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word - Fully accessible without additional design software. - Mültîlíñgúãl Sùppört for; ä ö ü Ä Ö Ü ß ¿ ¡ Hope you enjoy our font and this font is useful font for your projects!

Qonora is an innovative new sans-serif text face that combines flowing, almost calligraphic strokes with a post-modern sensibility for a look that works as well on the printed page as it does on screen. Its comfortable proportions and no-nonsense streamlining (note the lack of spurs, serifs or any unnecessary ornamentation) make it an excellent choice for legibility even at very small point sizes. Qonora includes a true italic, drawn independently from the Roman. Strokes for the italic have been re-weighted to complement the Roman, and idiosyncratic italic glyphs have been substituted where appropriate. The typeface’s extensive Hebrew implementation (including diacritics and cantillation marks) is an important part of its character. The Latin, Cyrillic and Greek ranges of the face maintain a consistent ethic of form and function.

Bodaholic is a very cute, elegant and unique script font. Expertly designed to become a true favorite, this font has the potential to take your creative ideas to the highest level! Bodaholic is appealing because it's sleek, clean, feminine, sensual, glamorous, simple and easy to read, thanks to its many fancy lettering connections. I also offer a number of viable alternative styles for all letters. Classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting cards/weddings, packaging, labels or all kinds of advertisements. for your purposes. . . . . . . Contains full set: -Uppercase -Lowercase -Alternative - Ligature - Punctuation -Number - Multilingual support. Need help or have questions let me know. I'm happy to help. Thank you & Congratulations on the Design.

We are pleased to announce the launch of Vástago Grotesk, a nine-weight sans serif font family, inspired by the traditional grotesque designs of the 20th century. The particular ink traps, result of the G drawing, create it a visual universe that is replicated throughout the system, generating personality and a functional distinctive in multiple contexts. Vástago Grotesk was born out of an interest in exploring the possibilities of Sans Serif font design, a process that is complemented by the advice of excellent typographers throughout the world thanks to the Type Crit Crew initiative. The design was carefully constructed, achieving functionality in different sizes, ranging from a subtle Thin to a Heavy weight that projects grandeur and character. Vástago Grotesk is a challenge come true. We hope you enjoy it.

Pilgrim is a re-cut of a Linotype face that Eric Gill originally designed for a book published by the Limited Edition Club of New York. Admired for its tranquil dignity, the Pilgrim type is both firm and elegant. Its general appearance resembles that of Gill’s Joanna font family. The contrast of the font is not very strong. The serifs are bracketed. Eric Gill, who designed the type on which Pilgrim is closely based, observed one sort of model for his lettering - the incised monumental letter of Roman origin. This is clearly seen in his capitals, but is also true of his lowercase letters, which have little of the calligraphic or engraved qualities of most other type designs. Gill’s types are Roman in the classic sense, yet also particular to Gill himself.

Satellite PT started out as an experiment. Wanting to explore the geometry of using angles instead of curves, I started sketching out the face using grid paper. I had seen similar fonts that tended to be completely symmetrical. My exploration tended to include what I humorously call 'faux humanist' elements, such as asymmetrical bowls, tapers and 'flare-serifs' (for lack of a better word) for select terminals. The result was a quirky and interesting face at display sizes. However, at small sizes, as ink bleed starts to take over, the angles disappear in favor of the overall forms (rounded bowls, etc.) and the 'faux-humanist' effects start to mimic modulation found in more traditional, modulated text faces. While it is hardly a true text face, the result is surprising legibility at text sizes.

NorB Architect Pencil Condensed fonts are the fruit from learning architectural lettering books so featuring 7 condensed weights going from Light to Extra Bold version. These Architectural fonts will add a beautiful architectural hand-lettering style to all your CAD project drawings. Architects have always wanted their CAD drawings to look more like they were drawn by hand, rather than by a CAD program. These AutoCAD fonts are the first step in bringing back that “artistic hand-drawn” feel to your CAD drawings or any graphic design project that can use true type fonts. They also can be used with any word processing program for text and display use, print and web projects, apps and ePub, Comics, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations … or even just for fun!

Opinion varies regarding the role of Claude Garamond (ca. 1480–1561) in the development of the Old Face font, Garamond. What is accepted is the influence this font had on other typeface developments from the time of its creation to the present. Garamond, or Garamont, is related to the alphabet of Claude Garamond (1480–1561) as well as to the work of Jean Jannon (1580–1635 or 1658), much of which was attributed to Garamond. In comparison to the earlier Italian font forms, Garamond has finer serifs and a generally more elegant image. The Garamond of Jean Jannon was introduced at the Paris World’s Fair in 1900 as “Original Garamond”, whereafter many font foundries began to cast similar types. Simoncini Garamond was designed by Francesco Simoncini to be true to the Original.

Empathic • Contemporary • Versatile • Corporate A typeface specially designed for corporate identity. Trust Sans is a friendly typeface, with a flowing ductus and humanist features, specially created to help designers face everyday challenges. This font comes in a variety of weights—perfectly suited to establishing an effective typographic hierarchy—and contains an extensive character set, including small caps, different figure styles, case-sensitive forms, contextual and discretionary ligatures, etc. The family glyph set supports over 200 Latin-based languages. Trust Sans is composed of two complementary sub-families: a standard, formal font and an alternative, more casual, version. Each family comes in 6 weights, from Thin to Black, with matching true italics. All these characteristics make it an ideal typeface for a range of applications such as editorial design, immersive text, corporate identity, branding or packaging.

Pompeijana is a part of the 1990 collection Type before Gutenberg 2’, which includes twelve contemporary typefaces each representative of a particular era. Pompeijana is Adrian Frutiger’s contribution to the project Type before Gutenberg’. He based the forms of this capital typeface on the writing of the Romans in Pompei. The decorative look of the alphabet is achieved by purely graphic means, placing the emphasis of the top and foot of the letters with heavy horizontals and diamond-shaped serifs. Frutiger completed his typeface with the weight Borders, a font consisting of numerous ornaments true to the style of the alphabet. The ornaments can be combined to form different borders and offer an optimal addition to the elegant Pompeijana. Pompeijana is best combined with modern sans serif typefaces.

NorB Architect Pencil fonts are the fruit from learning architectural lettering books so featuring 7 weights going from Light to Extra Bold version. These Architectural fonts will add a beautiful architectural hand-lettering style to all your CAD project drawings. Architects have always wanted their CAD drawings to look more like they were drawn by hand, rather than by a CAD program. These AutoCAD fonts are the first step in bringing back that “artistic hand-drawn” feel to your CAD drawings or any graphic design project that can use true type fonts. They also can be used with any word processing program for text and display use, print and web projects, apps and ePub, Comics, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations … or even just for fun!

Sancoale is a new sans serif that is simple and geometric. It is a contemporary design that is distinctive and unique, but not too far outside the box. This makes for a typeface family that is very useful for many applications. The design is simplified without stems or spurs in the default character set. The OpenType alternates do include alternates with stems, and there are six weights with true italics. Please see the informative .pdf brochure to see these features in action. OpenType capable applications such as Quark or the Adobe suite can take full advantage of the automatically replacing ligatures and alternates. This family also includes the glyphs to support a wide range of languages. Sancoale is a great choice for a professional designer that wants to achieve a simple but still unique look.

Bouba Round is more than it seems on first sight. It combines the best of two worlds, having an expressive character with its round and friendly shapes and performing great in every typographic aspect. The type family is a true workhorse, ready for serious typography. Creating a round typeface with a great reading experience has been our guiding principle throughout the design process — Bouba Round needed to work in small sizes and long text as well as in Headlines. To ensure a great reading experience in most languages, Bouba Round has a huge language support including nearly all latin based languages, Greek and Cyrillic. On top of an extensive language support, Bouba Round is loaded with a lot of icons, arrows and graphic elements for modern UI/UX design.

Celion is a serif display type with a nonsensical feel. modern high contrast with a bright positive character. The clean shapes and slightly conical edges of the letters create a welcoming atmosphere in any design. Including ligatures and custom alternative glyphs, the Celion font is perfect for headlines, magazines, logotypes, food packages, advertisements, and many others. Features: All Caps Font with different uppercase and lowercase Number & Symbol Supported Languages Alternates and Ligatures PUA Encoded We highly recommend using a program that supports OpenType features and Glyphs panels like Adobe apps and Corel Draw, so you can see and access all Glyph variations. This type of family has become the work of true love, making it as easy and fun as possible.I really hope you enjoy it! Thank you Enjoy the font and go get creative :)

Thanks for checking out Chastalia Script A very fun yet elegant script font with lots of energy, allowing you to create beautiful handcrafted typography in an instant. With extra curves & twists, Chastalia Script is guaranteed to make your text stand out - perfect for logos, printed quotes, invitations, cards, product packaging, headers and anything else you can imagine. What's really awesome is that Chastalia Script comes with a full set of lowercase alternatives, which allow you to create more authentic custom-feel texts. This type has become the work of true love, making it as easy and fun as possible. I can't wait to see what you do with Chastalia Script Feel free to use the #Hasrizal tag and the #Chastalia Script font to show what you've done, I really hope you enjoy it! Thank You!

Cyan Neue is a substantial update variation to the original Cyan we launched in 2006. Most notably the contrast has decreased making it more contemporary. Many glyphs have been improved especially in the italics. The design of Cyan Neue was inspired by features found in classic Roman. It shows a preference for geometric Roman proportions while incorporating open centers (B,P,R) and compact serifs. The characters stay true to the same features as the capitals, resulting in an unusually distinctive style. There are many subtle details in Cyan Neue that become more interesting in display sizes, for instance the subtle curves in the serifs and the overall smoothness. Cyan Neue is a robust font that will exceed your expectations. Cyan Neue is clearly ideal for headlines, inscriptions, publications, annual reports, corporate identities, packaging.

2015 First Prize TipoType award. Neftali is a type family designed for continuous reading in long texts & editorial design, created as an interpretation of Pablo Neruda’s “Poema 20”. This work delivers a subtle experimentation of Baroque and Roman styles, rescuing features from some of the most successful chilean typefaces such as “Australis”, “Berenjena” and “Biblioteca”, along with its particular calligraphic details, medium weights, accentuated strokes, and wide curves that seek to project Pablo Neruda’s particular way of reciting. This typeface contains uppercase, lowercase, small caps, oldstyle, and tabular numbers; in addition to a true italic for every weight; and calligraphic details designed to compose his poems. A typography to talk about everything, except love… (Special thanks to: Francisco Gálvez & Patricio Truenos; without the help of the latter, this project wouldn’t have had an ending)

Bedgan is a very cute, elegant and unique handwritten font. Expertly designed to be a true favourite, this font has the potential to take your creative ideas to the highest level! Bedgan is attractive because it is sleek, clean, feminine, sensual, glamorous, simple and very easy to read, thanks to its many fancy letter connections. I also offer a decent number of style alternatives for all letters. The classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting/wedding cards, packaging, labels or all kinds of advertisements . for your purposes. . . . . . . Contains full set: -4 Type Font -Uppercase -Lowercase -Alternative -Ligatures -Punctuation -Number -Multilingual support. need help or have questions let me know. I'm happy to help.

Gia is 7 weights, true small caps and unicase options, designed after iconic letterforms of the 1960’s to 1980’s. In the early years of the American tech revolution, when Silicon Valley was more closely identified with Dallas, Texas, a curious type of letterform began to appear—strict in geometry, and curiously minimal in geometry and stroke, making it easier to be read by machine-readers, and people more used to reading machine-generated typography. Coders! As the years went on, this kind of sinewy, curved letterform began popping up in logotypes and music videos and upright video games: NASA, The Buggles, Atari, Pong, Sega, Namco, Stern, Devo, Apple. Gia pays homage to that letterform, and is named after Gia Carangi, the iconic face of early 1980’s pop fashion.

Magnetic Pro is a typeface inspired by typewriter characters with a mechanical aspect. Equipped for professional typography, this font family has many OpenType features such as small caps, case sensitive forms, tabular and old style figures, pro kerning, circled numerals, ligatures, and extra graphics. It comes in 8 weights with corresponding italics and it's suited for multiple purposes including display and editorial use, especially for advertising, long text, packaging and branding. Magnetic Pro has true italics with a 'mechanical script' aspect to give more style in long texts. It has also an extended character set to support Central and Eastern European as well as Western European languages. Magnetic Pro has also an extra graphics style for those who wants to add catchwords, special titles, arrows and geometric shapes to their creative projects.

How should an authentic baudelairean type look like? Aesthetically beautiful, that’s for sure. Intellectual, neurotic. Uptight — oh, the conventions of the time. Easily readable — still 20 years to go until the age of art nouveau with its outrage of typefaces. It may have a vibe of a Paris salon - salute to the Parnassiens. Such a modern-class (don’t mix it with the modern-styled) pharmaceutical Antiqua. Contrasts, thin serifs, the integrity of the operating theatre. But Baudelaire is not Heredia. «Une charogne» is not that much a vivid metaphor as a drawing from nature. The baudelairean typeface should have its cavern, flow, dark side. Not to demonstrate the fragile romantic profile of a cursed poet, as Baudelaire was seen 130 years ago, but to express the real pain. A true, unattractive, egoistic, suicidal passion.

NarrowWay is a family of 18 condensed and ultra-condensed sans-serif typefaces. The family started with the ultra-condensed widths, then the condensed and regular widths (the regular is still quite condensed) were added. All widths have three weights and each weight has an italics style. These 18 styles lack a true lowercase but rather have a set of alternative characters, some based on lower-case forms, on the lower-case keys. Some alternative letters can be reached with the OpenType feature of stylistic sets. The character spacing in most of the styles is quite loose and it can be tightened with an application's character spacing if needed. These typefaces are display faces that can be useful for squeezing tall lettering into tight spaces. They are not readable at small point sizes.

Steal the spotlight with Senlot. A high contrast sans serif, Senlot’s figure is perfect for enrapturing your audience. The font shows off a unique calligraphic stress, which--with the contrast--makes the face quite usable in luxury and high quality design work. The gorgeous appearance of Senlot is accompanied by a complete set of small capitals and a true italic. Dress your text in any of nine separate styles from Thin to Bold. Senlot also holds a full set of OpenType features, including titling capitals, superscripts and subscripts, and oldstyle figures and has an extended Latin cover with span for over 72 languages. A special thanks to Lucas Azevedo and ikern for production assistance on Senlot. Let Senlot’s beauty and simplicity carry the stage on your new text or webpage.

Marlon Pro is a soft sans serif font family characterized by its contemporary aspect and its warm touch. It provides advanced typographical support with features such as case sensitive forms, small caps, ligatures, alternate characters, fractions, slashed zero, circled gures, pro kerning...It comes with a complete range of gure set options – oldstyle and lining gures, each in tabular and proportional widths. It comes in 9 weights with corresponding italics and it's suited for multiple purposes including editorial use, web font, apps, digital ads, ebook, and also for advertising, long text, packaging and branding. As a modern sans serif font family, Marlon Pro Sans has true italics to give more style in long texts. It has also an extended character set to support Central and Eastern European as well as Western European languages.

Neubau is a condensed geometric display typeface, designed in 2009. The inspiration for this face came from Joost Schmidt lowercase letters developed during 1925-28 in Bauhaus Dessau. Schmidt was one of the proponents of New Typography – a movement advocating the use of only lowercase letters which were constructed strictly geometrically using only ruler and compass. Neubau Pro is the new edition of Neubau fonts. The new typeface is an upgraded version of an old fonts (2009), with careful refinements to glyph shapes, and the extension of glyph amounts which enabled support of more Latin languages as well as Greek and Cyrillic languages. Neubau Pro is released in six styles with small caps, and true italics, and contains OpenType features. This typeface can be used for editorials and print designs.