An ultra light thins all caps Victorian design with a slight stroke contrast. Elongated Roman requires subjective display kerning and compensation.

Intrigued by typefaces of the late 18th and early 19th centuries, the designer was surprised to find no digital renderings of the popular Old Roman typeface. This font is the designer's interpretation of this c. 1895 typeface designed by T.W. Smith.

Designing SoftTimes has been easy on my nerves after the strain of HardTimes. The harder the Times are the more do we need some soft typefaces, this one is the soft counterpart for HardTimes. -Your softspoken typedesigner, Gert Wiescher

A revival of one of the popular wooden type fonts of the 19th century, suitable for display, heavy stems, very thin serifs, short descenders. Heavily revised, very much improved, extensive kerning. Now in otf and ttf formats.

Elongated Roman is a Didone-style serif typeface. It was originally designed in 1950 by typographers at Stephenson Blake. After International TypeFounders, Inc. acquired exclusive licensing rights to the Stephenson Blake Collection, Steve Jackaman (ITF) digitally revived the typeface in 1997 for the Red Rooster Collection. Much like other Didone typefaces, Elongated Roman’s strong contrast between thick and thin strokes and hairline serif design strengthen its elegance as a “modern face.” Unlike other Didone typefaces in the Red Rooster Collection, Elongated Roman was designed with display size in mind thanks to its strong variance in stroke weight.

Informal is the work of lettering designer Martin Wait and is reminiscent of the late 1940s and early 1950s. Informal is worthy of its name and perfect for anything with a look of the mid-20th century or simply a casual, spontaneous appearance.

Mixtra is a versatile and complete type family designed by Bo Berndal. The three Mixtra family branches are Roman, Sansserif and Slabserif, each with a full set of weights. The Roman also has a Small Caps font. Combining the three family members is a good starting point for creating a coherent typographical design. Mixtra works well in magazines and all sorts of print in need of a strong visual identity. "Mixtra is a multiface", says Bo Berndal. "With or without serifs, or with powerful slabserifs, you can pick the version that best suits the design and printing technique you have chosen."

Introducing Roman Lover Elegant typeface + Bonus Boho Illustrations The Roman Lover Serif typeface is an elegantly themed font that has a dynamic serif style. The details of the shape of the "Roman Lover Serif Elegant typeface" are very smooth and flow to create unique and beautiful curves. Elegant Serif typefaces such as “Roman Lover Serif Elegant typeface” are very easy to apply to any design, especially those with an elegant and smooth concept, besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Roman Lover Serif Elegant typeface contains 573 glyphs with many unique and interesting alternative options. Plus, there's a cool serif font family for header and description text from Thin to Heavy. In the poster preview all the letters are in the Roman Lover Serif Elegant typeface.

Medium Roman is an engravers, all-capitals font for invitations and stationery. Particular characteristics of the Medium Roman font are the tail on Q and the spurs on J and U.

Kingston Roman is a modern and classic serif typeface with a unique style and fancy look. This typeface is perfect for an elegant & luxury logo, book or movie title design, fashion brand, magazine, clothes, lettering, quotes, and so much more. **Uppercase

Handmade, expressive, lively, organic— …words typically used to describe a script font or a casual sans. Spry Roman opens up new possibilities. It’s origin is handwritten letters created using a pointed nib on slightly toothy paper. While based on a Roman form, the letters are designed to break out of the mold and dance along the baseline. Spry Roman Pro is a fully featured opentype font. Among the 964 glyphs are loads of alternate characters and swash letters; a full set of small caps; simple fractions; case sensitive punctuation; and a variety of ornaments, border elements, and flourishes. It also includes a full dose of language support for not only main characters, but also for alternates and small caps. Ligatures have been kept to a minimum to allow users the option of tracking text. **Please note that the Pro version has all the glyphs of the others combined. The smaller versions are for those who don't have opentype savvy apps like Adobe Illustrator.

BECHAMEL ROMAN was born interpreting unicase letterings of the movie "Willy Wonka and the chocolate factory". Later these ideas matured with flexible tip nib and paper mixing their naive proportions with some classic ingredients of Baskerville, Bodoni, Didot, Round Hand Script, Graffiti and labels found in Venezuela and Colombia. BECHAMEL ROMAN designed to be combined with Bechamel. BECHAMEL Script, Vein, Words & Ornaments were hand drawn to design words and phrases in logos, packaging, posters, envelopes and greeting cards. BECHAMEL ROMAN 1,2,3 & 4 is an experimental font family designed by #carlosfabiancg. It includes an irregular look to communicate craftsmanship. Its multiple upper cases with condensed width and naive lines are notable for their expressive drawing with a high amount of contrast between thick and thin strokes.

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The Dro family is an all uppercase handmade font that resembles cut-out construction paper; Both fonts have 6 glyphs for each letter & 2 per number which are accessed by uppercase, lowercase, small caps & Contextual Alternates. Each font has 550+ glyphs total. When using Opentype applications Dro and Dro Fill take the handmade look further by cycling through Contextual Alternates, Small Caps & Double Letter Ligatures for a unique and authentic look to your creative. When not using the Contextual Alternates feature, you can still alternate between uppercase and lowercase letters and using Stylistic Sets to switch up the flow. The Dro family has an extended character set for multilingual support.

Usage recommendations: Captions, fliers, packaging, cards, posters, ads, book jackets, manuals, menus, bulletins, magazines, greetings, announcements.

Gros is a handwritten font with a raw texture and consisting of all uppercase letters. If you want the writing to stand out, bold, very bold, giving your design a very strong impression and attract attention, Gros is perfect for your design needs. Highlight your designs with Gros!

Pero is a condensed rounded sans-serif family designed by Ryoichi Tsunekawa and the whole family consists of 7 weights from ExtraLight to ExtraBold.The range of styles provides flexibility for title, headline and body text. And the large x-heights add to legibility. The basic skeleton of the letterform was designed modularly and minimalized by removing unnecessary stems and ends were rounded out. The minimalized modular design gives this family contemporary urbane taste and rounded corners make this family warm and friendly. This rounded feature will also accentuate your design work moderately. Pero supports almost all European languages: Western, Central, South Eastern Europeans and afrikaans. And superior figures, inferior figures, denominators, numerators and fraction can be accessed by using OpenType features.

Progs Font is a messy, disorganized handwriting font equipped with several unique special alternates in the uppercase “O” and lowercase “o” letters, looks natural and realistic, suitable for social media, branding, quotes, packaging labels and other designs.

The refreshingly clear Antiqua Schnebel Slab is a refreshingly clear and strong interpretation of a contemporary Antiqua with subtle contrast and firm serifs, which offer excellent readability at very small size, and, at the same time, provide a lot of expression for use in headlines. The italics, drawn specifically for this purpose, contribute to a harmonious picture, which never loses creative tension, thanks to its aesthetics. The careful addition of ligatures, small caps, and proportional and old-style figures allows for well-proportioned typesetting. The condensed and expanded variants, which also come in 6 weights each, offer plenty of freedom to design with numerous combinations. Schnebel Slab Pro combines especially well with Schnebel Sans Pro.

The lowercase has classical Roman letterforms, and together with the cute, swirly capitals they make for a slightly more feminine take on the genre. Trajan lettering - with added sugar! ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

I was working about 10 years exclusively for a type company. Based on my experiences, I built this superfamily. Schuss™ Sans PCG is a humanistic sans-serif with a little contrast. Small Caps, greek and cyrillic are included. Also tab, prop, lining, old style and small cap figures. It's a typeface with clear and open characters. All complicated shapes are cleaned and simplified with a bit elegance. Schuss™ Slab Pro is a slab serif, based on the Schuss™ Sans. Schuss™ News Pro is the modeled style between Schuss™ Slab Pro and Schuss™ Serif Pro. Schuss™ Serif Pro is the antiqua shape. Additionally all serifs are cleaned up. There is just one-side-serif in the "n" for example. Tab figures (except small caps), mathematical signs and currency symbols have a width system accross all styles and weights.

児童教育のためにトメ、ハネ、ハライ、筆順や画数を明確にした書体です。 教育用書籍だけでなく、様々な書籍にもご使用いただけます。

Appetite Pro Rounded is an extension of the world wide popular display fonts Appetite Pro (2016) and Appetite Rounded (2011). Appetite Pro Rounded consists of 10 weights — 5 regular and 5 italic — from Light to Heavy. It’s a multilingual and international rounded font, with a full western latin, cyrilyc (russian, belarusian, ukrainian) and basic Greek support. Appetite Pro Rounded font family special designed made in addition for Appetite Pro. Due to the 10 weights rounded font and 10 weights normal weights palette you can solve a wide variety of professional problems without spending money on extra fonts for titles, sub-titles and main text.

Nexus (2004) consists of three matching variants – a serif, a sans and a slab – which makes it a highly versatile typeface. Nexus started as an alternative to Seria, a typeface Majoor had designed some 5 years earlier. But soon the design developed into a new typeface, with numerous changes in proportions and in details and with a redrawn italic. Besides the three connected versions (Nexus Serif, Nexus Sans, Nexus Mix) Majoor designed a monospaced version called Nexus Typewriter. The Nexus family is a workhorse typeface system like Scala, with features such as small caps in all weights, four different sorts of numbers and an extensive set of ligatures. All fonts in the Nexus family come in regular, italic, bold and bold italic. Free bonus: there are more than 100 elegant Swash italics and dozens of arrows and other icons. The Nexus family was awarded the First Prize at the Creative Review Type Design Awards 2006.

Economica Pro is a font especially developed for design in complex situations: It is ideal for use in small sizes on screen and in print. It has been tested successfully for use in very small sizes without losing legibility. Its ink traps ensure smooth operation even on low quality papers. It is an ideal font for newspapers, news portals and all designs requiring space saving. Now also in Cyrillic!

Laureen pro typeface Laureen pro is an Arabic typeface that has a very particular appearance. It combines the characteristics of different genres; most notably the contrast of serif faces. While its design is influenced by Kufic and the Naskh style. Laureen pro consists of two typefaces, text and display, and 4-weights. It’s a perfect choice for bold headlines, oversize typography, fashion logos, branding, identity, website design, album art, covers, posters, advertising, etc.

I have completely redone the spacing in this font, making the sidebearings more conventional. And after replacing the kerning with fresh pairs working together with the new spacing the font looks like a real gem. I love it! The inline version has a wider spacing after the letters CEK = no connecting words. Otherwise just as lovely and retro! Nick Curtis says: "Here’s a strange hybrid: I took the lower case from the formal script font Stuyvesant, straightened out its rather extreme 22° slant, and combined them with caps from the font Bellevue, again making them upright, and adding an inline effect. The result is a font that flows very nicely, with a nice balance between clean lowercase characters and swashy caps. Thanks to Deb Dunbar for naming this font. Fontleroy Brown is the solid version, produced at the request of the King of Ding, Jeff Levine." ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual “western” glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

A classic-modern sans serif appearing in two forms — ”standard“ and a ”stylistic alternate“ with uncial script-orientated characters which give the font a completely different ”look.“ Faber Sans is a sans serif in the classic-modern style of type creations of the early 20th century — godfathered by Futura from Paul Renner and Gill Sans from Eric Gill. Unlike classic sans serifs, Faber Sans includes a ”true“ italic. Faber Sans Pro will perfectly pair with the accompnying Roman Faber Serif Pro.

Droob Pro is a Latin Arabic typeface for print and web, an upgraded version of the Droob7 font, featuring clarity and high readability. The Droob Pro font family contains two weights: Regular and Bold. This font supports Arabic, Latin, Farsi, Urdu, and Kurdish.

Railroad Gothic Pro is a condensed, sans serif typeface, exclusively licensed from the Ludlow Collection. The original Railroad Gothic was produced by Ludlow in the early 1900’s, and Steve Jackaman (ITF) produced the digital version in 2017. The font provides support for Latin 1, Central, and Eastern European languages, and Cyrillic. Railroad Gothic Pro is reminiscent of typefaces used in 1900’s railyards, hence the name.