Raeling is a display font inspired by a visit to Luxembourg, capturing shadows falling intricately from park railings appearing as broken-script lettering. A mixture of manmade / natural, traditional / new, ugly / beautiful reflecting the paradox and contradictions of the city. A single curve and stroke developed into a grid block from which characters emerged and broke free of their barriers and conformity.

Letter Gothic font was designed by Roger Roberson for IBM sometime between 1956 and 1962. Inspired by Optima, the typeface originally had flared stems. A monospaced sans serif font designed for use on an IBM Selectric typewriter, Letter Gothic font is a good choice for tabular material.

Mistral is a loose running script based directly on the handwriting of its designer, Roger Excoffon. His goal was to create a typeface with a true handwritten style, but in this case, the writing looks as though it were done with a brush or heavy felt tip.

Letter Gothic font was designed by Roger Roberson for IBM sometime between 1956 and 1962. Inspired by Optima, the typeface originally had flared stems. A monospaced sans serif font designed for use on an IBM Selectric typewriter, Letter Gothic font is a good choice for tabular material.

I like strange words. Widdershins is one of them: it means ‘to go counter clockwise’ and I picked it up from a book I am reading at the moment. Widdershins font was created using a broken bamboo satay skewer and Chinese ink. It is a little messy, uneven and maybe even unnerving, but I am sure you’ll find a way to put it to good use.

At first glance, Transcendental JNL looks like a 1960s or 1970s-era "Hippie" type face, hence its "love generation" name. However, the actual inspiration comes from a piece of sheet music from the early 1900s with Art Nouveau influences. It is often proven that what goes around certainly does come around in art, fashion and lettering. Transcendental JNL is available in both regular and oblique versions.

Breuckelen was inspired by the regular patterns of the New York City plan. The grid of any large modern city is immediately recognizable by the distinctive pattern of major roads curving or slanting through it. This face is intended to be recognizable in the same way. It is named after the Dutch town after which Brooklyn is named, a word which also roughly translates as "broken land".

Dapplegrim is a Norwegian fairytale collected by Peter Christen Asbjørnsen and Jørgen Moe in their book ‘Norske Folkeeventyr’. The story is about a boy who inherits a big horse (called Dapplegrim, or Grimsborken in Norwegian) and sets off to rescue the king’s daughter from a nasty troll. Dapplegrim is a handmade fairytale font. Use it for your book covers, product packaging and fairytale collections!

Hello! Introducing an original bold font with crashed letters. A unique feature of "Ruined Dreams" font is few variations for each English letter which creates more natural broken effect. Using OpenType feature (contextual alternates) each next letter will be replaced automatically. Note: Multilingual characters has only 2 variants for capital and small letters. Please make sure that OpenType features in your app are supported & enabled.

Tenby Stencil is a geometric display typeface with broken contours. Unlike real stencil fonts, the gaps are not functional but decorative. They have a consistent size and angular similarity, giving headlines or logos a unique dramatic effect. Designed for use at larger sizes for logotypes, short titles or headings, it contains common ligatures and old-style numerals, and supports Western plus Nordic, Eastern European and Turkish languages.

The model for Deco Moderne JNL was the hand lettered title on the sheet music cover of "Did You Ever See A Dream Walking" (from the 1933 Paramount musical "Sitting Pretty" starring Jack Oakie, Jack Haley and Ginger Rogers). The typeface is available in both regular and oblique versions.

The WPA (Works Progress Administration) posters on file at the Library of Congress have been a treasure trove of classic hand-lettered type designs. Summer Program JNL is based on one such poster offering free arts and crafts classes in New York City sponsored by the Federal Art Project.

Hallo Aluyeaholic! Introducing Bavistage, a broken smile typeface. Inspired by the vintage vibe of a girl's broken smile. It gives you past memories, disappointments and happiness at the same time. Coming with 3 styles, and each style has stunning 130+ alternatives, 30+ ligatures and it's super easy to use. Very suitable for magazine, headline, website, ads, product package and all type of design project you have. Features: OpenType support Multilingual support (15 languages) PUA Encoded Super Easy to Use alternates - It's OpenType support but you can easily call alternates character using special combination like A.2 R.3 h.5 etc. so you don't need special software. To get results like the preview just type B.4av.3is.2.tag.2e.3 You will receive: Al_Bavistage_Normal Al_Bavistage_Stamp Al_Bavistage_Vintage Thanks for checking out my font. I really hope you enjoy using it! If you have any questions I'd be more than happy to answer them, just send me a message!

The 1938 movie musical "Carefree" starring Fred Astaire and Ginger Rogers featured the song "Change Partners" by Irving Berlin. A copy of the sheet music for this song had the title hand lettered in a wonderful tri-line design that has been recreated in the digital typeface Fancy Dancing JNL.

Choc is the work of French designer Roger Excoffon, based on the traditions of Japanese brush calligraphy, thick yet graceful. Choc light was designed by Phil Grimshaw, who had to redraw many times in different weights before finding one that worked as a text face and remained true to the original.

The 1930s French publication L'Art du Tracé Rationnel de la Lettre was a treasure trove of font revival ideas from the Art Deco era. One example featured a serif typeface with a number of stylized characters. This is now available as French Bistro JNL, in both regular and oblique versions.

Good, faithful Achates… Named after the trusty Trojan that followed Aeneas throughout his adventures, Achates is a humanist sans workhorse well suitable for broad range of design projects. Its soft, delicate and almost cursive shapes define warm and friendly typeface that is legible and easy on the reader's eye. Following into the footsteps of its namesake, it is humble, informal yet stable and trustworthy. Ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text and signage as well as web and screen design. Achates provides a broad range of advanced typographical features such as language localization, alternates, stylistic alternates, extended ligatures, fractions and case-sensitive forms. It comes with a complete figure range set of old-style, lining and tabular figures. The family has extensive multilingual support, covering more than 70 Latin-based languages and specially designed Cyrillic with Bulgarian and Russian localization. As Achates was a humble hero, a devoted friend and faithful companion to Aeneas on his journey to greatness, so this font can be your trusty sidekick on your creative path. The marvelous Agate is also named after the Trojan hero. It is considered as the stone to call on for support when you need stability and grounding in your life. Along with its supportive energy, the Agate stone has been long admired for its incredible beauty. So… a Trojan hero or a thing of beauty – it is up for you to decide… or just maybe both!

Decorative font Shaltai was developed by young Russian designer Katya Galuyan. The letters slightly resemble rolling, falling and broken eggs. Egg-shaped appearance of the characters determines the name of the font. Shaltai Boltai is a Russian cousin of English Humpty Dumpty, French Boule Boule and Swedish-Norwegian Lille Trille. The font can be used for advertising and display works, children books and so on. Released by ParaType in 2008.

Linoscript was designed in 1905 by Morris Fuller Benton and displays the strong stroke contrasts of broken letter and the flowing quality of handwriting fonts of the 17th and 18th centuries. The font suggests a school book typeface common at the turn of the 20th century. Linoscript is suited for middle length texts and headlines, while its capitals can also be used as initials mixed with other alphabets.

Keetoowah evolved from a just a few letters in a sketch for a sorority t-shirt design. They loved it and kept asking for more of the same. The only solution was to make a font. These characters were made to be broken up, two toned, rotated, merged and jammed together. But, Keetoowah has a serious side. It has a great Southwestern flavor like smokey BBQ and patterned blankets.

Wilhelm Klingspor Gotisch appeared in 1925 with the Klingspor font foundry in Offenbach, Germany. Designer Rudolf Koch based his work on the Gothic forms of the 14th century and his broken letter font is often seen in advertisements. However, the ornamental letters do not match today’s legibility standards and Wilhelm Klingspor Gotisch is therefore recommended for use in headlines and short texts with a point size of 12 or larger.

Choc font is the work of French designer Roger Excoffon, based on the traditions of Japanese brush calligraphy, thick yet graceful. Choc light font was designed by Phil Grimshaw, who had to redraw many times in different weights before finding one that worked as a text face and remained true to the original.

Introducing the Bonaro Vintage Retro Serif All Caps Font, a versatile collection that brings timeless elegance and a touch of nostalgia to your design projects. With its 10 distinct styles, this font offers a treasure trove of possibilities, making it an essential asset for designers seeking to infuse their work with vintage charm.

Stalker is one of those necessary fonts in a designer's toolbox: Grungy sans serif caps that are most useful for entertainment project chores. Originally made in the summer of 2003 for set and prop design of an Alliance film, Stalker is now available in retail form for those who are particular about their entertainment design or those who use broken letters in their design as means of social commentary or statement on style.

Inspired by Henry W. Troy, BLAQ is a new version of Trojan Text not available as font. Is an ornamental blackletter alphabet. Works great in headlines and other ‘masculine’ like design settings. The Victorian Gothic or Neo-Gothic is an architectural movement that began in the 1740s in England. Its popularity grew rapidly in the early nineteenth century. The revived Gothic style was not limited to architecture. We recommend to combine Blaq with: Turquoise Nautica

Law Italic was designed as an imitation of a formal style of penmanship used in legal documents. It has a more pronounced angle than standard italics. It is intended to be used by itself but can be combined with other faces to suit a designer's inclination. Historically, this face was once used by Bruce Rogers strictly for headings.

The letterforms are based on Inserat Cursive, a bold script popular in the late nineteenth century; the treatment was suggested by cover artwork for Graphic Styles from Victorian to Post-Modern, written by Stephen Heller and designed by Seymour Chwast. Included in the font are several handy ink blots (section mark and superior numbers positions), a stylish tailpiece (florin position), and a couple of ink bottles patterned after those on the bookcover (bar and broken bar).

This font was inspired from the medieval Dances of Death patterns, as a modest tribute to the famous engraver Hans Holbein's Alphabet of Death. We have tried to keep the spirit of the time -- its sarcastic humor mixed with its objective and frozen realism. The font, consisting in two complete capital alphabets: Initials and caps, and a lot of separate figures added, is especially improved by strong enlargements, 72 pts and more, and has very good results when printed.

I am reading a great book by David Mitchell, called Number 9 Dream. One of the characters is called Buntaro, so I decided to call my new inky font after him. Like the book, Buntaro is quite unusual: it has no real baseline, comes with some strange characters, feels familiar, but surprises you nonetheless. It was made with a broken bamboo satay-skewer, Chinese ink and a lot of patience. Buntaro comes with a wealth of diacritics.

Ramsey is stout and warm, rectangular with rounded edges, and dynamic with swift cuts. Ranging from thin and condensed to extended and black, Ramsey has seen applications in sports teams to movie titles and even art magazines. Through the years, Ramsey has proven itself to be a true workhorse of a font. This version has a lot of minor updates to the form and spacing, and we now see an extended family to complete it’s legacy. A true workhorse.

Volcano is titling family of four is broken down into a gothic and island style. The island style features a "toothed" look that gives it a very unique look that can be used for a variation of project styles: Jungle, Island, Cruise, Vacation, Tiki, Retro, and Comicbook. The gothic style features a more industrial look and was inspired by gaspipe lettering styles. Each style features a different inline font file that can be layered over to produce striking headlines.

Sink your teeth into the World of Horror! SPOOKYTOOTH is sharp enough to penetrate even the most stubborn necks and has proven unnerving enough to make Ghost Rider, Deadpool, the Confessor and even ELEPHANTMEN’s Obadiah Horn sound both sinister and nefarious! Remastered Spookytooth includes a new Bold weight, automatic alternate letters, improved spacing & kerning, additional European, Vietnamese & Cyrillic language support, and Crossbar I Technology™ Script by Jeph Loeb & art by Ian Churchill with Liquid's Aron Lusen

Yeti is tall and hand-drawn with a hint of calligraphy. It is quite possibly influenced by a yeti’s penmanship, but even that cannot be proven. Whether you enjoy writing or designing in all-caps or not, this font has something for you. Something furry. Yeti supports multiple languages and includes graphics and web icons to help get those creative juices flowing. Naturally, yetis love Easter egg hunts and being superstitious. This font is no exception.

Herb is based on 16th century cursive broken scripts and printing types. Originally designed by Tim Ahrens in the MA Typeface Design course at the University of Reading, it was further refined and extended in 2010. The idea for Herb was to develop a typeface that has the positive properties of blackletter but does not evoke the same negative connotations – a type that has the complex, humane character of fraktur without looking conservative, aggressive or intolerant.

This font is created specifically for the purpose of creating logos for Progressive Rock bands. Such bands oftentimes have their logos designed by Fantasy artists such as Roger Dean and Rodney Matthews. The capitals and lower case are distinct enough from each other to be completely separate fonts. I decided, however, to combined them as one font. http://homepage.mac.com/baronvoncruzer/cyberiankhatru/byrningbridgez.htm

Letterpress Extras JNL gathers more re-drawn images from the rich trove of vintage letterpress cuts. There's plenty of pointing hands and decorative ornaments, a few cartoons and some assorted miscellany. Also included are images of dip pen nibs from an old catalog and a decorative border set. To access the pen points, use the shift key and type any numeral key.

Saffran is a project of Erasmo Ciufo and Alessio D’Ellena. Saffran is a clear sans-serif with big x-height, short ascenders and descenders, that works well both for headlines and main bodies of text. The objective of the design is to improve readability of small size texts, by clearing the junctions and enlightening the structure of each letter as a consequence. The broken junctions, inspired from the hebrew alphabet, turn into spiky endings that connect to the flat sides only under 7pt.

And now something completely different. Keks has broken elements like a blackletter typeface, but the actual forms are roman. That keeps it very legible although there is no curve at all. What was the inspiration for designing the font? Blackletter has an interesting history here in Germany. We need to find contemporary interpretations for this tradition. What are its main characteristics and features? Legible roman blackletter Usage recommendations: any usage that needs a black letter athmosphere where legibility is important.

I have always liked Scandinavian folklore, although I have to admit that I didn’t know about the Fossegrim. Fossegrim is a fiddle or harp playing water sprite - usually friendly, but he has been known to lure children and women in deep water with his music. Fossegrim font is a little bit weird as well: I made it using a broken bamboo satay skewer and Chinese ink. It comes with extensive language support and a set of alternates for the lower case letters.

For some reason I had to think of Moby Dick (the classic book by Herman Melville) when I was busy working on this font. No, I don’t live near the sea, nor do I have a pet whale. It’s just one of those things… Whalebone (named after Captain Ahab’s prosthetic leg) is a handmade, all caps brush font. It wasn’t actually made with a brush; I used a broken satay skewer and Chinese ink. Whalebone comes with discretionary ligatures for double letter combinations.