Grosfer is a cool, bold and thick lettered display font. This font reads as strong, confident, and dynamic and can add a fierce character to your designs.

The tdBastard family is a modern caps-only display typeface with OpenType features. Bastard exists in four bold weights along with a monotype and a rounded version.

Terrace JNL is a bold, sturdy Art Deco titling face based on hand lettering found on the cover of some 1940s-vintage sheet music for the organ.

Hi! Introducing this conceptual modern typeface "Inside the BOX". It's a two-in-one font - big letters are made bold and fat :) and small letters are thin.

TAN - MARJORIE is a display sans serif. Bold and groovy. Inspired by fonts you can find in 80s book covers, it gives a modern yet retro vibes.

Juxta Sans Mono is an experimental monospace sans, an extension of the Juxta superfamily. During the creation of the Juxta script, I felt that the aesthetics and the main idea of the font had promising potential and I started thinking about a pair for it. So the idea of Juxta Sans Mono was formulated. Juxta has several style-forming elements: 45° beveled or cross out bowls, squared m and w arcs and other unobvious letter structures. Despite its unusual and sometimes odd (f, g, m) letterforms, Juxta Sans is fairly easy to read due to its monospace font nature and wide spacing. Juxta Sans Mono offers great customization potential. It has two sets of stylistic alternates — [salt] makes a letter underscored, but keep it in line, [ss01] replaces some of the glyphs with different letterforms. The [case] function automatically adjusts the height of the punctuation marks to the neighbor letter and [onum] is a set of old style numbers. Juxta Sans Mono also has subscript and superscript features, but they are utilized a bit unconventionally — if you want to customize your logo or headline, you can make a glyph superscript and the one next to it subscript and they automatically kern into one letter width. You can see examples of using these features in the presentation. Juxta Sans Mono is available in 8 weights, including Thin, Light, Regular, Medium, SemiBold, Bold, ExtraBold and Black. It extends multilingual support to Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Pan African Latin, Afrikaans, and Basic Cyrillic.

My brother is an architect, and I have always loved his lettering, you know, the style of writing that can be found on architectural drawings. There is a common thread to it, yet each architect or engineer brings their own personality to it. I have seen a similar style being used by some hand-letterers for invitations, place cards and signage. Inspired, I set out to create my own, and the result is my new typeface, Robard! I wanted something compact, somewhat modular, done quickly but with control, and sourced from hand-lettering. Starting out with a handful of pigment ink pens, I settled on a 0.1mm Copic Multi-Liner, and using a light table with a grid underneath the paper, I cranked out grouping after grouping, letter after letter, numbers, punctuation, accents, just trying to zero in on the feeling and the look I was after. There were some ideas that didn't work, like unicase (there would be no regular lowercase), or swash alternates. Ultimately, I ended up with a decent array of glyphs to choose from, and alternates like oldstyle numbers, and an alternate set of caps for the lowercase slots, and even alternative figures so doubles like 88 would be different. In the font, the OpenType ligature code automatically alternates the cap and lowercase (alternate cap) letters, and numbers as you type, lending Robard that hand-lettered look in a digital typeface that I was hoping for. There are also oldstyle figures, and unlimited fractions, ordinals, and a few alternate letters. I hope you like Robard!

Home Style is a revival of a very old font previously thought to have been designed by Joseph Gillé in or around the year 1820, however recent evidence from France suggests that an artist by the name of Silvestre from the same time period may be the true designer of this font. You may have seen this font in the past under the names of Circus, Roma, Madame and Gillé Classic. Originally designed in France, this very decorative font was only available in uppercase including numbers. Today this font has been re-mastered and updated with the addition of a newly designed lowercase set of letters. Home Style with its diagonal or cast shadow lines breaks away from the original design which has squared off shadows. If you're looking for the original version of this font please refer to the FontMesa version named Maison Luxe. New in 2016 for Home Style is an uppercase German Double S (versal eszett), opentype features including case sensitive forms and old style numerals.

Guilloches were – in the old days – used to make the falsification of banknotes more difficult. The engraving of these intricate lines was done by a highly specialized mechanical machine, which was operated by an equally highly specialized engraving artist. Once the settings for a specific curve were changed back to zero it was very difficult, if not impossible to set them back to the old design. I have designed a useful set of Guilloches that join to form ribbons that create a kind of op-art 3d effect. Under the keys A-U and a-u you find joining pieces. Under the keys V-Z and v-z I placed start- and endpieces. 0-4 are different lenght straight extensions and 5-9 are not quite so straight extensions. All other keys are corner pieces that can be used as stand-alones or put in rows to make for superb decoration. With a little bit of experimentation and maybe colored overlays you can achieve super-phantastic designs. Your elegant type designer Gert Wiescher.

Wallington Pro is a decorative-serif font embodying vintage and elegant curves with functional structure. Style is adopted from Old English cultures with their descendants around mid-12th century and Art nouveau in 19th century, it was inspired by natural forms and structures and the curved lines. Crafted with love and easy-to-read letter design. Wallington Pro consists of 721 glyphs including 268 unique ligatures, 30+ catchwords and 10 stylistic sets. All glyphs are divided into several OpenType features such as Ligatures, Contextual alternates, Old Style Numeric and some astonishing special characters that allows you to mix and match pairs of letters to fit your design. This variety encourages unusual and extroverted creation in lettering design. The typeface offers numerous combination possibilities between the basic glyph set and stylistic sets.The stylistic sets are alternate alphabets that you can access by using OpenType savvy programs such as Adobe Illustrator, Adobe Photoshop CC, Affinity Designer, CorelDraw or Adobe InDesign. Wallington is an experimental and versatile font. Suitable for digital lettering, prints, logo, poster, t-shirt, packaging and applicable for some type of graphic design.

Kaat is a new type (2013). It was designed by Chris Nuijen and named after his daughter Kaat. It represents the period in which everyone has their face behind the latest mobile phone screen or interactive games console. "Kaat"is slick, modern and progressive, to reflect our busy immediate life style, whilst providing the essentials in a period where people can be judged on television. Kaat is here to stay and to evolve. Everyone wants to try to be that little bit different, but essentially we are all the same, with the same inherent needs, just like babies or children. We need to be fed, watered, nurtured and loved, the only difference is in today's world you can do all that from behind a screen. "Kaat" bridges that gap, transcending the basic needs of type, with the sophistication and fast paced sharpness of today, everyone wants to be different but we all stay the same, this is a reflection in the thickness and shape of each glyph. The font represents how we are molded and cast differently in yet we still stay the same, because we need the repetition! Everything needs to be done quicker, simpler and cheaper. We eat we sleep we communicate.

The cover of the 1929 sheet music from the First National/Vitaphone picture “The Girl from Woolworth’s” had its title (“Someone”) hand lettered. This single word title was the model for Store Clerk JNL, which is available in both regular and oblique versions as well as solid and solid oblique versions (without an inline). A bold, casual sans serif with rounded ends and an inline, Store Clerk JNL is perfectly suited for projects where a strong, yet playful title is necessary to grab the reader’s attention. For those old enough to remember, Woolworth’s was a leading “Five and Dime” store chain, especially in the days when a nickel or a dime actually could purchase something.

Sudtipos is really proud to announce the release of Regional, a solid workhorse type family of 27 styles inspired by the Old Style Bold models from the late XIX century by different type foundries. The unique diagonal in the "R" has been the key that inspired us to create many of the several alternates included in the set. From a delicate and expressive thin condensed to an exaggerated expanded black, Regional merges the past with the present, making it useful for a wide range of designs. We have imagined Regional to be used in magazines, packaging labels and posters. The addition of a complementary one-file variable format is included when you license the complete set.

S.A.M (Super Active Matrix) combines the big, bright and bold with the microscopic and mathematically precise. Inspired by old science fiction films and new technologies, S.A.M merges the rigid constraints of display mechanics with the free-flowing curves of neon signs. This font is great for a classic sci-fi look – perfect for headlines/logotype. S.A.M also works for blocks of text, unlike some other display fonts. The matrix exists to bring order to an idea – it tames the free-flowing curves of neon signage into a repeatable structure while maintaining a retro aesthetic. Each character, glyph or symbol is drawn on a bitmap grid, merged with a dot matrix to round off the edges.

The display typeface is a modern take on a classic style. While paying homage to old-style type sensibilities, Sangect Display takes the characteristics of serif type and leans into drama and boldness with strong contrast in stroke width, and soft edges. Sangect Display appearance emphasizes elegance and elegance; ideal for loud and proud headlines. Which is included in the file Capital letters Lowercase Number Ligatures Alternative Symbol Multilingual Accents (Uppercase and Lowercase) The download includes the Sangect Display font in an (Open Type Font) file, and as a (True Type Font) file. If you have any questions, or are experiencing technical difficulties with a downloaded file, please send a message and I will be happy to help you!

This family is the rounded version of Segaon family. Segaon Soft Family is a humanist sans-serif typeface that is clean, simple and highly readable. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Segaon is versatile type family of 18 fonts. Segaon family consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black) with their corresponding italics. The Open Type fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets. Each font includes old-style figures, proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. We highly recommend it for use in books, web pages, screen displays, and so on.

Straits is an oddball fun ALL-CAPS font, a modern take / re-imagining of some old Art Deco signage and a sister to my other font Penang. The font is available in 2 weights for now, a light and a medium. In general I think ALL-CAPS steal 26 characters from you, so each letter in each case is a little different, however subtly. This being an ALL-CAPS font I imagine it will work best in Headlines and other bold statements, but buy it and find out. The font is loaded with plenty of extras and glyphs. This was designed to be fun, so I hope you can have some with it.

Omerta Blackletter Font Blackletter fonts have letters that are very bold and ornate. It is a Western calligraphy style that was used in Europe from 1100s to the 1600s. Blackletter is also known as Old English or Gothic script. During the 20th century, blackletter type styles were adopted by new audiences and came to be associated with punk, street art, and heavy metal. Omerta Blackletter Font Specifically developed to be suitable for perfect for tattoos clothing, labels and packaging, branding, or any Gothic-themed projects. Omerta Blackletter Font are great for Classic Calligraphic type projects and convey a sense of what’s to come. This font can be used with all software that can read standard fonts.

Morn is a sharp geometric sans font with roman proportion. Every characters are essence from a rectangle (square), a circle and a triangle with require little adjustment to make them appear optically equivalent. This font is equipped with some OpenType Layout Features such as fraction and ligature and the default layout for numbers is proportional lining, but can be changed as tabular lining. So the space between numbers looks more even. Morn has total 20 fonts which are upright and oblique. Each font has 460+ characters, and it supports many Latin languages such as Western Europe, Central/ Eastern Europe, Baltic, Turkish, Romanian.

British type designers Paul McNeil and Hamish Muir created this display FontFont in 2012. The family has 52 weights, ranging from 018 Thin to 144 Black and is ideally suited for logo, branding and creative industries, music and nightlife as well as poster and billboards. FF ThreeSix provides advanced typographical support with features such as ligatures. It comes with tabular lining and proportional lining figures. FF ThreeSix received several awards: the ISTD Premier award in 2011 and the ISTD Certificate of Excellence award in 2011. The typeface was also selected as one of Typographica’s favorite typefaces of 2012.

German type designer Steffen Sauerteig created this slab FontFont in 1999. The family contains 4 weights: Regular, Italic, Black, and Black Italic and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards as well as wayfinding and signage. FF Typestar provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with tabular lining and proportional lining figures. This FontFont is a member of the FF Typestar super family, which also includes FF Typestar OCR.

Naerya, a modern stylish serif font, effortlessly blends sophistication with contemporary design elements. With its sleek and clean lines, Naerya exudes a sense of timeless elegance, making it an ideal choice for projects that demand a touch of class. The font’s well-crafted serifs add a distinctive flair, striking a perfect balance between tradition and modernity. Naerya’s letterforms showcase a harmonious interplay of curves and straight lines, resulting in a balanced and refined aesthetic. Whether used for editorial design, branding, or digital applications, Naerya stands out as a versatile and visually pleasing serif font that lends a touch of sophistication to any project.

The Data Error Vert AOE Pro family is another spinoff of my Data Error AOE Pro family. Quite simply, it takes on a slightly different feel than the original pin matrix grid by stroking across all vertical glyph lines. The vertical lines break up the readability somewhat of the original grid and lend a more tech vibe to the family. Check out the range of posters created to see the various Capitals, Lowercase, smallcaps and varying styles that the family has to offer and how it both differs from and compliments the original Data Error AOE Pro family.

Originally designed by Alois Ganslmeier as a Billboard-Font, the Coma Font was later developed into a complete typeset with capitals and small letters, Cyrillic letters, Greek letters and Hebrew letters by Andy Jörder and Jörg Herz. The Coma Font is a massive constructed font which can be used for headlines. When only typed in capitals it gives the impression of blocks for there are no ascenders or descenders. The font comes alive because of its massive appearance, its edgy form and the opulence impression when used line-by-line. Not without reason, the font is named “dick und eckig”.

Aronia is a thin line uppercase font with floral motives. The typeface includes a Decorative and a Symbol version. To get an elegant and unique design, combine letters with elements. The font is easy to use in various design programs or without any program. Aronia is suitable for feminine business branding, eco-friendly and minimalistic art, social media design. The font works great for craft products branding and packaging (organic cosmetics and food, jewelry, handmade soap ect.) Also use individual letters and symbols to create logos and monograms. Aronia combines well with modern graphics: abstract shapes and line art.

SK Phlegmatica™ is a heavy geometrical grotesque with an industrial spirit. The typeface is built on a contrast between thin and wide lines. Such contrast creates certain frames, which in turn give room for experiments with the rhythm of symbols. The monumental shape of the typeface with the rhythmic contrast of the characters creates a unique pattern in the text line. In addition to the visual advantages, the typeface has technological advantages. SK Phlegmatica is a monospaced multilingual typeface that supports more than 100 Latin and Cyrillic languages. The typeface is great for highlighting titles, working with posters, and web design.

Ace Attitude is a friendly, readable font with character and flair. When I started designing this font I wanted something that was readable as well as interesting and appealing. Something that showed character. When I look at this font now I think of an old fashioned aviator. One of those poeple that likes to show off and have fun but can still follow rules. This font is perfect for logo's and branding. But its also very versatile would be great in things like magazines, posters, packaging, billboards, etc. Ace Attitude has an impressive 179 Contextual alternates. These are like ligatures, but oh so much better. These contextual alternates will give any project that personal touch - all without any extra effort. All you have to do is make sure that they are turned on in your program. Unfortunately, these do not yet show up in the sample text. To help with this I have created a demo version of the font so that you can still try it out before you spend the money. Ace Attitude also has Over 800 glyphs and includes features such as small caps, ordinals, ligatures, fractions, tabular numbers, proportional numbers, subscript, superscript, numerators and denominators.

I have been walking around the streets of Bangkok with my good old film camera taking photos the way like back in the day. I think there is something magical and authentic in it. Guess what, the first day I went out with that camera I stumbled upon a place is called Fotoclub BKK they develop film rolls how cool is that! I shoot all the 36 photos at the Silom area, taking random photos most came out off centred subject, wrong settings, blurry just like the way I wanted! Soon after I was working on a handwritten script that is a perfect match to the overall topic of my stay in Bangkok so I named it after this exceptional adventure I have had here. The font contains all European diacritics and special characters, some double letter ligatures and stylistic alternates for better flow and more organic and natural look. I hope you guys like it and it will add some spiciness to your next creative project! Any feedback or questions, character request please don't hesitate to contact me either in email or on social.

Sticky Melody is a charming display font that combines cuteness with a bold and prominent style. With its thick weight, rounded shapes, and distinct contrast, this typeface is designed to capture attention and infuse your designs with a playful and lively energy. The thick weight of Sticky Melody gives each letter a robust and substantial presence, making it stand out effortlessly. The rounded shapes add a touch of softness and friendliness, creating an endearing and approachable feel. The font's unique feature lies in its prominent contrast, which accentuates the curves and contours of each character, elevating the overall visual impact. Let the thick weight, rounded shapes, and prominent contrast of this font bring your creative visions to life, ensuring that your message stands out in the most charming and captivating way possible. You can use it in big text sizes to be greatly legible and enjoy the available features here. Features: Stylistic Sets Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Sticky Melody fits in children's books, toy packaging, posters, headlines, logos, social media designs, and any design project that require a touch of delightful playfulness. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

LiebeRuth is your 100 percent hand-made organic type. She absolutely loves to be typeset in large *and* small sizes, because Legibility is her middle name. (Yes, we know it’s not a typical girl’s name.) She is friendly and polite, but she also has a few quirks. Her friends are impressed with how natural she manages to look every day. Her four weights ensure that Ruth has the right boldness for any context: birthday invitation, personal correspondence, photo album, or billboard ad. During the creation of this font, her designer ate plenty of healthy, organic foods. We think this is the reason why Ruth looks so fresh and lively. And of course Ruth has been designed with lots of Liebe (which is German for “love”—and she speaks many other languages, too). One more thing Ruth is marvelous at: showing off her curly-swirly swashed alternative letterforms that can be activated via OpenType. (Please make sure your software supports OpenType if you wish to use the advanced features.) Each style contains more than 560 gluten-free glyphs—now that is great value! If you like this font, you may want to look at LiebeRuth’s bolder sister LiebeDoni and our best-sellers LiebeErika and LiebeKlara. Or add in some LiebeOrnaments to prepare a curly-licious feast. By the way: LiebeRuth also gets along great with our wide range of illustrative fonts, including LiebeCook, LiebeFish, and LiebeTweet.

Dismedia: A Bold Display Typeface with a Subtle Retro Sci-Fi Aesthetic. While a lot of futuristic, cyberpunk and techno themed typefaces can often be over-the-top, unreadable or cheesy, Dismedia takes a more subtle approach with its design. Inspired by the wide futurist fonts of the 1970’s and 80’s, its rounded corners and bold linework was built to invoke the atmosphere of a future envisioned by the past. Whether on VHS covers in 1984; nightclub signs in 2084; or spaceship insignia in 2184, Dismedia will upgrade your design into a brand new era. [ Feature Set Includes: ] A Display Typeface A Bold Sans Serif with Rounded Corners 430+ Glyphs Ligatures & Stylistic Alternatives Extended Mathematics & Currency Symbols Language Support for 90+ Latin Languages Including: Afrikaans, English, French, Italian, Spanish & Swedish.

Introducing Birchside Typeface, our latest display script font, a captivating blend of retro charm and contemporary boldness. This font is designed to make a statement with its distinctive style, capturing the essence of vintage aesthetics while maintaining a modern edge. The bold strokes and unique letterforms create a commanding presence, ensuring your text stands out with flair and confidence. Infused with Opentype features, this font offers a versatile range of alternate characters, allowing you to customize your text and add a touch of individuality to each design. Whether you're working on branding, posters, invitations, or any creative project, this display script font is a dynamic choice that effortlessly combines nostalgia and innovation. Elevate your typography game with this bold and unique font, making every word a visual masterpiece.

The Fornire family of typefaces grew out of a desire to provide a font that has a bold yet simple impression. For this reason, Anwar Patihan drew designs with a high foundation as letters based on humanist shapes and proportions. The letters are kept narrow to enhance the look, and the spacing between characters is narrowed for boldness. While the opentype Fornire feature has an alternate "A B E F P R" letter that looks very striking and easy to recognize, making the Fornire family very suitable for use on Posters, Cover designs, magazines, Banners, packaging designs, design considerations that he put into the Fornire family as well allowing it to perform well in a variety of other design environments. Fornier has a variety of weights ranging from Light, Regular, Medium, Bold

Coigum is a modern display font that is perfect for creating attention-grabbing headlines, titles, and logos. Its bold and fat lettering style is sure to make a statement and capture the viewer's attention. This font is ideal for projects that require a bold, strong, and impactful appearance, such as posters, advertisements, packaging, and branding materials. With its unique and modern design, Coigum is a great choice for designers who want to add a touch of boldness and energy to their projects. Featured: Standard, Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw, so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Easy Mind - Retro Script Font is a captivating retro script typeface designed to transport your designs to a bold and vintage world. Its distinctive style showcases the perfect blend of boldness and retro aesthetics, making it an ideal choice for various creative applications. This font comes with an extensive set of alternative characters, each offering a multitude of unique shapes and swashes, adding versatility and flair to your designs. Perfect for logos, packaging, invitations, greeting cards, posters, magazines, titles, business branding, and all projects with a retro or vintage theme, Easy Mind infuses your designs with a sense of nostalgia and timeless charm. With its bold and retro style, this font allows you to effortlessly channel the spirit of the past into your creative projects, giving them a distinctive and classic touch.

Say hello to Glary Tropic, the top choice for stunning, tropical-inspired designs. With boldness and strength imbued in every accent, this font brings a bold touch that immediately steals the show. Glary Tropic's bold style brings strong and eye-catching design elements. Filled with a fun tropical feel, each letter creates a fresh, vibrant atmosphere, perfect for projects that require exceptional visual appeal. This font is designed to provide maximum clarity and impact. With a strong tropical theme, Glary Tropic will be the perfect choice for posters, announcements, branding designs, or other creative projects that require a fresh and dynamic touch. Enhance your creativity and create unforgettable designs with Glary Tropic. With strength and uniqueness in every accent, this font will be an undeniable choice to take your design projects to the next level.

TOUCHDOWN! This is not a Hoax, not a What If, not an Imaginary Font! The Eagle has Landed... Comicraft's latest manned mission: Space Age Faces for Space Age Spaces! Our Apollo Modules have settled in the moondust and our Astronauts are buckled up in the Rover collecting little rocks and looking for suitable spots to play golf. We invested billions and billions of dollars to send these fonts into space using the largest and most powerful rockets ever built, and rest assured, our Orbiter is coated with a phenolic epoxy resin ablative heatshield to protect you for your journey back to Earth. Features: Six fonts (Modular, Modular-Bold, Orbiter, Orbiter-Bold, Rover, Rover-Bold) with upper and lower case characters. Opentype version of Orbiter also includes 52 auto-ligatures.

Wild Life is a unique modern and beautiful font with an incredibly adventurous feel. Use this gorgeous and unique display font to bring any DIY project to life!

Fodecumbers is a strong FontFamily and Sans sophisticated look. Inspired by dynamic squares can be felt through controlled letterforms and a modern twist. Balance of hard lines and smooth curves. Each font in the family can be standalone, dynamic, and authoritative on its own, or mix it with italics for the tagline in a logo. it's really worth it. Fodecumbers includes all thirteen uppercase fonts: Four weights, two outlines, seven italics. FEATURES Four weights / Italics / Lines / Numbers & Punctuation / Extensive Language Support USE Fodecumbers works well in every branding, logo, magazine, film. The different weights give you the full Fodecumbers is a strong FontFamily and Sans sophisticated look. Inspired by dynamic squares can be felt through controlled letterforms and a modern twist. Balance of hard lines and smooth curves. Each font in the family can be standalone, dynamic, and authoritative on its own, or mix it with italics for the tagline in a logo. it's really worth it Fodecumbers includes all thirteen uppercase fonts: Four weights, two outlines, seven italics. FEATURES Four weights / Italics / Lines / Numbers & Punctuation / Extensive Language Support USE Fodecumbers works well in every branding, logo, magazine, film. The different weights give you the full range to explore a whole host of applications, while the fonts outlined give a real modern feel to any project. Any specific license questions or questions, feel free to contact zamjump@gmail.com zamjump

CA Saygon Text is the logic consequence of CA Saygon. It is much calmer and therefore also suitable for reading texts and everyday’s editorial tasks. Basic shapes and proportions were adopted from Saygon and continued in such a way that a font family from Thin to Extrabold resulted. A fundamental inspiration were early static grotesque typefaces such as Akzidenz Grotesk. Nevertheless, the typeface was by no means intended to have a historical look. Thus, a relatively high x-height was chosen, which makes the typeface quite economical in type-setting, since the letters appear visually larger. A relatively small line spacing with good legibility can be achieved due to the small ascenders and the low cap height. Letters like f and t, which otherwise tend to end in curves, were given right angles, which on the one hand meets certain design elements of the original Saygon, but on the other hand also refers to contemporary trends in typeface design. A special feature are the five styles in which CA Saygon Text can be used. The default setting is the Helvetica style, with two-storey a and g. The Futura style has a single-storey a and a two-storey g accordingly. The third style with two-storey a and three-storey g is called the Franklin style. But the real highlight is the Cape style with single-storey a and three-storey g – a real rarity up to now. Let yourself be inspired by this unusual typeface. If you like it even more progressive, you should try the flat style, which continues the right angles in a, g, and y as well. Thanks to the Cyrillic and Latin Extended character sets, a huge linguistic area is covered that even extends to Vietnam! Even the exotic German capital-double-s is available and appears automatically when typed between other capital letters. Numerous OpenType features make life easier for the professional typographer: there are fractions, superscript and subscript numbers, as well as proportional and tabular capitals.