King Slayer is a strong versatile serif font, the design details have been fine tuned to offer excellent readability on any screen size. King Slayer comes in three weights from regular to bold, with matching true italics, for a full range of editorial and advertising uses.

Gotten combines authenticity and elegance into one truly stunning script. Use it to turn any design project into a true piece of art! The Gotten font is a great choice to increase the prominence in your project. Although the typography is traditional, the basic elements are great.

Melusine is based on an ornate style of gothic calligraphy used primarily in decorative signs and advertising in Germany around the turn of the century. It has many of the characteristics of a true medieval gothic hand, but is a more elaborate, extreme variaton on the style.

Haggard is a wedge serifs typeface family of six styles. It stands out from the crowd with unique features like compact proportions of glyphs, sharp wedge serifs, small caps, and true italics. Haggard is a display font and can be used for editorial and print design.

Stars & Type is a display font inspired by a road trip around the USA. It is bold, abstract and experimental and is meant for attention grabbing large headlines. Utilising stars to give a sense of Americana, it would be suited to editorial, advertising and display typography.

Mineola got tired of being like all the other serifed fonts, got some hip body art, and moved to the cool part of town. But every so often, when no one's watching, Mineola puts on a light blue oxford shirt and listens to top 40 radio.

Verismo (Italian for ‘realism’, from vero, meaning ‘true’) is a genre of operas with scenarios based on contemporary everyday life. This font is inspired by old school sign painting techniques. In addition, the font has a contemporary look and can therefore be used in many different designs.

Charlea is a serif typeface inspired by the beauty of modern serifs, fused with modern appeal to cater to contemporary needs. It includes 20 fonts ranging from Thin to Extra Black, with true italics. Charlea offers numerous possibilities for application in various graphic or editorial projects.

Springloved is a cute display font, carefully created to become a true favorite. Its casual charm makes it appear wonderfully down-to-earth, readable and, ultimately, incredibly versatile. Springloved will look outstanding in any context, whether it’s being used on busy backgrounds or as a standalone headline!

ShadyCharacters is an all-caps font with a ziggy, hollow top and a solid bottom. With lots of imagination, you might see the letters as tree-like, hence its name. The ShadyCharactersInside font can be layered over letters of ShadyCharacters to fill in the tops with color.

Verismo (Italian for ‘realism’, from vero, meaning ‘true’) is a genre of operas with scenarios based on contemporary everyday life. This font is inspired by old school sign painting techniques. In addition, the font has a contemporary look and can therefore be used in many different designs.

Every designer has a favorite geometric sans serif. For a century, they've been a staple for text that needs to be clear, strong, architectural, and objective. Mimolette offers a sans serif family that's great for text and display alike—the panache of Neutraface, the readability of Avenir, the sleekness of Avant Garde, the strength of Mark, the architecture of Gotham, and the classic lines of Futura—but she's entirely her own creature, and she's designed to offer maximum versatility and beauty at an affordable price. And she's got some nifty features, too! Her italic is a true italic, not just an oblique. Are the uberpointy diagonals (AMVW) not working in a particular context? Activate Stylistic Set 01, and they become flat-topped! Want more playful cursive alternatives in the italic? Activate Stylistic Set 02, and you've got them in the A, E, K, Q, R, and k. She's got true small caps in all styles! She's got true fractions in all styles, as well as oldstyle (small cap) and lining numerals, in both tabular and proportional widths. Best of all, perhaps, Mimolette was made with love, as always, by yer pals in the Ampersand Forest.

Put on your top hat, tie up your white tie, brush off your tails and surrender your serifs at the door! We've popped open a bottle of French Champagne for you, but don't worry, because our latest stylishly handsome, devilishly clever offering doesn't just offer thrills and chills, it’s also Spillproof! So step out and breathe an atmosphere that simply reeks with class and distinction, What a swell font for party invitations, soirees, nightclubs and weddings this is! See the families related to SpillProof: Spills.

Marzo is a monoline, minimalist, modern typeface, that tries to take its forms to a state of natural purity, definitively elegant. Designed by Ariel Di Lisio and digitized by Alejandro Paul.

Coffee First is a bold handwritten font, carefully handcrafted to become a true favorite. Its casual charm makes it appear wonderfully down-to-earth, readable, and ultimately, incredibly versatile. Coffee First will look outstanding in any context, whether it’s being used on busy backgrounds or as a standalone headline!

Createland is a bold display font, carefully handcrafted to become a true favorite. Its casual charm makes it appear wonderfully down-to-earth, readable and, ultimately, incredibly versatile. Createland will look outstanding in any context, whether it�s being used on busy backgrounds or as a standalone headline!

Originally designed by calligrapher Arthur Baker, Marigold font was released by Agfa Compugraphic in 1989. Marigold font is narrow in width like the chancery hand, and its shapes are true to the prescribed Renaissance proportions. The authentic handwritten look makes it versatile for a large variety of informal uses.

Another stencil font? Oh, yes. Circular trip time of bus number 17 is so long and designer has one relaxation: look over the letters in the bus. So many tables with bus stop names in it! And now you can write it yourself - enjoy new Marshrut Stencil typeface.

Is that the trees rustling, or the hinges on the gate? Pull up your covers as daylight grows dim... there is indeed a chill of fear in your heart and the blood in your veins is turning cold. Try your best not to shiver and shake... The Iceman cometh!

Vegas is the work of British designer David Quay, an excellent choice where a bright, glitzy effect is desired. Like most scripts, the capitals work as initials in conjunction with the lowercase. The lowercase letters should be set very closely or touching to create a true script effect.

Fine Hand font is the work of British designer Richard Bradley and is based on his handwriting. Its capitals are designed for initialing purposes only. The elegant Fine Hand font includes many alternative letters which help give it the spontaneity of true handwriting. Featured in: Best Fonts for Tattoos

Inline Retro JNL is Art Deco in style, featuring condensed characters and its namesake inline. While not a true revival of a vintage design, the same influences are utilized throughout the font to give it retro appeal. Inline Retro JNL is available in both regular and oblique versions.

The Lunaquête family is a collection of Serif fonts with 6 styles and true Italics. It was designed for book typography. Especially Regular and Text are suitable for this purpose. Medium, Semibold and Bold can be used for text highlighting. Light and Light Italic are suitable for headlines.

Face Front, True Believers, here comes another Spectacular Smash Hit from the Comicraft House of Ideas! A worthy companion to our Monster Mash and Doohickey Masterworks, Framistat is an All-New, Truly Titanic Typeface designed to dutifully display cover copy as demanded by Collector's Item Classic comic book tradition!

This font is almost as much fun as a trip to NOLA. 40 illustrations that cover Mardi Gras and food, with buildings, trolley, paddle wheel, pelican and musical instruments. The instruments and adult beverages are universal. Plus a hand lettered New Orleans. A lot of variety in this collection.

Novelo is a 9 weight neo-grotesk typeface family. Featuring; over 800 characters and symbols, including over 100 ligatures, with extended language support, and true italics. The wide selection of alternate characters allows for deep customisation, making the Novelo family a powerful and flexible toolkit for the modern designer.

Designed for a privately-published luxury edition of The Time Machine, HGWelles Ultralight, Regular and Bold are now being made available to the public. This is the Welles of the early 20th century, seeing many of his predictions coming true and anticipating the shape of things yet to come.

The Bounde is a bold script, carefully handcrafted to become a true favorite. Its casual charm makes it appear wonderfully down-to-earth, readable and, ultimately, incredibly versatile. The Bounde will look outstanding in any context, whether it’s being used on busy backgrounds or as a standalone headline!

Yalla was inspired during a trip Mateusz Machalski took to Cairo (Egypt). The vast array of strong Arabic headline type, geometric forms working in interesting ways and contrasting with smooth, calligraphic details fed the design. Due to the same proportions and heights, Yalla works great together with Afronaut.

Dangereous can on E, sharp grass on C, strong tree on O, drop of water on N and hand shovel on S = ECONS, set of 52 ecological symbols made after spending one day fishing on the river in my municipality and seeing so miscellaneous garbages in the water.

Neroli is an oil distilled from the blossom of the bitter orange tree and used extensively in perfumery. Its scent is sweet, honeyed with green and spicy facets. The eponymous OpenType font is of tidy Art Deco construction and will lend its own unique bouquet to any typographic composition.

Punctured Bicycle is a true grunge font. It comes with more than 200 ligatures - to be precise 235! That includes both double letters, double numbers, unique accented characters and a huge number of common letter combinations! You will need to use OpenType supporting applications to use the autoligatures.

I once tried to imagine what the children of Schoolbook and Bodoni would look like if they were married. I'm still trying to imagine that! In the meantime I drew the Jingles.

I once tried to imagine what the children of Schoolbook and Bodoni would look like if they were married. I'm still trying to imagine that! In the meantime I drew the Jingles.

Of all student work produced in Joost Schmidt?s Bauhaus classes, Reinhold Rossig?s (1903?1979) alphabet designs are perhaps closest to his master?s teachings: monolinear, geometric lettering, constructed on grids using compass and ruler. Drafts by Rossig, dated 1929, also demonstrate explorations of letterform width and x-height. Almost ninety years later, Elia Preuss carefully preserves Rossig?s letters and considerations in a proper typeface, by overcoming most of the optical mistakes captured in true geometric letterforms. To carry Rossig?s design further away from Schmidt?s influence, Preuss also lent more characteristic letters found on poster designs by fellow Bauhaus student Hermann Werner Kubsch. Reross is a true Bauhaus-influenced geometric sans, equipped with different historic influences and contemporary features.

If you are like me, you love to doodle in a sketchbook when traveling abroad to capture the indescribable moments that a camera or video would miss. Years ago, on a trip to Spain, I penned out this fanciful handwritten script and just fell in love with it. I came across that old sketchbook recently, and the love affair was renewed. Gonte brings back all of the magic and charm of that trip, and I hope that it will bring a little magic to whatever flights of fancy you might use it for. Double letter Ligatures, Contextual Swashes to start and finish letterforms, and Stylistic Alternates for the lowercase v and w all lend to keeping the carefree hand-penned style.

At home we have a wood stove. Last year, I bought a whole bunch of tree trunks, which I cut up with a chainsaw and then chopped with my Swedish axe. In Holland we have a saying that firewood keeps you warm three times: when you cut the tree, when you chop the wood and when you burn it in the stove. Our stove is rather small, so it is not exactly a blazing furnace, but I liked the name because it seems to fit this font. Blazing Furnace was made with ink and a brush. It is a bit messy and rough, but it comes with multilingual support and a nice set of alternates for the lower case letters.

Macahe is a modern slab serif with dynamic and irregular shapes. It comes with 7 weights, 3 widths and matching (true) italics. The typeface was inspired and name after the city I was born (Macaé-RJ, Brazil), turning the mixture between nature/beach life and the chaotic urban growth into typography. The options (weight, width and true italics) make the font useful both for web and print in multiple occasions; think websites, posters, logos, signage, packaging and etc. Macahe covers multiple languages, including a wide range of Latin and some Cyrillic languages. It also includes a full range of numerals (included old style figures, numerators, denominators), small caps, standard & discretionary ligatures and stylistic alternates. Those features and variations make Macahe a useful tool for any graphic designer.

ITC Vino Bianco was created by German designer Jochen Schuss. He drew his inspiration from the handwriting of the waiter in his favorite local pub, especially the form of the capital Q. Based on this one character Schuss developed the entire alphabet. The figures are sketchy and generous and look as though they were written on paper with a ball point pen. Vino Bianco is an alphabet of capital letters, each of which also has an alternative form, making it very flexible and true to the tendency of true handwriting. In spite of its fine strokes, the overall look is open and light due to the large amount of space each character occupies. The cheerful, carefree ITC Vino Bianco is best used for headlines and short texts.

Oksana is a Ukrainian female name. As a true native Ukrainian, this semi-serif type family has a strong structure, but soft and friendly nature. In six weights from thin to heavy it is perfect for titles and short texts lines. Look how people use it: http://use.type.org.ua/tagged/oksana