Nimbussant Bresslo is a contemporary sans and attipic unicase were lowercase alternates with smallcaps creating an unusual look that can be used in posters, logo design and headings or small bold plain texts. This grotesque typeface supports most of the latin based languages and also kyrillic and greek alphabets. For a plus of a modern and young appeal, some of the letters have a very sharp, straight and minimalist body design but you may find also their stylistic alternates to better emulate the look you find more appropiate for your design.

Verge exploratory information transmitter Verge type family operates at the very edge of art and technology in the typographic constellation. Its fairing is designed with a new technique that adds better stability to the curvature. It is prepared for all environments and communicates with minimized latency. The letters of this contemporary slab serif are compact, clear and rather simple. It is suitable for branding, longer texts, information graphics and signalization. The typeface’s x-height is a little above 70% of its capitals. The italics are designed at a 7° angle.

ITC Cushing has a long history. The typeface was originally designed by J. Stearns Cushing, a Boston-based book printer, and famous American type designer Frederic Goudy expanded it to include an italic weight. Under a special license from the American Type Founders, Vincent Pacella modified the design for ITC and added some additional weights. ITC Cushing is slightly condensed with large, bracketed serifs. Pacella changed the capital letters to better complement the lower case and replaced the sloping serifs of the italics to linear type serifs to produce ITC Cushing.

Spark a revolution for a better future with Spark Sans. Super clean and geometric, this display typeface is ideal for tech, transportation, electronic music, revolutionary products or other disruptive ideas that move us beyond the present. Spark Sans has a relatively high x-height and squared off curves that give it a distinctive look while still maintaining a minimalist aesthetic. The design originated with custom lettering for the Primitive Spark identity, which became the foundation for the bold style. With 260 glyphs, Spark Sans is a great choice for many languages with Latin characters.

Santis is a multiface type, special for logos, brands, magazines and editorial world. Especially for setting trends in fashion and design. The particularity of this font is that you can easily read it, even when applying swash type letters. It is a Didot based font. Santis versatility can harmoniously display a word or phrase. Santis has 1017 glyphs with alternate characters, numbers and ligatures ornaments specially created for a better design. For best results use with Open Type. Designed by Enrique Hernandez with technical support of Daniel Hernández.

ITC Berkeley Old Style is based on a typeface designed by Frederic W. Goudy in 1938 called University of California Old Style. It was a private press type for the publishing house of that school. In 1958, about ten years after Goudy's death, Monotype re-issued the type under the name Californian, and it became a very successful face for book typography. Goudy himself said he designed this face to have the greatest legibility possible, and it is indeed free from the exuberances in some of his other faces. Tony Stan redrew the family for ITC for 1983, and it was named ITC Berkeley Old Style, Berkeley being the city where the University of California Press is located. Stan did a careful drawing of eight styles including italics. ITC Berkeley Old Style is a crisply beautiful tribute to a distinguished typeface, and it works well for books, magazines, and advertising display. Featured in: Best Fonts for Tattoos

Nikola is a text typeface that offers a wide range of possibilities. While its regular and medium weights were specially optimized for maximum performance, balanced for excellent legibility and carefully crafted to spread a scent of tradition on long text settings; its extreme weights, on the other hand, were designed with a more display use in mind, and thanks to the flexibility place at disposal by its many alternates, swashes, decorative cartouches, borders and ornaments, can deliver a vintage, reliable, dynamic, fancy and even playful inflection to the text. Nikola includes a large set of over 1400 glyphs, support for more than 200 latin script languages and 1.21 gigawatts of the finest type design generated by classic proportions, the elegance and formality of the early XX century and a glimpse of expressionism on terminals and serifs. Nikola was named after Nikola Tesla as a tribute to the pioneers of the electric age.

Galano Classic is the display companion of the Galano Grotesque family. Like the Grotesque family, it also pays tribute to the geometric shapes of Futura, Avant Garde, Avenir and the like. However, instead of that family’s modern interpretation of the geometric genre, Galano Classic prefers to stay in the past, a tendency characterized by a moderate x-height and details like the long stretched leg of uppercase “R”, as well as the traditional shaped lowercase “g”, to mention only a few details. Galano Classic, compared to Galano Grotesque, includes lots of redesigned glyphs and consequently adjusted kerning pairs, an extended number of alternative characters, ligatures and opentype features to match a great many design applications. It comes in 10 different weights with matching italics containing 555 glpyhs per font. Although Galano Classic was planned to be the display version of Galano Grotesque, it feels great in small sizes and long text passages, too.

Be a Star font brings the universe into your creative designs. Use this font for posters, vinyl creations, logos, t-shirts, and many more projects. It’s written in the stars to make your design unique and fun! Use glow-in-the-dark vinyl or paper to make these letters stand out- of this world. There are 286 glyphs. These include upper and lower case letters, numbers, punctuation glyphs, latin extension, constellations, astrology signs, and letter alternates for upper case letters.

A vintage look layered label font named "Smokers".Typeface includes six styles (including effect styles), for sample look at 4th preview. This font will good viewed on any retro design like poster, t-shirt, label, logo etc. For using effects layers: - Type your text in Regular. - Copy that and paste at the same position. - Change the style to Shadow or Texture. - Alternates in first letters - just type letter in caps. For alternates in last letters - just use alternates for small letters. Thank you!

Say hello to BONJOUR! A bold and beautiful brush-lettered font with inky watercolour-like contours, and a natural hand-painted look. Bonjour comes with Opentype alternate upper and lowercase characters, - switch between the letters available to make your lettering look more natural and less like a font. Perfect for using in ink or watercolour based designs or on its own as bold hand-brushed lettering. Bonjour makes for fun, bold branding, quotes, greetings, adverts, posters, packaging and so much more.

Vladimir Script is a brush-style font, similar to the kind of lettering found on old hand-painted department store signs during the 1950s. The letters have a steep slant, and the uppercase letters and the numbers are rather informal. Many of the letters' strokes end in looped terminals, some with dynamic amounts of contrast. Vladimir Script is best used in larger point sizes, where its subtle details can dance across the page. The typeface looks fabulous on signs and cards.

During the investigation of the infamous murders in Whitechapel, police received several letters allegedly from Jack the Ripper. Of the hundreds received, the so-called, “Dear Boss” letter actually included some details of a crime that had yet to be committed. Soon after, the information in this letter would be corroborated at a crime scene. This font was inspired by the handwriting in that letter. It includes dozens of European characters…and just might be the writing of Jack himself!

Just Wood Heinz No.4 - the cool display font. Wood Heinz No.4 offering up to four "printed look" variations of all the Latin base letters and figures. An OpenType letter rotator is programmed into the fonts to emulate the randomness of wood type printing. You can switch manually to the alternate letters by using the Stylistic Sets 1 – 4. Stylistic Set 5 will activate the more common look of the capital letter R with a straight leg. PDF Specimen

Blank Manuscript allows you to produce sophisticated musical scoresheets even on basic Word Processors - anything from simple plain staves to complex full-page orchestral scores of your own design, to write in the notation yourself. The basic stuff is really easy and straightforward, but there's some quite advanced things you can do as well. So Copy and Save these Instructions. • The main stuff is simple and tends to follow the initial letter. Treble, Bass and Alto clefs are on upper case T B A (there are more clefs, below). The 5 Lines for the clefs are on L or l. • A small v will give a small vertical line (like a bar line) and a Big U will give a Big Upright - these can start or end a line or piece. • Time Signatures - type the following letters: Think of W for Waltz and it's easy to remember that 3/4 time is on W. Then from that they go up or down together like this: V=2/4 W=3/4 X=4/4 Y=5/4 Z=6/4 Compound Times are on H I J K like this: H=3/8 I=6/8 J=9/8 K=12/8 Common Time and Cut Common symbols can be found on semi-colon and colon respectively (all begin with Co- ). 2/2 3/2 are on lower case a and b, 7/4 and 7/8 are on lower case c and d, 5/8 is on small k (think POL-k-A) • Flat signs are on the numbers. Flat signs on LINES 1 to 5 are on numbers 1 to 5. Flat signs on SPACES 1 to 5 are on numbers 6 to 0 (space 1 being above line 1, space 5 being above the top line of the stave). Sharp signs are on the letters BELOW the long-row numbers. Which is q w e r t for the sharp signs on Lines 1 to 5, and y u i o p for sharp signs on spaces 1 to 5. Doing it this way means it works the same for all clefs, whether Treble, Bass, Alto, Tenor or any other. Sharp and Flat Signs always go in this order, depending on how many sharps or flats your key signature requires: Treble Clef Sharps t i p r u o e Flats 3 9 7 4 2 8 6 Bass Clef Sharps r u o e t i w Flats 2 8 6 3 1 7 = Alto Clef Sharps o e t i w r u Flats 7 4 2 8 6 3 1 • Guitar Chord Boxes are on G and g (G for Guitar) Upper Case G has a thick line across the top Lower case g has an open top, for chords up the fretboard TAB symbols are available: Six-string Tablature is on s & S for Six. Four-string Tablature is on f & F for Four. (Lower case has the "TAB" symbol on it, Upper Case has just the lines to continue.) Five-string tablature, is on lower case "j" (as in BAN-j-O) and of course L or l will continue the 5 lines. •RARE CLEF SIGNS including Tenor Clef, are on various punctuation marks, i.e. dollar, percent, circumflex, ampersand & asterisk, above the numbers 4 to 8. NOTE: The important symbols were kept on the letter and number keys, which are fairly standard all over, but some of the less important symbols are on various punctuation keys, which in different countries are not the same as on my keyboard. If it comes out wrong on your system, all I can say is it's right on the systems we've tried, and they'll be in here somewhere, probably on a different key. CLOSING THE ENDS OF THE LINES and BAR-LINES is done with the 3 varieties of brackets - brackets, brace and parentheses - Left/Right for the Left/Right end of the line. Parentheses L/R () which are above 9, 0 give a clef with a small vertical upright (the same as a bar line). Brace L/R and Brackets L/R (both on the 2 keys to the right of P on my keyboard) will close off a staff line with tall upright bars. Brace gives a double upright - one thick, one thin. Brackets give a single tall upright. A Big Upright is on Big U, (Big U for Big Upright) and a small vertical line is on small v (small v for small vertical). The Big Upright is the maximum height, and the small vertical is exactly the same height as a stave. And there's a tall upright Bar, on Bar (which is to the left of z on my keyboard, with Shift,) which is the same height as the bar on upper case U but twice as broad. • There's a staff intended for writing melodies, which is a little bit higher up than an ordinary treble clef giving a space underneath to put lyrics in - on m and M for Melody line. Lower case has the Treble Clef on, Upper case M has just the higher-up staff lines with no clef. (Use mMMMMMMM etc.) However this clef will be in the wrong place to put in sharp and flat signs, key signatures and so on, so if you use this clef you'll have to write the sharps, flats and key signature yourself. There's also a clef that's smaller (less tall) than the ordinary clef, but with the same horizontal spacing so it will align with other standard-sized clefs - on slash (a plain clef) and backslash (with a Treble Clef). • There are some large brackets for enclosing groups of staves, such as you'd use on large orchestral scores, on Upper Case N O P Q R, which can aid clarity. N and O on the left, Q and R on the right. P is a Perpendicular line to be used on both sides to increase the height of the enclosure, in this way but with the staff lines in between: N Q P P P P P P O R OTHERS —————————————— • Repeat marks are on comma (left) and period/full stop (right). • Hyphen is left as a sort of hyphen - it's a thin line like a single staff line, with the same horizontal spacing as ordinary staff lines - in case you want to draw a line across for a Percussion Instrument, or a Title or Lyric Line. • Space is a Space, but with HALF the width or horizontal spacing as ordinary staff lines, so 2 space symbols will be the same width as a clef symbol or line. • Grave (to the left of 1 on the long row, or hold down Alt and type 0096 then let go) gives a staff line that is one eighth the width of an ordinary staff line. • If you want manuscript in a clef and key which requires a flat or sharp sign in the space underneath the 5 lines, they’re on = equals and + plus . SYMBOLS • Many of these symbols will only be useful if you have worked out in advance which bars will need them, but they are here in case you've done that and wish to include them. • Symbols for p and f (piano and forte) are on 'less than' and 'greater than' < > (above comma and full stop) and m for mezzo is on Question, next to them. They can be combined to make mp, mf, ff, pp, etc. These signs -- and other signs and symbols like Pedal Sign, Coda Sign and so on -- can be found on various punctuation mark keys, including above 1, 2, 3 in the long row, and others around the keyboard. There's a sort of logic to their layout, but in different countries the keys are likely to give different results to what is stated here, so it's probably best to just try the punctuation and see if there's any you might want to use. (But on my keyboard a Coda sign is on circumflex - because of the visual similarity. Pedal sign is on underscore. A "Sign" symbol is on exclamation mark.) They were only included in case you really need them to be printed rather than handwritten. • However, a Copyright symbol is deemed necessary, and also included are a "Registered" symbol and a TradeMark symbol. They are found in the conventional places, and can be accessed by holding down ALT and typing 0169, 0174 or 0153 respectively in the numberpad section and letting go. • Staff lines with arco and pizz. above are on capital C and D respectively ---C for ar-C-o. • An empty circle above a staff line (to indicate sections by writing letters A, B, C or 1,2,3 inside for rehearsal marks) is on n. The actual signs for an A, B, C and D in a circle above the staff line can be produced by holding down ALT and typing 0188, 0189, 0190 and 0191 respectively and letting go. • The word "Page", for indicating page numbers, is on the numbersign key. • The two quotes keys, (quote single and quote double) have symbols representing "Tempo is", and "play as triplets", respectively. • INSTRUMENT NAMES There's a whole lot of Instrument Names built in (over a hundred) which can be printed out above the clef, and you do it like this. Hold down Alt and type in the given number in the numberpad section, then let go. For Piccolo it's 0130, for Flute it's 0131, Cornet is on 0154, Violin is on 0193, and the numbers go up to over 0250, it's a fairly complete set. There's also a blank which is used to align un-named clefs on 0096. Put them at the very beginning of the line for the best results. Here they are: WOODWIND Piccolo 0130 Flute 0131 Oboe 0132 Clarinet 0133 Eng Horn 0134 Bassoon 0135 Soprano Sax 0137 Alto Sax 0138 Tenor Sax 0139 Baritone Sax 0140 Saxophone 0142 Contrabassoon 0145 Recorder 0146 Alto Flute 0147 Bass Flute 0148 Oboe d'Amore 0149 Cor anglais 0152 Pipes 0241 Whistle 0242 BRASS Cornet 0154 Trumpet 0155 Flugelhorn 0156 Trombone 0158 Euphonium 0159 Tuba 0161 French Horn 0162 Horn 0163 Tenor Trombone 0164 Bass Trombone 0165 Alto Trombone 0166 Piccolo Cornet 0167 Piccolo Trumpet 0168 Bass Trumpet 0170 Bass Tuba 0171 Brass 0172 VOICES Vocal 0175 Melody 0176 Solo 0177 Harmony 0178 Soprano 0179 Alto 0180 Tenor 0181 Baritone 0182 Treble 0183 Bass 0197 (see also PLUCKED STRINGS) Descant 0184 Mezzo Soprano 0185 Contralto 0186 Counter Tenor 0187 Lead 0206 BOWED STRINGS Strings 0192 Violin 0193 Viola 0194 Cello 0195 Contrabass 0196 Bass 0197 Double Bass 0198 Violoncello 0199 Violin 1 0200 Violin 2 0201 Fiddle 0252 PLUCKED STRINGS Harp 0202 Guitar 0203 Ac. Gtr 0204 El. Gtr 0205 Lead 0206 Bass 0197 Ac. Bass 0207 El. Bass 0208 Slide Gtr 0209 Mandolin 0210 Banjo 0211 Ukelele 0212 Zither 0213 Sitar 0214 Lute 0215 Pedal Steel 0216 Nylon Gtr. 0238 Koto 0239 Fretless 0244 KEYBOARDS + ORGAN Piano 0217 El. Piano 0218 Organ 0219 El. Organ 0220 Harpsichord 0221 Celesta 0222 Accordion 0223 Clavinet 0224 Harmonium 0225 Synth 0226 Synth Bass 0227 Keyboards 0228 Sampler 0249 PERCUSSION and TUNED PERCUSSION Percussion 0229 Drums 0230 Vibes 0231 Marimba 0232 Glockenspiel 0233 Xylophone 0234 Bass marimba 0235 Tubular Bells 0236 Steel Drums 0237 Kalimba 0240 OTHERS Harmonica 0246 Mouth Organ 0247 FX 0251 Intro 0243 Verse 0245 Refrain 0248 Chorus 0250 un-named 0096 (this is a small spacer stave for aligning clefs without a name) ALSO copyright 0169 registered 0174 TradeMark 0153 Rehearsal marks 0188-0191 (giving A, B, C, D in a circle, an empty circle is on n ) Clef signs for Treble Bass Alto without any staff lines 0253-0255 An Alphabetic List of all signs: a 2/2 time b 3/2 time c 7/4 time d 7/8 time e sharp sign, centre line f Tab sign for 4-string tab g Guitar Chord Box, no nut h half-width stave I sharp sign, third space up j Tab sign for 5-string tab k 5/8 time l Lines - 5 horizontal lines for a stave m Melody Clef - a standard clef but placed higher up, with Treble sign n Stave with an empty circle above o sharp sign, fourth space up p sharp sign, space above stave q sharp sign, bottom line r sharp sign, fourth line up s Tab sign for 6-string tab t sharp sign, top line (fifth line up) u sharp sign, second space up v vertical line (bar-line) w sharp sign, second line up x Fretboard, four strings y sharp sign, first space up z Fretboard, five strings A Alto Clef B Bass Clef C “arco” above stave D “pizz.” above stave E Double Vertical Lines F Four Horizontal lines (for 4-string tab) G Guitar Chord Box with nut H 3/8 time I 6/8 time J 9/8 time K 12/8 time L Lines - 5 horizontal lines for a stave M Melody Clef - a standard clef but placed higher up, plain N Bounding Line for grouping clefs - top left O Bounding Line for grouping clefs - bottom left P Bounding Line for grouping clefs - Perpendicular Q Bounding Line for grouping clefs - top right R Bounding Line for grouping clefs - bottom right S Six Horizontal lines (for 6-string tab) T Treble Clef U tall, thin Upright line V 2/4 time W 3 / 4 time X 4/4 time Y 5/4 time Z 6/4 time 1 flat sign, first line up (the lowest line) 2 flat sign, second line up 3 flat sign, third line up 4 flat sign, fourth line up 5 flat sign, fifth line up (the top line) 6 flat sign, first space up (the lowest space) 7 flat sign, second space up 8 flat sign, third space up 9 flat sign, fourth space up 0 flat sign, space above stave

Poster Gothic was inspired by showcard lettering samples featured in the book,""Commercial Art of Show Card Lettering"" by James Eisenberg, published by D. Van Nostrand Company in 1945.

ABC Zoo is a collection of two typefaces where the alphabet letters are combined to create a design of animal using the letters in the name of each animal.

Direkta JNL take the classic Art Deco influenced lettering of the 30s and 40s and adds a diagonal triangular cut into the letters, creating an air of forward movement.

Kaz is a casual yet sturdy hand lettering font somewhere between architectural hand lettering and "comic sans". Kaz Thin offers a variation for the look of a thinner pen.

Inspired by the decayed lettering on the signs at Siesta Key beach painted on weather-worn old wood in Florida, these letters are made to look like peeling paint.

Rackham Italic is based on the hand lettered titles of Arthur Rackham from the book English Fairytales. The Rackham font is based on his more familiar title lettering style.

Greasy squarish letters.

Handpainted natural lettering.

Naïve Deco Sans is a layered sans serif handwritten font designed by Fanny Coulez and Julien Saurin in Paris. Our goal was to draw a font with finely irregular lines that give a human and whimsical feeling. It is available in two versions: double or triple lines. The font is also decomposed in three different parts that you can use to improve your designs with multiple colors, giving to the font a deco touch. To do so, you can simply superimpose the parts with a compatible software like Photoshop and choose a color for each. This font is part of our Naïve superfamily that contains lot of variations: Line, Inline, Serif, Sans Serif... Just click on our foundry name to see them all! We hope you will enjoy our work. Merci beaucoup!

During the spring of 2006, while creating this typeface, I was reading Praying For Gil Hodges, by Tom Oliphant, who grew up a Brooklyn Dodgers fan. I grew up a Los Angeles Dodgers fan. My mother worked as secretary to the president of the old Triple A LA Angels Baseball Team. In 1952 when she was pregnant with me, she left the team. They gave her an autographed baseball and a puppy named Angel. That's the dog I grew up with. Toward the end of the book the author talks about Gil Hodges' favorite ballplayer, a slugger for the LA Angels, Jigger Statz. I thought, could it be? My mother died two years ago and I got the team baseball. Sure enough, the first name after the dedication to my mother was Jigger Statz.

Khazar, member of a confederation of Turkic-speaking tribes that in the late 6th century CE established a major commercial empire covering the southeastern section of modern European Russia. Although the origin of the term Khazar and the early history of the Khazar people are obscure, it is fairly certain that the Khazars were originally located in the northern Caucasus region and were part of the western Turkic empire (in Turkistan). The Khazars were in contact with the Persians in the mid-6th century CE, and they aided the Byzantine emperor Heraclius (reigned 610–641) in his campaign against the Persians. Although the Khazar Empire had a secular administrative structure, the administrative staff chose the Jewish religion. The Khazars are the only Turkish state that converted to Judaism.

Last year I spent some time exploring the city of Bath in England. Its claim to fame are the Roman Baths in the city center, which are well worth a visit. Kingsmead is an electoral ward within Bath and I thought it was an apt name for this rather stylish - if old fashioned - font. Kingsmead Script is a handmade font. It comes with diacritics and some discretionary ligatures for double lower case letter combinations.

Allaina is a stylish and elegant Serif family consisting of three styles, Regular, Medium and Bold with matching italics. It has many alternates and some unique attractive ligatures. This pretty serif family could be used for fashion, label packaging or elegant vintage style lettering. Combining standard letters with alternative letters wil give you beautiful and unique words.

A font with a strong architectural feel, inspired by those great commercial emporiums of a bygone era. To cap the crossbars, use [brackets] to enclose uppercase letters, {braces} to enclose lowercase letters, and the upright bar | between upper- and lowercase letters. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

A 1928 menu for the restaurant “Rotisserie Du Cardinal” had the word “Cardinal” hand lettered in quite an unusual Art Nouveau type design consisting of thick and thin lines using angles to form the letter shapes. This eccentric (yet charming) style of lettering is now available as Rotisserie Menu JNL in both regular and oblique versions.

Forwardback is a clean and friendly typeface with a large compliment of European characters. Its round & bouncing letters impart a smooth handwritten feel. The font features auto-ligatures for duplicate letters, plus a hefty set of graphical elements & shapes which can be accessed by convenient keyboard shortcuts (a lowercase letter directly followed by a number from 0-9).

Handmade Dropshadow JNL was modeled from lettering found on a vintage silk screened metal sign used for point-of-sale marketing. Before the advent of computers and modern techniques, silk screens were hand cut using material called frisket and knife tools, and the lettering reflected the human inconsistencies of cutting these lettering into the template surface for transfer.

Dr. Mohamed Font Combines the originality and modernity characterized by the strength of the letters and settings of theModulation marks used in the writing of newspapers, magazines, books, children's books and billboards easy to read and also features new combinations of letters make it was handwritten and this font contains the letters (Arabic - Farsi - Urdu - Latin).