Lisa's Hand is a well-formed handwritten Font. The letters are not connected which combines the style of both handwritten and computer fonts. Lisa's Hand is offered in Regular, Bold, Italic, Bold Italic, Condensed and Condensed Italic.

Kiara typeface is a typeface designed for informal titles with very expressive letters. It also contains more than 12 variants (Thin, Light, Regular, Bold, Black) as letter alternatives and options such as "Black Shadow-Black Shadow Alternative".

A 1940s film taken around Coney Island happened to show a sandwich vendor’s stand with its hand painted signs. The stylized Art Deco lettering inspired Snack Stand JNL, which is available in both regular and oblique versions.

The movie poster for the 1952 bank heist drama “Kansas City Confidential” had its title hand lettered in a condensed serif stencil design. This inspired Secret Operation JNL, which is available in both regular and oblique versions.

The unusual, thin line hand lettering on the cover of the sheet music for 1936's "If You Love Me" was the basis for Light Line Deco JNL, which is available in both regular and oblique versions.

The free-form, Art Nouveau hand lettering on the cover of the sheet music for 1915's "She Was All That a Pal Ought to Be" inspired Neurotic Roman JNL; available in both regular and oblique versions.

The hand lettered Art Deco sans serif lettering used for the opening titles of the 1941 melodrama “Penny Serenade” (starring Cary Grant) inspired a digital revival. Romance Song JNL is available in both regular and oblique versions.

Vogie is a sporty and modern sans serif font, comes in 4 widths, 9 weights and is available in regular and oblique. 62 fonts encapsulated in one variable font makes "vogie" more modern and easy to use.

Amelaryas is beautiful serif font with elegant and premium shape that can be used for logos, branding, invitations, stationery, wedding designs, social media posts, and much more. Complete with ligatures alternates regular italic icon kerning multilingual support

A vintage set of die-cut letters and number by Village Toys (circa 1930s or 1940s) featured a playful, bold serif typeface. This is now available digitally as Toy Letters JNL, in both regular and oblique versions.

The thin and stylish Art Deco lettering of a neon sign above the Greyhound bus terminal entrance in a 1930s New York City photo inspired Transit Station JNL, which is available in both regular and oblique versions.

Browsing through images of old wood type for sale, a Western type design with some interesting character variations made the perfect subject for a digital revival. Western Territory JNL is available in both regular and oblique versions.

Hand lettering from the 1965 movie poster for “The Loved One” – a classic 1960s spurred serif design with added curly-tailed terminals was the working model for Groovy Tuesday JNL – available in both regular and oblique versions.

The hand painted signage from a 1950s era photo of the Miami Diner Restaurant in Miami, Florida inspired the digital version of its 1940s-influenced lettering. Roadside Diner JNL is available in both regular and oblique versions.

The original OCR B was designed for optical character recognition systems and was therefore monospaced. Designer Alexander Branczyk made a more typographically tuned and fitted version, with both regular and bold weights, and called it OCRBczyk™.

The hand lettered show card brush lettering in the trailer for the 1960 musical comedy “Bells are Ringing” (starring Dean Martin and Judy Holliday) inspired Musical Comedy JNL, which is available in both regular and oblique versions.

Roman Stencil JNL is a condensed version of the classic Roman typeface found on many vintage hand-punched brass stencils made for packing and shipping merchandise. This digital interpretation is available in both regular and oblique styles.

Galeb is simple geometric sans font family in 4 weights - Light, Regular, Bold and Black, ideal for corporate and editorial projects. With angled stem endings, Galeb gives enough impression to be used as display font as well.

An ad from the 1930s for a Spanish company called Intex Textiles featured some hand lettering in a bold and unique stencil design. This is now available as Textile Stencil JNL, in both regular and oblique versions.

Public Safety JNL was inspired by a 1940s-era health poster issued through the WPA (Works Progress Administration). The font’s bold, blockish sans lettering commands attention and has been made available in both regular and oblique versions.

Abdo Screen is a very simple Naskh font for satellite channels, presentations, videos and advertisements. it comes in sixth weights Thin, Light, Regular, Medium, Bold and Black. This font also contains some of Stylistic Sets and Ligatures.

The hand lettered actors’ credits on a title card from the 1937 film “Shall We Dance” served as the model for Formal Event JNL – an Art Deco sans serif font available in both regular and oblique versions.

Stalker is one of those necessary fonts in a designer's toolbox: Grungy sans serif caps that are most useful for entertainment project chores. Originally made in the summer of 2003 for set and prop design of an Alliance film, Stalker is now available in retail form for those who are particular about their entertainment design or those who use broken letters in their design as means of social commentary or statement on style.

Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. PAG Novembris is narrow and serif font with art deco look. “A”, “G”, “H” and “M” have different letter form in uppercase and lowercase, and they give decorative accents on your typography. PAG Novembris is perfect font for your retrospective project.

In 1999, Jeff Levine released a freeware font called "Channel Tuning JL" scanned from drawings made with a felt tip marker and designed as if the letters were breaking up due to poor reception such as on pre-digital TV sets. Over a decade later, Jeff has totally reworked the font—giving it cleaner lines, an extended character set and renaming it Channel Surfing JNL to set it apart from the roughly-drawn original.

The Janson font was based on the matrices made for the typeface in the 17th century. It originated from the Dutch typeface designer Anton Janson and was cut by Nicholas Kis. The strong main strokes and fine hair strokes were influenced by the art of copper engraving. In 1983, Prof. Horst Heiderhoff led the expansion of the Janson into a font family with various stroke contrasts and gave it the name Janson Text.

Lively, friendly and fun. Blackcurrant is derived from a poster campaign Rian Hughes designed for the youthful Japanese woman's outfitters, Yellow Boots. The original logo formed the basis of the Black version; the narrower Squash version was added fro the commercial release. The lower case was added two years later due to popular demand. In 2010 the font was further accessorised with extensive ligatures, made possible with the then-new Opentype technology.

HiFi is a geometric script whose genesis lies in drive-in movie theaters, vintage auto emblems and radio dials. It embraces the stylistic tenets of retro futurism and proposes that the evolution of design styles, rather than being linear, is a circular process, continually revisiting and reshaping itself. It evokes the 40s & 50s and pre-transistor electronics when you turned your radio on and waited patiently for the tubes to warm up.

Technically a crowbar is a straight metal rod used for digging. The tool I had in mind when I named this font is called a jemmy or pry bar, but I guess I liked the name crowbar better. Crowbar font, like its namesake, is a very useful tool: its brush-like appearance fits any design, especially if you are aiming for the ‘scary’ look. Comes with a toolbox full of diacritics too!

A variation of ”Helvetica according to the blur principle.“ The underlying typeface is ”Helvetica“, the only true ”run-of-the-mill“ typeface of the twentieth century. The distortion principle used simulates the photographic effect of halation and/or overexposure. The light weight, »DeFonte Léger«, nearly breaks on the thin points, whereas on those points where the lines meet or cross, dark spots remain. The characters are ”nibbled at“ from the inner and outer brightness. On the normal and semibold typestyles, »DeFonte Normale« and »DeFonte Demi Gras«, the effect is limited almost exclusively to the end strokes and corners, which appears to be strongly rounded off. The bold version »DeFonte Gros« is especially attractive. As a result of ”overexposure“, counters (internal spaces) are closed in, while characters become blurred and turn into spots; new characteristic forms are created which are astoundingly legible. The fat version »DeFonte Gros« is particularly appealing. “Overexposure” leads to drifted counters, letters blur into spots; new characteristic forms emerge, which are surprisingly easy to read.

Head­line Font | Dis­play Font | Raw Hand­writ­ten Script Font Gothic Hand Dirty with 2 styles (regu­lar, bold) & 58 glyphs.

“Safety first!” claimed the sign. The janitor huffed, and continued mopping up the nuclear sludge from the floorboards. Just another day in the wasteland. Industrial Spill is available in three destructive styles: - Regular (great for those warning signs that everyone ignores when rummaging for salvage) - Ooze (reminds you to always clean up after contaminated muck covers the floor) - Wasteland (gives that wonderful feel of wandering around a desolate landscape) Please note that Industrial Spill Wasteland is highly detailed, realistic texturing. It may render slowly in older applications. Each font includes: - A complete set of uppercase and lowercase letters, basic punctuation, numerals and currency figures, and diacritics - Stylistic Opentype Alternates to avoid letter crashing - Punctuation shifts in All-Caps scenarios for better placement - Western Europe language support Need an extended license? Simply email us at hello@sajatypeworks.com and we’ll be happy to help! A collaboration between Dave Savage of Savage Monsters and Aaron Bell of Saja Typeworks. Get in touch: We’re here to help! If you have any questions or need assistance, please DM or contact us via hello@sajatypeworks.com Languages supported: Abneki, Afaan Oromo, Afar, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Arrernte, Arvanitic (Latin), Asturian, Aymara, Basque, Bikol, Bislama, Breton, Cape Verdean Creole, Cebuano, Chamorro, Chavacano, Chickasaw, Cofán, Corsican, Dawan, Delaware, Dholuo, Drehu, English, Faroese, Fijian, Filipino, Folkspraak, French, Frisian, Friulian, Galician, Genoese, German, Gooniyandi, Guadeloupean Creole, Haitian Creole, Hän, Hiligaynon, Hopi, Ido, Ilocano, Indonesian, Interglossa, Interlingua, Irish, Italian, Jamaican, Javanese (Latin), Jèrriais, Kala Kagaw Ya, Kapampangan (Latin), Kaqchikel, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Latin, Lojban, Lombard, Makhuwa, Malay, Manx, Marquesan, Meriam Mir, Mohawk, Montagnais, Murrinh-Patha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Norweigan, Novial, Occidental, Occitan, Oshiwambo, Palauan, Papiamento, Piedmontese, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romansh, Rotokas, Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Slovio (Latin), Somali, Sotho, Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tetum, Tok Pisin, Tokelauan, Tshiluba, Tsonga, Tswana, Tumbuka, Tzotzil, Uzbek (Latin), Volapük, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu.

Bluset Monospaced enlarges the re-worked and expanded text- and headline typeface family Bluest Now with 6 new cuts. The concept for Bluest Now was based, in its original form, on a corporate design typeface by Elsner+Flake in 2004, ordered by the Landor Agency for a large German energy corporation. Regularly re-worked and brought up to modern standards, the typeface is still used to this day. Because of its large x-height and its well-balanced appearance, Bluset Now Mono is also excellent for use in small typesizes. The three Roman cuts, Regular, Medium and Bold, and the corresponding obliques, allow a clear differentiation of base- and display applications for every typesize. The character complement has been created for 72 Latin-based language areas and thus allows a neutral text exchange across language borders. Translation Inga Wennik

Graffiti Classic is a graffiti font that blends the improvisational urban quality of graffiti with the smoothness and regularity of a typeface. Growing up in Brooklyn, graffiti appeared to me as an explosion of expression and color in a sea of concrete. Inspired, I became a graffiti artist and practiced in both notebooks and subway tunnels. While I moved on to somewhat more traditional art forms in future years, with Graffiti Classic I pay homage to my artistic roots in a calligraphy marker/tag font. Like my other fonts, the entire Graffiti Classic font is spaced letter to individual letter so that the spacing will work smoothly, in spite of the expressiveness and irregularity of the forms. The Graffiti Classic family also includes an ornaments font, “Taglets,” which has clouds, underlines, arrows, crowns, halos and more to add flavor to your designs.