Just in case you need something crispy for your next project - this could be it! Handmade, multilingual and with contextual alternates - 4 different versions of each letter, and these cycle automatically as you write, for a random look.

TOTEM is simple and geometric, strong and modern. Previously it was designed for our logo and next we made the rest of the alphabet, including multi-language coverage and numbers. Totem has a nice set of ornaments too.

Loose Goose was designed specifically for comic book lettering, but its uses are only limited by your imagination. Its loose yet legible letterforms make this font fun for classroom applications and your next crafting project on the Cricut.

Spargo is inspired by 20s and 30s American typefaces, often seen on share certificates and other securities. Spargo is offered in six all capitals display typefaces. Bring a touch of inter-war America to your next design project!

Introducing Super Ground Typeface : Expand Your Design Horizons A wide sans serif font designed to amplify your design impact. Its spacious letterforms provide a canvas for bold ideas, from captivating headlines to eye-catching logos. Embrace the power of width and redefine your designs

Savour Pro's elegant, classic form has a calligraphic touch, almost a hand-written feel. The individual creation of the characters provide additional dynamics and vitality. Savour Pro comes with a complete set of upper case swashes as well as lining and old style figures.

A title card listing the supporting cast of the 1950 Humphrey Bogart and Gloria Grahame drama “In a Lonely Place” provided the hand lettered slab serif type design that served as the model for Post Production JNL – available in both regular and oblique versions.

Rauda font family has been designed for Graviton Font Foundry by Pablo Balcells in 2017. It is a display, sans serif, geometric typeface, with sharp angles that provides a strong and solid appearence. Rauda consists of 8 styles. Each containing glyph coverage for several languages.

Cowboy Stories celebrates a landmark innovation for dingbat fonts. 

It's a 2 color layered-dingbat. 

Its complementing character set provides just the right amount of Spaghetti Western charm. 

 Need assistance spinning a memorable fireside yarn? Grab your trusty spittoon and a copy of Cowboy Stories.

Spiky is an unusual font with spiky characters (which must come as a surprise) that provides a graphical solution where a monster, spooky or unusual typeface is required. The zip files contain both OTF and TTF versions of the font - install one version only.

A 1931 travel poster for Pommern, Germany, designed by Willy Dzubas provided the inspiration for this charming typeface. Sets tight, large or small. Both versions contain the complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Dutch type designer Max Kisman created this display FontFont in 1990. The font is ideally suited for advertising and packaging and poster and billboards. FF Vortex provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional oldstyle figures.

Two typefaces from Farmer & Little's 1867 specimen book, entitled Antique No. 2 and Antique Light Extended, provided the inspiration for this happy family of antique charmers. Both versions of this font include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets.

The unusual hand lettering found on the 1945 sheet music for “Chinese Song” provided not only the design inspiration but the font’s name as well. A hybrid of Asian and Art Deco influences, Chinese Song JNL is available in both regular and oblique versions.

Graceful, elegant, and at times eccentric, Homage Script was inspired by James Hellmuth’s hand-lettered design for the cover of “Homage to the Alphabet” — a gigantic tome produced in 1980 to provide full-showings of photolettering fonts available for traditional typesetting at Phil’s Photo.

This stencil display decorative slab-serif typeface, contain reverse contrast which remind the old western style. Invertida St font family contain Latin and Cyrillic encoding characters and also italic versions are available too. Open type features can provide more options (stylistic alternates, ligatures, swash, figures).

These beautifully designed initials were created by talented American designer Steven Albert. Aquitaine looks best when the more straightforward characters are used to set words and the decorative alternatives are used to provide exciting initialling complements. A unique style with subtle historical and religious overtones.

An example from the vintage lettering book "100 Alphabets Publicitaire" ("100 Advertising Alphabets") provided the inspiration for French Lettering JNL. This stylized Victorian [or Western] type face evokes the era of fanciful lettering design from the late 1800s. Available in both regular and oblique versions.

German type designer Stefan Hägerling created this display FontFont in 1995. The family contains 3 weights: Light, Regular, and Bold and is ideally suited for music and nightlife. FF Motive provides advanced typographical support with features such as ligatures. It comes with proportional oldstyle figures.

Handlettering in an ad from the 1920s for a Chicago engraving company provided the inspiration for this fine, fat, flowing face, full of fun and antique charm. Both versions of this font include the complete Unicode 1252 Latin and Unicode 1250 Central European character sets.

Slovakian type designer Peter Bil'ak created this display FontFont in 1994. The family contains 4 weights and is ideally suited for festive occasions and music and nightlife. FF Craft provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

British type designer James Closs created this display FontFont in 1994. The family contains 2 weights and is ideally suited for film and tv and poster and billboards. FF InnerCity provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

German type designer Klaus-Dieter Lettau created this display FontFont in 1995. The family contains 2 weights and is ideally suited for music and nightlife. FF Voodoo provides advanced typographical support with features such as ligatures. It comes with proportional oldstyle and proportional lining figures.

Nino Script is a decorative tattoo typeface. It has a wild style and ornamental letters that gives a customized appearance to every word. The font is provided as OTF and TTF and supports hundreds of languages.. Use underscore to create a swash. Example: Wild_

Variations on a theme by Nicholas J. Werner for St. Louis' Inland Type Foundry provided the pattern for this happy family, released in 1895 and 1899. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.

A Lufthansa Airlines baggage label from 1936 provided the inspiration for this genuinely German typeface, with strong Art Deco influences. Both versions include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets, as well as localization for Lithuanian, Moldovan and Romanian.

A poster for a Dutch stage revue from the nineteen-teens, designed by Willy Sluiter, provided the template for this warm, wavy and whimsical headline font. The Opentype version of this font supports Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.

A large x-height, open forms and colorful weight variations make Mensa an extremely legible body face particularly where space is at a premium. The three widths and six weights together with italics provide plenty of options for setting magazines, books and web pages.

German type designer Critzla created this display FontFont in 1997. The family has 11 weights, and is ideally suited for music and nightlife. FF Chemo provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional oldstyle figures.

Sign and Design JNL is a casual brush alphabet modeled after an Alf R. Becker design that appeared in Signs of the Times Magazine. Thanks to Tod Swormstedt of ST Media and the American Sign Museum for providing the reference material to make this font.

When Ray Larabie donated some font work files to the Stella Roberts font project, he suggested that whenever possible the design get reworked to reflect some update and change. Jeff Levine overhauled the original design and made numerous changes to end up with Seminar SRF and its oblique version. A friendly, clean sanserif with a nod to the classic Optima, this text face can easily fit into word copy or hold its own in headlines. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

“More is better” may have been the motto of Richard Austin of Austin and Son’s Imperial Letter-Foundry on Worship Street at Finsbury Square in London when he designed and cut his Antique typeface. The year it was created is uncertain, but it is known to have appeared in a specimen book produced in 1827. At first glance, the upper case letters of Austin Antique look very much like Figgins Antique. But, upon examination, one will note that the Austin face is much darker. In general, the letters designed and cut by Richard Austin have fatter strokes, larger serifs and smaller counters -- more metal and less daylight. The premise was that the darker the letter, the more attention an ad using the typeface would receive. In old pictures of London and Paris one may see walls crowded with posters and “bills” -- competing for the attention of the passerby. Morris and Updike aside, the early nineteenth century marked the beginning of a commercial as well as industrial revolution. Patterns of commerce were changing. With new methods of marketing came the need for new typefaces to support the new methods. Foundries found the display types were very profitable and competed most energetically and creatively for the trade. There was a lot of trial-and-error. Some ideas faded away. Others, like the Antiques or Egyptians, were refined and developed. From them came the Clarendons that were to prove both popular and long lasting -- because they worked. Their job was to sell goods, not please the aesthetic sensibilities of the critics. They did their job well. Austin Antique has a full Western European character set, plus the following ligatures: ct, st, fi, fl, ff, ffi and ffl. Tabular numbers. Surprisingly readable.

Conrad X. 'Cobb' Shinn (Sept. 4, 1887- Jan. 28, 1951) was a Fillmore, Indiana-born post card illustrator who sold a series of successful novelty postcard lines which included (among others) Charlie Chaplin, automobiles and the Dutch culture in the beginning years of the 20th Century. After serving in World War I, Shinn found the market for novelty postcards dwindling, and he also lent his artistic skills to cartoon features and illustrating many children's books [including his own, under the nickname 'Uncle Cobb'] which taught easy step-by-step drawing methods. Some time in the 1920s, he eventually migrated into the field of supplying electrotypes and stereotypes of 'stock cuts' of photos and line art to the printing trade. In the days of letterpress printing, this was the forerunner of paper clip art and its successor, electronic clip art. Purchasing many of his designs from 'journeyman' artists of the time, the diversity of Cobb Shinn's stock cuts library grew with the passing years, reflecting changing times, styles and topics. Some of the illustrators whose signed works were presented in Shinn's 'CUTalogs' [as he called his stock cuts catalogs] include Mary Clemmitt, Louis H. Hippe, E.C. Klinge, Nelson White, Harvey Fuller, Bess Livings, Lois Head, Harvey Peake and Van Tuyl. Upon his passing in 1951, it's not known how long the Indianapolis-based company existed before finally closing its doors. One of the more popular series of cartoons were the line illustrations of men and women affectionately called 'little big head guys' by many modern fans of these cuts because the heads of the characters were drawn somewhat larger than the rest of their bodies. Shinn Kickers JNL is a collection twenty-six of these illustrations, and just like a kick in the shin (as the pun in the name implies), these charming cartoons get your attention.

Skramp is my funky comic text font, looks good with massive text or just a headline here and there. You will need to use OpenType supporting applications to use the autoligatures

A bunch of OpenType features to blacking out of texts. The font does not contain glyphs. Only black blocks that replace your text with OpenType features. Watch demo: https://youtu.be/qUQgUV0PIT0