A laid back tag font. Suitable for text, headlines and yell outs!

Contemporary modern yet rough font family, for text as well as headlines.

Modern text font based on a Hansen Type Foundry font (circa 1872).

A rough blocky text of uneven thickness for use in general purposes.

I used to be an exchange student in Canada. I noticed my handwriting was quite different from the handwriting of people who are from countries where the roman alphabet is used. So, I thought why not make a font based on my natural handwriting. This font can be used whenever a cute and different style like mine is needed. "Exchange Student" is extended, containing the full West European diacritics & a full set of ligatures, making it suitable for multilingual environments & publications. Enjoy!

Inspired from fragments peeled from the helmet of retired stunt-man Andras Balaset, font designer Allen Mercer of Alive fonts has created an alphabet ready to give you the best performance in a variety of conditions. Andras Bold has a more noticeable casual flare with uniquely angled strokes while Andras Slim is a more polished and rigid contender. Whether hand painted on rockets, race cars or pleather jackets, Andras has been highly refined to maintain readability even while traveling at high speeds.

Fruity Mellow Sun is a lovely script font featuring charming, playful characters that seem to dance along the baseline. Add this font to your most creative ideas, and notice how it makes them stand out!. This script font is supporting Multi-Languages, which include: Afrikaans Albanian Catalan Danish Dutch English Estonian Finnish French German Italian Norwegian Portuguese Spanish Swedish Zulu. So what's included: Basic Latin A-Z & a-z. Numbers, symbols, punctuations and ligatures. Multilingual Support. Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß Thank You.

Pax is clearly a didone, using Vox classification. The contrast between the thin lines and the thicker ones is noticeable, as you would expect from a didone. The basic form is relatively narrow, therefore I designed another Pax, slightly wider and darker, and called it Pax #2. Otherwise they are more or less identical. Pax is Latin for peace, on everyone's want list in 1995 - as well as every single year before and after that. Pax was released in 1995.

The font was developed as a part of a corporate identity project for a pillow shop on the base of existing logo. It’s an attempt to reflect the space of a dream -- virtual reality where objects don’t have solid shapes, but present just hardly noticed disappearing contours. This idea determines the design of letters that resemble illustrations rather then alphabetical symbols and are based on ultra thin stems. The font was designed by Elena Kolesnikova and released by ParaType in 2009.

SK Sofuto is a bold display typeface inspired by graffiti culture. Striking and unusual forms of the font distinguish it and do not allow you to forget about it. SK Sofuto is a typeface that cannot be unnoticed. It is bright, wicked, and screaming. The typeface supports multilingualism, namely Latin, both classical and extended, as well as Cyrillic! The SK Sofuto typeface will make your work noticeable and will fit perfectly in both poster and printing design, as well as in web design.

The flashy font is a fun, cool, and retro style. Come with a fun alt glyph, it can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out! This font is perfect for headings, flyers, greeting cards, product packaging, book cover, printed quotes, logotype, apparel design, album covers. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Pax is clearly a didone, using Vox classification. The contrast between the thin lines and the thicker ones is noticeable, as you would expect from a didone. The basic form is relatively narrow, therefore I designed another Pax, slightly wider and darker, and called it Pax #2. Otherwise they are more or less identical. Pax is Latin for peace, on everyone's want list in 1995 - as well as every single year before and after that. Pax was released in 1995.

Hollow Mummy is a bold and authentic display font. Add this font to your creative and spooky ideas and notice how it will make them stand out! Hollow Mummy is perfect for branding, logo, invitation, stationery, social media post, product packaging, merchandise, blog design, game titles, cute style design, Book/Cover Title and more. What's Included : - hollow mummy (.otf) - hollow mummy display (.otf) - Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, Estonian, Finnish, French, German, Icelandic, Italian, Norwegian, Portugese, Spanisch, Swedish, Zulu)

Broken letters or Gothic letters, also known as German letters, are the typeface used in Europe West from the 12th century to the 17th century. Meanwhile, Danish spoke it until 1875 and German, Estonian and Latvian spoke it well into the 20th century. Fracture is one of the broken typefaces that is often considered to represent the entire broken typeface. Broken letters are sometimes also called Old English, but not in the Old English or Anglo-Saxon sense that was born centuries earlier. This group of letters is so named because it contains Latin letters that have breaks in the curvature of the letters, either in part or in whole designs. The fracture arises from a sudden dip when writing certain parts of the letter. In contrast, letters with perfect, unbroken curves, such as Antikua, are created from smooth, flowing writing movements. Callimathy is a font inspired by the Blackletter typeface, made with a modern impression but still looks strong and unique. In addition, Young Best font is also supported with multilingual characters that can be used in several international languages. Callimathy font is very suitable for use in making music album cover designs, tattoo logos, wishkey labels, packaging pomades and so on which are made with dark and strong concepts.

»XPress-Rounded« is my new addition to »XPress«, my Sans-Serif that impresses – especially in small sizes – with its outstanding readability. »XPress-Rounded« looks very different, almost like a completely new font. But the rounded version has the same seven precisely calibrated weights from »Thin« to »Heavy« and its corresponding italics make this font-family universally usable. The »XPress« fonts got their bearings from the fabulous American »Gothic« fonts of the twenties of last century. Modern, present day elements, high lowercase letters and infinitesimal elegant slight curves in start- and end strokes make the font family not only great for body copy, but also very useful in advertising. Enjoy! »XPress-Rounded« ist meine neue Erweiterung zur »XPress« Familie, die durch aussergewöhnliche Lesbarkeit auffällt. »XPress-Rounded« sieht jedoch vollkommen anders aus als sein älterer Bruder. »XPress-Rounded« hat jedoch die selben sieben präzise aufeinander abgestimmten Schnitte von »Thin« bis »Heavy« und die dazu passenden Kursiven. Das macht die Schriftfamilie vielseitig einsatzfähig. Die »XPress« Schriften basieren auf der Formensprache der grossen amerikanischen Groteskschriften der zwanziger Jahre des letzten Jahrhunderts. Durch moderne Formelemente, große Mittellängen und unendlich leichte, elegante An- und Abstriche ist die Schrift jedoch nicht nur als Textschrift, sondern auch im gesamten Bereich der Werbung vielseitig einsetzbar. Viel Erfolg!

Download PDF Specimen Created as a display typeface in 2012 by Cosimo Lorenzo Pancini, Cocogoose is one of Zetafonts most loved typefaces. A sans serif typeface of geometric proportions, with very low contrast and slightly rounded corners, it was the first typeface to be produced in the Coco series, an ongoing research on the design variation in gothic typefaces through the ages. Cocogoose extreme x-height and ultrabold weight (with regular being comparable to heavy weights of other typefaces), have since then made it very popular for effective display and logo use, also thanks to decorative versions like Cocogoose Letterpress. Since 2016, Andrea Tartarelli has been improving the typeface expanding the original glyph set to include cyrillic and greek and adding extra weights, widths, and italics to the original family range, and bringing Cocogoose to an impressive count of 52 variants. In 2019, Francesco Canovaro has teamed with Andrea Tartarelli and Cosimo Lorenzo Pancini to create a new variant subfamily: Cocogoose Classic, featuring 8 weights and matching italics. Cocogoose Classic keeps the original design for uppercase characters while developing a new design for lowercase, with a smaller x-height, round dots and expanded open-type features, including positional numerals, alternate forms, and extended ligatures and bringing the glyph count to over 1000 characters.

Introducing Domyouji, the typeface that seamlessly blends the industrial style of the 1970s with today’s sleek design ethos, all with a hint of Handel Gothic. Domyouji was purposefully created as the ideal high-tech body text companion for Korataki, combining soft curves and strong corners to give your message an undeniable sense of precision and technological accuracy. Each of Domyouji’s four distinct styles, including Regular, Italic, Dirty, and Spraypaint, offer a unique look and feel to suit your specific design needs. Whether you’re looking for a more refined and polished appearance or a bold and edgy statement, Domyouji has got you covered. With its dynamic and futuristic aesthetic, Domyouji is the perfect typeface to elevate any technological or industrial themed project, from sleek product packaging to cutting-edge advertising campaigns. So, if you’re looking to convey a message of innovation and sophistication, choose Domyouji, and let its modern yet timeless style speak for itself. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Type designers have been integrating the design of sans serifs with serifed forms since the 1920s. Early examples are Edward Johnston's design for the London Underground, and Eric Gill's Gill Sans. These were followed by Jan van Krimpen's Romulus Sans, Frederic Goudy's ITC Goudy Sans, Hermann Zapf's Optima, Hans Meier's Syntax and Adrian Frutiger's Frutiger. Now, ITC Stone Humanist joins this tradition. It is a careful blend of traditional sans serif shapes and classical serifed letterforms. ITC Stone Humanist grew out an experiment with the medium weight of ITC Stone Sans, a design that already showed a relationship to these sans serif-serif hybrids. ITC Stone Sans has proportions based on those of ITC Stone Serif, and its thick-and-thin stroke contrast suggests the bloodline of humanistic sans serif typefaces. But other aspects of ITC Stone Sans are more closely aligned to the gothics and grotesques, a tradition that accounts for the largest portion of sans serif designs. Enter ITC Stone Humanist. During his experiments with the earlier design, Sumner Stone recalls, I was actually quite surprised at how seemingly subtle changes transformed the face," moving the design firmly into the humanist tradition. "The form of the 'g,' 'l,' 'M,' 'W,' and more subtly the 'a' and 'e' are part of the restructuring of the family," he explains. The top endings of vertical lower case strokes have been cropped on an angle, as have the ascender and descender stroke endings. ITC Stone Humanist is a full-fledged member of the ITC Stone family. It has been produced with the same complement of weights, and the x-heights, proportions, and underlying character shapes are completely compatible with the three original designs. The original ITC Stone Sans is a popular typeface, in part because of its notable versatility. ITC Stone Humanist shares this virtue, and can be used successfully at very small sizes, in long passages of text copy, and even as billboard-sized display type."

Hamptons BF is a beautiful, elegant sans serif with dramatic individuality. A font that steps out in Art Deco style. As a design movement Art Deco came into prominence during the 1920s and 30s when forms were typically sleek, symmetrical, geometric or highly stylized. Today the influence of this enduring style can be clearly seen in architecture, industrial design, fashion, art, graphic design, and yes, even type design. Art Deco style exemplifies luxury, glamour and modernity. I believe Hamptons BF captures something of that retro look in a nod to the past without ever looking dated, all the while retaining a contemporary flair. Named after the well-known New York resorts synonymous with style and elegance, this gothic or sans serif type is based upon University Roman, an early 1970s serif design which in turn was influenced by yet another serif design called Forum Flair (late 1960s); and that in turn owes its pedigree to the late 1930s’ Stunt Roman, which is the original source of inspiration for all of these. Quite a family tree! There’s dynamic interplay between certain wide, full-round letters such as C, D, G, O, P, Q, R, S and narrow ones like A, E, F, H, K, L, M, N, U, etc. This contrast repeats throughout certain lower case letters and serves to create a unique look of distinction. Light and Regular weights communicate a romantic, feminine appeal while the Bold offers a complementary emphasis. The font is somewhat versatile as in addition to its primary purpose for display, Hamptons BF also succeeds in settings containing short blocks of large text. It’s right at home in a variety of typographic environments: branding, packaging, signage logos, magazine headlines, invitations, menus, trendy cafes and more. Among the included OpenType features are Stylistic Alternates, Automatic Ligatures and Fractions. There is extended language support for Western, Central and Eastern Europe and Turkish.

The “Moorish arch” treatment of certain letters on a 2001 book on Dutch design, executed by René Knip, provided the inspiration for this exotic unicase typeface. The font also includes arabesque designs in the brace, florin and section mark positions. Both versions of the font include 1252 Latin and 1250 CE (with localization for Romanian and Moldovan) character sets.

Melancholy is designed to be a rough and blotchy typeface that replicates ink from a typewriter. The letters themselves are meant to be imperfect with a nice flow. The typeface can act as a more natural sans-serif, and provide relief from reading normal perfect sans-serif typefaces. Melancholy comes in three different styles; regular, delusional and glitch.

Khayla Almira is a clean and elegant sans serif font, this font also provides ligature and alternate letters, this font itself has 6 families, namely regular, line, bold, regular italic, line italic and bold italic. for use as logos, display designs, and also for other purposes, make sure you have this font collection on your device.

An uncredited typeface discovered within the pages of Alphabete: Ein Schriftatlas von A bis Z named "Fat Cat" provided the pattern for this exercise in minimalist type design. Best used sparingly for inescapable, if somewhat cryptic, headlines. Both versions of this font include the complete Latin 1252 and CE 1250 character sets, with localization for Romanian and Moldovan.

Manito was designed by Garrett Boge in 1989. He employed a wide pen and angular, sturdy forms to simulate rough-hewn woodcut letters. The font, consisting of both capitals and small caps, provides an ideal graphic complement to collateral of a natural or environmental character. It is named after a native American word for 'Great Spirit'.

Dutch type designer Max Kisman created this display FontFont in 1991. The family contains 3 weights and is ideally suited for festive occasions, film and tv, music and nightlife as well as poster and billboards. FF Fudoni provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.

Created for captions and similar serif situations where small type is required, Freight Micro is amazingly illustrative for large type too. This half-wedge, half-slab design provides the firmest of foundations to build your design on. The abruptness of the sharply carved italics take emphasis to a higher form. Freight Micro is an exercise in whispering very loudly.

British type designer Neville Brody created this display FontFont in 1993. The family contains 3 weights and is ideally suited for advertising and packaging, film and tv, poster and billboards, software and gaming as well as sports. FF Dome provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.

A 1930s luggage tag from an eponymous hotel provided the inspiration for this face. The uppercase letters lean to the left and the lowercase letters lean to the right, so aLtErNaTiNg the two will give your headlines a little bounce. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Shaunte is eye-catching display bold typeface that comes in four styles: normal, inktraps, rounded, inktraps rounded. a display sans-serif with an inverted or reverse contrast. Its imperfections keep it casual while still providing legibility. Shaunte is a powerful option at large sizes for use on headings, posters, billboards, magazines, advertisements, from casual to hipster. etc.

Planca is a sans serif typeface with medium contrast and distorted rhythm of the line. Spaced and mastered for optimal readability. All lines are of equal thickness. Its morphology is based on the study of traditional writing with a wide tip stick. It comes in 4 different weights (Light, Regular, Bold and Black) and provide multilingual support.

Vanage is is an elegant high contrast contemporary sans-serif stencil typeface provides advanced typographical support with features such as ligatures and alternate characters. It is rooted in the style of a classic high contest typeface, excluding the typical serifs and ball terminals. Vanage is made for display use, Available in 5 weights and their Italics.

Wood Sans Narrow JNL is based on examples of an extra condensed Hamilton Wood Type. The design was cleaned up a bit to provide more uniform stroke widths, but still retains the nostalgic feel of a tall, narrow type face found on broadsides and posters of the late 1800s. It is available in both regular and oblique versions.

Canadian type designer Bruce Alcock created this script FontFont between 1993 and 2011. The family contains 4 weights and is ideally suited for advertising and packaging, festive occasions as well as film and tv. FF Soupbone provides advanced typographical support with features such as ligatures, case-sensitive forms, and stylistic alternates. It comes with proportional lining figures.

Austrian type designer Markus Hanzer created this display FontFont in 1994. The family has 6 weights, ranging from Light to Black (including italics) and is ideally suited for editorial and publishing and poster and billboards. FF Irregular provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.

'HU Malrang' is a font that gives a round and soft feel to its tightly packed modules. This font has a variable function, allowing users to fine-tune the thickness they want. (Available only in Adobe programs.) Six basic weights are provided so that they can be used even in programs that do not apply the variable function.

German type designer Fabian Rottke created this display FontFont in 1995. The family contains 2 weights: Regular and Heavy and is ideally suited for film and tv, music and nightlife, poster and billboards as well as software and gaming. FF Dirtyfax provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

Mechanized JNL is a solid interpretation of Jeff Levine's stencil font Trencher JNL. Both fonts were based on a photo of hand-cut stencils found on a 1940's trenching machine in the collection of the Marine Corps Mechanized Museum at Camp Pendleton, California. Thanks to restoration volunteer Brian Platzer for providing the images of those stencils.

British type designer Phil Baines created this display FontFont in 1995. The font is ideally suited for festive occasions, editorial and publishing, logo, branding and creative industries as well as poster and billboards. FF You Can Read Me provides advanced typographical support with features such as ligatures and alternate characters. It comes with tabular oldstyle figures.

The set of vintage brass alphabet stencils that inspired Stencil Mark JNL was manufactured by the Chicago Firm of Meyer and Wenthe. Pete Skoglund of Unadilla, NY was selling a set of these stencils on Ebay, and was nice enough to provide Jeff Levine some images to use as models for the design of this typeface.