Lemonilla | Quirky Display Font Lemonilla a bold, quirky display font with a fun, trendy street style vibe. From posters designs to t-shirts and packaging, Lemonilla will give your designs that alternative minimal look and make your creative work look supercharged. Lemonilla was hand-drawn, making its outlines somewhat irregular and quirky. It has an almost hand-lettered look; the characters jump around the baseline giving it a charming but urban look and feel. The modern bold sans serif typeface has a host of alternatives and ligatures included. Combine its bold shapes to give your work a more unique, hipster attitude. Easily create professional cool type lockups that look like hand lettering.

Introducing, Sertona, a trendy bold font with italic alternates! Sertona is a modern and trendy font based sans that have unique looks. This font contains uppercase and lowercase that have different form. You can use the lowercase and uppercase in the same word that will make your text more stand out! And the best of this font is the italic version as the alternates which mean you can combine it all without worrying about the kerning! You can use this font for the magazine, poster, and suitable for headline. This font also support multi language. What you will get: All Caps Font with different uppercase and lowercase Italic version as the alternates. Well Kerned.

Sheet music for the song “The Little Thing You Used to Do” (from the 1935 motion picture “Go into your Dance” starring Al Jolson and Ruby Keeler) had its title set in what closely resembled Bank Gothic Condensed. [Bank Gothic was originally designed by Morris Fuller Benton for American Type Founders circa 1930.] This reinterpreted version is now known as Stenographer JNL, and is available in both regular and oblique versions.

Ben Kidoz is a sweet and friendly display font, created with an incredible playful touch, with Regular, Bold, Italic and hollow feel. Add this font to your favorite creative ideas and notice how it makes them come alive!

Last year I went to visit a friend in Tuscany. One day he took me to meet his neighbor, a nice old man; Mr. Giulio. After giving us a tour of his small vineyard, he insisted us to try his production: a delicious Vernaccia! When his wife left the bottle containing the gold liquid on the table, I fell in love with the label: it was handwritten by herself, as if to highlight the "homemade" feature. As a tribute to this beautiful and hardworking couple, I asked permission to be inspired to make a typeface ... and here goes! The family Font Vernaccia... Vernaccia is a type family of four fonts: Regular, Bold, Condensed and Condensed Italic. Is a modern and casual calligraphy family font.
As an exclusively Open Type release, with 759 glyphs and 45 ornaments, it has several special alternatives for all letters with lots of possibility and an infinity of combinations. Most of the ornaments can be used alone, but really were especially designed to combine with the different glyphs. There are plenty of options to allow you to create something unique and special: standard and discretionary ligatures, several swashes and stylistics alternates for each letter, catchwords, tails that can be added to the beginning or end of each letter, ornaments, and much more. These lovely fonts have already an extended character set to support Western European languages. Vernaccia was made to make your project more beautiful and attractive! Have fun with it!

The Masqualero™ family is a versatile solution for a deep and broad range of applications. In large sizes, the heavier designs are dark and handsome, while the lighter weights are charming and friendly in text copy. Thanks to its many variations and distinctive demeanor, both print and interactive designers will find that Masqualero expands their creative options, while setting the perfect tone to catch and hold readers’ attention. It’s About the Design Like the legendary jazz song of the same name, Masqualero is haunting and sophisticated. Drawn as a tribute to Miles Davis, its letterforms are as beautiful as his “Masqualero” composition. “I approached drawing the letters as if they were marble sculptures,” Says Jim Ford about his typeface. “Many sharp, black, modern sculptures filling a large park. All of them created with the same qualities – the flair of Miles' electric funk and rock sounds, the sparkly smooth finish and serifs like trumpet bells, the sweet lyricism and the tone and clarity of Miles’ horn.” What’s Available With six weights and italics, in addition to Stencil and Groove display designs, Masqualero is available as a suite of OpenType Pro fonts, providing for the automatic insertion of small caps, ligatures and alternate characters. Pro fonts also offer an extended character set supporting most Central European and many Eastern European languages. Thoughts About Use A book or album cover set in the Masqualero design sends a message: what’s inside is of value. Like jazz, the Masqualero typeface takes ordinary basic concepts and slips them into something special. Readers take notice and immediately recognize that what they’re viewing is a cut above – and radiates quality. “I see Masqualero as a luxurious typeface for exquisite typography,” says Ford. “I wouldn’t use it to sell toys or hot dogs. Masqualero sells diamonds, boats, real estate and champagne.” Perfect Pairings Antique Olive™ Neue Kabel® Neue Frutiger® Quire Sans™ Trade Gothic®

The Centaurea typeface family is based on a didone with curved serifs. The Original style is legible and adapted to small sizes. The Sketch, Outline and Plain styles allow originality and creativity. Twenty stylistic sets allow the mixture of styles while keeping kerning steady. Overlapping allows the creation of unusual and original effects.

Usually, the condensed version of a face comes after the regular design. Not with gogo squat. After gogo big, I thought how strong a regular version would be. A nice clean gutsy face. A "today" Franklin Gothic Extra Bold. I find it ideal for contemporary headlines as well as for logo solutions. As with gogo big, in my terms and conditions, I permit the modification of up to ten of the letter forms for logos and monograms, but logos and monograms only, not the typeface in normal usage.

Goudy Sans Bold was originally designed by Fredric Goudy in 1922 as a less formal "gothic" and finished in 1929. The light was designed in 1930 and the Light Italic in 1931. Alternate letterforms are included in these three Goudy designs which are digitized true to their original design. In 2006, designer Colin Kahn drew "LTC Goudy Sans Regular" which is a medium weight version intended for text purposes. Kahn has also designed an experimental "LTC Goudy Sans Hairline" which has a skeletal almost mono-width stroke and results in a surprisingly elegant display face.

Dekomia is a modern blackletter font that combines the traditional style of Gothic calligraphy with contemporary design elements. Its bold and sharp letterforms give it a strong and edgy appearance, making it perfect for branding, headlines, logos, and more. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the Open Type feature and the Glyphs panel such as Adobe applications or Corel Draw, so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Caslon Antique is a decorative American typeface that was designed in 1894 by Berne Nadall. It was originally called "Fifteenth Century", but was renamed "Caslon Antique" by Nadall's foundry, Barnhart Bros. & Spindler, in the mid-1920s. The design of the typeface is meant to evoke the Colonial era. Early printers would reuse metal type over and over again, and the faces would become chipped and damaged from use. Caslon Antique emulates this look. Despite the name, it is not a member of the Caslon family of typefaces. The renaming is believed to have been a marketing maneuver to boost the popularity of a previously unpopular typeface by associating it with the highly popular Caslon types. Caslon Antique is popular today when a "old-fashioned" or "gothic" look is desired. It is used by the musical group The Sisters of Mercy on their albums, for the logo of the musical Les Misérables, and for the covers of the books in A Series of Unfortunate Events. It is also frequently used on historical displays. It was used for the previous edition of the Warhammer Fantasy Role-Play. Most recently, it has been used on promotional material for the smash musical Monty Python's Spamalot on Broadway, the West End, and its tour of the United States. British 80's band The The also used the font in several of their music videos, usually displaying several lyrics from the song in the opening scenes. It used on the cover of Regina Spektor's album, Begin to Hope. This description was sourced (in part) from Wikipedia, the free encyclopedia.

The Le Havre series is a series of geometric sans serifs inspired by the dignified era of the passenger ship, when getting to your destination was a delight in and of itself. Le Havre Rounded is a fun and new interpretation of geometric sans serifs. Le Havre Rounded features its sister family's compressed capitals, low x-height and geometric construction, and its rounded forms lend it to be used in contemporary and technology settings. Le Havre OpenType features include twenty five alternate characters, ligatures and old style figures. The Le Havre family includes a spectrum of weights for many design options.

Condensed Gothic. Great for tight-fitting headlines and other condensed titling situations such as headlines, ads, invitations, captions, packaging, bulletins, posters, and greeting cards.

handloween was inspired from gothic, scary, protest, and horror nuance. Features: Uppercase, Lowercase Punctuation & Number, Support in Mac and Windows OS Multilingual Support ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÐÑÒÓÔÕÖØÙÚÛÜÝ

An inline gothic display font based in mid-twentieth century showcard and signpainting styles. All caps with some alternates in lower case keyboard positions.

Condensed Gothic. Great for tight-fitting headlines and other condensed titling situations such as headlines, ads, invitations, captions, packaging, bulletins, posters, and greeting cards.

Condensed Gothic, great for tight-fitting headlines and other condensed titling situations. Applications include Headlines, ads, invitations, captions, packaging, bulletins, posters, and greeting cards.

Condensed Gothic. Great for tight-fitting headlines and other condensed titling situations such as headlines, ads, invitations, captions, packaging, bulletins, posters, and greeting cards.

Condensed Gothic, great for tight-fitting headlines and other condensed titling situations. Applications include Headlines, ads, invitations, captions, packaging, bulletins, posters, and greeting cards.

A wide and thin hand lettered Art Deco design from the vintage French lettering book "L'Art du Tracé Rationnel de la Lettre" was the inspiration for French Deco JNL; available in both regular and oblique versions.

Dolphus-Mieg Monograms is a collection of monograms from a rare cross-stitch booklet from the first year of the 20th Century. This new Monograms series was entirely designed by hand, without use of auto-tracing.

Say hello to the Editor's Note Family, an editorial serif display that includes 16 fonts, regular and italic, from Hairline weight to Bold, and still has all the clean lines, tight curves, and trendy minimalist vibes! I've been loving the clean, editorial type trend happening in design right now (let's be real, there's always a place for timeless editorial type). Editor's Note is a stunningly crisp upper and lowercase typeface that looks incredible in both large settings as a display text (think big headers, pretty quotes, calls to action, etc.). I've been loving combining the regular and italic, especially in big, bold quotes.

Cinzeled Victorian Alphabets is a bold and imposing display font. Add it to your creative ideas and notice how it makes them stand out! Letters crafted to obtain the cinzeled style from the press works from XVIII and XIX centurys.

About the Product Blade is a bold and authentic display font. It celebrates abstract shapes in all their eclectic brilliance. Add this font to any racing or speed related design idea and notice how it will make them stand out!

Tuscan X Condensed (whose actual name is Gothic Concave Tuscan Extra Condensed) was first produced in wood type by William H. Page & Company around 1872. The design is derived from a Gothic Condensed typeface, but with vertical stokes bowing inwards at the center. We modified the weight of the uppercase characters (since the original wood type has a lowercase much thinner than the caps) to harmonize with the lowercase when used digitally.

Every design project needs fonts, and the WUSHIN Blackletter font is ideal for any that calls for a gothic touch. A great place to look for fonts for your most recent logo, label, badge, music video, or film is the WUSHIN Blackletter font! This font is ideal for any project that requires a bit of gothic flair. Its various lovely and harmonious shapes let you select the perfect word for your project.

Moderna Sans, a modern sans-serif inspired by the American culture, is a clean and contemporary interpretation of American Gothic typefaces like "Alternate Gothic". Moderna Sans comes in 5 weights, with matching italics, and 3 widths—condensed, standard and extended. The font's character set supports over 200 Latin-based languages. Moderna Sans is an excellent choice for branding and corporate design and a versatile 3-width workhorse suitable for newspaper or magazine headlines and subheadings.

Now here's a font that is named Like Butterflies, but has got nothing to do with butterflies! What? Why? Well, I recently heard the song "Even flow" by Pearl Jam and took a trip down memory lane - back to my early twenties. I remember how the lyrics affected me, and had an impact on how my life changed the years to follow. Maybe the style of the font does not reflect the inner meaning of the song, but it does reflect a look back in time for me - and the change that took place. Nevertheless, I hope you enjoy the somewhat simple, handmade style of Like Butterflies and the 4 versions that works very well together! Please notice that each letter has got 5 slightly different versions to choose from!

RHESON is the ideal font for any project that requires a small amount of gothic flair. Its various lovely and harmonious shapes let you select the perfect word for your project. The best part is that this font is of a high caliber, so you can be sure that your logo, label, badge, the newest music or movie videos, old-fashioned posters, and other items will all look their best.

In the MacKellar, Smiths & Jordan type specimen book of 1892 are examples of Lining Gothic Extended, a wide sans serif typeface. A lining font has the numerals aligned with the capital letter height, rather than following the “Old Style” method of smaller figures that could also descend below the baseline. Order Form JNL is the digital version of this design, and is available in both regular and oblique versions.

Tisk is a superb blackletter font. The Blackletter typeface (also sometimes referred to as Gothic, Fraktur or Old English) was used in the Guthenburg Bible, one of the first books printed in Europe. This style of typeface is recognizable by its dramatic thin and thick strokes, and in some fonts, the elaborate swirls on the serifs. Use this font for any crafting project that requires a personalized look!

Introducing " Gyro Serif Display ", Gyro Serif Display is designed with a conical stem to create a unique style and easy to read. Which are all equipped with plenty of language support and open type features. Gyro Serif Display was made to function especially well at large sizes. Gyro Serif Display is a very versatile font, covering a wide variety of projects, from bold magazine imagery, to branding, poster design, and more.

Freeland is a casual brush typeface, with a rich, inky texture, and just a bit of a masculine, edgy vibe. It’s modern, bold, and lively, but not too whimsical. Features plenty of ligatures and stylistic alternates for a realistic, hand-lettered look. Uppercase letters can be used alone, as a cohesive group, or they can be paired with their lowercase cousins, for lettering that dances effortlessly across your design.

Originally given life as a wordmark for the Alt-Country band Woodshed Supply Company, the Whistleberry typeface evolved from a few simple letterforms inspired by early 20th Century signage, into a surprisingly functional typeface. With plenty of rustic charm, a robust glyph set, and a variety of alternate characters, Whistleberry will add flare and appeal to your work. Whistleberry comes in two weights; a modest Regular and a beefy Bold

Introducing, Unblock Typeface. A bold display typeface with strong character and soft features. It's bold, fun, and playful. It can make your design unique, modern, and stunning. Unblock is perfectly suited for Comic Posters, Childish headlines, Decorative letters, Notices, Logo Designs, Big funny Banners: creative and decorative Typography Web Design, and much more. Features : All Uppercase and Lowercase Number & Symbol Supported Languages PUA Encoded

Designed for ParaType in 2004 by Vladimir Pavlikov. It is a new version of popular type Quadrat Grotesk by the same author. Letters of the new version in contradistinction to the old one are clean and have no traces of exploitation. Quardat Grotesk New due to its rectangular proportions is extremely readable in small sizes and can be successfully used in Web pages and in documents with long lists where critical aspect is a number of lines rather then length of a line.