Wind Soul is a whimsical display font that floats into the visual realm with an airy charm. Crafted in uppercases and playful design elements, Wind Soul is a delightful typeface that brings a sense of lightness and joy to any creative project. This is ALL CAPS font. The characters in Wind Soul are generously sized, enhancing the font's playful and larger-than-life aesthetic. The thick font weight adds a comforting solidity, while the design, reminiscent of a balloon's roundness, infuses a sense of fun and lightheartedness into each letter. Enjoy the features here. Features: Alternates Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Wind Soul fits in headlines, logos, posters, flyers, branding materials, greeting cards, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Picture yourself on a New York subway station platform with the location name set into the tiles on the wall. Borough Hall JNL evokes the feeling of urban industrialism at its best.

Firefly was designed by Miranda Hopper during her time in Patrick Griffin's type design class of 2010 at Humber. It is a light, narrow alphabet that works well in casual, leisurely design.

Based on some examples of a Clarendon-inspired wood type design, Clarenwood JNL is a bold and effective titling font which harkens back to old times and advertising on a grander scale.

Rolling Bold is a modern script font designed to make your designs look more attractive. It will be very easy to use and will save you time in designing. Rolling Bold also has many opentype features such as ligatures, and alternates. It will be very suitable for use as logos, posters, packaging, merchandise, social media & greeting cards.

LORCAN MIST is a powerful super modern editorial unicase font with vintage vibes, designed with love and care for amazing projects. It's great for social media, headlines, large-format print, editorial, branding, posters, fashion designs and websites — it's designed not to take too much attention but at the same time be a powerful accent. It's mysterious, elegant and sexy.

Inters is a very strict and rhythmic font, but at the same time very sensual and emotional. Inters — a real typeface for the dreamers. It is very well suited for each design. You can use Inters font for a flower shop or a postcards. But it is also perfect for decoration about the future, interiors or kids products.

marisa is a beautiful and flowing handwritten font with beginning and ending swash. It looks beautiful on a variety of designs requiring a personalized style, such as wedding invitations, thank you cards, weddings, greeting cards, logos and so on. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! marisa a new fresh & modern script with a handmade calligraphy style, decorative characters and a dancing swash ! So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more!! The alternative characters were divided into several Open Type features such as Stylistic Sets. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. You can mix and match with Opentype feature: More than 272 of glyphs Stylistic sets from ss01 to ss02 Multilingual Language The ZIP file are include the following : marisa font files If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Versions, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows). Check my other Font here : https://gilarstudio.com/ Thanks and happy designing :-)

Morning Paper JNL is part of a small series of fonts re-drawn from screen captures of original vintage newspaper headlines. The typefaces are classic wood and metal faces that were popular in all forms of print of the time. This sans is a companion to Final Edition JNL and Evening Paper JNL.

Ride my bike Serif is a new version of successful handmade typeface Ride My Bike designed by Coto Mendoza. Inspired by street style and the new culture that moves pedaling around the city. Perfect for use in headlines, brands and fashion photography compose alternative, thanks to its leading characters, terminals, alternate characters and ligatures that you can find in the Pro version. This time with serif. The ‘Ornaments’ font in this family has 121 dingbats, very fun to compliment and accentuate the handmade design. If you do not want to ride so fast, you can find a version without OpenType features - Essential. Come! Get on it and let’s go ride my bike! Photography by Nico Alari.

Placing pictograms as single vector images makes designing signage a time-consuming task. But with Wayfinding Sans Symbols and its built-in OpenType intelligence using pictograms becomes as easy as typing words. With Wayfinding Sans Symbols you don’t need to scroll through endless glyph palettes to look for one symbol among hundreds of symbols. Just active ligatures and type in the mnemonic codes like #wheelchair, #parking, #toilet and so on. An overview of these codes can be found in the type specimen PDF. Each pictogram is available in 4 different versions and you can easily assign an additional background color or turn the symbol into a prohibition sign. Wayfinding Sans Symbols has a full coverage of the Unicode range “Transport & Map symbols” and a lot of additional signs that are missing in the typical wayfinding symbol sets. Beside the pictograms, Wayfinding Sans Symbols also has a huge set of arrows for every possible situation and you can easily switch between the different sets using OpenType feature controls. The enclosed letters and figures make it easy to set transport line numbers, room & storey numbers and much more. Wayfinding Sans Symbols is the perfect addition to Ralf Herrmann’s signage typeface Wayfinding Sans Pro, but it can also be used with any other typeface.

Queenty is a fun monoline font that can be applied to many of your precious designs. It's really handwriting that's kept simple and has an elegant style that makes this font a lot of fun. Queenty has a unique additional swash to complement this font, and it's very easy to pop it just by pressing a+underscore.. You can use it for posters, titles, greeting cards, packaging, invitations and more. Included : - Multi-language - Unique Swash

Emjay is a whimsical hand drawn all caps serif font. It has 4 glyphs per letter - upper and lowercase as well as 2 more sets of glyphs - that make for a more unnatural handmade feel. Any user can interchange letters using caps and lowercase. With contextual alternates on, opentype programs will place different glyphs automatically. Also includes a number of ligatures for even more unique type setting. Great for use in posters, headlines, invitations, etc.

Big River is an elegant sans serif and handwritten font duo with lots of extras. It includes: - A wide sans serif font in three weights (with caps and small caps); - A handwritten font with a regular and slant version, and bonus swashes to give your designs a more natural look. Each font includes: - A-Z, a-z, 0-9, accents, punctuation and symbols - Contextual alternates (script) - Ligatures (script) This font duo makes it so easy to achieve beautiful and eye-catching designs, and is perfect for both short and longer texts. It can be used for making postcards and notes, creating logotypes, social media posts, branding and packaging, etc. Please note: No special software is needed in order to access the extras, as they are in a different font file. You can simply access them directly in your font bar (a-z for terminals in regular, A-Z for terminals in italic, and 0-1 for squiggles).

A very legible Renaissance Antiqua This typeface is based on the desire to create an Antiqua like those which might have existed at the beginning of the »printing age« — the basic form oriented on the classical Roman and early Middle Ages models, the ductus defined completely by writing with a wide pen and much individual expression in detail. In the spring of 2005 I had the opportunity to closely examine a few pages in the famous book »Hypnerotomachia Poliphili« from 1499. The script used here from Aldus Manutius is exemplary. Most of the book, however, is not very carefully printed. The characters do not stay on the line; the print is at times too strong and at times much too weak. And on these imperfect pages the true character of the letters is recognizable; that is, that they are cut with lively detail which is a result of the patterns provided by full-time writers. After all, around 1499 script was written as a rule and the printed type was oriented on this pattern. I prefer the typeface on the lightly printed pages. The characters are not placed neatly on the line, but the distinct and emerging lively ductus of the individual characters automatically presents harmonious word formations in the eye of the beholder, with the non-perfect line stepping into the background. Also in Charpentier Renaissance, the strokes of the wide pen are still noticeable. The font has very defined softly bent serifs. The forms are powerful and stand solidly on the baseline. Charpentier Renaissance is very legible and yields a solid and yet still lively line formation. The accompanying italic, like its historical models, has almost no inclination. The lower case characters of Charpentier Renaissance Oblique have such idiosyncratic figures that they can also form a font of their own. Please visit www.ingofonts.com

Some time ago I stumbled upon a little book called 'De Sprookjeshoorn' ('Horn of Fairy Tales') by Anton Eijkens (1920 - 2012). It was published in 1946 and contains several authentic and unique fairy tales - unfortunately unreadable to modern children, as the language used is out of date. What caught my eye was the handwritten font on the cover of the booklet. Closet Skeleton is a fairytale font inspired by the one I found on the cover of De Sprookjeshoorn. It comes with several curly alternates and some end-ligatures as well. I added an 'old fashioned' ampersand and a modern one, so you can choose which one to use. Apart from that, Closet Skeleton comes with a closet choc-a-block full of diacritics.

This family was inspired by the edition De Civitate Dei (by Sanctus Augustinus) printed in 1467 in Sobiano (Italy, Roma) by Konrad Sweynheym and Arnold Pannartz who was the Punchcutter. It is one of the first few “Roman style” fonts, just before the birth of Jenson’s pattern (look at 1470 Jenson Latin). The present font contains all of the specific latin abbreviations and ligatures used in the original (about 54). Added are the accented characters and a few others not in use in this early period of printing. Decorated letters such as 1512 Initials, 1550 Arabesques, 1565 Venetian, or 1584 Rinceau can be used with this family without anachronism. If Italic style is required (not yet existing in early time of printing), we recommend using 1557 Italique.

The Parliament typeface was designed by Jonathan Hoefler beginning in 1995. A burlesque typeface in the Regency Blackletter style, Parliament was inspired by the ‘Four-line Pica Black No. 1’ typeface of William Caslon Jr (1821), whose enigmatic design for the letters E, G, I, N, V and Y hinted at a broader ambition to modernize the arcane shapes of the gothic alphabet’s capital letters. Parliament completes this project for the first time by including two sets of alphabets, one archaic and one modern, along with a third set of ‘small caps’ that restores to the blackletter the versatility of Roman type. Parliament was first used for the 1998 ATypI Conference in Lyon, and was published by Hoefler&Co in 2022.

Brownhill Script is hand written fonts set . Very cool for logos, name tag, handwritten quotes, product packaging, merchandise, social media & greeting cards. And very easy to make design t-shirts and other products. Very save time in making the design of a product. It contains a full set of lower & uppercase letters, a large range of punctuation, numerals, and multilingual support. What's Include : Brownhill Script Brownhill Script Swash 3 sets of lowercase letter 2 sets of uppercase letter Bonus Swash Multilingual support To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. If you have any question please do not hesitate to contact me. Thank You!

Nono is the nickname of my oldest son, Konstantin. His little brother could not really speak yet, but he was always looking for him and said something to the tune of, "wea is a nono". From that time on I call Konstantin Nono. I designed a handwritten script with his real name, that i named Konstantin. Now I made this slick version of that script – hence – Nono! I made three basic sets of characters plus a smallcaps version. To top things off, I designed a set of endletters that I throw in for free. Everything can be mixed! I sell single cuts but the best deal would be the entire packet, it goes for a very fair price. Your generous typedesigner, Gert Wiescher

Introducing the new 2024 font "Coffee Shop"! This is a strict and at the same time playful serif font. It will look great on any of your designs - T-shirts, posters, promotional materials. Introducing the new font "Coffee Shop"! This is a strict and at the same time playful serif font. It will look great on any of your designs - T-shirts, posters, promotional materials. The font contains many additional characters, there is multilingual support, as well as styles with support for layers - Shadow FX and Scratch Shadow FX.

A 1930s print ad for Miller Tires featured lettering in a condensed slab serif design. This provided a design model for the digital typeface Automotive Service JNL, which is available in both regular and oblique versions.

NEW UPDATES MORE THAN 80 CHARACTER SWASH & CONTEXTUAL ALTERNATES Hi ... Introducing the latest styles Malisia Script with the kind of modern hand scratches, I hope you are interested in this font, if you want to use for your work this font can be used easily and simply because there are a lot of features in it to contain a complete set of letters lower and uppercase letters, assorted punctuation, numbers, and multilingual support. font also contains several ligatures and alternate style Stylistic Sets for those of you who have software that is able to work OpenType (Photoshop / Illustrator / InDesign). Malisia Script is suitable use for market design developed at this time, this font has a model Trendy, natural and gentle, with this font you can take advantage of the opportunity in every moment of one wonderful way to highlight the celebration of the feast of your best, because this font will be advocates for purposes such as wedding invitations, party, graduation, birthday, gathering, etc. This Font has given PUA unicode (specially coded fonts). if you have a problem? Contact me: genesislabstudio@gmail.com

Introducing the latest styles Allysa Daguise Script with the kind of modern calligraphy font, I hope you are interested in this font, if you want to use for your work this font can be used easily and simply because there are a lot of features in it to contain a complete set of letters lower and uppercase letters, assorted punctuation, numbers, and multilingual support. font also contains several ligatures and alternate style Stylistic Sets for those of you who have software that is able to work OpenType (Photoshop / Illustrator / InDesign). Allysa Daguise Script is suitable use for market design developed at this time, this font has a model Trendy, natural and gentle, with this font you can take advantage of the opportunity in every moment of one wonderful way to highlight the celebration of the feast of your best, because this font will be advocates for purposes such as wedding invitations, party, graduation, birthday, gathering, etc. If you need help or have questions, please let me know. I am happy to help :) Thank you & Congratulations on Designing! Thank you,

Introducing our new product "Drillos" Inspired by the shape of a balloon which has rounded curves so that the font looks elastic and feels soft. Which has a thick volume in each character of the letter. There are lots of script fonts that have character, but this time the font that I created this time is no less interesting and unique. The function of this font is very suitable for use as branding, posters, logos, packaging, labels and other design needs. So this font is one solution that is quite capable for the needs of designers to complete a project. Uppercase & Lowercase, Numeral, Punctuation, Miltilingual, Swash Thanks so much Happy creating! Cheers! Hanief - Hanzel Space

Belisha is a lovely and distinct serif font. It will elevate a wide range of crafting ideas, from cards, to branding, labels and much more. This font is PUA encoded which means you can access all glyphs and swashes with ease!

Pattia is a joyful and festive display font. It is ideal for Christmas Holiday-themed greeting cards and for any crafting project. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Hallery is a lovely and timeless handwritten font. It is the best choice for creating eye catching logos, business card, branding and quotes. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Straphand is my idea of what you need for your next greeting card, invitation, poster or whatever needs a fresh and lovely brush! Looks awesome, even when written in ALL CAPS! Comes with extended language support and ligatures for double lettering!

'Rossija' is inspired by russian typographic designs. It's bold look makes a perfect font for the use of titles. You can use these fonts to create posters, greeting cards, scrapbooks, CD labels, T-shirts, coffee mugs, digital videos websites and banners.

Breaking the cycle of homelessness We are partnered with The House of St. Barnabas, a private members club in Soho Square, whose work as a not for profit charity aims to break the cycle of homelessness in London. Each purchase (of the family pack) comes with a one month membership to The House and 100% of the proceeds from sales of fonts go directly to the charity to help their essential work. This unique collection of 7 typefaces is based on the disappearing signs of Soho, at risk of being lost forever due to the ever changing landscape of the area. By re-imaging the signage as complete fonts, we have rescued this rich visual history from the streets and present the typefaces into a contemporary context for a bright optimistic future. FS Berwick Thanks to its humble tiled origins, this Egyptian serif type maintains a uniform character width, creating the irregular letter proportions found in the final alphabet. Broad-shouldered, the bracketed serifs firmly ground the font, whilst its extreme hairlines become a necessity due to the uniform width. Of note is the upside down ‘S’, to be found on the original sign on Berwick Street. Perhaps due to its ceramic origins, there is a surprising ‘slippiness’ to its final appearance. FS Cattle Cattle & Son is best described as a wide, but not overly extended, grotesque-style sans serif, showing a uniform width and carrying a robust strength to its form. Whilst lightly functional overall, the purposeful diagonal legs of the ‘K’, ‘R’ and the tail of the ‘Q’ add an urgency to its appearance. The reduced size of the ampersand gives away Cattle & Son’s hand-painted origins, and the oblique compacted ‘LTD’ found on the original sign is also included in the final set. This beautiful sign is tucked away under an arch in Portland Mews, sheltering from the weather. Perhaps this is why it has lasted so long. FS Century This somewhat elongated set of Roman capitals was originally rendered in paint circa 1940, but its roots trace back to the Trajan Column in Rome. Witness the slightly unbalanced ‘W’ and the painter’s hand is revealed. Century’s flared serif style is extremely short, sharp and bracketed. The ‘M’ is splayed and has no top serifs. Century has a uniform appearance of width, probably due to its sign-written origins. Yet is elegant, classic and exudes sophistication. FS Charity A true Tuscan letterform, the original is located on The House of St. Barnabas in ceramic tiles and was revealed in all its broken glory in 2014. FS Charity retains the option of using these incorrect characters (try typing lowercase in the test drive above and compare with the more uniform uppercase characters). FS Charity features fishtailed terminals on its strokes, a curious branched ‘T’ and the ‘S’ displays tear-drop ends to its serifs. Almost uniform in width, the ‘A’, ‘M’ and ‘W’ are the widest characters in this set. FS Marlborough The elongated Marlborough features diagonal terminals to some characters and numerals. Also retained is the space-saving contracted ‘T’ glyph from the original sign, while the ‘R’ features a distinctive wedge-shaped leg. Highly individual in this form, similar signage appears around Soho, but featuring a variety of widths in their design. FS Portland The sister type to Cattle & Son, Portland is oblique rather than italic. The serifs are not overly long, yet still enhance its rather rigid cap height and baseline appearance. Its ‘A’ has a top serif, the ‘M’ is square and the ‘G’ foregoes any spur. Particularly delightful is the open ampersand. Numerals align to encourage the horizontal flavour of the oblique style. Overall, Portland is both confident and graceful. FS St James A lineal Continental style, St James also displays a true sense of ‘Londoness’ in its titling form, perhaps influenced by early Underground signage. Irregular letterforms display a continental flavour, particularly evident in its Deco style ‘W’, ampersand and numerals. The rather high cross bar in the ‘A’ is also reflected in the raised middle strokes of the ‘M’. Noteworthy are the distinctive unions found on all of the characters and the additional small caps. The original lettering is still located on Greek St.

Introducing Glory Mathilda! An energetic brush stroke fonts. With two sets of all-caps letters, Glory Mathilda can support your creativity on your logo design, brand imagery, quotes, merchandise, product packaging, music projects, social media posts, etc. Glory Mathilda also has ten swashes that you can access in each alternative letter A-J. That's it! I hope you enjoy it. You can also say hello to me on Instagram: https://www.instagram.com/atharuah_ Thank You!

Rosebud is a great blend of simple yet organic rosy caps. Each big caps has a single rose while the small caps has the prickly, thorny stems. This decorative TrueType font is great for any occasion (from Wedding to Sweet 16 Party) or for surprising a rose lover with a flowery note. Plus, you can create your own border patterns or flower arrangements by using the rosy and/or the thorny punctuation marks.

LinkeHand Pro was based on the handwriting of Oliver Linke. Due to its rather compact appearance with short ascenders and descenders LinkeHand can be used with rather tight line spacing. Both Regular and Bold come with Small Caps and a multitude of special ligatures to make LinkeHand look really manually written.

Illuminations Woodcut is inspired by the decorated initial capitals of Medieval manuscripts… and an old book of clip art in which they were found. Try decomposing them in Adobe Illustrator and coloring the pieces or dropping color into them in Photoshop: you can get some stunning results. Caps and TrueType only.

Fiori Dorati is an absolutely elegant serif font. This typeface includes beautiful stylistic alternates and discretionary ligatures. It will elevate a wide range of crafting ideas, from cards to branding, labels, and more. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease.

Insigne Display A bold, modern and fun display font that lives up to its name. The way you can uniquely combine the different parts of this font makes it a lot of fun to use! Perfect for all purposes. , Suitable for magazine design, logo design, headlines, posters, packaging, cards etc. Enjoy!

FP Head is a redesign of a corporate typeface for the Danish trade union FOA. Head is a extended display font, with a blurred look and a touch of FF Max: Hard and soft at the same time. Available in two versions.