Quintet is a narrow, stylized sans serif font made up of thin, looping lines. This font tries to walk the line between retro and modern and to incorporate some hand drawn imperfections without being too obvious about it. I kicked off designing without any particular inspiration in mind but, as time went on, started associating it in my head with an old-timey, swingy jazz aesthetic. So hopefully it captures the spirit of the Jeeves and Wooster throwback theme song and opening credits, the music of Stéphane Grappelli and Django Reinhardt (who the name is a nod to), and countless album covers from that era.

The techno sound of the 1990s, a personal computer, font creation software, and some inspiration all came together to inspire the F2F (Face2Face) font series. Alessio Leonardi and his friends had the demand to create new unusual typefaces, which would be used in the leading German techno magazine of the day, Frontpage. Even typeset as small as 6-points, in nearly undecipherable layouts, it was a pleasure for the kids to read and try to decrypt the messages. F2F Poison Flowers is a psychedelic trip back in time to the era of peace and love. Who would have ever thought that grunge or techno could be so groovy?

Obvia, a geohumanist type for all media. Obvia appeared as a result of direct observation on typefaces classified as geometric and the plan to explore for the first time width axes - to be published soon - expanding its usability. The idea behind Obvia’s design was to create a distancing from geometrically pure shapes, in this case, square shapes. Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a ‘geohumanist’ tone to the font. This first family of Obvia has 9 weights ranging from Thin to Black with their respective italics, delivering a strong typographic identity, from the paper to the pixel.

Stitch Cursive is a cute cursive font, with the added distinction of looking hand sewn! The applications of this full-out cursive font are many. It is designed to be creative & free flowing, but I also wanted it to be at least somewhat proper. The stitch is the central element to this unique design. Use Stitch Cursive any time you want fancy, legible, and luxurious text. Works great for logo design and beautiful for titles. Go ahead and have fun with it. Stitch Cursive is extended, containing the full West European diacritics & a full set of ligatures, making it suitable for multilingual environments & publications.

A contemporary slab-serif which revisits aspects of Robert Besley’s all-time classic Clarendon, designed around 1842 for Thorowgood and Co. and named after the Clarendon Press in Oxford. The original design was subsequently extended by Sheffield foundry Stephenson Blake in the 1950s into a widely-used, robust workhorse family. Albiona uses the inwardly curved stroke terminals of the same foundry’s Grotesque series, while rationalising or removing entirely Clarendon’s ball serifs, flicked tails and other eccentricities to make it more functional in contemporary settings. The family consists of five weights plus italics and a stencil, and includes oldstyle and tabular numerals. Its clean readable style suits both text and headline setting.

Are you feeling a little dazed, silly, or light-headed? Are you talking incoherently as if you've received repeated blows to the head? Would you perhaps describe yourself as punch-drunk? Happy-go-lucky? Have you recently been sleep deprived or are experiencing excessive feelings of fatigue or tiredness? Have you become prone to inane semi-maniacal rambling? Have you been making strange and/or meaningless remarks? Are you demonstrating fits of random and inexplicable behavior? Did you just give yourself a wedgie? Experiencing bouts of uncontrollable laughter -- at your own jokes? Standing on a silver surfboard holding a hot dog and wondering why?! You're off your rocker, dude; Slaphappy!

The aim of the project was to create a new type family for corporate and editorial design. The resulting humanist sans serif Weitalic has strict and angular strokes, but at the same time possesses a calligraphic look – an interplay of contrasts. Thanks to the very eye-catching features the result is a distinctive typeface that looks good in both the headline and the area of body text. With its 8 weights with matching italics and numerous OpenType features Weitalic is prepared for professional and complex typographic work. The fonts have an extended character set to support Central and Eastern European as well as Western European languages.

Xtencil is a typeface inspired by the shapes of the drawing templates letters, based on the letter forms of Photo-lettering Glaser Stencil from universal teacher Milton Glaser who at the same time was influenced by the modernism and the Futura of Paul Renner. Xtencil is a round letter to create a great looks, ideal for posters and headlines. Xtencil not come as a drawing template, but as true Pro OpenType typography. Now in a complete family with upper and lower cases, an inline and a thickened Shadow versions to play with layers, also accompanied by a Dingbats font with fun graphics in the same spirit.

Introducing Broadster - Classic Brush Type, created by ikiiko. Broadster is a decorative sans serif typeface, inspired by typography from classic 60s American advertising & automotive visual styles of the time. This typeface is designed to give the appearance of a formal yet expressive style. The Broadster has bold, contrasting strokes. A style commonly used in print, magazine, and sign advertisements of the era. This typeface is perfect for an formal layout, poster, newspaper, magazine ads, and also good for vintage product, food & beverages, quotes, or simply as a stylish text overlay to any background image. What's included? Uppercase & Lowercase Number & Punctuation Multilingual Support Works on PC & Mac

Gwen is a variable type system in 7 weights. The complete font family consists of two subfamilies: the highly characteristic Display Serif family which shows its full potential and beauty in big sizes and a more subtle Text variation appropriate for smaller sizes. The variable font combines the best of both worlds and provides unique flexibility to switch between all of the font weights and the text and display style at the same time. The font supports Extended Latin and Cyrillic scripts and its main purpose is to be used in editorials, although it may find good implications in headlines, impactful landing pages, posters, and packaging.

Nula is humanist sans serif family equipped with 22 font files - 11 weights and italics - from Thin to Heavy. It is modern, functional and distinctive, ideal for multiple purposes. Curvy diagonal stems and endings characterize Nula as typeface with lively elegant and soft touch, but stable, well structured typeface at same time. Nula font family is fully legible in any size and with it's variety of weights recommends itself for publishing or online magazine. Nula includes stylistic alternate letters, tabular and old style numerals, fractions, numerators and denominators, alternate forms of numerals and bunch of applicable symbols with arrows that are exchangeable in all weights, following weight thickens.

A vintage look to the future of type, this funky typestyle with circular cut outs was stylish for its day, and a true novelty for today. Blackhole PB began as a digitization of a film typeface known as Circue Solid by LetterGraphics. This typestyle has such funkadelic appeal to it that it just makes me smile. Definitely not for broad uses, but full of novel flair. This font is the bees knees for anyone with a circle fetish. They are like hidden mickeys in this typestyle, building up curves and counters all over the place. Take it for a spin and have a flashback to wilder times.

Aranjuez is the latest Koziupa and Paul adventure. This time, they max out on calligraphic art deco, then add a healthy dose of the thick-and-thin mantra that's been so trendy for quite a few years now. The result is neo-psychedelia in an upright cross-breed of pseudo-wood deco and ornamental calligraphy, complete with alternates, swashes, endings, playful contrast treatments, and even background possibilities. This font is quite expressive, and its elegance is meant to be shown prominently. So use it for packaging, book covers, or wherever the message needs to be delivered clearly and with a precisely controlled touch of class.

Conceived as an exploration of geometrical type designs of the early twentieth century, Canaro was — in its first design stages — heavily rooted in that time period. During its development and the effort to give it a modern appearance, it turned into a contemporary font with a strong historical background, defined by legibility and functionality. In addition, the lack of spurs provide a unique but unobtrusive character and support the contemporary impression. Typographic features like alternative glyphs, ligatures, oldstyle numbers, arrows, fractions and other special characters, round up the family. Canaro is available in nine weights plus matching italics. Ranging from sharp and elegant thinner cuts to sporty and athletic heavy weights.

Stylefinder is a new elegant signature style font which gives any design project that authentic handwritten feel. It’s perfect for logos, branding, headlines, sub-headers and taglines. This type of font is currently extremely popular in the logo design community - Over the years I’ve created many unique logos for new businesses using different styles of hand lettering and calligraphy, so I thought it was time to make something available for you all to use in your own designs. Stylefinder comes with some alternate lowercase glyphs, ligatures and six additional swashes to give that finishing touch. There is also a large amount of multi-lingual support.

Waddle is inspired by the playfulness of mid-century jazz albums, opening title sequences and movie posters. Friendly, rounded, slightly roughed, with a bouncy baseline, this unique typestyle boasts a generous number of glyphs and ligatures across all three weights. Waddle Thin is perfect for body copy and is both fun and elegant. Waddle Plump has been designed for bold headlines and titles. Waddle Regular is an ideal all-rounder. Combine the Waddle Family for maximum affect the next time you need to get a playful and positive message across to an audience of any age. Not too kiddy, not too serious ... just right.

So I made five rather odd characters for a logo for a friend… Then I thought I'd fill a couple of spare hours expanding it to a single alphabet… And some considerable time later I ended up with a whole font with full punctuation, a bunch of alternates, pretty broad international support and some OpenType features to keep things varied… There are elements of Art Deco, Art Nouveau, Lego, circuit boards and Ceefax, Memphis lamps and lab clamps, hieroglyphs, googly eyes and who knows what else… Intricate, insane, highly irregular, but somehow it hangs together… Throw down a few letters nice and big when the fancy takes you…

The Red Devil is a handmade script font with clear style and creative projects such as logos, printed quotes, invitations, cards, product packaging, headers, logos, letterhead, posters, clothing designs, labels, as you can use the illustrative qualities of the shapes to create an art piece. The Red Devil Script come with uppercase letters, lowercase letters, numbers, punctuation, and so many variations on each character including alternative opentype, general binder. It's fun to use because each word can be transformed to you like. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ The Red Devil Script is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app. Thanks so much for looking and please let me know if you have any questions.

Gidglet is a serif font highlighting the height differences of the letters’ thick and thin parts, and has elegant, clear letters. Little hooks and lines on the letter edges show classical, traditional nuances to your designs. Moreover, the thick and thin letter parts are clearly seen in a high contrast serif font. The thin letter lines show elegant characteristics, while the thick ones express firm, clear nuances. Such high contrasts between the thick and thin parts add dimensions and prominence to the designs. As a result, such a font is perfectly applicable for designs with formal, elegant, professional impressions in big text sizes in order for the beauty and the contrasts of such thick and thin parts to be clearly seen. In addition, you may enjoy the available features here as well. Features: Ligatures Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Gidglet fits best for various design projects, such as brandings, quotes, invitations, name cards, greeting cards, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing

Mono Rose is a visually prominent display font having unique, attractive letter designs along with rose ornaments to leave lovely, romantic impressions. All of the font letters are designed in special details and have peculiarly unique characteristics to reflect the beauty of a rose making it suitable to apply for any products expressing rose beauty and charm. Furthermore, the blunt and round font letter shapes leave soft and friendly impressions. In fact, Mono Rose is able to produce beautiful, elegant displays to its advantage and able to make your designs look more attractive, and elegant for increasing the product’s attractiveness. You can use this font for big text sizes due to its unique shapes to ease you to read it. Mono Rose provides a clipart in accordance with the font theme as a bonus and features you can enjoy. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Mono Rose fits best for various design projects, such as brandings, headings, magazine covers, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Introducing Raqib, a distinctive and eye-catching font that gives any project a robotic, sci-fi edge. Raqib is ideal for creating futuristic and intriguing designs due to its bold font shape and distinctive robot style. Raqib is the ideal option if you’re working on a project with a sci-fi theme or want to incorporate robotics into your branding. Because of its bold design, it’s perfect for headlines, posters, and social media graphics, and its distinctive font shapes give your text a standout, memorable appearance. For those looking to stand out in the modern era and add a touch of innovation and futurism to their designs, the Raqib font is ideal. This font is a must-have for anyone looking to create designs that really stand out. Don’t miss this limited-time offer, get the unique and versatile Raqib font today and start creating designs that will be remembered. With Raqib, you can create stylish and professional designs, with a futuristic robotic look that’s sure to stand out. What’s Included : - File font - All glyphs Iso Latin 1 - Alternate - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

In HU Ketchup KR, the consonant and vowel strokes are naturally connected to add writing power to the thick headline, and the vowels are shaped like 'ㅅ', adding personality and cuteness at the same time.

Sablon is back! This time on the edge in Thick & Thin version, keeping its significant features especially in letters B, G, M and N. With new expressive figures best suitable in headlines and packaging graphics.

CurlyJoe is a fast, informal handwritten font. A bit in the line of the dearJoe series, with a different style of caps.

This is a classic design from the beginning of the 20th century. This font can be used in many kinds of books

Introducing Gadimon Layered Bold Script. This font is used with layers method, so it can generate interesting fonts to see, you no longer need to worry about how to make effects on the text. Use the Gadimon Basic style for purposes without shadow effect and when spacing is important for a project. Gadimon is suitable to use as a logotype, product designs, labels, watermark, social media posts, apparel, invitations, signboards, sports club, motor/car, special events or anything that need handwriting taste. What you get: - Gadimon includes capital and lowercase letters, Alternates, and Ligatures - Numbers + punctuation - Foreign language support I highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. This font is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor/application. We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Or simply send me a PM or email me at kotakkuningstudio@gmail.com. Thanks for purchasing and have fun!

The Englishman William Caslon punchcut many roman, italic, and non-Latin typefaces from 1720 until his death in 1766. At that time most types were being imported to England from Dutch sources, so Caslon was influenced by the characteristics of Dutch types. He did, however, achieve a level of craft that enabled his recognition as the first great English punchcutter. Caslon's roman became so popular that it was known as the script of kings, although on the other side of the political spectrum (and the ocean), the Americans used it for their Declaration of Independence in 1776. The original Caslon specimen sheets and punches have long provided a fertile source for the range of types bearing his name. Identifying characteristics of most Caslons include a cap A with a scooped-out apex; a cap C with two full serifs; and in the italic, a swashed lowercase v and w. Caslon's types have achieved legendary status among printers and typographers, and are considered safe, solid, and dependable. Caslon Antique was designed by Berne Nadall and brought out by the American type foundry Barnhart Bros & Spindler in 1896 to 1898. It doesn't bear any resemblance to Caslon, but has the quaint crudeness of what people imagine type looked like in the eighteenth century. Use Caslon Antique for that old-timey" effect in graphic designs. It looks best in large sizes for titles or initials. Caslon Black was designed by David Farey in the 1990s, and consists of one relatively narrow and very black weight. It is intended exclusively for titles or headlines. Caslon Black has a hint of the original Caslon lurking in the shadows of its shapes, but has taken on its own robust expression. Caslon Graphique was designed by Leslie Usherwood in the 1980s. The basic forms are close to the original Caslon, but this version has wide heavy forms with very high contrast between the hairline thin strokes and the fat main strokes. This precisely drawn and stylized Caslon has verve; it's ideal for headlines or initials in large sizes."

The name "Smart Casual" says it all. This is the font to use when you want to create that smart impression without being too formal. It is based on the font "Black Tie" but it is less formal than "Black Tie". It conveys an impression of relaxed elegance without being either sloppy or too intimate. Smart Casual is ideal for invitations to stylish but relaxed events, for advertisements that are intended to create that special ambience, for posters and for announcements. Smart Casual has a full character set and has been carefully letter-spaced and kerned. It comes in two styles: Baseline and Staggered. In "Baseline" all characters refer to the same baseline (the lower part of the characters are in line), while in "Staggered" the capitals are placed lower than the lower case characters, creating a slightly more dramatic, yet formal and retro look.

Kiranna is a classic handwritten font nd combination with Hand Lettering style. we make with personality touch every single curve. I hope this can make inspire you from your work. and a very bouncy. Ideal for logos, handwritten quotes, product packaging, header, poster, merchandise, social media & greeting cards.. This font is suitable for wedding invitation, branding, invitation, t-shirt, mailing and other suitable design you can think of. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X8. There are additional ways to access alternates, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac).

Cardust is a bold display font, this font looks funny, cute, kids, cartoon, playful, catchy and easy to use. Cardust Font is the best choice for your professional design projects, including : logo, poster design, t-shirt, headline, flyer, cd cover album, quotes, business card, branding, magazines, social media, advertisements, product designs, or something that need playful or cartoon looks. Highlights: - Fonts are provided in OTF formats. - Standard license - create as use as many of these fonts as you'd like on your own personal projects as well as any commercial ones for clients. - No special software is required, The fonts can be opened and used in almost any program/software that can read standard fonts - even MS Word. What's included: - Cardust OTF

Alderney is a friendly font family in three weights, Light, Regular and Bold, designed by Stephen E Rowe for the foundry Fontelan. It is a gentle script crafted for more relaxed display needs, but, being oblique in character, it gives an air of excitement to many projects, especially in all caps situations. Unlike many scripts, the capitals can be successfully used as a great display option. All glyphs have a smooth curve and a broad, flowing, low aspect. The light version lends itself to airy design possibilities, again, especially when the caps are used for display purposes. The regular version is a well balanced script that remains spacey and elegant, and the bold version is excellent for a display that suggests excitement.

Dienilla is a luxury handwritten font that comes in 3 weights: Thin, Regular and Bold. Dienilla is great for branding, logos, wedding invitations, cards, quotes, T-shirt design, and many other projects that need a simple but elegant feel. Dienilla has multi-lingual support and is PUA encoded. I created 2 styles of ending swashes to make this product so perfect and very easy to use. To access the first style you can add underscore twice after the lowercase character: for example : a _ _ and to access another one you can add underscore twice and put a 1 after the lowercase character: for example : a _ _1 Dienilla is really beauty, and very very user friendly. Hope you love it, and let's grab it...

Proudly present Straight Forward - Mixed Type, created by ikiiko. Straight Forward is a mixed sans serif font type, with wide to condensed characters. Straight Forward has 3 alternative letter shapes that have been mixed and can be played by changing the alternate types. This font is available in 2 types of color for Uppercase and outline for Lowercase. This type is very suitable for making a streetwear brand, poster or magazine layout, fashion design, quotes, or simply as a stylish text overlay to any background image. What's Included? All Caps Glyphs 2 Styles (Color & Outline) Number & Punctuation 3 Type Alternates + Bonus Ligature Multilingual Support Works on PC & Mac Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

Sansmatica is a clean and modern sans serif typeface. It has 28 fonts that work as a multi-purpose design solution. It consists of regular and condensed fonts that can be used for different cases: regular fonts are perfect for copy while Sansmatica condensed fonts are more specific - they make emotional associations and are perfect when you want your headlines or advertising to be noticeable. Also suite great for greeting cards, posters, branding, name card, stationary, design title, blog header, art quote, typography. Sansmatica has 7 weights with light looking more modern, fashionable and the bold giving a more rugged impression is perfect for headlines, logos, quotes, and more! It is interesting to use bold condensed fonts – both vertical lines and weight draw attention.

Papercute Inline is a cute layered hand-drawn font designed by Fanny Coulez & Julien Saurin in Paris. Inspired by paper cutting, this font is easy to read, and easy to play with 8 different styles, including 3D, outline, full or dotted line, that you can use alone or together. To do so, you can simply superimpose them with a compatible software like Photoshop, then choose a color for each, making your works charming and unique. This font, finely designed for cards, book titles, headlines or any artworks is the Inline version of Papercute . Just click on our foundry name to see it! You could follow us on our Instagram: instagram.com/sc.type We hope you will enjoy our work. Merci beaucoup!

Vallentino is a stylish and elegant handwritten font, which looks like a signature, this font is deliberately made with unique ligatures and alternatives. Vallentino is perfect for signatures, branding, logos, business cards, posters, invitations, greeting cards, news, product packaging, blog posters, all including personal charms etc. This font is also equipped with unique and interesting ligatures, by using these ligatures you can give a real handlettered style: ab ah ak al am an ar at ch ck cr eb el em en er es et ff ht il im in it ll mm ng nn nt of oh oi ol on or oo od ou ow oy sh ss st th tt ut wh Th ft Multiple Language Support: ŠÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏŸŽÐÑÒÓÔÕÖØÙÚÛÜÝßàáâãäåæçèéêëìíîïñòóôõöøùúûüýÿŒœš Thank you for your purchase!

NTRODUCING Fadelya Script is a modern calligraphy font with the current handwriting style, this font is perfect for branding, wedding invites, magazines, mugs, business cards, quotes, posters, and more, you can try first if you want to buy this font. to use a variety of flying machines, you need a program that supports OpenType features such as Adobe Photoshop Cs / Adobe Photoshop CC, Adobe Illustrator CS / Adobe Illustrator CC, Adobe Indesign and Corel Draw and many more programs that support OpenType.If you do not have a program that supports OpenType, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows) If you have any question, don't hesitate to contact me by emailThanks and happy designing :-) Thank You for purchase!

Little Paws. Are you team Cat or team Dog? Doesn't matter which side you are pick to, this font is cuteness overload. It is for everyone, not only limited to Cat or Dog but also open for any Pet Lovers. This font is suitable for happy theme, cute, party, holiday, kids and many more. It is also suitable for Logo, Cards, Branding, Social Media, Youtube Thumbnail, Advertisement, Posters, any many others. To make it easier for you to design, we provide two additional font family to enhance the beauty of the design. Features: - Standard Characters (Uppercase and Lowercase) - Numerals - Punctuation - International Characters Disclaimer: Clips arts shown in the posters/images are not included. It is for promotional purpose. Enjoy designing and stay Safe! Tigadestd

This elegant and luxury font is can be perfect used for logos or branding and can be support your designs project to give more aesthetic and exclusife preview. This Mossion typeface is perfect for logotype, branding, packaging, posters, social media, and many more! ——— Features : A full set of uppercase and lowercase Numbers and punctuation Multilingual language support PUA Encoded Characters OpenType Feature ——— ⚠️To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe InDesign & CorelDraw X6-X7, Microsoft Word 2010, or later versions. There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac), or a software program such as Pop Char (for Windows and Mac).

Opinion varies regarding the role of Claude Garamond (ca. 1480–1561) in the development of the Old Face font Garamond. What is accepted is the influence this font had on other typeface developments from the time of its creation to the present. Garamond, or Garamont, is related to the alphabet of Claude Garamond (1480-1561) as well as to the work of Jean Jannon (1580–1635 or 1658), much of which was attributed to Garamond. In comparison to the earlier Italian font forms, Garamond has finer serifs and a generally more elegant image. The Garamond of Jean Jannon was introduced at the Paris World’s Fair in 1900 as Original Garamond, whereafter many font foundries began to cast similar types. Morris F. Benton’s Garamond appeared in 1936 and is based on the forms of Jean Jannon, which already displayed characteristics of the Transitional style.