Shackle One is a geometric Sans Serif with a twist. As a modern classic that does not wear out visually it is suitable, for example, for luxury items, leather goods, watches and jewelry, high-class sports, documentation of historical technology or graphics in the field of art and design. It works excellently for huge headlines, but can also show particular strengths in continuous text – its gray value is almost flawlessly uniform. All line connections and terminations are perpendicular, which means that slopes or curves have a light bend at their ends, similar to the lordosis of the cervical spine. This makes the font look upright and straight and at the same time agile and dynamic, like an athlete with good posture – a typeface that is powerful and confident without appearing steely or violent. Shackle One is a classic but casual looking font with sophisticated details. It has a classy appearance without being pretentious. It can appear stern and serious as well as playful and humorous. Its strong character also makes it an excellent corporate font for certain branches. You will love it.

Agnesia Script is a modern script in handmade calligraphy style, with decorative characters and a dancing baseline! So beautiful on greeting cards, branding materials, business cards, quotes, posters, and more. Agnesia Script come with 492+ glyphs. The alternative characters were divided into several OpenType features such as Swash, Stylistic Sets, Stylistic Alternates, and Ligature. The OpenType features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, and Microsoft Word. And this font has given PUA unicode (specially coded fonts) so that all the alternate characters can easily be accessed in full by a craftsman or designer. Agnesia Script Features: Uppercase & Lowercase International Languange & Symbols Support Punctuation & Number PUA Unicode Range Standard Ligatures Discretionary Ligatures Stylistic Alternates Stylistic Set 1-13. If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Versions, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows). If you have any question, don't hesitate to contact me by email masinong.studio@gmail.com Thanks and happy designing.

Interval Next is a modern sans serif font family that is the successor of the successful Interval Sans Pro. Designed by Olivier Gourvat, Interval Next typeface consists of 16 fonts in 8 weights — Ultra Light, Light, Book, Regular, Medium, Semi Bold, Bold, Black— and has 4 styles. This super family combines a humanist mind with its contrasted shapes and a modern look with its open counters. With its four versatile styles (Condensed, Narrow, Roman and Wide) Interval Next has a creative palette able to meet the modern typographic demands. Its OpenType features will provide you almost unlimited multilingual support as well as small caps, case sensitive forms, proportional and tabular figures, slashed zero, numerators, superscripts, denominators, scientific inferiors, circled figures, subscript, ordinals, fractions, arrows and f-ligatures. Also extremely functional for professional editorial design, Interval Next has a pro kerning and would be extremely suitable for mobile applications, e-books, web sites, headlines, posters, signage and many more. Interval Next covers a large spectrum of languages such as West European, East European and the Cyrillic.

The typeface “Hand Stamp Slab Serif Rough” was designed for the Typo Graphic Design font foundry in 2017 by Manuel Viergutz. It is a display font with a classic slab serifs based on real rubber stamp letters for a authentic, rough & dirty, stamped-by-hand appearance. It provides a vintage look through state-of-the-art Open Type features such as contextual alternates that cycle automatically through 5 different letter variants for each character to create a varied look, just as if the letters were stamped by hand. The font is intended for use in logos, magazines, posters, advertisements, and as a webfont for decorative headlines. The font works best for display sizes. There are 1031 glyphs with 5× A–Z, 0–9 & a–z and 70+ decorative extras like arrows, dingbats, symbols, geometric shapes, catchwords, and many alternative letters. A range of figure set options including oldstyle figures and additional deco­ra­tive liga­tures (type the word “love” for ❤ … ), Ver­sal Eszett (German Capital Sharp S), symbols, and emojis. Have fun with this font & use the DEMO-FONT (with a reduced glyph-set) FREE!

Electro Wave Vol.2 Comes with updated neaterglyphs, more stable kering size, new punctuation & numbes. Electro Wave Vol.2 is a brave decorative display font that is suitable for branding, wedding invitations, greeting cards, posters, name card, quotes, blog header, logo, fashion, apparel, letter, stationery and other projects. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates. The Open Type features can be accessed by using Open Type programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. Electro Wave Vol.2 : Uppercase & Lowercase International Language & Symbols Support Punctuation & Number PUA Unicode. If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Versions, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows). If you have any question, don't hesitate to contact me. Thanks for your visit.

Ermis Pro – handwritten, multilingual, natural Ermis Pro is a cross between a perfectly finished, comprehensive, classically cut old face type and handwriting. It combines the slightly irregular contours you see in very small letter sizes caused by the flow of ink on paper with the elegant look and feel of a serif font. This makes Ermis Pro the perfect choice for stylish printed materials with a personal touch, doubtlessly winning fans in the worlds of fiction and fantasy alike. Ermis Pro is robust and easy to read in both display and body copy. With its comprehensive character set, it is suitable for a wide range of typographical uses. Besides the standard Latin, the character set includes the Greek and Cyrillic alphabets as well as extended Latin with pan-African letters and the complete International Phonetic Alphabet (IPA). Ermis Pro also comes with numerous OpenType features such as discretionary ligatures, small capitals and nine number variants. The typeface features upright and italic fonts in three weights: Light, Regular and Bold.

Aeolus Pro is a second attempt at writing a monoline style. Completed after many design transformations. And here (as in KhamaiPro) attempted to provide a different visual design with style as Staccato: (dashed line) Rail: (double line) Tribe: (triple line) and finally a New style Shadow. Also (Bold, BoldItalic) has the advantage of involving between styles… (Rail, RailItalic, Tribe, TribeItalic, Shadow and ShadowItalic) for example: …you have a text frame with some text or one word or one letter with Bold or BoldItalic style with e.g. (color blue), if you duplicate the text frame or duplicate the Layer (as is, without shifting position - text) and you make changes ONLY (the Style* and color of text) in second text frame, would have the effect of filling the gap at the following styles... *(Rail, RailItalic, Tribe, TribeItalic, Shadow and ShadowItalic) you can see the presentation of the photo “Multiplex”. This series of 20 fonts with 624 glyphs each is composed and includes true italics and supports Latin, Greek and Cyrillic.

Core Sans DS is a rounded version of Core Sans D and a modern interpretation of condensed sans-serif typeface designed by S-Core and the whole family consists of 2 widths (Condensed, Normal), 7 weights (Thin, Light, Regular, Medium, Bold, Heavy, Black) with their corresponding italics. Core Sans DS features a condensed geometric construction and has a large x-height which enhances legibility. The family is ideal for signage, headline as well as body text. Core Sans DS is a part of the Core Sans Series such as Core Sans N SC, Core Sans N, Core Sans NR, Core Sans M, Core Sans G,Core Sans A, Core Sans GS and Core Sans ES. Letterform in this type family is simple, clean and highly readable. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Core Sans DS supports complete Basic Latin, Cyrillic, Central European, Turkish, Baltic character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features.

Joyful Turkey - Display Thanksgiving Font is a charming and playful typeface designed to embrace the spirit of Thanksgiving. Its quirky and rounded characters add an element of fun and warmth to your designs, making it the perfect choice for projects that celebrate this special holiday. This font includes seven delightful decorative variations with Thanksgiving-themed elements such as turkey, pumpkin, pie, leaves, and more. Ideal for Thanksgiving-themed designs, including invitation cards, birthday invites with a Thanksgiving theme, party decorations, logos, stickers, clothing, packaging, children's books, magazines, and more, Joyful Turkey brings a delightful and heartwarming touch to your creative projects. With its whimsical and cheerful style, this font captures the essence of gratitude and celebration, making it an ideal choice for designs that reflect the Thanksgiving spirit.

Looking for an awesome font? Ourgrown is an awesome display font. It projects friendly, cute, and warm feel. The weight of characters makes this font easy to read and works equally well in header and body text. On the other hand, the shape curves, and shadow style brings a sense of cuteness. This font family also includes special illustrations that you can use as you wish. Features: Multilingual Supports Uppercase and lowercase PUA Encoded Numerals and Punctuation This font would looks great on your branding, logos, social media quotes, stickers, posters, wall art, merchandise, social media, and many more. Get more inspiration about how to use it by seeing the font preview. Thank you for purchasing our fonts. If you have any further questions, don't hesitate to contact us. Happy Designing.

I’m glad to present my new hand-drawn typeface Blueberry Spot. The clearances in some letters are filled as if somebody put a blueberry blot in them. Also, I created the second style of this font. If you don’t want blots use a clear style. This font is perfect for making your project look pleasantly scruffy, handmade. Use it for nice identity, funny craft package, blog posts, holidays poster, etc. What's included? Regular and Clean styles Uppercase and lowercase Multilingual support Numbers Symbols Punctuation I hope you enjoy this font. Follow my shop to receive updates of products and the very hottest news! If you have any question or issue, please contact me: kaer.pro@gmail.com Please request to add additional characters and glyphs if you need! Thank you!

Sharpe Variable is a stylish serif typeface family. The original type was drawn between 2018 and 2019, and the variable font and its updated styles was created in 2020. It is clear, sharp and has brave, lively letter forms but with a conservative backbone. This font is provided as a Variable Font. It is only one font file, but this file contains multiple styles. Use the sliders in Illustrator, Photoshop or InDesign to manually set any weight and width. This gives you not only the 15 predefined styles, but instead more than half a million steps to customize the type to the exact look your project requires. Each style contains ligatures and support for a wide range of languages. More info about Variable Fonts: https://mansgreback.com/s/About_Variable_Fonts.pdf

Boldstrike is a retro bold script which will bring you back to 60s feel. The bold letterform with swash makes this typeface looks standout to be used for your retro theme project. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual ligatures alternates swashes PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. For accessing opentype feature, kindly check this link letterhend.com/tutorials/using-opentype-feature-in-any-software/

Argentina Script is a romantic calligraphy font that features a varying baseline, smooth line, classic and elegant touch. Can be used for various purposes.such as headings, signature, logos, wedding invitation, t-shirt, letterhead, signage, labels, news, posters, badges etc. Argentina Script features 360+ glyphs and 160+ alternate characters. including initial and terminal letters, alternates, ligatures and multiple language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. How to Access Alternate Characters : • https://www.youtube.com/watch?v=xFlMwARHusY • https://www.youtube.com/watch?v=XzwjMkbB-wQ There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). How to access all alternative characters, using Windows Character Map with Photoshop: • https://www.youtube.com/watch?v=Go9vacoYmBw If you have any question, don't hesitate to contact me by email : megatype04@gmail.com Thanks & Happy Designing!

Introduce Sathya Script in beautiful handwritten style. Equipped with 600 glyphs. Sathya Script is perfect for branding projects, home appliance design, product packaging, use in business cards, invitation cards, etc. Just as a stylish text overlay onto a background image or anything else that needs a touch of elegance. Available in the Satya. To enable the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version. There are additional ways to alternate/swash, using the Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all alternative characters using Adobe Illustrator: http://youtu.be/iptSFA7feQ0 How to use the font style set in Microsoft Word 2010 or later versions: https://youtu.be/x1A_ilsBsGs Thanks for checking! I really hope you enjoy it. Regards Designers: Afri Giani Publisher: Gian Studio

Grogie font family consists of 06 families,is a high-contrast typography inspired by transitional and contemporary typography. Fonts extend their use by giving weights ranging from thin to black. The natural curve, a swollen and sloping stem, grows in character as the font gains weight. While the thinner weight has lowered contrast and optical correction to create a warm and soft look. Featuring beautiful, excellent weight and extensive language support. The elegant modern font creates a unique design and is sure to steal the eye of the design target audience. Besides being unique, the Grogie font also has a luxury simple character that makes the design charming and luxurious. Grogie excels in display settings such as headlines, titles, branding projects, Logo design, packaging, magazine headings, advertising, short or long text. Grogie Features: Multilanguange PUA Encoded Alternates Ligatures. Open Type LatPro To be able to access alternative fonts, make sure the software you use can support opentype features such as Microsoft Word, Paint, Adobe, Corel draw, Cricut and other applications. If you need help, please contact me :)

Microbrew Soft is the latest addition to the Microbrew family. Microbrew Soft includes a wide variety of textures while retaining soft edges and clean outlines. With 27 individual styles plus an eclectic set of ornaments and catchwords, the possibilities are limitless when it comes to how many faces the font family can wear in your design. Microbrew Soft sports a nice mix between wood type poster style and vintage letterpress. The more detailed styles work well at large sizes, and the cleaner styles add legibility at smaller sizes. Microbrew Soft is an all caps display font, but the lowercase act as alternates so adding variety to your letterforms is as easy as mixing uppercase and lowercase letters. To add to the realism, Microbrew Soft includes double-letter ligatures. Opentype features include automatic fractions, subscript numbers, superscript numbers, and double-letter ligatures. Don't let the name fool you, Microbrew Soft is very versatile and works great for almost any subject matter, including weddings, birthdays, restaurants, coffee shops, music, and many more.

Every time I bring my youngest son to his swimming lessons, I need to show my Covid Vaccination Pass; a QR code on my phone. I thought that I would be off the hook after I showed it the first time, but no, not at the swimming pool! It feels a bit like a bad comic book, so I decided to name this comic book style font Identity Check. Of course, I should have called it Covid Vaccination Check, but that is just too much and it probably won’t sell. Who wants a font called Covid?? ;-) Identity Check is a comic book style font. The glyphs are wider than I am used to (it seems I AM capable of learning new tricks), but the effect is rather nice. Identity Check comes with extensive language support, including Cyrillic and Vietnamese. Plus two sets of alternate glyphs, that cycle as you type.

Green Fairy is a chromatic font family highly ornamented for display purposes. Green Fairy’s characters have been specifically designed to accommodate its loops and ornaments following a modern typeface structure. Green Fairy has four chromatic weights: 1. Green Fairy Outline 2. Green Fairy Dots 3. Green Fairy Stencil 4. Green Fairy Full The outline weight has been created as the base or structure for the other weights. You can combine these weights as well as add colours to obtain multiple effects and type styles. Green Fairy has also three combined weights (combos) to simplify your work flow, for these occasions when you only want to use one single colour in your font: 5. Green Fairy Dots Combo 6. Green Fairy Stencil Combo 7. Green Fairy Full Combo GREEN FAIRY ORIGINS The origin of this typeface is the lettering I designed in October 2015 as part of my illustrated cocktail artwork called “Absinthe. La Fée Verte (The Green Fairy)”. Originally, this lettering only featured eight letters “AB·SINTHE” vector drawn in Illustrator. Right after creating the full-colour artwork, I designed a fountain-letterpress print version of it, in collaboration with Ladies of Letters, A.K.A. Carla Hackett and Amy Constable from Saint Gertrude Fine Printing. At the beginning of 2016 –and thanks to the project @36daysoftype– I found the motivation, and most importantly the deadline, to draw the rest of the twenty-six letters of the uppercase alphabet using Illustrator. I started 2017 having my first two calligraphy courses sold out, so I took this amazing opportunity to devote myself to Green Fairy for a few months. In February 2017, I purchased the font software Glyphs and I started to re-draw all twenty-six letters of the uppercase alphabet again. PRODUCTION PROCESS Green Fairy started being one weight, but quickly turned into a layered/chromatic font. Things were going more or less fine till I arrived to the Dots weight: 1) I started drawing squares following a grid; 2) Then, the squares turned into diamonds following the same grid; 3) Then, the grid wasn’t working so well on the round letters so I tried randomising the position of the diamonds but it didn’t work; 4) So I went back to the grid, and this time scaled down the size of the diamonds creating a visual half-tone effect. I spent over four weeks working on the Dots weight and I felt like I was in the middle of a very long tunnel and I couldn’t see the light at the end. I encountered many other problems along the way but by June 2017, I felt I was back on track again. I kept working, tweaking, re-drawing and re-adjusting, and then the diacritics came on board… And then more re-drawing, re-tweaking, re-adjusting and then numbers… And then spacing, symbols, and currencies… And then more spacing, kerning, contextual kerning for triplets… In September 2017 I told myself “that’s it, I’m going to finish it now!” But guess what? More re-tweaking, testing, hinting, testing, rendering, testing… For those of you not familiarized with typeface design, it is extremely time consuming and it requires a lot of hard work, focus and determination. This project could not have been possible without the help of these generous professionals: Jose Manuel Urós, typeface designer based in Barcelona and my teacher twice in the past; Jamie Clarke, freelance letterer and typeface designer who has released a couple of chromatic fonts recently; Troy Leinster, Australian full-time typeface designer living and working in New York City; Noe Blanco, full-time typeface designer and hinting specialist based in Catalonia; And Nicole Phillips, typographer currently relocating from Australia to New Zealand. To all of you: THANK YOU VERY MUCH!

Honey badeta font duo Script is a modern calligraphy design, including Regular. This font is casual and beautiful with swash. Can be used for various purposes. such as logos, product packaging, wedding invitations, branding, headlines, signage, labels, signatures, book covers, posters, quotes, and more.

In 1912 Gerard Meynell, with J.H. Mason, Ernest Jackson and Edward Johnston, commissioned this large x-height typeface modelled on Caslon’s designs from Pierpont and the Monotype Corporation as the text face for The Imprint, a short-lived magazine about fine printing and typography.

Vintage (circa 1960s) packaging for Parker Cartridge Pen Erasers had the product description printed in bold stencil lettering featuring a squared look with rounded corners. This design has been recreated digitally as Marketing Stencil JNL, which is available in both regular and oblique versions.

The title on the 1925 sheet music for “By the Light of the Stars” was hand lettered in an eccentric Art Nouveau type style with varying character shapes and line widths. This is now available as Erratic Nouveau JNL in both regular and oblique versions.

The hand lettered titles and credits from the 1958 war film “The Young Lions” command your attention with a bold block slab serif type style. This design has been digitally recreated as No Entry JNL, which is available in both regular and oblique versions.

A bold, condensed slab serif face A July 9, 1935 trade paper ad for Paramount Pictures’ 1st quarter film releases sported hand lettering with chamfered slab serifs. This condensed type design is now available as Preferred Shares JNL in both regular and oblique versions.

Introducing the latest styles Brittensy script is a modern calligraphy design, including Regular. This font is enough with a sweep. Can be used for various purposes. such as logos, product packaging, wedding invitations, brand imagery, titles, signs, labels, signatures, book covers, posters, quotes, and more.

P22 Sparow is based on handwritten lettering executed with a fine-pointed steel "crow-quill" pen. Designed for use in small sizes of continuous text setting such as poetry. This style was originally designed for a series of hand-crafted calligraphic booklets in 1963.

Fioretta Millano – Stylish Signature and classy style, this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, photography, invitation, watermark, advertisements, product designs, stationery, wedding designs,label, product packaging, special events or anything that need handwritting taste.

This was originally brought out as a caps-only font, but later the foundry scrounged up a lowercase that wasn't our idea of a very good match. So we cleaned up the caps and made them a bit bolder, then drew a harmonizing lowercase.

A unique and stylized type design with Art Deco influence was found within the French publication “Modèles de lettres modernes par Georges Léculier” (“Models of Modern Letters by Léculier”). This lettering is now digitally available as Deco Wide JNL in both regular and oblique versions.

Wonderful Sunset - Beautiful Signature and classy style, this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, photography, invitation, watermark, advertisements, product designs, stationery, wedding designs,label, product packaging, special events or anything that need handwritting taste.

Osaka Chips is a unique all uppercase characters font equipped with extrude effects that make this font look more attractive and very suitable for a variety of funny needs such as chips packaging, snack and food packaging, quotes, needs of school children, and more.

Horror Metal is a brush font with a bold weight font that’s perfect for any horror or metal designs! As its name suggests, Horror Metal is not a font for the faint-hearted. In fact, using this metal-style display font requires courage and bravery.

The Dec., 1936 - Jan., 1937 edition of Radio Mirror offered up a condensed, hand lettered sans serif type design that - although an Art Deco style- is also somewhat futuristic in design. This is now available as Condensed Moderne JNL in both regular and oblique versions.

Dutch type designer Max Kisman created this display FontFont in 1990. The font is ideally suited for advertising and packaging and poster and billboards. FF Vortex provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional oldstyle figures.

Within the pages of the Pettingill & Co. (Boston) 1901-02 specimen book is Camelot Old Style – a thin stroke spurred serif typeface with traces of Art Nouveau influence. This had been redrawn digitally as Pettiford JNL, and is available in both regular and oblique versions.

Young Spirit is handwriting font with elegant and classy looks. This font will be suitable for projects such as branding design projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery and any projects that need handwriting taste.

Bettanesia – Beautiful Handwritten and classy style, this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, photography, invitation, watermark, advertisements, product designs, stationery, wedding designs,label, product packaging, special events or anything that need handwritting taste.

Clarendon is the name of a slab-serif typeface that was released in 1845 by Thorowgood and Co. (or Thorowgood and Besley) of London, a letter foundry often known as the Fann Street Foundry. This current design is a somewhat condensed version of the font.