Want to transport your audience to a world of wonder with your branding? Want your headings to spark happiness and engagement? Introducing Burnt Rose - A Modern Calligraphy Font. A modern and elegant handcrafted calligraphy font that’ll make your audience swoon and enhance your branding projects, printed materials, and website design. Every stroke and curve was created to capture the essence of elegance and style. Ideal for social media banners; posts, and ads, printed quotes, t-shirt designs, packaging, or even as a modern text overlay to any background image. Burnt Rose includes Ligature & Stylistic Sets as well as Multilingual Support to make your branding globally acceptable. Get ready to engage and captivate your audience with Burnt Rose. What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office KeyNote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

It can be a time-wasting process to find a perfect font for your projects that unfortunately may end in unexpected results as you want to stand out your unique designs without spending hours on searching the right font. For that reason, we would like to introduce you to Fresh Spirit. Fresh Spirit is a unique display font in round, twisting styles on the letters' edges. It is very suitable to apply for products related to food and drink especially fruit due to its fun, cute characteristics. Fresh Spirit font, which provides a clipart in line with the theme as a bonus, will create some soft, fun, adorable nuances and increase visual attractiveness to your designs. In addition, you can enjoy the available features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Fresh Spirit fits best for various design projects, such as brandings, headings, magazine covers, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Norfolk is a vintage-inspired font based on the styles found on packaging from the early 1900's. It evokes a genuine and timelessly crafted look from this period. Three styles are included in this family: Fill, Inline and Outline. The styles can be used together or layered to create a variety of vintage looks for any project. Norfolk works well as a header or title for branding, packaging or publications.

An ever so slightly off kilter sans-serif, Good Grief started as a digitization of a film typeface called Carmel by LetterGraphics. From there, this fun and friendly typeface was taken from its limited character set and fleshed out to a fully functional typeface. With the legibility of a text typeface, yet the personality of a display type, Good Grief - why haven't you gotten this fantastic font yet?

A condensed loose brush style. This font has a breezy elegance and casual sophistication, yet in a different context or color, it could be seen as nervous and urban. A weird dichotomy. Set in smallish text blocks, it has a surprisingly even color. This is due to a balace that has been struck between keeping the roughness and idiosyncracies of a hand-drawn face but ensuring an overall regularity.

The majority of the letterforms in this mono-case font are based on a little-seen titling typeface designed by Frederic Goudy. The lowercase positions contain alternate letterforms, so you can mix and match to obtain just the right look. Both the OpenType and Truetype versions of this font contain the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Camijo is a contemporary serif typeface with characteristic and defined features. This font was inspired by the idea of mixing different types of terminals in order to give the font a singular appearance. Its design is composed of diverse styles such as Didone and contemporary faces. Camijo comes with a set of 352 characters. This font was specially designed for branding, advertising, editorial design, and use on Tv and social media.

Rounded and bended slab that's why we named this font "Bandy" This font is great for you to use as a display font and is suitable for body text. cool anyway if you use it for your design and printing needs. Available in many languages, and open type features, supported with Latin and standard Cyrillic. Build with 14 fonts with 7 sizes with matching Oblique and 2 Variables

This set is inspired by the work of Vincent van Gogh. The alphabet captures the essence of van Gogh's handwriting style, using his extensive correspondence with his brother Theo as the primary reference. This lettering style presents a bold brush-stroke appearance which bears striking similarities to the painting style of Van Gogh. A full international charcter set is featured. The extras feature selected imagery from van Gogh's drawing and paintings.

This extra stout slab serif derives its inspiration from two Vincent Pacella designs: Pacella Barrel and Pacella Colossus. Essentially it’s an all-caps font, but there are biform variants of a, e, m, n and u, so you can mix things up to create more interesting headlines. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Michael Signature feels just as charming and elegant. This stunning Monoline script font is a stylish homage to classic handwriting. It features a varied baseline, smooth lines, gorgeous glyphs, and stunning alternatives. This font is PUA-coded which means you can access all the amazing glyphs and swashes with ease! It also features many special features including glyphs and alternate ligatures so that it displays natural and original handwriting.

The inspiration for MFC Westport Monogram was a heavily soiled vintage lettering & penmanship book which only listed this alphabet specimen as "Banker Tilted". The look and feel of this typestyle is reminiscent of old checks and cartography lettering styles, lending itself a wonderful sense of antiquity for any monogram or headline typeset with it. Download and view the MFC Westport Monogram Guidebook if you would like to learn a little more.

Hioganke is An Urban Script Font. This font was created to help you design logotypes with urban style for your brand or your clients, and also you can use it for designing all of the graphic stuff such as badges, signs, Esport, headlines, urban design, T-shirt/apparel, Poster, etc. This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!

Introducing "Sparkling Horizon" – a mesmerizing handwritten font that captures the essence of boundless creativity and shimmering elegance. With every stroke, this font evokes the sensation of glistening sunlight on the horizon, infusing your designs with a touch of radiant charm. Whether used for invitations, logos, or creative projects, "Sparkling Horizon" brings a sense of enchantment to your words. Let your imagination take flight as you create with this font.

The "Line" style of "I am online with u" font family was inspired by the idea of the digital connection of two people living in different parts of the world. Later on this idea was expanded, including different styles such as "Dashed" or "Dotted", which built the font family taking the initial idea to another level and keeping the connectivity concept alive. This typeface works best when used in big sizes.

Olive Wildheart is sophisticated script based on manual hand writing. This typeface comes with 2 style fonts which you can choose from. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

"With Lovely" is a very pretty handwritten font. This font has beautiful decorations in the form of love, birds, and butterflies. This font features uppercase, lowercase, alternative, swashes, titling, binders, numbers, punctuation, and multilingual support as well. The font decoration is very easy to apply, and there are also instructions for use in the preview. Great for weddings, Valentine's Day, invitations, stickers, birthdays, Christmas, winter, Easter, and so on.

KADISOKA SCRIPT The main font of this product with total 680++ glyphs! including open type features like ligatures, stylistic alternate, and lots of Stylistic Set. This typeface is based on manual handwriting which is very suitable for any design needs you have especially for script logotype project. KADISOKA SANS Neat and nice complemetary typeface which is perfect to combined with the kadisoka script font, or used as main font.

Tisk is a superb blackletter font. The Blackletter typeface (also sometimes referred to as Gothic, Fraktur or Old English) was used in the Guthenburg Bible, one of the first books printed in Europe. This style of typeface is recognizable by its dramatic thin and thick strokes, and in some fonts, the elaborate swirls on the serifs. Use this font for any crafting project that requires a personalized look!

Soul Leo ist a special Version of my font „Soul“ (soul ultra black). For a long Time i want to make a Font like this. Before FL6 that was impossible. I know it is a big File Size for a Font with all the Graphics but i need a Font like this for a LadyProjekt. And so i did it myself. I hope you like it as i do!

FormPattern Color Two is a dingbat font for creating borders, frames, lines, and patterns. It is made up of a versatile set of interconnectable shapes that can flow together to make lines, borders, and patterns. Try different letter spacing to connect the forms into a continuous pattern or to space them apart. Explore leading (line spacing) to create large areas of pattern. Work with layering and opacity to discover the color-mixing potential of this font. Web designers can use FormPattern to make unique horizontal rules. How does FormPattern work? Install is as a regular font and as you type you will get forms instead of letters. Most design software, such as Illustrator, InDesign, and Photoshop provide a glyphs palette where you can choose the precise form you want. Color fonts are supported by Photoshop 2017, Illustrator 2018, and QuarkXPress 2018 (and later versions). A solid uncolored font comes with every purchase and can be used in applications that do not support color fonts. It will appear black and can be colored in the usual ways. FormPattern Color Two is compatible with all other FormPattern fonts from Tarallo Design.

With its extended complement, this comprehensive redesign of Bank Gothic by Elsner+Flake offers a wide spectrum for usage. After 80 years, the typeface Bank Gothic, designed by Morris Fuller Benton in 1930, is still as desirable for all areas of graphic design as it has ever been. Its usage spans the design of headlines to exterior design. Game manufacturers adopt this spry typeface, so reminiscent of the Bauhaus and its geometric forms, as often as do architects and web designers. The creative path of the Bank Gothic from hot metal type via phototypesetting to digital variations created by desktop designers has by now taken on great breadth. The number of cuts has increased. The original Roman weight has been augmented by Oblique and Italic variants. The original versions came with just a complement of Small Caps. Now, they are, however, enlarged by often quite individualized lower case letters. In order to do justice to the form changes and in order to differentiate between the various versions, the Bank Gothic, since 2007 a US trademark of the Grosse Pointe Group (Trademark FontHaus, USA), is nowadays available under a variety of different names. Some of these variations remain close to the original concept, others strive for greater individualism in their designs. The typeface family which was cut by the American typefoundry ATF (American Type Founders) in the early 1930’s consisted of a normal and a narrow type family, each one in the weights Light, Medium and Bold. In addition to its basic ornamental structure which has its origin in square or rectangular geometric forms, there is another unique feature of the Bank Gothic: the normally round upper case letters such as B, C, G, O, P, Q, R and U are also rectangular. The one exception is the upper case letter D, which remains round, most likely for legibility reasons (there is the danger of mistaking it for the letter O.) Because of the huge success of this type design, which follows the design principles of the more square and the more contemporary adaption of the already existing Copperplate, it was soon adopted by all of the major type and typesetting manufacturers. Thus, the Bank Gothic appeared at Linotype; as Commerce Gothic it was brought out by Ludlow; and as Deluxe Gothic on Intertype typesetters. Among others, it was also available from Monotype and sold under the name Stationer’s Gothic. In 1936, Linotype introduced 6pt and 12pt weights of the condensed version as Card Gothic. Lateron, Linotype came out with Bank Gothic Medium Condensed in larger sizes and a more narrow set width and named it Poster Gothic. With the advent of photoypesetters and CRT technologies, the Bank Gothic experienced an even wider acceptance. The first digital versions, designed according to present computing technologies, was created by Bitstream whose PostScript fonts in Regular and Medium weights have been available through FontShop since 1991. These were followed by digital redesigns by FontHaus, USA, and, in 1996, by Elsner+Flake who were also the first company to add cursive cuts. In 2009, they extended the family to 16 weights in both Roman and Oblique designs. In addition, they created the long-awaited Cyrillic complement. In 2010, Elsner+Flake completed the set with lowercase letters and small caps. Since its redesign the type family has been available from Elsner+Flake under the name Bank Sans®. The character set of the Bank Sans® Caps and the Bank Sans® covers almost all latin-based languages (Europe Plus) as well as the Cyrillic character set MAC OS Cyrillic and MS Windows 1251. Both families are available in Normal, Condensed and Compressed weights in 4 stroke widths each (Light, Regular, Medium and Bold). The basic stroke widths of the different weights have been kept even which allows the mixing of, for instance, normal upper case letters and the more narrow small caps. This gives the family an even wider and more interactive range of use. There are, furthermore, extensive sets of numerals which can be accessed via OpenType-Features. The Bank Sans® type family, as opposed to the Bank Sans® Caps family, contains, instead of the optically reduced upper case letters, newly designed lower case letters and the matching small caps. Bank Sans® fonts are available in the formats OpenType and TrueType.

Introducing the latest font Syarlina Script with a kind of modern hand scratches, I hope you are interested in this font. It can easily and simply be used because there are a lot of features in it: Syarlina Script contains a complete set of lower and uppercase letters, assorted punctuation, numbers, multilingual support and also several ligatures and alternate style Stylistic. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. And there are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw This Font has given PUA unicode. Thank you for your purchase!

The Neonica Toolbox - a complete collection to creating awesome neon designs! This is a complete collection which included the fonts, decorations, illustrations, Adobe Photoshop styles and HQ background textures as brick or rusty grunge walls. Create awesome graphics for few simple steps! VV Neonica contains mono lined sans, volumetric sans with inline font option and mono lined script. Also, you'll get the decoration and illustration fonts. Create your own neon signs or add the decoration to your neon graphic. The illustration font has one color or up to three color options. That mean you'll be able to create a full color neon illustration graphic for few seconds! Also, the Neonica Collection comes with Adobe Photoshop styles file (.ASL). Just add it into your Photoshop and get 19 neon colour realistic effects. This file works with any Photoshop versions. As a desert you'll get 6 HQ JPG (4000x4000 pix; 300 dpi) background textures. All the additional materials (Photoshop styles, PDF Guide and Textures) you'll can get here Enjoy!

Silent Noise has two font types, namely serif and handwritten script with a thin size, adding to the impression of elegance and class, both of these fonts have a subtle touch Silent Noise is versatile enough to add an elegant element to almost any project that requires a special touch of class.,perfect for casual type on greeting cards, illustrations, quotes, old branding, cover books, social media posts, packaging and many others :) Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded WHAT'S INCLUDED Silent Noise Serif Silent Noise Script Once you download this romantic, handwritten font duo you will be able to start creating straight away. Enjoy! We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. This type of family has become the work of true love, making it as easy and fun as possible. I really hope you enjoy it! Thak you.

Introducing Gingersans, the typeface that's basically a font party in 12 different weights! Imagine a font that's not just a font but a personality chameleon, smoothly transitioning from easygoing and polite in the regular weights to downright wild and fun in the bolds. It's like having multiple distinct characters living in one seamless universe. The design? Oh, it's calligraphy meets sans serif – the rebel child of fonts. The curves are having a party of their own; they go wild on the Black, get too cute on the Hairline, and throw in some artsy politeness on the Regulars. It's a typographic adventure that keeps the vibe consistent, whether you're going Hairline, Regular or Black. And here's the best part – Gingersans is not just a font; it's a variable font too, with a weight axis to cater to your every design mood swing. Get ready to fall in love with the font that's as versatile as your ever-changing design whims! 🎉✨ #Gingersans #TypefaceMagic

FWD Egyptian Tower is a designers stack-able Display family best purchased as one package. The four versions can be manipulated in your favorite graphics or sign making application to achieve the different effects as shown in the font family ad designs. All fonts are tightly spaced and are very often intentionally overlapped creating a balance for each very unique wider bottomed character. Being stack-able, the designer can duplicate the original text layer and by changing the font on the lower of the two layers to another of the family can then add another available effect. This can be repeated to add other of the available effects. Then by converting the text of the lower text layers to curves or outlines and welding the characters of the words together, the overlaps can be eliminated. This process is fairly common practice for a graphic designer and quite easy once done a few times.

Introducing our new typeface, Braston - A modern, unique and decorative serif typeface that comes with a binder and alternative characters that are perfect for creating variety in your designs. Braston is a mix of sweet curves with lowercase sets and strong impact fonts for uppercase sets making it even more elegant this typeface will allow you to create stunning and original layouts for print and web, Branding, Logo Design, invitations, quotes, blog headers , posters and advertisements. use it endlessly. Features • Full set of uppercase, lowercase letters • Ligatures • Alternates • Numbers, symbols & punctuation • Characters with accents • Supports Multiple Languages • PUA Encoded WHAT’S INCLUDED • Braston – Regular This type of family has become a work of true love, making it as easy and enjoyable as possible. I really hope you enjoy it! I can't wait to see what you do with Braston! Feel free to use the #Dora Typefoundry tag and # Braston font to show what you've done Thank You!

Black Quality is an elegant and certainly cool Black Letter styled font family. The process of making this font from sketching to the final file takes up to 5 months. Black Quality can be used as a font layer but can also be used alone without a layer, many styles that you can combine from the outline to the Rough style. Black Quality is perfect for Victorian, Classic, Elegant and vintage designs. This font is very well used for design wine, packaging, beer logos, tattoo studios, and more. Besides you get letter fonts you also get "BONUS" ornament sets in the form of font formats. You can combine all ornament elements as in the Black Quality font display. For those of you who like to collect or have design projects that are victorian, black letter or awesome designs, you must and must have a Black Quality font on your device. Best regards Alit

Now is a great time to dust off your old motor scooter and take a ride along the Italian Riviera. Let’s head to the flower city of San Remo, Italy - the namesake for this versatile, 1950s style script. Try San Remo on your next brochure or flyer project. You may want to consider using it to create a special logo or icon for your personal stationery. It’s perfect for any job that requires linked or connected letters. And for your convenience, this dashing design sports a variety of alternate characters plus lining and old style figures. San Remo Casual is also available as an OpenType font. It contains lining and oldstyle figures, prebuilt fractions, stylistic alternates, and a wide assortment of f-ligatures, plus more. These advanced features currently work in Adobe Creative Suite InDesign and Illustrator. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades. Ciao!

The inspiration source for MFC Phonograph Monogram is a vintage monogram specimen named “Kent” showing only a CBA sample. It was a style I could find no other reference for, but was desperate to recreate this record like styling of monogram. Finally, it all comes to life in MFC Phonograph Monogram. I even threw in a little dog and phonograph icons hidden in the font as decorative icons reminicent of old Victrola records. Phonograph Monogram supports two and three letter monograms, although the two letter style break from the circular record design and creates a zulu style shield design. MFC Phonograph Monogram uses the Ligatures feature, available in most OpenType savvy applications, such as Adobe Illustrator CS (see Fig. 1). The Ligatures feature is typically enabled automatically, but you may need to confirm this in your program if you are not certain. If any second lowercase letter typed does not automatically switch to form the right side of the rounded form, you do not have Ligatures enabled.

WELCOME ! New Mastura Script Font. This is modern sleek typography with a delicious flow. Mastura Script features alternative characters, including a start, end, and terminal binding, and International support for most Western languages ​​is included. This one will instantly make your designs professional and jaw-dropping! Become the perfect professional in a minute and start creating modern designs like ads, sales, logos, brands, posters, social media text overlays today! To activate the Stylistic OpenType alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later. and there are additional ways to alternate / swash, using Character Map (Windows), Nexus Fonts (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Thank you for your purchase!

Introducing **Valrepozix - Esport Font* This Font is a delicate, elegant, and flowing handwritten font. It has a beautiful and well as unique blend of ligatures a letter, so the authors compose it with a little swirly embedding so that a modern font is formed and ready to make a statement by adding an elegant and unique flair to your next design project. Add it to your most creative ideas and notice how it makes them come alive! This Font can be used for various purposes such as Magazine Title, Posters, Logos, T-Shirt, Sub Title, Business cards, Magazines, Book Covers, Wedding Invitations, Templates Instagram Story Post, Greeting Cards, Quotes, etc. **FEATURES** - Uppercase and Lowercase letters - Numbering and Punctuation - Multilingual Support - Works on PC or Mac - Simple Installation - Support Adobe Illustrator, Adobe Photoshop, and Adobe InDesign, also works on Microsoft Word Hope you Like it. Thanks.

What is the right font to beautify your designs? Brighter Sunday is the answer. Brighter Sunday is a duo font mixture of script and serif font from which you can either combine as a set of beauty or separate a part based on their own beautiful style. The curves and strokes resembling a handwriting style on the script expresses elegant, natural vibrations. In addition, the serif style weights will leave strong, modern impressions to all of your designs. Enjoy the interesting features available on this font. Features: Ligatures Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Brighter Sunday fits for any design projects, such as posters, banners, logos, invitations, magazine covers, quotes, headings, printed products, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks a lot for purchasing our font. Happy Designing.

Marellax Script combines Retro, Hand lettering and a very bouncy baseline. Every single curve received a personal touch. I hope this can inspire you for your designs. Marellax has a perfectly paired complimentary marker font and a super handy set of bonus Swashes. All this makes Marellax ideal for logos, handwritten quotes, product packaging, headers, posters, merchandise, social media and greeting cards. Marellax Script features: Basic Latin A-Z and a-z Numbers Symbols Stylistic Set Ligature PUA Encode Multi-lingual Support To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. There are additional ways to access alternates, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). If you have any question, don't hesitate to contact me by email pointlab23@gmail.com

The Kennedy family is a completely original design, inspired by lettering discovered by George during his exploration of 16th century cartography, some years ago. The charm exhibited by these beautiful artifacts is as much reflected in the letterforms they employ as in the drawing style or content they present. After familiarizing himself with the offerings of the various printing centers of that period, George began work on a design which he called Marconova. This design continued to evolve until it began to take on the look of Dutch Oldstyle typefaces of a later period. At this point George re-christened his work-in-progress Kennedy, and added the Book, Book Italic and Small Cap companion typefaces. Only a small trace of its design ancestry is evident in the resulting typeface family. There is enough, however, to make them a unique entry in the collection of distinguished contemporary designs.

MMC Insignia, is an Iconic & Emblematic Neogothic Geometric Capitals Display… Assembled by Trivial Squares and Diagonals Symbols Pattern from a puzzled grid Aftermath!! Includes Stylistic Alternates!! +Extra Monospaced Figures. In 22 styles, with Obliques, both for single display and layer Typesetting, plus OpenType Features & Bonus Blocks Fonts! MMC Insignia is a Small Caps Typeface, which default lowercases character set is included in the Pro family, its cursive version, apart from it, has also Exclusive Stylistic Alternates… Its atmosphere stands by on both Corporative to Decorative, Modern, Fashion, Federalist, Bohemian, Romantic, Ludic, Treasured Look, Etc. This Display font-family is the result of the repeated applications of this unique infamous Icon or Symbol, of two counterpointed triangles, implicit as hourglasses, in order to compose an innovative and unprecedented typographic pattern and modulation concept through the letterforms, in an extremely Geometric style. The Graphic Sign used throughout this type, is a remarkable trend used already in Logos of different businesses, whose most famous case refers to a famous International Bank, which doesn’t need to be mentioned, as it is instantly associated! This characteristic innovation was the main motivation while creating this type. Usage Suggestions: Type Fancy Titling texts, Display Remarkable Logos, Branding Projects, Labels, Emblems, Fashion Patterns, or in everything Noble and designed for Excellence as a type of Insignia, or distinguished marks and attributes of Royalty and Power!! That’s also forwardly, the reason why it was named MMC Insignia… TIPS: 1-Combine styles into innumerous possibilities of Chromatic Typesetting, by ‘central pasting’ layers… You may dislocate layers for improvisations! 2-USE BLOCK “FREE-STYLES” 1 & 2 also to add default 3D! Change 3D directions by switching Block 1 to Block 2, that way you can Zig-Zag words and lines. *Also shift the block layer up to bottom limit, it makes the 3D direction turn upside down. Greetings! André, MMC-TypEngine.

The Aviano series returns, refined and sophisticated with an extended, high-contrast sans-serif family. Aviano Contrast is a contemporary typeface radiating with luxury. It's classic elegance makes it perfect for high-end applications such as cosmetic, jewelry or fashion brands. Aviano Contrast's extended forms give the face a smart look, and the curves are carefully honed to be sinuous and seductive. This high-contrast face is in a class of its own, composed in the style of a classic Didone but lacking the typical serifs. Aviano Contrast comes in six different weights and is packed with OpenType features. Need swash forms? Ball terminals? Art Deco alternates inspired by the inscriptions and signage of the '20s and '30s? Aviano Contrast includes 230 alternate characters. Twelve style sets are available, including four complete sets of art deco-inspired alternates, small forms, swash, titling and a wide array of other alternates to make your designs unique. As a complement to these characters, Aviano Contrast also includes 40 discretionary ligatures for artistic typographic compositions. Please see the informative .pdf brochure to see these features in action. OpenType capable applications such as Quark or the Adobe Creative suite can take full advantage of the automatically replacing ligatures and alternates. This family also includes the glyphs to support a wide range of languages. The rest of the Aviano series pairs very well with this face. These include Aviano, Aviano Serif, Aviano Sans, Aviano Didone, Aviano Flare, Aviano Future and Aviano Slab.

As as a computer programmer, it is my job to stare at screens of text all day. For my first font, I completed a simple monospaced font, Debug, based on my own handwriting. Mickey Mono is much more ambitious: I wanted a humanist design - something with organic curves. It had to be clean and fresh. It had to have the advantages of Debug, like distinctive numerals (to distinguish between 8 and 3) and huge punctuation characters (so I could read complicated Perl one liners). Mickey Mono would be a good friend to me as I struggled through difficult coding tasks. It has a wide range of Latin Extended characters and diacritics, so it can speak French, Portuguese, and Ruby. Enjoy!