Chonky is a bold script font based on English calligraphy but with touches of the vitality that the commercial lettering of 1950s had, and it is mostly inspired in the work of the master Doyald Young and his lessons. Its rounded terminals, friendly look and heavy weight make Chonky a perfect option for advertising, packaging and visual identities. In the Regular font, the ascenders, descenders and capitals are the shorter they could be; while in Poster, they are larger, in order to achieve more graceful forms. Both options include stylistic sets and ligatures to embellish the words. Use professional software that widely support Open Type features. Otherwise, you may not have access to some glyphs. Keep the Standard Ligatures and Contextual Alternates features always active. For further information about features and alternates, see the User Guide Chonky has extensive Western, Central and Eastern European language support. Enjoy!

Introducing Heaven Of Love font, a multi-faceted typeface, with a beautiful and inspiring mix of classic calligraphy and modern serif, with 3 different styles, minimal elegant serif Regular, Italic, and Hybrid mix between Calligraphy and Serif With a total of 86 unique Ligatures, 26 uppercase Alternates, 32 lowercase Alternates, and easy to access Heaven Of Love font is perfect for creating headlines, titles, quotes, advertisements, logos, branding, magazines, websites, wedding invitations, and classic and vintage designs There is beauty when you use a font with the Hybrid version, with a stunning blend, of course, it will make your design look more beautiful, bringing a touch of luxury to every plan you make. Heaven Of Love Features Fullset of standard alphabet, number & punctuation 86 Serif Ligatures 26 Calligraphy Uppercase Alternates 32 Serif Lowercase Alternates Multilingual Support Over 90 Language If you have any questions don’t hesitate to contact us

Introducing Portfield; A strikingly versatile and charming brush script font, hand-brushed with care. With organically flowing letters and a real brush pen texture, Portfield provides a perfect balance of casual yet captivating lettering for your design projects. Porfield was created as a 'go-to' brush font, with the ability to slot right in to a wide range of projects and instantly add a touch of personality and warmth. It lends itself perfectly to commercial lettering and suits large display text for advertisements, product packaging, branding, logos, invitations and merchandise. Portfield includes two sets of each letter provided in the 'Regular' and 'Alt' versions, along with 15 ligatures, allowing you to recreate a custom hand-lettered aesthetic. Portfield supports the following languages; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian

Introducing the new Marvella Modern & Classic Ligature Typeface!!! Marvella is a luxury and glamour serif typeface.Marvella come with 2 versions, regular & Italic. This font is both modern and nostalgic and works great for logos, magazine, social media. Already matched up and ready to be used together for your next design! For those of you who are needing a touch of elegant, stylish, classy, chic and modernity for your designs, this font was created for you! Perfect for editorial projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image. No special software is required to type out the standard characters of the Typeface. To access the Opentype Ligatures, you will need software that supports Opentype features in fonts. Current Language Support : Danish, English, Finnish, French, German, German (Switzerland), Norwegian Bokmål, Norwegian Nynorsk, Portuguese, Spanish, Swedish, Swiss German.

PunkRocker is a bold condensed sans-serif with three versions and plenty of attitude. PunkRocker is awesome for creating strong tight square text boxes that scream for attention: it’s ideal for movie posters, single covers, as a supertool for fast graphic design. PunkRocker has three versions: Regular which is “clean”, Rough which has the worn-out appearance of a punk-poster or a gig poster that has been outside too long, and Stamp which has rugged outlines and print texture inside characters. Textured versions of PunkRocker have double characters for every standard character: Contextual Alternates will automatically replace any double letter with alternate that has different texture to avoid repetition and keep the appearance more authentic. You can also access these alternates by turning on Stylistic Alternates or via glyph palette. PunkRocker is PUA encoded so you can access extra glyphs in most graphic design softwares.

Lovebright is an expressive, untamed handwritten font, with exaggerated descenders and loops. It’s an engaging and charming choice for signature style logos, personable branding, display text, handwritten quotes & letters, and blog/social media posts. Lovebright includes a full alternate set of upper & lowercase characters, included as it’s own separate fonts. Use the alternate characters for a different text layout, or mix with the regular version to avoid repeating letters and recreate naturally inconsistent handwriting. Lovebright also includes 22 ligatures, these double letter combinations will help letters connect and flow more naturally. The ligatures will automatically generate when using the Lovebright fonts with most software. Please get in touch if you need any help with these. The Lovebright fonts contain language support for; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian.

Meets Glaw, A new carefully crafted Fonts from Ilham Herry to bring a new heavy look of Psychedelic Theme. The Ideas of this fonts are from 70s, Psychedelic, Funk, Hippie, Party, Music and Etc. Even though it’s a specific theme for this fonts. It doesn’t ruled out the possibility of creating a new style or themes. Glaw Created with a 3 Weight on the traditional OTF, Condensed, Regular and Expanded. Not Just that, If your software are support for Variable Fonts like Adobe Illustrator or Photoshop, The Weight are going to 100 Weight!. Glaw Best used for a Large Text such as Headline, Poster, Branding, Logos, Concert, Branding and Any other use that needs a Heavy looks for the Title. Our creation on the display to give you a reference what it looks like on your project. It shows that how Glaw will look on your design style.

Proudly present Hyper Bleach - Liquid Type, created by ikiiko. Hyper Bleach is a flowing and expressive hand-drawn font that perfectly encapsulates the urban culture and modern style. This font gives a feeling of movement and fluidity. Urban and trendy fashion brands love the distinctive and edgy aesthetic offered by flowing font designs. When placed over the image, the letters stand out as they appear dry dripping in wavy lines. For a fashion-forward company looking to establish a distinctive visual identity, this font style is perfect. Its fluid design adds a dynamic and eye-catching touch to logos, titles, and headlines. This type is very suitable for making a streetwear brand, poster or magazine layout, fashion design, urban style, quotes, or simply as a stylish text overlay to any background image. What's Included? 2 Weight: Regular & Rglossy Uppercase & Lowercase Numbers & Punctuation Multilingual Support Works on PC & Mac Enjoy our font.

Ondine is one of the early typefaces of Adrian Frutiger. It looks as though it were written with a broad tipped pen, however, Frutiger actually cut the forms out of a piece of paper with scissors. The forms of Ondine are reminiscent of the humanist period, the high point of the Italian Renaissance text typefaces of the 15th century. This movement was centered in Florence, the base of the Humanist movement overall, and the home of a famous type school of the time. The main goal of the educated writers was to faithfully recreate the writing of the admired literary works, whose aesthetic was as important as their content. Ondine displays a regular and open character. Texts set in this typeface give the impression of being hundreds of years old. Ondine should be used in point sizes of 12 and larger and is best for short texts and headlines.

Discover the elegance of Walkway Font, a stunning handwritten signature script with a natural flow. Whether you're a photographer, brand designer, or simply looking to add a touch of sophistication to your projects, Walkway Font is the perfect choice. It is versatile and can be used for various purposes such as watermarks, social media posts, advertisements, logos and branding, invitations, product designs, labels, stationery, wedding designs, and product packaging. With its full set of alternate characters, Walkway Regular offers endless creative possibilities. As a bonus, you'll also receive the Walkway Bonus, which includes ornamental vector graphics to enhance your designs further. This font provides multilingual support, catering to a wide range of languages including Afrikaans, Albanian, Catalan, Danish, Dutch, English, Icelandic, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Polish, Indonesian, Zulu, and more. Its extensive language support ensures that you can communicate your message effectively to diverse audiences.

Ryo Gothic is a new Japanese sans serif (or gothic) kana typeface design. Created by Adobe type designer Ryoko Nishizuka , the typeface has a bright and speedy calligraphic touch and can be used to compose readable body text, as it gives a calm and well-controlled color to the typeset page. Supplied in OpenType format, each Ryo Gothic font includes hiragana, katakana and some punctuation marks and should be combined with the kanji and other glyphs in existing Japanese gothic typefaces that contain full character sets. This typeface family is available in seven weights--extra light, light, regular, medium, bold, heavy, and ultra heavy--which allow end users to select the best-matching weight for their favorite full-set Japanese gothic typeface. Creative professionals using the Japanese version of Adobe InDesign may use that program's Composite Font tool to easily combine Ryo Gothic with other typefaces.

Introducing Fika Display Typeface Fika is bold, fun typeface that contains 4 fonts to enchant your next project. They are loaded alternate glyphs, ligatures and multilingual support. Very versatile fonts that works great in large and small sizes. Fika is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase, lowercase, numeral, punctuation & Symbol Regular Outline Lines Rough Alternate glyphs Ligatures Multilingual support How to access alternate glyphs? To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out. Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Welcome to Ciroya, a typeface universe full of passion and fun! Ciroya is the answer if you want a strong, bold, and vivid style for your projects. Ciroya is available in three different styles: regular, outline, and shadow. You can use this to create effects that suit your vision, such as colorful to lighter outlines or shadow effects. But wait, there's more! Ciroya also has a plethora of other ligatures and characters, allowing you to express your creativity and create genuinely unique and spectacular designs. Ciroya, of course, supports several languages, allowing you to engage with audiences worldwide. Make Ciroya your top choice for projects that require a playful, playful look. Let your message be combined with Ciroya's carefree touch and make an unforgettable impression. With Ciroya, every word becomes more vibrant and colorful. Explore your creative potential right away with this fun font!

Mogila is a display font with a touch of style that's cheerful, elegant and strong. So it is suitable for use in product design and appearance, both in modern or vintage designs. OpenType feature with several alternative characters that allow you to mix and match letter pairs to suit your design. Mogila also includes 4 different styles, namely Regular,Italic, Bold and Outline which are made with different styles but still have the same characters. Mogila is included in a display font so it is very suitable for use in titles, poster products, logos, book menus, websites, books, t-shirts, posters, book covers, labels, business cards, branding, print templates and many other designs according to your needs. Mogila includes a complete set of upper and lowercase letters, as well as multi-language support, punctuation, ligatures and alternatives. Thank you very much for looking and Enjoying it!

Asper Crown a strong and bold sans serif with a touch of vintage look and feel. Comes with 38 bonus hand drawn illustration in vector and free 12 premade logo. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Regular & Stamp version 38 hand drawn illustration 12 premade logo uppercase & lowercase numbers and punctuation multilingual alternates / swashes and ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/ Email us to letterhend@gmail.com if you need something! Happy Designing!

Font is the most important design element to increase your branding. However, it may be tricky and take quite a while to figure out the perfect font for your design. Resting is a perfect display serif font for any of your design projects. Serif font is a font type with sticky small lines on the letters’ edges expressing formal, classic nuances and more aesthetic, creative touches due to the display font combinations. This display font has thick, high contrast lines perfect for catching attention and creating firm impressions. In addition, use this font for big text sizes for a legibility reason and make use of the other interesting features to beautify your designs. Features: Stylistic Sets Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Resting fits best for various design projects, such as brandings, posters, banners, logos, magazine covers, quotes, headings, printed products, invitations, name cards, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Tejuela (Spanish for “Wood Shingle”) is a neoclassical type inspired by the wooden architecture of the ancient churches of Chiloé, an archipelago in southern Chile; which are World Heritage Sites. This typeface has rough and broken forms but with soft strokes. The neoclassical characteristic of Tejuela is due to the architecture of these temples, which belong to this style but adapted to wood with excellent quality and ingenuity by Chiloé builders using a material available in the area. Therefore, this typeface reflects the tradition of the fonts of that period, but adapted to the coarseness and warmth of the southern wood of the world. Tejuela is useful for extensive texts in literature, history, art and heritage; as also for short and large phrases in headlines according to the occasion. Tejuela has eight variants in Roman and Italic versions, with small caps, Old Style and Lining numbers, ligatures, alternative glyphs, fractions, among other OpenType features; special mention to the capital letters Swash of the italic versions, which serve to generate delicate compositions. In addition, it has two stylistic sets to compose border ornaments inspired by the Chilota Architecture: colonnades and corners, only using the numbers on the keyboard; it is important that the line spacing has the same value as the font.

Trump Gothic is a reconception of ideas from Georg Trump's seminal 1955 Signum typeface and its later reworking (Kamene) by Czech designer Stanislav Marso. Originally cobbled together for a variety of film projects in the late 1990s and early 2000s, the Trump Gothic family was made available for the general public in 2005. Shortly thereafter, it became a common sight in movie credits, on posters and magazine covers, in fashion branding and on corporate web sites. Though countless attempts have been made to emulate it, its unique totality and attractiveness to layout designers was never really topped. Its appeal is largely due to its double-duty toolbox: An economic functionality that allows it to pack large amounts of information in small spaces, and a clear, modular aesthetic that gives it the ability to emphasize short text in large sizes, all without sacrificing legibility or giving in to dated or over-rehashed industrial gothic forms. The typeface was redrawn, refitted, optimized and greatly expanded in 2013, and the result is Trump Gothic Pro, a multiscript family of six fonts, each containing over 1020 glyphs and a wealth of OpenType features, including small caps, caps-to-small-caps, stylistic alternates, unicase/monocase alternates, fractions, ordinals, class-based kerning, and support for Latin, Cyrillic and Greek locales.

Litza is a layered, condensed, all-caps cross stitch display type family. It is made up of 10 layers that show different stages of stitching and can be stacked, moved around, and coloured separately in order to create interesting effects. The ten layers come in 3 weights; Light, Medium, and Bold. The 3 weights can also be mixed with one another to create a vast range of combinations when stacking the layers. Litza has multilingual support and includes glyphs for a wide range of Latin and Cyrillic languages. The family also contains a set of ornamental borders and over 80 decorative symbols in the shape of various animals and objects. Combining the various Litza layers allows you to create eye-popping, intricate, experimental typographic compositions that are rich in detail - with ease. The condensed, geometrics sans-serif letterforms and playful nature of the Litza layering system give a contemporary feel - while at the same time retaining a nostalgic and tactile quality due to its reference to traditional needlework techniques and patterns. Ideal for use at larger point sizes where the unique, stylish effects can be best expressed - Litza will add a touch of intrigue and work best in headings and emphasised text for poster design, editorial design, packaging design, and motion design.

BF Konkret Grotesk Pro, designed by Guido Schneider, is a contemporary grotesque with a straightforward style – but a very individual touch. Inspired by classic grotesque typefaces, Konkret Grotesk Pro impresses with its unique character and rhythm: It’s elegant and edgy, flexible and forceful. The Pro family supports up to 220 Latin-based languages. Each of the 16 fonts contains more than 1500 glyphs, including small caps, 7 figure sets, fractions, many ligatures, currency symbols, alternates, special characters and other useful symbols. 11 style sets give you the option to individualize and adjust the typeface to the requirement of your design, without changing the general visual feeling. In this way you can also switch the simply slanted styled Italic into a “real Italic”. BF Konkret Grotesk Pro is a typeface family that can adapt to many requirements without losing its character and expression. The range of 8 weights provides all possibilities. Due to the lovingly designed details, Konkret Grotesk Pro works both in small sizes as well as in display applications. Thus, Konkret Grotesk Pro is ideally suited for contemporary and demanding typographic tasks, both in the fields of editorial design, branding, posters and advertising. (The new Pro edition is the extended and optimized version of the previous BF Konkret Grotesk.)

Bradley Texting: a clear, friendly and easily legible calligraphy font, also suited to electronic devices With Bradley Texting, Richard Bradley has published another calligraphic typeface that recalls the style of Bradley Hand and Bradley Type. In this case, however, Bradley has advanced the style with clearer forms for display on electronic instruments and on other formats. Two other font families paved the way to the newly introduced Bradley Texting. In the mid-1990s, Bradley published Bradley Hand, with its rough contours. Since these coarse forms do not cut a good figure in the larger font sizes, Bradley Type followed, with smooth letters. During the development of Bradley Type, the idea for a further font came about ? one in the style of the two other calligraphic typefaces, but with simpler, easily legible forms and suited to electronic devices like mobile phones or tablets. The letters for Bradley Texting began with a marker on paper. Looking back, Bradley describes one of the biggest challenges as having the calm required to draw the relaxed-looking letters repeatedly while still making them fit the general style.The somewhat narrow and dynamically designed letters have round line ends, like those left by a felt-tipped pen. As a hand-written print font, the individual letters are not connected to one another. Nonetheless, they demonstrate the influence of a written font, such as the extended ends and the flowing transitions. Clear forms with open counters and a large x-height guarantee Bradley Texting good legibility in the smaller font sizes. Bradley Texting is also effective under more challenging conditions, such as on mobile phones, e-book readers or tablets; the fonts friendly and lively character comes through. With Regular, Semibold and Bold, Bradley Texting is adequately equipped for use as a headline or text font in various sizes. The selection of characters covers the Western European languages and German typographers will be happy to note the presence of the upper-case ß. Use the dynamic and clear forms of Bradley Texting anywhere you need a friendly character with a personal accent. Bradley Texting is persuasive in the print realm, in advertisements or on posters, as well as on electronic devices.

CHARACTERISTICS The font name is a pun on the Ger­man word "Kitt­chen" (English prison/jail) and the English "Hell’s Kit­chen". The cha­rac­ter of the font looks as though the scum here — the guilty and inno­cent pri­soners carved/scratched their signs and mes­sa­ges at the pri­son walls of their jail cell. The cold, creepy and scratchy cha­rac­ter of the hand­writ­ten type­face is a very uni­que gloomy atmosphere. APPLICATION AREA The scary, dark, hor­ror, trash, hand­writ­ten script font "Hells Kitt­chen Devil God" with many symbols/dingbats would look creepy good at rusty dis­play size for head­lines. Maga­zi­nes or web­sites, movie pos­ters, music covers or webbanner. TECHNICAL SPECIFICATIONS Head­line Font / Dis­play Font / Trash Script "Hells Kitt­chen Devil God" Open­Type Font with 375 gly­phs — many symbols/dingbats, alter­na­tive let­ters and liga­tures (with accents &€) & 2 style (regu­lar, bold)

Metrika is a sans serif font inspired by the trends of technology. It's works perfectly for headlines, logos, posters, packaging, T-shirts, postcards and many more. It includes full set of uppercase and lowercase basic characters, multilingual symbols, numerals and punctuation (check the previews in order to see them all). Weight: extra light (200 pt), regular (400 pt), bold (700 pt), outline (400 pt). Style: plain, oblique. Latin-based Language Support (You can check your language typing characters in text box below). A summary of what's included: Metrika extra light (otf) Metrika extra light oblique (otf) Metrika regular (otf) Metrika regular oblique (otf) Metrika bold (otf) Metrika bold oblique (otf) Metrika outline (otf) Metrika outline oblique (otf) Happy creating!

The characters of Skagwae have no curves, just straight line segments. The letter shapes themselves are fairly standard, but the choppy line segments used to construct them give the fonts a crude, unfinished look that is highlighted at large point sizes. At small point sizes the fonts are surprisingly legible. The family has nine styles. The regular, bold, italic, bold italic, shadow, and shadow inside styles are proportionally spaced. Shadowinside is very similar to regular but is spaced to be used in a layer with the shadow style. SkagwaeMono-Regular and SkagwaeMono-Bold are monospaced versions of the family. A third monospaced style, SkagwaeMono-Rippled, is a distorted version with squiggly lines full of curves.

rishgular is inspired by a regular weight, is a unique sans serif font with display character. rishgular is include with tech characters

David Farewell is a decorative flare-serif typeface family with medium contrast. It has four styles: regular, bold, italic, and bold italic.

Cherry Hill Regular is based on a late 20’s font modernized for the digital age- but still retaining it’s nostalgic glory!

Wilton's "Benjamin-Regular" is a delightful twist on a classic - reminiscent of Franklin Gothic, Helvetica and Frutiger with it's own contemporary twist.

Tushi is a handmade fontface with twist in two styles: regular and italic. Tushi is recommended for use as a display typeface.

Intertitle cards from a 1942 newsreel inspired the like-named Newsreel Text JNL, which is available in both regular and oblique versions.