This new high-contrast serif display typeface comes along with so many alternate characters featured. Breland has both beauty and bold looks over the whimsy swash and firm curves, that it will be perfect for display purpose, branding, web, editorial and prints.

Vario is a bold brush-based design. Created by the renowned type designer and calligrapher, Hermann Zapf, Vario offers superb emphasis for use in headlines and displays. It is availble in both regular and italic styles. Vario was first produced in 1982.

West Yard is a bold, western looking display font. Whether you are using it for cartoon-related designs, children’s games, quotes, titles, brand names, book covers, posters, or just any creation that requires a touch of beauty, this font is a great choice.

“Corbitt” is one of the many designs found within the pages of the 1907 Inland Type Foundry specimen book. A bold spurred serif with Art Nouveau influences, it is now available digitally as River Terrace JNL in both regular and oblique versions.

Beatles is an elegant and natural handwritten font style, with features ending and beginning alternate and some ligatures. Beatles have 2 font style, Regular style and Bold style, this font will look perfect for poster design, invitation card, advertisement and many more.

Black Elliot is a bold Brush font. This font perfect for poster design, book covers, merchandise, fashion campaigns, newsletters, branding, advertising, magazines, greeting cards, album covers, and quote designs and more. Features: - Uppercase - Lowercase - Numbers & Symbols - International Glyphs - Alternative Uppercase - Alternative lowercase - Swashes

Fattty is a chunky fun font with plenty of wobbly bits. It's perfect for bold brands and funky projects. It's friendly curves are a great fit in kids books or on chubby posters. But remember, say it loud I'm fat and I'm proud!

Bomerch Modern Display Font is a modern display font that includes Regular and Italic. This font is suitable for vibrant, energetic and bold designs such as sports poster designs, music posters, branding, t-shirts, prints, business cards, logos, posters, t-shirts, photography.

The hand lettered title on the cover of the 1932 sheet music for “I Wish We Could Dance Forever” was the inspiration for Dance Routine JNL. This bold Art Deco sans serif design is now available in both regular and oblique versions.

The 1933 sheet music compilation entitled "Kate Smith Memories Song Book" had the singer's name hand lettered in a bold, spurred serif typeface. This lettering design became the basis for Radio Show JNL, which is available in both regular and oblique versions.

This font is a clean, modern sans serif bold. Named after “De Rotterdam”* this huge and super cool building (read the story below). Great for headlines, Posters, Flyers but also well legible at small size in large texts. Contains All European language accents and characters. --- The Story --- *This complex is located in the Kop Van Zuid district of Rotterdam, on Wilhelminapier. I was lucky to see this building from the beginning (2009) growing up (2013) That time when I was working and living here. I was always amazed by the design and how huge it is every time I took a look at it while driving or walking on the Erasmus Bridge. When I was going to work or just hiking around the city. It has a special meaning and message for me: I started creating fonts in my free time in 2010 when I came to this city to work. I was factory worker, dishwasher etc. I grew together with this amazing construction from brick to brick, step by step. By the time its construction finished, I was able to quit my day job and become a full time freelance designer.

Kostic Serif is a classic transitional typeface (like Baskerville, Bookman, Caslon, Times) with tall, clean characters and a large glyph set to support all European languages - Greek and Cyrillic script included. Excellent for setting multiple pages of text and packed with OpenType features (proportional lining and oldstyle numbers, tabular figures, superscript and subscript, numerator and denominator figures, fractions and 31 ligature in 659 characters), it should meet the demands of even the most demanding typographic works. Kostic Serif is made with fairly large x-height, so the text is legible in very small sizes. Zoran began the work on Kostic Serif around 2002 and after completing Regular, Bold and matching italics, he wasn’t too pleased with the design, so he dropped further work on it to make other fonts. In 2010 Nikola came upon unfinished files for Kostic Serif, and decided to redesign the letters, while retaining basic proportions and widths that Zoran established earlier. When they were both pleased with the new look of the font, they made Medium and decided to add CE and Greek script to the glyph set, to make it pan-european.

This typeface comes from a self initiated project called Sápmi, which aims to contribute to keep a group of minority languages alive through solving issues in the education environment. This re-thought edition takes the name of Aanaar and joins our library with a bigger character set and two new weights which complete the typeface providing a big typographic palette as well as adding stylistic two-story a and g for more advanced readers as well as to enable the typeface to be used in other environments. The typeface was originally designed for children’s text books. Analysing kid’s typeface design, we identified some important problems and solved them within the boundaries we had. The main concern in a typeface which will be used by children is letter recognition, as they have not yet fully develop their reading skills. For example, letters like “a” and “g” share a very similar structure in this particular kind of typefaces, where the only distinctive part is the descender of the “g”. It is known that the lower part of the letter is the less important feature when reading, therefore we decided to make a clear distinction between them by having an “a” with a spur on the top right. This also helped distinguishing “a” and “o”. Children typefaces usually have one story “a”, making “a” usually too close to “o”. Additionally we moved the joint in “a” upwards and narrowed very slightly the “a” to make sure they cannot be mistaken. More generally, the x-height is fairly tall and the typeface has a bit of movement which give it a good rhythm helping moving along nicely when reading. Aanaar consists of 5 weights (Light, Regular, Medium, Bold and Black) plus two Italics (Light Italic and Italic).

Entered into the bykineks culture typeface edition. This 2nd edition typeface is inspired by the meander curves and waves often found in the culture and art of the Hellenistic era. The specifications for this font are bold typeface script, high contrast slope classification, stress axis, and X height. Comes with various alternatives for each upper and lower case letters. small offer a variety of silicates or optimal shapes for a given placement, having binding and sweeping characteristics. Suitable for coffeeshop branding needs, web design, stickers, apparel, invitation cards, and others. Consists of 503 glyphs support Languages ​​: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Chiga, ColognianCornish, Croatian, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician ,Double,Germany,Gusii,Hungary,Inari Sami,Indonesia,Ireland,Italy,Jola-Fonyi,Kabuverdianu,Kalaallisut,Kalenjin,Kamba,Kikuyu,Kinyarwanda,Lithuania,Lower Sorbia,Luo,Luxembourg,Luyia,Machame, Makhuwa-Meetto , Malagasy, Malt Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Sobia ,Shambala , Somalia, Spain , Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Upper Sorbian, Uzbek (Latin) Volapük, Vunjo, Walser, Zulu.

Quarca's masculine power runs strong across the page with bold self-assurance and a raw energy that courses through its thick veins. Don't think the continuous, smooth geometry of this semi-modular face is captively chained to the grid, though. Quarca has been cautiously optimized to engage the reader's eye. Achieving an attractive balance to its sturdy design, the open forms of this "rounded square" geometric sans -together with a tall x-height- make the font legible even when using the compact widths. This high-impact typeface definitely doesn't sacrifice versatility for style. These compact widths, with their raw heart and strength, are perfect for callouts, while the extended widths provide you with the platform for a punchy and extremely efficient headline. The font has a thinner weight and transcends to an intense bold. The face's geometric or technological construction also tends to make it right at home on the web. The family consists of 36 fonts -six weights plus italics. Where Quarca truly stands out, though, is its wide number of OpenType typographic choices and optional glyphs, allowing you to design your piece with a personal, one-of-a-kind variant touch. These variations consist of Experimental Capitals, Angled Capital Terminals, and "Future Stencil". In all, you can find more than one hundred of these alternate glyphs. Quarca is well-suited for anything you are able to throw at it. Devised for today's multi-disciplined designer, this clear and infinitely versatile family provides tremendous value to your toolbox.

Calissha Script is a handmade font created with a brush and ink, bold and irregular baseline. Contains a complete set of lowercase, uppercase, alternates, ligatures, punctuation, numbers, and multilingual support. And additional Calissha Capitals, working in harmony with Calissha Script to create typography awesome creations. Get some inspiration from the preview above. Contains a complete set of lowercase, uppercase, ligatures, punctuation, numbers, and multilingual support. Calissha Script is perfect for use in watercolor design or lettering style bold hand, such as blog header, branding, t-shirt, weddings, social media, product design, stationery, advertising, apparel, cover books, business cards, greeting cards, branding, merchandise, invitations and handmade quotes and more. Calissha Script features OpenType stylistic alternates, ligatures and International support for most Western Languages is included. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions.How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Calissha Script is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app.How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw If you need help or have any questions, please let me know. I'm happy to help :) Thanks & Happy Designing!

Introducing Burnley, a bold and groovy retro display font that exudes a clean and unique vibe. With its retro feel, Burnley comes equipped with beautiful ligatures, tons of alternative glyphs, and multilingual support, making it a highly versatile font that looks great both in large and small sizes. It's perfect for creating layout designs for 60s or 70s projects. The font is packed with open type features and a wide range of alternates to help you create amazing lettering. Burnley is best used for headings, headlines, covers, posters, logos, quotes, product packaging, merchandise, social media and greeting cards, and more. The zip package includes Burnley in otf, ttf, and woff formats, and comes with a range of features, including uppercase and lowercase letters, opentype alternates and ligatures, numbers, punctuation and symbols, and multilingual support.

The single-named, multi-talented designer Joluvian now lives in Madrid. But he grew up in the “Caribe” of Venezuela, where thick jungles meet endless beaches, and fecund trees bear juicy fruit – a tropical paradise where music and dance vibrate in the humid air. The Tropical pack, designed by Joluvian and digitized by Ale Paul, echoes the spirit of his birthplace. Its three faces are casually stylish – a bold, wet-looking display script, an inky, textured brush script, and hand-penned capitals with a felt-tip look. Like a fruit cocktail, each ingredient is tasty on its own, but they combine even more deliciously. Sprinkle the included catchwords, shapes, and bursts in your layout to complete the easygoing, Carribbean vibe. Each face includes alternates and support for multiple Latin languages.

The Generic Typeface Collection is a series of sans-serif typefaces inspired by the craftsmanship of graphic design, typesetting, and printing in the analogue era – before Adobe, Macintosh computers and desktop publishing – when dinosaurs ruled the earth. With the use of various typesetting apparatuses or dry transfer type, photo copiers, and shooting layouts and paste-ups to film, the printed results was not as exact, precise and predictable as it is today. When examining old prints, it is difficult not to like the way that characters in over- or underexposed film have a special type of vibe to them that is often sadly lost in today’s pursuit of total perfection. Encouraged by this, I saw a need for a collection of typefaces that are non-clinical and non-conformist, and some that are coarse, rough and distorted – errors that might come from poor exposure when put on film, enlargements from small point texts, or maybe quality loss from successive generations of photocopies. Or all of the above. This is an attempt to incorporate spirit and personality into a set of typefaces without losing distinction. You might call it a homage to non-perfection. I call it human. The Generic Typeface Collection consists of 11 fonts divided into four series. The three standard series – the Formal Release series, the Coarse Copy series, and the Rough Display series – all contain three fonts each. The Extra Splendor series contains a couple of shadow fonts for that little extra sparkle. Formal Release – Handcrafted & Clean The Formal Release series features sans-serif typefaces for everyday use. They are handcrafted and clean, human and uncomplicated. The Formal Release series contains three typefaces that add tons of personality to any text. G10 FR ‘Slim’ – a slightly under-exposed and clean typeface in a regular weight (228 glyphs - 1 alternate) G20 FR ‘Classic’ – a properly exposed clean typeface in a bold weight (228 glyphs - 1 alternate) G30 FR ‘Bulky’ – a heavily over-exposed clean typeface in an ultra weight (228 glyphs - 1 alternate) Coarse Copy – Dirty & Rough The Coarse Copy series features non-conformist typefaces that are worn and rough, maybe after going through that bad copier a few times too much. The Coarse Copy series contains three sans-serif typefaces that add tons of spirit to any text without compromising too much on legibility. Try them on in poster-sizes and everyone will know that you mean business. G40 CC ‘Slender’ – an under-exposed coarse typeface in a regular weight (228 glyphs - 1 alternate) G50 CC ‘Typic’ – a properly exposed coarse typeface in a bold weight (228 glyphs - 1 alternate) G60 CC ‘Huge’ – a heavily over-exposed coarse typeface in an ultra weight (228 glyphs - 1 alternate) Rough Display – Faded & Decorative The Rough Display series features attention-seeking decorative typefaces in three feature-packed fonts. Faded and gritty like the image distortion and degradation from successive generations of photocopies, they are eye-catching typefaces intended to stand out in bigger point sizes. Use these typefaces for signage, headlines and similar situations were a strong typographic statement is desired. We have packed no less than 1,334 alternate characters and 212 discretionary ligatures into this series for a greater chance of not having characters that look exactly the same more than once. G70 RD ‘Slinky’ – an under-exposed rough and decorative typeface in a regular weight (741 glyphs – 448 alternates – 66 discretionary ligatures) G80 RD ‘Standard’ – a properly-exposed rough and decorative typeface in a bold weight (748 glyphs – 448 alternates – 73 discretionary ligatures) G90 RD ‘Swollen’ – a heavily over-exposed rough and decorative typeface in an ultra weight (748 glyphs – 448 alternates – 73 discretionary ligatures) Extra Splendor – Sparkling & Extraordinary The Extra Splendor series features two shadow typefaces for that little extra sparkle. One clean shadow to be used with G20 FR ‘Classic’, and one rough shadow to be used with G80 RD ‘Standard’. Having the shadows separate from the main typeface adds another layer of expressiveness in that you can try out color combinations for that extra splendor. Tips for matching (applies to both the base font and the shadow font): Set the kerning to Metric, not optical. Increase tracking to accommodate for the shadows extra width. G25 ES ‘Classic Shadow’ – a clean shadow to be used with G20 FR ‘Classic’ (228 glyphs – 1 alternate) G85 ES ‘Standard Shadow’ – a rough shadow to be used with 80 RD ‘Standard’ (227 glyphs) OpenType features – alternate characters and discretionary ligatures – can be accessed by using OpenType friendly professional design applications, such as Adobe Illustrator, Adobe InDesign, and Adobe Photoshop.

Delagio Script is a calligraphic font that combines cursive elegance with a funky, innovative edge. This retro-inspired font is both creative and heavy, making it perfect for designs that require a unique and playful touch. Delagio Script is ideal for projects that seek to convey a sense of fun, humor, and originality. The creation of Delagio Script traces back to a lucky discovery of a vintage magicians' promotional posters. The unique blend of whimsy and elegance in Delagio's lettering were captivating enough to form the base of a typeface that embodied the distinctive charm of entertaining calligraphy strokes. Thus, Delagio Script was born, encapsulating the spirit of serendipity and the magic of a forgotten world. Use underscores _ to make swashes under words. Example: Magician_ The Delagio Script font family features four styles that cater to a wide range of design needs: Thin, Regular, Bold, and their respective Italics. These distinct options allow you to create eye-catching compositions that capture the essence of innovation while remaining rooted in vintage aesthetics. Equipped with advanced OpenType functionality, Delagio Script ensures top-notch quality and provides you with full control and customizability. The font includes stylistic alternates, ligatures, and other features to make your designs truly unique and engaging. Offering extensive lingual support, Delagio Script covers all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia, and includes all the characters and symbols required for your creative projects, such as punctuation and numbers.

Octin Sports is a typeface that commands attention and exudes a sense of strength and resilience. The seven available weights—light, book, regular, semi-bold, heavy, and black—provide a range of options for designers looking to add a bold, dynamic element to their work. But make no mistake, this typeface is not just for the sports world. Octin Sports has a versatility that extends beyond the playing field and can lend a rugged, no-nonsense vibe to a variety of themes. Whether you’re designing for a school, construction site, or law enforcement agency, Octin Sports is up to the challenge. The sleek, angular lines of this typeface give it a distinct sporty feel, making it an ideal choice for designs that seek to convey energy and excitement. The bold weight options are particularly striking and provide a strong visual impact that demands attention. Overall, Octin Sports is a solid choice for designers who want to infuse their work with a sense of toughness and vitality. Its versatility and sporty design make it a font that can rise to any challenge, whether it’s on the field or in the boardroom. Check out the rest of the Octin families: Octin College, Octin Prison, Octin Stencil, Octin Vintage & Octin Spraypaint. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Starlit Neon is a delightful display font that combines the elegance of rounded letterforms with the captivating allure of neon lights. With its bold uppercase characters and unique design, this typeface adds a touch of playfulness and charm to your projects. The defining feature of Starlit Neon lies in its rounded letterforms, which exude a sense of softness and approachability. Each letter is meticulously crafted with smooth curves, creating a harmonious and pleasing aesthetic. The rounded shapes give the font a friendly and welcoming appearance, while the neon style adds a touch of excitement and vibrancy. Inspired by the mesmerizing glow of neon signs, Starlit Neon infuses a sense of enchantment and allure into each character. The font captures the captivating charm of neon lights, casting a radiant glow that evokes a magical atmosphere. In some letters, you'll find additional subtle accent lines, which enhance the overall composition with a touch of sophistication. The uppercase letterforms of Starlit Neon are bold and assertive, commanding attention with their rounded shapes. Each letter of Starlit Neon is thoughtfully crafted to strike a balance between rounded shapes and legibility. The uppercase characters are distinct and easily recognizable, ensuring your message remains clear and impactful. The additional subtle accent lines in select letters add an extra touch of visual interest, elevating the font's overall composition. Find out more ways to use this font by taking a look at the font preview. Features: Alternates Multilingual Supports PUA Encoded Numerals and Punctuations Starlit Neon perfect for designs like headlines, logos, and eye-catching titles that seek to make a bold statement with a touch of whimsy. Whether you're creating posters, branding materials, digital artwork, or anything in between, this font will infuse your projects with a sense of joy and uniqueness. It particularly shines in applications related to entertainment, children's products, beauty, and lifestyle themes. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Introducing Syndra, a typeface that’s as timeless as it is modern. With its unique Y2K style, this typeface boasts letterforms that seem to have come straight from a machine. You can almost feel the hum of technology when you look at it. But don’t let its cold, emotionless shapes fool you. Syndra’s tireless character set works hard to make your message sound authoritative and technical. With OpenType fractions, numeric ordinals, and plenty of currency symbols included, you’ll have everything you need to create a professional and polished look. It’s the perfect font for anything related to plastics, medications, technology, and renewable energy. And with seven weights to choose from—Thin, Extra-Light, Light, Regular, Semi-Bold, Bold, and Extra-Bold—you’ll have the flexibility to create the look and feel you want. So if you’re looking for a typeface that’s both unusual and tech-savvy, look no further than Syndra. It’s a font that’s sure to turn heads and make your message stand out in all the right ways. Most Latin-based European, Vietnamese, Greek, and most Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Azerbaijani, Bashkir, Bashkir (Latin), Basque, Belarusian, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Buryat, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dungan, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Igbo, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaingang, Khalkha, Kalmyk, Kanuri, Kaqchikel, Karakalpak (Latin), Kashubian, Kazakh, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish, Kurdish (Latin), Kyrgyz, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Nahuatl, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Rusyn, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tajik, Tatar, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Ukrainian, Uzbek, Uzbek (Latin), Venda, Venetian, Vepsian, Vietnamese, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xavante, Xhosa, Yapese, Zapotec, Zarma, Zazaki, Zulu and Zuni.

Keraasih is a graffiti display font that combines art, freedom, and the beauty of handwriting. Crafted with boldness and expression, this font is the perfect solution for projects that require a unique artistic touch and beautiful handwriting. With Keras, you can create striking and eye-catching designs. This font gives you the freedom to express your creativity and exudes a style like no other. The expressive look and strong character make Kerasih a standout choice among other fonts. The artistic touch in each letter and the intricate details make Keraasih so attractive. Every cut, line, and stroke exudes boundless creative courage and passion. The bold graffiti design and the feel of beautiful handwriting create a unique and eye-catching combination. Keraasih takes you into the world of art and freedom. Use this font to create eye-catching posters, memorable logos, or cool merchandise designs. With Kerashy, you can bring an interesting and evocative touch of art to your projects. What’s Included : - File font - All glyphs Iso Latin 1 - Ligature, Alternate - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Rekusen is a modern and bold sans-serif display font that stands out with its cleanness. Perfect for branding, headlines, and editorial design, this font is sure to make a statement. The unique combination of thick and thin strokes creates a dynamic and eye-catching appearance that draws attention to your message. In addition to its stylish design, Rekusen also features a wide range of alternate characters and ligatures that allow for creative customization and increased versatility. With alternates and ligatures, this font provides endless possibilities for unique and impactful designs. And with support for multiple languages, it can be used across a variety of projects with ease. Whether you’re designing a logo, creating a poster, or crafting a website, Rekusen is a powerful tool that will help you achieve your design goals with style and sophistication. Its modern, clean, and versatile design makes it a perfect fit for any project that needs a touch of boldness and professionalism. What’s Included : - All glyphs Iso Latin 1 - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Oktah is a geometric grotesk that comes both as a variable font and 22 static fonts: 11 uprights and 11 matching italics, which make it a great tool for those seeking a versatile font with a strong character and high legibility. Throw in a very pleasing look, elegant curves and a wide range of weights, and you'd get what Oktah aspires to be: a perfect typographic tool for every need.In Oktah, elegant geometric curves meet bold strokes and wide apertures. Round letters are nearly circular, but, to boost readability, slight changes were introduced for optical compensation. Oktah is also equipped with amazing OpenType features: case sensitive punctuation, ligatures, fractions, superscript and subscript figures, two kinds of circular figures, stylistic & contextual alternatives and much more! Oktah supports all major European languages, as well as Vietnamese and some dozens of foreign languages that you may encounter in your designs. We've got all that covered. The glyph count for each of the styles is 800+ characters. Two styles (Extra Light and Bold Italic) are free to try and experiment with. If you need wide language support and more extensive OpenType features, consider taking a look at Oktah Neue, a bigger version of the classic Oktah.

Benson Script is a script that is desperately trying to be anything but a script. With 3 contrast levels, and 2 styles, the six styles of Benson Script are an experiment in the diversity of a single stem width. Modernism’s desire to fit all elements within geometric constraints and adhere to strong verticals has spread throughout type design, but has had little to do with the frills and ornaments of script. Cutting a script down to its bare bones is an offensive idea to many—almost seeming insulting to its genre. Benson Script bridges that genre gap between frill and function. As a matter of genre Benson Script errs on the side of modernism, and adds flair as a last resort. Read more about her open type features, and the development process here.

Meloso is an easygoing typeface. It has a playful and organic feel that has its own hand-drawn charm while still being incredibly legible due to its simple shapes and high x-height. It has the unique ability to stand alone as a title text or work in small paragraph form. It's the perfect way to bring the friendly feel of an "imperfect" and slightly rounded font into your next project. Meloso is a variable font with 6 set weights. If you're using a program that supports variable fonts, you'll be able to choose any point between the "Extra Thin" and "Extra Bold" weights to get the perfect thickness and adjust the italic to the angle you need. You can also use the standard OTF files to have the 6 set weights.

Looking for an elegant font? Romile is a elegant and bold serif font. It comes to be a single font all in uppercases. Thanks to the cursive and unique swirls at the end of some characters carries a sense of elegant looks. On the other hand, the weight of the font brings strength to any title or header you apply it to. Features: Stylistic Sets Ligatures Swashes Numerals and Punctuations PUA Encoded It can be used for many design projects, such as poster, logo, book cover, branding, heading, printed product, merchandise, quotes, social media campaign, etc. Get more inspiration about how to use it by seeing the font preview. Thank you for purchasing our fonts. Please don’t hesitate to contact us, if you have any further question or issues. We’re happy to help. Happy Designing.

Rhodes is a modern geometric sans serif consisting of 5 weights ranging from Extra Light to Bold with matching true italics. Its variety of weights provide a range of choices that will help you find the best typographic color for your project. Lighter weights are well-suited for body text while heavier ones are ideal for high impact headlines. Rhodes has been designed purposely to enable brands to appeal more emotionally to modern consumers. The balanced characteristic of Rhodes with unique details, such as the geometric form and the prominent x-height makes it perfect for strong headlines and outstanding logos, but also suitable for long text. Rhodes includes a set of ornaments in regular and italic to be able to combine it with the glyphs and thus, to give your designs more exclusivity.

Second Reign is a decorative medieval typeface. With borders and diamonds, this magic typeface of extreme variability brings us to glorious worlds in the golden times of epic sagas. Second Reign is the typeface of a viking king or a knight order. Use it for a Middle Ages game, a fantasy headline, or as a logotype for anything of historical theme. With usage in any modern software, the letters will automatically overlap and embrace in an elegant way. To make heraldic symbols, copy these icons: 🐉 🐎 👑 🗡 🦁 🦅 🦌 + ♖ × ✝ ⚓ ＊ ⚔ † ‡ Alternatively write %A %B %C ... etc to create the heraldry. (Download required.) Dragon, Horse, Crown, Sword, Eagle, Deer, Cross, Anchor are some of the logos. Use [ ] for side borders. Example: [Royal⚔Thrones] The Second Reign family consists of four variations: The weight styles Thin, Medium and Bold, plus the decorated Border style. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering Greek and Cyrillic, as well as all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

First Reign is a decorative medieval typeface. With borders and ornaments, this swirly uppercase typeface of extreme variability brings us to glorious worlds in the golden times of epic knight sagas. First Reign is the typeface of a Royal House, of vikings, kings and queens. Use it for a Middle Ages game, a fantasy headline, or as a logotype for anything of historical theme. With usage in any modern software, the letters will automatically overlap and embrace in an elegant way. To make heraldic symbols, copy these icons: 🐉 🐎 👑 🗡 🦁 🦅 🦌 + ♖ × ✝ ⚓ ＊ ⚔ † ‡ Alternatively write %A %B %C ... etc to create the heraldry. (Download required.) Dragon, Horse, Crown, Sword, Eagle, Deer, Cross, Anchor are some of the logos. Use [ ] for side borders. Example: [Magic⚔Thrones] The First Reign family consists of four beautiful styles: Decorated capital font provided in Thin, Medium and Bold, plus a Border style. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering Greek and Cyrillic, as well as all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Core Gothic E is a simple and modern sans-serif Korean font consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black). Character set is consist of Korean 11,172 characters, Hirakana & Katakana, Latin and Korean symbols. It is well balenced between Korean and Latin characters. Latin typeface (Core Sans E) was adjusted to be matched with korean typeface. Spaces between individual letter forms are adjusted in detail so that it makes perfect typesetting. Supported codepages are MS Windows 1252 Latin1 and MS Windows 949 Korean. We recommend to use for books, web, screen displays and so on.

Annalena Script is a romantic typefaces. bold, elegant & fun vintage script font. Can be used for various purposes.such as logos, wedding invitation, t-shirt, letterhead, signage, news, posters, badges etc. Features 423+ glyphs and 160 alternate characters, ligatures, swash and multiple language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac).

Aromática—designed by Sofia Mohr—is a rounded typeface with a simple and clean look that reminds us of those strokes found in handwriting while providing functionality and readability. Aromática consists of 7 fonts: a monolinear Script, a Sans-serif of 5 weights, ranging from Extra Light to Bold, and a Patterns font, inspired by aromatic herbs and spices, which is the perfect companion to the Script and Sans faces. Aromática was specially designed for branding and packaging, but it may also be used for headlines, publishing and advertising. The family comes with a character set that supports 207 different languages.

Chewies is a quirky bold font with unique letterform. You can playaround to fit the form using uppercase and lowercase mode. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Aila is a surprising slab serif built on the structure of a realistic Roman, but with unique organic features that make this typeface an exercise in tension between structure and rhythm. This expressive tension is displayed in heavier styles (Aila Bold and Aila Black), and is strongly evident in the italic forms. Aila's italics offer an interesting re-interpretation of the cursive ductus of classic italic forms, to offer rhythmic and swift variants, which are the ideal counterpoint to the regular set in body text. Each style of the Aila family offers an extended character set specially designed for editorial design projects.

Introducing Bubbble Gum - sans serif typeface - 9 fonts Bubbble Gum is modern, rounded typeface with 9 fonts, regular, italic and multilingual support. It's a very versatile font that works great in large and small sizes. Bubbble Gum is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase, Lowercase numeral, punctuation & Symbol Hairline Light Regular Bold Black Italic ( Hairline, light, regular, black ) Ligature glyphs Multilingual support Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Melody Break is a playful bold display with unique letterform. You can play around to fit the form using uppercase and lowercase mode. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Kevlar was initially inspired by an obscure logo discovered in a 1960s radio-fan magazine. Of immediate interest was that the upper half of the typeface appeared to be a sans while the lower half appeared as a curious blend of a slab serif imbued with a script-like quality. First came Kevlar Bold in 2003, closely followed by its text weight companion Kevlar Regular. The original source of the inspiration as then revisited to develop the third in the set, Kevlar Slab, a truly individual mix of script-like fluency with the heavy weight base of a slab serif.