Set the mirrored ball spinning, and get down to Funky Town. Based on a period piece appropriately named Disco 79, this version shifts the concentric elements so that they appear to be lit from below, adding impact and, perhaps, even a sinister touch. You'll also find special treats at the dagger, double dagger and section mark positions. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Steve Jackaman and Ashley Muir. It was our initial intention to develop a suitable lowercase for Les Usherwood's 'Elston' typeface, based on a few characters from an old German typeface called Hermes Grotesque (Woellmer, Berlin). However, the new design quickly took on a life of its own, and we decided to call it ‘Creighton’. Originally released as a four font family, we have now added eight more weights and made the entire family into 'Pro' versions for good measure.

Midon font type is a thick serif with an elegant appearance. Having a personality that dares to create feelings and expressions that are firm but gentle so that they can be used as work tools so that the communication conveyed will easily feel beautiful. Midon Uppercase 75+ Language Alternate & Ligature So what are you waiting for? immediately purchase this font, feel free to comment, or send me my PM or email at khoirtypework@gmail.com Thank you for seeing

We were marveling one day at a colleague's handwriting. We noticed that it managed all at once to be casual and modern looking, yet admirably regular and legible as well. We took a few specimens of their writing as the inspiration for 'Sophie J', a family of two typefaces offered in regular and bold weights. Sophie J is ideal for posters, fun party invitations and anything else where a feeling of friendliness and warmth is required.

True North is back but now in a distressed version and new styles! True North Textures is a vintage typeface with 18 fonts and a monoline script. True North Textures comes with distressed labels, extras and free banners. Extras include wild animals, catchwords, numbers, mountains, symbols, tools, leaves and trees. True North Textures is a headline font with alternate capitals. Combine all 18 styles with the script, banners, labels and extras and you get a wonderful distressed vintage design.

Bovid ready to clash Following the ancient Adriatic history and natural shapes of the ram horns, Bovid typeface connects sports and tradition in a fearless and reckless way. It empowers players as soon as they put on their jerseys, making them ready to clash for the highest score. Bovid typeface has low contrast and high legibility with priority on numerals. It has capital letters in two sizes and is suitable for sport jerseys, posters, brochures, flags and tickets.

The beautiful Art Deco monoline pen lettering on the cover of a 1940s piece of sheet music inspired Central Park JNL. The 1940s was an era when couples took romantic walks along the pathways of Manhattan's Central Park or rode around it in hansom cabs. Big bands played at the major clubs and ballrooms and "uptown" meant the well-to-do. Men dressed in their tuxedos and top hats and the ladies were in their jewels and evening gowns.

Some words from the designer... West coast artist Teri Kahan developed a "design font" of 68 pictographs capturing the sentiments of relationship, connection and synchronicity. Many of the characters were created with phrases in mind like, "handing you the world on a platter", "howling at the moon", and "message in a bottle". Others represent life experiences. The clean, simple illustration style originates from the look of hand-carved rubber stamps, and lends itself beautifully to logos and graphics.

I'm Andrea, creator at Nirmalagraphics and I want to present my latest font called "Kidszania". I took the name from a children's playground filled with writings posted on the wall. I found a child's writing style that is funny, looks clean and natural. I tried a rough sketch of a font that resembled the writing of the child, then I modified it to become the "Kidszania" font. This font can be used for any needs, especially children-themed designs.

Spotted for sale online, a partial set of antique tin stencils from France had a distinctively handmade look about them. Many of the characters were inconsistently wider than others, some characters were missing and one was damaged. Despite the obvious flaws, the image of these stencils served as the model for a digital font revival once the characters took on a more uniform appearance. French Stencil Serif JNL is available in both regular and oblique versions.

Wittingau is the original German expression for “Třeboň”, which is a beautiful town near my studio in South Bohemia. I love it for its calm and inspiring atmosphere and rich cultural past dating from the 12th century. The present typeface family is released as homage to Třeboň in the style of its greatest glory – Gothic Revival with classicistic decorativeness. Wittingau is excellent for music covers, book and catalogue jackets, invitations and posters. Contains many ornaments for creating decorative wallpapers.

On one hand, this font serves as a calm sans-serif, while on the other, it stands alone as a graphic system. Enriched with various shapes and symbols, it goes beyond the mere conveyance of information through text. It's an emotional neo-grotesque and a versatile tool in the hands of a designer, capable of adapting to a project and guiding the flow of information in the desired direction, adding either rigor or emotion in the appropriate places.

Happenstance came out of a play session with Bezier curves with a sense of fun built into its being. First came play, then came work. Thomas Edison once said,”Creativity is 1% inspiration and 99% perspiration.” Nikola Tesla thought the opposite. In this case, what started as inspiration took a lot of perspiration to corral into a usable font. So maybe the reality is a) different for different people or b) somewhere in the middle. Just sayin’.

Geria is a hand drawn sans serif in four weights. Despite being rough and organic, Geria retains the basic structure and shape of a readable sans serif. The result is a functional typographic tool with a lot of personality. The family comes in four carefully balanced weights that offer a lot of contrast from the delicate Light to the punchy Heavy weight. Geria is perfect for display use in branding, packaging, editorial design, posters and advertising.

Brer Rabbit (or Brother Rabbit) is the central figure in an oral tradition passed down by African-Americans. Brer Rabbit is a trickster, just like the other popular trickster character in African stories called Anansi the spider. Brer Rabbit was based on an old font of mine called Rabbit On The Moon. It is a nice, cute children’s book font that comes with extensive language support and Brer Rabbit himself, in the shape of the alternative asterisk glyph.

Brooklyner font is based on the typeface used for The Brooklynite, a magazine which saw its heyday in the 1920's. The typeface before you is an all caps affair, making it a perfect choice for headlines, posters and ads. Since I had to work with just a handful of glyphs (11 to be precise), it took me a while to design the rest. Brooklyner font is loose, cartoonesque and very legible - and it comes with extensive language support.

In Hammered all the letters are made up of hammers and an occasional nail. It is caps only, but the characters on the lower-case keys differ from those on the upper-case keys. It has a large set of accented characters. It is not often that one needs a typeface made of hammers and nails, but if one does, there is a font for that. For related, tool-based typefaces, see Screwged, NailsNStaples, and WrenchedLetters.

The typeface Cat Finger is designed from 2021 for the font foundry Typo Graphic Design by Manuel Viergutz × Carmen Thiemer. The display font based on the human hand. Started analog with acrylic paint, a finger and a white paper. After scanning, a digital brush was created. With the help of a touch tablet, this brush was used as a writing tool. One font-stlye written with the left hand (left) and one with the right hand (right).

JP2 has some special roots being inspired by the actual handwriting of Pope John Paul II. Franciszek Otto took this source material and transformed it into a high quality font. The result is a rough, but intelligent, design with letters that slightly bounce along the baseline to mimic typical writing. Their short x-height, long extenders, and unique capital letters make this a very beautiful and distinctive typeface. Try it out for greetings, invitations, or posters!

Alphabet primarily used for writings with magical purpose in ancient times NOTE: this font comes with a comprehensive interpretation guide in pdf format.

Alternates, ornaments, ligatures and two casual stylish faces. This is Outside. Where we'd absolutely rather be. * Released during the inside times of 2020 *

Odd and funny script for happy, fun time. There are two other fonts designed by in the same concept. -Ekistra -Deluta Black -Xesy

Forget everything about Times New Roman and all the other classic typefaces! Forget all that and take a bite of Peanut Butter Man!

Etruscan was the language of the Etruscan civilization, in Italy, in the ancient region of Etruria (modern Tuscany, western Umbria, northern Latium, Emilia-Romagna, Veneto, Lombardy and Campania). Etruscan influenced Latin but was eventually completely superseded by it. The Etruscans left around 13,000 inscriptions that have been found so far, only a small minority of which are of significant length; some bilingual inscriptions with texts also in Latin, Greek, or Phoenician; and a few dozen loanwords. Attested from 700 BC to AD 50, the relation of Etruscan to other languages has been a source of long-running speculation and study, with its being referred to at times as an isolate, one of the Tyrsenian languages, and a number of other less well-known theories. The consensus among linguists and Etruscologists is that Etruscan was a Pre–Indo-European,and a Paleo-European language and is closely related to the Raetic language spoken in the Alps, and to the Lemnian language, attested in a few inscriptions on Lemnos. Grammatically, the language is agglutinating, with nouns and verbs showing suffixed inflectional endings and gradation of vowels. Nouns show five cases, singular and plural numbers, with a gender distinction between animate and inanimate in pronouns. Etruscan appears to have had a cross-linguistically common phonological system, with four phonemic vowels and an apparent contrast between aspirated and unaspirated stops. The records of the language suggest that phonetic change took place over time, with the loss and then re-establishment of word-internal vowels, possibly due to the effect of Etruscan's word-initial stress. Etruscan religion influenced that of the Romans, and many of the few surviving Etruscan language artifacts are of votive or religious significance.

The coffee made typography. CoffeeBreak is a typefamily designed by Carlos Fabian Camargo G. Its purpose is to communicate similar feelings to the ones you get when you first try the best roasted Colombian coffee early in the morning. That is the reason of the waiting, accompanied, or when you only want to be, nuances your design with its fonts full of flavor, texture and passion. For each time, every time, it gives you hints of flavor to design your day. It unleashes your artistic streak mixing possibilities as you wish, to your taste or the taste of your friends or that special someone. From handwriting to every warm drop of your first mug of the morning, we've always got something for you. Eye catching, modern, beautiful, cool and adventurous styles in the CoffeeBrwak shop ready for you to purchase. - CoffeeBreak A & B: 2 typographic tools with countless swashes and ligatures ideal for use at the beginning, in the middle or end of words that need italics, flavored dancers and rhythm masterfully expressed in gestural strokes for his calligraphic experimental logic. - Coffee Break Script 1 & 2: write them you can easily with decorative letters advocating a return to the artisan product ingenuity of the primacy of man over machine so your upper and lower case letters travel in a single line. - CoffeeBreak Words & WordsBold: It contains words specially designed to attract attention. - CoffeeBreak Dingbats: They are figurative silhouettes with textures that add warmth and a highly communicative environment. All are easily activated glyphs using the Glyphs panel in Illustrator, InDesign and Photoshop. Special thanks: Ilustrations: Eduardo Gomes. Photos: Karen Salvatierra. Texts: Javier Lineares- Description: Ernesto Googolplex. French translation: Marta Cano

Raylig is a graceful serif but full of energy, Raylig is an experimental project full of selfishness in it, this project was designed by khaiuns in May 2021, he made it himself so it took about 4 months. Raylig is a desire to present the perfect font for your wide variety of projects so that this type of font can be selected for branding, especially in the UI / UX industry, also suitable for typographic layout for magazines, posters, books, etc. With hard work and spending a lot of time, comes the Raylig Serif font that has interesting things, such as: 10 styles: 5 Original, 5 Alternative 650 glyphs in each style Support for more than 190+ languages: Expanded Latin, and many other languages Each style has 33 really cool alternatives, and find something interesting Raylig also has classic characters, but it is also perfect for your modern design, you can see it on display, such as in thin body size (light), Raylig makes a neutral impression, but when the size is getting bigger (Bold), users are taken on a fun search to find interesting movements, graphic peculiarities, and unusual solutions. All letter patterns are perfectly adjusted. I hope you have a blast using Raylig. Thanks for use this font ~ Khaiuns X zelowtype

Bill Corporate is a geometric typeface with generous capitals. A modern classic, based on Max Bill’s lettering work, its straightforward and uncompromising construction can be both edgy and sublime. With minimalist letterforms, pointy apexes instead of flat ones, and archetypal proportions, this font family doesn’t follow any trends but strives to achieve a timeless formal vocabulary. The skeleton of its letters is based heavily on the famous primary shapes of the Bauhaus: square, circle, and triangle. This makes for quite wide uppercase and much narrower lowercase letters. The contrast between uppercase and lowercase benefits inexperienced users, who will be able to get appealing results quickly. At the same time, it’s a powerful tool for seasoned designers, who can employ either case selectively to set the desired typographic course. Bill Corporate Medium’s 16 styles (including a set of eight lighter-than-light fonts from “Two” to “ExtraLight”) are an excellent choice for editorial design, branding, headlines, and even short to mid-length copy in a wide range of applications and industries. The uppercase letters in particular—with their varied widths and lavish dimensions—are suitable for cosmopolitan and stylish logotypes and wordmarks. Whenever a timeless, staid, and classy look is demanded, choose Bill Corporate.

Wood Type Catalogs of the 19th century often offered tools and accessories alongside alphabets of wood type. Probably the most closely related was wood type borders and ornaments. Decorative Borders were often sold by the foot and accompanied by corner pieces that matched the designs. These borders could be assembled in almost any size dimensions as needed. The digital version uses the same principals of modular assembly to create the exact size border that is needed. Along with the borders, included in this font are a selection of "streamers". These banners would have been made to order with the font designs reversed out along a horizontal banner with decorative end caps. The digital version allows for a modular assembly by selecting choice of end caps and then typing the = as many times as needed to achieve the desired length. 10 styles of 9 piece borders can be created in any size variations as well as 8 styles of streamers in any desired length. Some of the designs can be mixed and matched for unusual contemporary design interpretations of these historic styles. It is recommended that the line height (leading) is set to the same size as the point size setting, this will visually lock all elements together.

Characterized by quickness, lightness, and ease of movement, Bird Script is a font which challenges many aspects of type-design: every single stroke, comes directly from the author’s hand and tries to reflect not only the tool used, but also his feelings at the moment of writing. Bird Script is a font filled up with the energic gestures of what it’s called gestural calligraphy, a not very explored field in typography, where hardly ever a letter comes the same way two times: When manipulating the pen, the letterer seeks for the beauty of the differences and the grace of a confident execution. Originally done with a flat speedball pen nib nº5 and retouched with pencil for the bolder elements, it turned into a very pleasant to the eyes font which dances between the formal rules of typography and the artistic look of calligraphy. Bird Script Pro and Bird Script Light Pro come with many ligatures, alternates and ornaments. Into the standard ligatures we find lots of pairs of two and three ligated letters so when they are activated the font seems alive. However if none of them are activated, the font gives a really particular text pattern, specially in smaller sizes. Get Bird Script, add rhythm to your work.

Voguish – Sophisticated Calligraphy Are you looking for an outstanding and unique font? Do you want to add some fun and playfulness to your creations? Then this is the font that you need! Say hello to Voguish – the new, exclusive, and elegant font! Voguish is a sophisticated font ideally crafted to easily create amazing results with a minimum of fuss. Voguish is a perfectly balanced font with unique, stylish letter shapes that have been combined with a sophisticated contemporary touch. Being a perfectly multifunctional font, it is the ideal fit for new season designs. It’s perfect for all those luxurious projects or designs that you want to stand out from the crowd! Download it now and make all your dreams come true! It’s so unique and elegant in look, that it will be the talk of your town! Voguish features: A full set of upper & lowercase characters Numbers & punctuation Gorgeous ligatures A full set of alternate upper & lowercase characters Uppercase beginning swashes Lowercase ending swashes Lowercase alternates characters Multilingual symbols PUA Encoded Characters – Fully accessible without additional design software. Feel free to give me a message if you have a problem or question. Thank you so much for taking the time to look at one of our products.

This font was created in honor of my husband for our 12th wedding anniversary. 14 years ago, I met this tall, skinny guy from Indiana in the lobby of a hotel in Hong Kong. We talked. The next day, we had lunch together. And that night we had dinner together. And the next day. And the next. We met just before my 19th birthday, and on my birthday he took me to the top of Victoria Peak, where we looked out over the city of Hong Kong- such a beautiful place to begin a lifetime of love! We spent 4 months together in Hong Kong, falling in love with each other and with the beautiful city we were privileged to call home for that short time. We married the next year. We've lived in Indiana, Texas, China, Kentucky, and Florida over those 12 years of marriage and have welcomed 2 daughters into our lives. I know beyond a shadow of a doubt that he completes my life in a way I didn't know was possible. And I know that I'm blessed beyond words to have a supportive, wonderful, encouraging husband who is also a loving, involved, caring dad to our daughters. This font is for you, Keith!

The font is made in the direction of Tribal aesthetics. He is restrained, but at the same time very cityistic, has an aggressive mood.

Galpon Pro, is an improved version of Galpon, this time it contains Lowercase, Signs and also is in different weights, ideal for entertaining titles!

The Kidprint font is designed to look like a child´s printing. Kidprint is useful any time a playful or whimsical look is required.

Fleurons are embellishments and here is my seventh set. This time I give you all kind of different labels. Your labeled designer Gert Wiescher

Thistle Borders are yet another "trouvaille". Great borders made out of thistles, teasles and flowers from the meadows of Victorian times by Gert Wiescher

The Kidprint font is designed to look like a child´s printing. Kidprint is useful any time a playful or whimsical look is required.

Alimentary (adjective): relating to nourishment or sustenance. If you've seen my other fonts, you know I tend to lean into food-based names. This name has to do with food and science combined, so it's double nerdy in the ways I like to be nerdy! I started with Alimentary Medium, which was inspired by my shorter, wider font MacGuffin - I wanted something taller, narrower, with a hip and retro feel. When I finished the Medium weight, I felt like I wanted a Light weight. Then a Heavy weight. Then I figured, "what the heck," and made an outline version of the Medium weight too. In the end, I wound up with four members of the Alimentary family, each with over 700 glyphs! Not only do they all have the basics (A-Z, a-z, 0-9, and tons of punctuation), but they also each have 330 characters for European language support, and a limited selection of Greek, Coptic, and Cyrillic characters. Plus a double handful of alternates and ligatures to add a little variety to your designs! And of course, all of the Alimentary fonts are super-smoothed, with reduced nodes and clean curves, so whether you're cutting them out, printing them, engraving them, or using them in a way I haven't even thought of, these fonts will be sharp and crisp!

Nilakandi is an elegant display script font. The sturdy and thick construction feels so strong which is the result of a combination of classic typeface and modern calligraphy. The OpenType features are very rich with many alternative fonts on stylistic sets so you will easily mix and match typography in each of your designs. With nearly 600 glyphs, Nilakandi supports many languages. Don't waste time, it's time you put Nilakandi in your font collection folder.

It’s the end, but the moment has been prepared for... the Time War is over and things are wearing a bit thin, time for a new face, a new body, a new companion for our Timelord font... a REGENERATION! Features: 138 automatic connecting ligatures Language support for Western & Central Europe and Vietnamese Solid Variable Font for complete control of weight and italic Levels Variable font can access any point between Inline, Midline & Outline